Paint On, O Painter

Am I a painter? Or am I an artist? I recently listened to a podcast by a very fine painter as he interviewed a gallery owner, and they both agreed that anyone can be a painter but not just anyone can be an artist. Today, let’s just settle for painter as I show you what is on the easels.

Here are stages on the current Kaweah River painting:

 

It is almost finished, with these tasks remaining. (1) The potato in the foreground needs to be turned into a rock (never mind how it looks in the photo or real life, because here it appears as if it could make some fine French fries). (2) Foreground grasses can be added when the painting is dry.

I love drawing with my paintbrush. I wonder if this prevents me from being a real artist, or if it actually propels me into that stratosphere. Rather than waste any more mental energy on the mystery of what makes a good artist, I will continue to make each painting the best I know how at the time — “best” being a term whose meaning is also hard to pin down. Good Grief Charlie Brown, could I just paint and stop thinking already??

My show “Still Here” is still there, at Arts Visalia, until 5 p.m. TODAY. If you would like to see me with the show, I will be there from noon until 5 (Lord willing, and the creek don’t rise.)The phone # to make an appointment to see it is 559-739-0905.

 

 

 

Painting the River

There is something new coming to Three Rivers, but I don’t yet know any details. Might be a simple retail shop where one can pick up local art, maybe some tchotchkes. This is why I wanted to get those little Three Rivers paintings looking better. This is also why I started a new river painting.

This is painting session #1. I want to do this in many thin layers, striving for perfection. But why?

It might be an overreaction to how I felt about the blurry Kaweah Post Office painting. It might also be some residual from having drawn this exact scene in pencil with a touch of colored pencil a handful of years ago, a commissioned piece. I want to see how close I can get to perfection with paintbrushes. I’ve already decided to leave out the tree on the left side, but like everything I do, more will be revealed in the fullness of time.

My show “Still Here” is still there, at Arts Visalia, that is. The phone # to make an appointment to see it is 559-739-0905. TWO DAYS LEFT, Thursday, noon-5:30 and Friday, noon-5:00. I will be there on Friday, April 30, and will take away the unsold pieces at 5 p.m.(MB, I will be sending you your painting next week!)

 

Custom Oil Paintings

You’ve heard me say (or read on my blog) for about a year now that:

I use pencils, oil paint and murals to make art you understand of places and things you love at prices that won’t scare you.

Today’s blog is just to show you a few of those custom oil paintings through the years. If you have been following my blog for a few years (or maybe many), these will be familiar to you.

Some go back as far as 11 years! I’ve been oil painting since March 8, 2006, so this should not come as a surprise. What still surprises me is that I feel like a beginner; maybe I need my head examined. 

My show “Still Here” is still there, at Arts Visalia, that is. The phone # to make an appointment to see it is 559-739-0905. Gallery hours are Wednesday through Saturday, noon-5:30 (5 on Friday). I will be there on Friday, April 30, the last day; the work will be removed at 5 p.m.

 

 

Drawing Lessons Via Email

My drawing student, C, and I continue working together on the horse named Buck, who I called Mr. Curly. 

She scanned her drawing instead of taking a picture with her phone this time.

C also asked me about the eyes, and after doing a bit of measuring, I could see that the one on our right is a bit low. I wrote up some instructions for her:

Then I decided that drawing various parts of Buck, showing the layering differences using 3 pencils of varying hardness (4B, 2B, and HB) might be helpful.

My show “Still Here” is still there, at Arts Visalia, that is. The phone # to make an appointment to see it is 559-739-0905. Gallery hours are Wednesday through Saturday, noon-5:30 (5 on Friday). I will be there on Friday, April 30, the last day; the work will be removed at 5 p.m.

 

Three Rivers Oil Paintings Facelifts

Those Three Rivers oil paintings that were just not good enough have now had their facelifts. I think they are all three improved. Don’t worry–the surgery was bloodless.

The Kaweah Post Office only needed a bit of tree work.
The river needed tree work too.
Some subtle changes in the rocks and water also helped this one.
About that viburnum called a “snowball bush” out my front window, no one cares.
I dropped down the blue from Moro Rock.
And put in some river.
More river, along with more things growing on the hillside so it looks like a certain spot along a certain road.
It photographs more true outside in the shade.
Or maybe in the sun, but then you can see the wet paint glistening.
Wait! This needs redbud in bloom.
Now it is finished and drying.

When they are dry, I will scan them again, and maybe even write a blog post showing each one as a Before next to the After.

My show “Still Here” is still there, at Arts Visalia, that is. The phone # to make an appointment to see it is 559-739-0905. Gallery hours are Wednesday through Saturday, noon-5:30. The last day to see my work there is Friday, April 30.

 

 

Forrest’s Dream Cabin, Finished?

After a period of severe procrastination, which involved studying the photographs and the unfinished painting of Forrest’s Dream Cabin, along with a fair amount of weed pulling, I finally decided that I do know how to draw with my paintbrush.

My thought was that at the very least, I could detail that cabin to the nth degree, and then maybe I could see what to do with the rest of the painting.

Okay, let’s dive in
I’ve added the ramp so the cabin doesn’t require wading to get to, along with more details to the windows and the siding.
Here’s a bit more. Hard to tell the difference, but there must be some difference, because I took another photograph.
And, now the cabin is finished, with smoke coming out of the stovepipe.

