Yesterday I told you that the paintings retrieved from Silver City will be heading to Exeter’s Mural Gallery, which reopens September 19 (TOMORROW!) after a summer-long renovation. (I don’t think they have a website, but their physical address is 121 So. E Street (next door to the former Wildflower Cafe, at the edge of Mixter Park, home of Exeter’s first giant outdoor mural.)
These 5×7 oil paintings on panels got freshened up and will be sold with little easels. I didn’t photograph the process out of respect for my readers who have no interest in miniscule improvements to paintings.
And here is a table full of Mineral King paintings. I painted them quickly, in order to hustle them up the hill for the usually excellent selling month of August at the Silver City Resort. Alas, we had a thunderstorm which caused a lightning strike which began the Coffeepot fire on August 3. So, I brought them home.
They aren’t terrible, but I studied each one and found at least one thing to improve. I started at the bottom left, and here is a photo for comparison. Prolly a useless exercise for you to discern what got improved, but here goes anyway.
And now the entire table-full has been renovated.
You’ll just have to trust me that they are all a little bit better than before. By the end of the day, the light has changed significantly enough that they look different in photos, whether or not they’ve been retouched.
Now they must dry and I must rescan them in order to have a good record of each painting, because OF COURSE they will sell.
I’m in a bit of a holding pattern, waiting for several things: the Mineral King road to open, a week-long plein air painting trip to Monterey, the indexer to finish repairing the index on the TB book, and my show, Simply Home, to open.
Tucker loves the unmowed lawn, which is part of one of my gardening experiments.
What’s a person to do while waiting? Stuff, both personal and professional. (What word did people use before “stuff” became a ubiquitous filler?)
Oh-oh! Where will Tucker hide now?
Personal stuff: enjoy being home, work in the yard, do some work on the landscaping at church, read, organize some messes, hang out with the cats, you know, just stuff.
Such a sorry excuse for a pomegranate. The tree has not produced a single edible normal sized piece of fruit in over 15 years.
Professional stuff: my art has been retrieved from the Silver City Store and also from the Mural Gallery. This means that I have to change information on my inventory lists, and put card packages away.
Finally, some time to think about and design a calendar for 2025. This will be based on the upcoming show, Simply Home. Yeah, yeah, I KNOW that people care more about Mineral King than my art, but I am trying to earn a living here. (My farmer dad used to say that he “scratched his living out of the dust of the earth”. Maybe I just scratch mine out with pencils, or smear it out with paint. . .) So, because I am an active citizen of Realville, I have ordered fewer calendars than in previous years. This means if you snooze, you lose, unless the demand warrants a second order.
Why is my vitex tree blooming in September? Why is it called “vitex”, which sounds like some sort of nutritional supplement?
Oh that’s right—it is time to design a new Christmas card. Yeah, yeah, I KNOW that fewer people send cards every year, except for those flat ones full of tiny photos of themselves doing glorious things throughout the year. Not me. Each year I design a new card and send them to my drawing students (and a small handful of distant friends), using the United States Postal Service.
And while putting away the paintings that did not have a chance to sell at Silver City, I studied them and decided that they each deserved more attention.
The amount of work to prepare for a solo show is astonishing. I’m so thankful that I was given an entire year to get ready for Simply Home at CACHE, opening October 19, 4:30-6:30 PM.
Here is the list of the most recent show prep activities:
Name the show (Simply Home)
Make a list of all the paintings, their sizes, titles, and prices. (52 oil paintings!)
Verify that the prices were consistent by sizing. (tedious)
Ask the gallery lots of questions about contracts, opening reception, second reception, events to keep people coming back, whether or not to bring pieces that were in private collections (nope, all must be for sale).
Answer questions about labeling (No, I don’t want my name on every label, and why must each one state “oil” when they are all oil, and is the size really necessary for people who are standing in front of the paintings?? I made my wishes known but left the final decisions to the gallerists.)
