November, 2020 | Cabin Art

Snowy Sequoias, finished!

The pair of trees in the middle needed detailing next.

Then, instead of working on the trees themselves, I worked on the snow. White is the slowest color to dry in oil paint, so it needed a head start.

I skipped showing you all the in-between steps. They were this: snow on the ground, tree details, more snow on the trees, details on the few upper branches, more detailing on the trees, sign, and then. . .

. . . I flipped it upside down! Why?

Because the bottom needed painting.

Then I moved it into the dining room to dry.

When it was dry, I carried it outside to photograph in the daylight.

Hi Tucker. Thanks for stopping by.

Wowsa. I feel mighty proud (and relieved).

Trail Guy and I spent an hour building a make-shift, patchworked, DBO box to protect it on its journey.

This is the fancy pick-em-up truck, not the Botmobile.

Today I will deliver the giant commissioned oil painting of Sequoia trees in snow, and it will feel great to hand it over.

sequoia oil painting

Math Accident

I couldn’t figure out why the giant oil painting of sequoias in snow was taking so long. The answer is that I had a math accident.

The customer decided on 18×36″, and I agreed that I could finish it in the time needed, although it would be quite tight.

I painted and painted, each morning before heading to work on the mural in the afternoon, some mornings before teaching drawing lessons in Exeter, mornings before my business referral group Zoom meeting. It seemed that I wasn’t making much progress in each session. Although I got areas finished, they were a smaller percentage of the entire painting than I expected to cover.

One day, I was looking over my inventory list, adding and numbering new jobs (have I mentioned how much work I have?) and I noticed that the canvas of sunny sequoias, which I converted to the snowy sequoia painting, was listed as being 24×48″.

I got the tape measure out, and sure enough, instead of painting 18×36″, I am painting 24×48″.

24×48″?

Yeppers.

Ridiculous math accident.

And that is why I have to stand on a ladder to paint the top edge.

My customer was extraordinarily gracious and understanding. We spent a fair amount of time laughing together on the phone about the situation, and then he told me to adjust my price to reflect the true value of the painting!

His company has plans to reproduce it in several formats, and it will still work because the proportions are the same as 18×36. Because it is larger, I am able to achieve tighter and better detail. So, it is all turning out better than planned or imagined.

Thankful

More Snowy Sequoias

November is the busiest month in my business. This year is busier than ever, and there aren’t even any boutiques or festivals. It is so fun to have more projects than I can even show you. Here is the progress on the snowy sequoia oil painting commission. It is several days worth of painting.

The background will only need one more pass of detailing. There is still quite a bit of work left, which was puzzling to me. Why is this painting taking me so long? It feels as if I should be covering more territory in each painting session, but instead, I am inching along.

I’ll tell you why this is on Friday after a bit more time to process the ridiculousness of this situation.

Sequoia sequoia oil painting

Mural, Day Ten

It was a little bit overcast on Monday, so I decided to try painting earlier in the day. I wanted to make up for the short days of painting last week when I got sidetracked into gardening and squeezing pomegranates.

It is time to figure out the background to the left of that tree.

I stopped for a mini lunch break (both the lunch and the break were miniature), a chance to study the mural and make a mental list of what is needed. While sitting there, I decided that the large tree I just detailed is too heavy at the base.

Meanwhile, I was captivated by the view.

There. The tree now has a more believable shape. I took some off of each side.

I’ve been planting ferns for awhile, so maybe I’ll climb back on the ladder. There is too much sky on the left side of that tree.

Whoa – dark already? Definitely cold, and it is hard to paint when one is shivering and can’t see.

My next painting day is Friday, so I’ll show you the progress on Monday, Lord willing, the creek, etc.

Mural, Day Nine

Thursday was a short day. My good friend works at St. Anthony’s, and she is a fabulous gardener. We got caught up inspecting plants, discussing deer repellent and deer resistant plants. We also discussed my juicer, which I lent to her; it is perfect for pomegranates, which she grows.

Friday was also a short day. I had to dig some plants before I started painting. After I painted for about 1-1/2 hour, my friend came to find me because the juicer wasn’t behaving. I went back to the kitchen with her, and we spent the rest of the afternoon juicing pomegranates.

Friendship can trump work when there is no deadline.

Maybe this tree? (the weird pink line is a mysterious thing that my computer occasionally does to random photos.)

No, I think I’ll do the tree on the far right.

This big tree was next. I was mixing paint colors when my friend showed up.

When I returned to the mural, it was getting dark, so I just painted a few lines, sort of a map. That way I won’t waste time wondering where to begin when I return to work on Monday.

Mural, Day Eight

The usual – get there, stare, wonder where to begin, take a photo or two, spread out the tarp, wonder how missing 2 afternoons of painting could have so severely impaired my professional confidence.

Think think think (like Winnie the Pooh)

I’ll start here, working on the ladder. It needs more upper greenery, and the medium tree on the right is clearly unfinished. I can paint sequoias. This will get me back in the groove.

Better, but it is missing the natural light filtered through the adjacent oak tree.

This. I can do this while standing on the ground.

Better, but I’m cold and it is getting dark.

Snowy Sequoias, continued

At the beginning of the painting session, it felt daunting. When this happens, I think about the basics. Start in the background. Since the white paint was still quite wet, this was good advice to myself.

Jumping around, all over the sequoia grove. Maybe I’ll try the tree with moss on it.

When it was time to move to the mural project, I didn’t want to stop oil painting. It is hard to shift gears. At least the subject matter of the mural is the same, with the added bonus of the light coming at the trees from the same direction.

Sequoia sequoia oil painting snowy sequoia painting

House on Canvas

The house painting looked like this at the beginning of this painting session.

This amount of specific detail without a lot of choices in reference photos requires that I resort to the dreaded “drawing with my paintbrush”. Why this is so despised in the Art World remains a mystery to me. In my little world, I want to provide what the customer wants, and if it requires drawing with my paintbrush, then so be it.

It’s getting there! I’ve got to figure out the details on the porch, do something with the landscaping, and then talk to my customer. She has some old home movies that she is converting to video, and then I will look through them to see if I can get to a better understanding of what she remembers.

custom oil painting oil painting oil painting commission

Mural, Day Seven

Monday was a short afternoon because the snowy sequoia oil painting needed more time, longer than just the morning. It has a deadline; this mural doesn’t.