But will Forrest think the painting is finished? I sent him this photo, taking inside the painting workshop at the end of the day. Wow, did that ever distort the colors!

Next, I carried it outside in hopes that the color would photograph more accurately. By that time, it was upside down on the easel because the bottom edge was wet.

This color isn’t exactly right either. When it is dry, I will paint the top edge, sign it, and take it to Forrest for his approval in person.

The fat lady hasn’t yet sung (but she might be practicing a few scales.)

My show “Still Here” is still there, at Arts Visalia, that is. The phone # to make an appointment to see it is 559-739-0905. Gallery hours are Wednesday through Saturday, noon-5:30. The last day to see my work there is Friday, April 30.

New Mineral King Oil Paintings

The new Mineral King oil paintings are dry enough for the scanner. Have a look:

Honeymoon Cabin II, 8×8″, oil on wrapped canvas, $100 plus tax if you haven’t left California
Oak Grove Bridge #33, 8×8″, $100 plus tax for California residents
Sawtooth, 8×8″, $100 plus you know what if you live you know where
Crowley Cabin II, 10×10″, $125 plus a penalty for staying in the Golden State

Same subjects, perhaps a bit more skill than last summer, definitely more skill than 2006 when I began painting. Why do I still feel like a beginner who has to apologize and make excuses? Anyone know a good counselor?

P.S. They ALWAYS look better in person.

My show “Still Here” is still there, at Arts Visalia, that is. The phone # to make an appointment to see it is 559-739-0905. Gallery hours are Wednesday through Saturday, noon-5:30. The last day to see my work there is Friday, April 30.

Fixes in Progress

My plein air painting of the Kaweah Post Office really bothered me.

First, there was something wonky with the roof; second, the signs looked wrong, sloppy, crooked, unacceptable; third, the light was not doing anything worth looking at. So, I messed with all those things. The color will be better when it is finished and I scan it.

Later I will address the lack of detail in the giant oak tree.

This one of the river. . . hmmm not sure why it bothers me, so not sure what to fix. I can’t find the original photo, or perhaps I changed it so much that I can’t recognize the original photo. Because I don’t paint the river often enough to truly understand it, I have to study the photos very carefully to make sure I am not depicting impossible things.

It feels more believable to me now. I will probably continue to add detail, because drawing with my paintbrush is my specialty. 

Neither one of these feels finished, but I will continue to work on them. I still don’t know what to do with the snowball bush/Moro Rock/Alta Peak painting. It might just become something completely different. 

My show “Still Here” is still there, at Arts Visalia, that is. The phone # to make an appointment to see it is 559-739-0905. Gallery hours are Wednesday through Saturday, noon-5:30. The last day to see my work there is Friday, April 30.

Drawing Buck

My drawing student C and I continue to work on her pencil drawing of the horse, Buck. This last time she took a photo of the drawing instead of scanning it. I tried to help and was able to show her how to put a lock of hair across the eye. She also asked me about her hair shading techniques, and after staring at it a bit, I finally concluded that it was all too squarified for me to tell what was pencil and what was pixel.

Here is what I told her in the email (because I think my writing is a little bit too sloppy):

“About the hair crossing over the eye: The question to be answered is always: Which is darker? sometimes the only way to tell is to squint at the photo so the detail and color blur. Another way is to turn your photo to black and white, but this sort of feels like cheating. Well, not cheating, but bypassing the ability to learn to see values by letting the computer do the work. Often the black and white method backfires, because the 2 things are the same value (darkness). This means you get to decide (you are the boss of your picture.)
 
“The hair is darker in some places and lighter in others. Just make the adjustments to whatever is behind the little clumps so that it shows up. It is okay for the clumps to look broken or disconnected.
 
“Hair always tapers at the tips.
 
“I can’t help you on the shading; because of the pixelation, it is too hard to tell what you have actually done and what is getting squarified. 8-( 
 
“You can either keep going and then scan it, or you can rescan this and I can keep going here!”
 
So, this lesson is on hold for a bit.
My show “Still Here” is still there, at Arts Visalia, that is. The phone # to make an appointment to see it is 559-739-0905. Gallery hours are Wednesday through Saturday, noon-5:30. The last day to see my work there is Friday, April 30.

 

Three Rivers Oil Paintings

There are a few paintings in my portfolio and studio that don’t please me. Two were painted when I was learning plein air (painting on location instead of in the studio). The other was painted my normal way, working from photos in the studio. Still, something just doesn’t suit me in any of these Three Rivers oil paintings.

I don’t know why this painting of the South Fork of the Kaweah bugs me.

I painted this while standing across the road from the Kaweah Post Office, then touched it up several times, but the bottom line is that I am more comfortable with detail than blurry things.

This one was painted with my easel standing in the living room while I looked out the window at my snowball bush in bloom, with Moro Rock and Alta Peak in the distance. Once again, it is just too blurry. I have fought to see clearly for most of my 61 years and cannot accept a fuzzy version of life and then pretend as if I like it.

It isn’t good to show and try to sell work that I am not pleased with. So, back on the easels, where I just sat and studied them for awhile.

These paintings will take some thought, time and work.