Decide if I want piano or guitar music at the opening—PIANO, ALWAYS!! (too bad—the pianist is already scheduled)
Make sure the pieces are correctly titled on the backs, with correct inventory numbers. This is always crucial with my paintings when there is so much repetition in subject matter. (i.e., was that Giant Sequoia, Big Tree, Two Big, Redwood Trees, Giant Sequoia XI, Redwood Tree VI. . .?)
Think about how to advertise drawing lessons at the show, and which pencil pieces to use as an enticement to sign up on the waiting list for lessons. (Might use a few of my students’ drawings on the poster)
After all this thinking, I made a list of the next things to do for the show. It is quite boring. I needed something productive to do that didn’t require decisions, so I vacuumed the painting workshop (dust, feathers, cat hair, spiders, spider webs) and reupholstered my painting chair with duct tape. I work in a classy joint.
I also cleaned my studio because a guest of honor was coming for a working visit. Because the studio is feeling neglected, I started a colored pencil drawing just for fun. Weird, drawing for fun.
The color looks a bit weird here because it was smoky out. So, what’s new? It’s late summer in Three Rivers and that’s normal.
Fridays are usually for Mineral King. We haven’t been able to get there due to the road closure. There are limited times that people can pass through, but it isn’t helpful to only be able to go up at the end of the day and be required to head down early in the morning. (Maybe that will change soon. . . ever hopeful here.) For fire information, you can go here: watch duty or here: inciweb. I can’t seem to find the maps on watchduty using an old iPad, but maybe you can. The Coffeepot fire is called “CAKNP” on inciweb.
Are you curious as to what subject I chose for my third still life? I guess you must be if you are reading this.
COLOR won!!
I know, this doesn’t look like color. Just you wait. . .
This is probably too small to see the progression. It was fiddly, exacting, and really fun to mix a bunch of colors that were not landscape greens, browns, and grays.
These are my two final pieces for the upcoming show. “Simply Home” will open on Saturday, October 19 and run through December 29, at CACHE, 125 So. B Street, Exeter, CA 93221.
P.S. Want to know the titles? Blue Bowl, Yellow Lemons, and Cabin Dishes. (I bet you can figure out which title goes with which painting.)
A week or two ago I told you about working in Mineral King, when I spent time digging through photos, looking for ideas to paint two new still life paintings. (Would that be “still lifes” or “still lives”? Eh, who cares?)
So, I started one, and concentrated so hard that I forgot to photograph the process.
Dry quickly, please!
Now I need to decide if there is time to paint a third piece and if I want to go with a citrus theme or the round things in blue bowls theme or the color theme.
I do love me some blue bowls. Sometimes I put lemons in them just because they look pretty, and then I end up wasting them.
Is there a word that starts with P to substitute for “day”? I could use “process”, but it isn’t accurate enough.
After spending time with Krista evaluating my paintings, I repaired four in one day. (One wasn’t even on the list, but it was bugging me.)
Before: too dark, but also scanned too dark.
After: lighter, brighter, better
Before: bothered me for several reasons that are too boring and technical to go into.
After: better, more accuracy, more detail. (Oranges on those trees now!)
Before
After: subtle differences, and as always, better in person.
This one was bugging me, and in my normal definition of improvement, I just added more details.
So much better!
Everything dried quickly to be scanned. Maybe I will have time to do the two more still life paintings before the show opening in October. . . but, maybe not. There are more things happening than I tell you all here. . . will more be revealed??
August in 2024 has been a month of activity and learning and a full schedule. Good thing I don’t teach drawing lessons during this month because there was no extra time. Most of my learned items this month are accompanied by irrelevant photos.
This has nothing to do with anything other than I liked the smoky morning light on these little puzzles from my childhood.
1.William Faulkner is not for me. I tried As I Lay Dying as an audio book and only made it through the first CD on my recent road trip. So much repetitive pointless conversation by unexplained characters. So I chose some rather mindless but entertaining “literary” fiction (which I think means modern but not formulaic) by Anna Quindlen, an excellent storyteller.
2. On hard curves on Interstate 5, vehicles lose hubcaps. I don’t know why, but it probably has something to do with excessive speed and centrifugal force (my hubcaps are all intact and in place—thank you for your concern.)
No curves here but I kept both hands on the wheel when navigating those hubcap-thieving stretches of highway.
3. My peripheral neuropathy is most likely due to being in the “pre-diabetes” category. This feels quite unfair and rather unlikely, but there is no other possible explanation.
4. I have learned to use a continuous glucose monitor (CGM) in an attempt to understand what is happening to my blood glucose levels when I eat this or that or eat things in a particular order or drink vinegar in water prior to a “bad” food or meal. It is a combination of interesting (because it is fun to learn) and highly annoying (better when I learned to silence the warning alarms) because I had to keep my phone with me constantly. This was a real nuisance in Mineral King, and then I had to borrow a charging device. I don’t take my phone up the hill because there is no signal and the camera is crummy.
I forgot the title of this piece but I know who has it!
5. I learned about a texting problem: messages will only go through when texting a non-iPhone from an iPhone IF YOU ARE USING CELLULAR SIGNALS. They will NOT go through if you are using wi-fi. That sure explains a lot of missed messages.How do you know if you are texting an iPhone or a non-iPhone? If the messages are blue, it’s iPhone; if the messages are green, it’s not.
6. Indoor malls are a thing of the past. I learned this in Salem, because I am not a shopper at malls, having always preferred catalogs and not being one who views shopping as a recreational activity. The mall we visited had each store open to the outside. I wonder what is inside all the space where people used to walk from store to store. I wonder why people stopped doing that (besides the fact that the malls are now all outside access types).
This is not a mall. Malls are not photoworthy.
7. Frass is the sawdust made by insects chewing on trees. (Thanks, DV)
8. Learned the ins and outs of In-N-Out Burger. I read the book about it by Lynsi Snyder, who is the big kahuna there. I’ve only eaten there once, and not being a burger aficionado, it was probably wasted on me. The family is full of very rough edges, and the book read like an infomercial. But now I know, and it was worth reading, since memoir is my current favorite genre.
This will not be in Simply Home; it sold awhile ago. I didn’t learn about preparing for a solo show because I’ve been there and done that. No tee shirt because I don’t wear clothes with words on them (except for the tee shirt that says “Easily distracted by plants”, which was a gift).
With the Coffeepot Fire about 10-15 miles down the road from the Mineral King valley, the smoke blows up each day, anywhere from 9:30 until noon. Sometimes it clears up a bit in the afternoon or early evening, then it blows back down the canyon at night.
Trail Guy took these clear morning photos for us so that we won’t completely despair of ever seeing the beauty of Mineral King again.
(The occasional weird spots in the sky are due to some malfunction in his camera.)
Compare this to Timber Gap belowCompare this to Empire below
Then, the smoke arrived.
Timber is starting to fade.Empire is fading fast.Timber Gap is there somewhere.Empire is there somewhere
This happened almost daily the week before Labor Day and during the weekend of uncertainty.
Tomorrow we will return to our regular broadcasting topics.
After wondering all weekend if we would be evacuated from Mineral King, a Park employee came by our cabins on Monday morning around 8, telling us to be at the Conifer gate (7.5 miles below our cabins) to be escorted out. If we didn’t want to go, that was fine, but then we’d be unable to leave for 48 to 72 hours. (They couldn’t make us go but they would be able to make us stay. . .?)
There were about 10 cars, including Park personnel, with someone at the front of the line and someone at the rear.
There was a meeting of the Silver City Mayor and the Mineral King Mayor, as they discussed and examined the locks on the Conifer Gate.
We headed down into thickening smoke. . .
. . . and were stopped at Wolverton Point. Another caravan was heading up the hill.
Lookout Point is a gathering place for vehicles. Initially it was built to look out for fires; now it is a place to look out at fires.
The mayors convened at the lower gate for another session of locks, while a Park person oversaw their negotiations.
It was a long weird smoky drive down. The good part is that we never had to wonder if we would encounter any vehicles coming up the road.
Tomorrow (yes, Sunday, I know. . .) I will share some photos of Mineral King, taken by Trail Guy to contrast the smoke with the clarity of the mornings.
