New Mineral King Oil Paintings

The new Mineral King oil paintings are dry enough for the scanner. Have a look:

Honeymoon Cabin II, 8×8″, oil on wrapped canvas, $100 plus tax if you haven’t left California
Oak Grove Bridge #33, 8×8″, $100 plus tax for California residents
Sawtooth, 8×8″, $100 plus you know what if you live you know where
Crowley Cabin II, 10×10″, $125 plus a penalty for staying in the Golden State

Same subjects, perhaps a bit more skill than last summer, definitely more skill than 2006 when I began painting. Why do I still feel like a beginner who has to apologize and make excuses? Anyone know a good counselor?

P.S. They ALWAYS look better in person.

My show “Still Here” is still there, at Arts Visalia, that is. The phone # to make an appointment to see it is 559-739-0905. Gallery hours are Wednesday through Saturday, noon-5:30. The last day to see my work there is Friday, April 30.

Fixes in Progress

My plein air painting of the Kaweah Post Office really bothered me.

First, there was something wonky with the roof; second, the signs looked wrong, sloppy, crooked, unacceptable; third, the light was not doing anything worth looking at. So, I messed with all those things. The color will be better when it is finished and I scan it.

Later I will address the lack of detail in the giant oak tree.

This one of the river. . . hmmm not sure why it bothers me, so not sure what to fix. I can’t find the original photo, or perhaps I changed it so much that I can’t recognize the original photo. Because I don’t paint the river often enough to truly understand it, I have to study the photos very carefully to make sure I am not depicting impossible things.

It feels more believable to me now. I will probably continue to add detail, because drawing with my paintbrush is my specialty. 

Neither one of these feels finished, but I will continue to work on them. I still don’t know what to do with the snowball bush/Moro Rock/Alta Peak painting. It might just become something completely different. 

My show “Still Here” is still there, at Arts Visalia, that is. The phone # to make an appointment to see it is 559-739-0905. Gallery hours are Wednesday through Saturday, noon-5:30. The last day to see my work there is Friday, April 30.

Drawing Buck

My drawing student C and I continue to work on her pencil drawing of the horse, Buck. This last time she took a photo of the drawing instead of scanning it. I tried to help and was able to show her how to put a lock of hair across the eye. She also asked me about her hair shading techniques, and after staring at it a bit, I finally concluded that it was all too squarified for me to tell what was pencil and what was pixel.

Here is what I told her in the email (because I think my writing is a little bit too sloppy):

“About the hair crossing over the eye: The question to be answered is always: Which is darker? sometimes the only way to tell is to squint at the photo so the detail and color blur. Another way is to turn your photo to black and white, but this sort of feels like cheating. Well, not cheating, but bypassing the ability to learn to see values by letting the computer do the work. Often the black and white method backfires, because the 2 things are the same value (darkness). This means you get to decide (you are the boss of your picture.)
 
“The hair is darker in some places and lighter in others. Just make the adjustments to whatever is behind the little clumps so that it shows up. It is okay for the clumps to look broken or disconnected.
 
“Hair always tapers at the tips.
 
“I can’t help you on the shading; because of the pixelation, it is too hard to tell what you have actually done and what is getting squarified. 8-( 
 
“You can either keep going and then scan it, or you can rescan this and I can keep going here!”
 
So, this lesson is on hold for a bit.
My show “Still Here” is still there, at Arts Visalia, that is. The phone # to make an appointment to see it is 559-739-0905. Gallery hours are Wednesday through Saturday, noon-5:30. The last day to see my work there is Friday, April 30.

 

Three Rivers Oil Paintings

There are a few paintings in my portfolio and studio that don’t please me. Two were painted when I was learning plein air (painting on location instead of in the studio). The other was painted my normal way, working from photos in the studio. Still, something just doesn’t suit me in any of these Three Rivers oil paintings.

I don’t know why this painting of the South Fork of the Kaweah bugs me.

I painted this while standing across the road from the Kaweah Post Office, then touched it up several times, but the bottom line is that I am more comfortable with detail than blurry things.

This one was painted with my easel standing in the living room while I looked out the window at my snowball bush in bloom, with Moro Rock and Alta Peak in the distance. Once again, it is just too blurry. I have fought to see clearly for most of my 61 years and cannot accept a fuzzy version of life and then pretend as if I like it.

It isn’t good to show and try to sell work that I am not pleased with. So, back on the easels, where I just sat and studied them for awhile.

These paintings will take some thought, time and work. 

 

 

 

Custom Oil Paintings

These are custom oil paintings, commissioned pieces, from a whole lotta* years. Each one was done with a whole lotta* discussion with the customer (customer—custom art—get it?) to be sure to achieve what the customer desires.

This customer provided photos, but I went there myself and looked it over further, taking a few more pictures to be sure to get things accurate.

Yes, I am fully aware that Homer’s Nose does not appear above the Oak Grove Bridge in real life. However, the customer requested this, and my dad taught me, “You kisses their fanny and takes their money”. (No, no fanny kissing took place – it is simply a figure of speech that means you do what the customer requests whether or not it makes sense to you.)

This one was painted for someone who is color-blind, so I focused on contrast for him. 

I use pencil, oil paint, and murals to make art that you can understand of places and things you love for prices that won’t scare you.

*We discussed this term in yesterday’s post.

Custom Pencil Drawings

These are all examples from a whole lotta years at the drawing table. (Yes, I know — “a whole lot of”, but I also like to say “prolly” and “liberry” and “remorial building”).

I’ve been a long time admirer of this house and was thrilled when the owner asked me to draw it. I took many photos, looking for the best way to depict this gem.

This was a collection of favorite memories of a couple’s trip to Ireland, working from many photos that they provided. The challenge was how to put them all together.

The customer provided all the photos for these. I pushed back against the portrait; the customer said that a likeness wasn’t necessary. Good thing, because likenesses are impossible to guarantee, especially at this size.

I love to draw in pencil; however I also use…

…oil and murals to make art that people understand about places and things they love for prices that won’t scare them.

Deep Thoughts About Custom Art

This photo of Moro Rock and Alta Peak is not current – it is wishful thinking.

Seth Godin says “Humans are lonely. They want to be seen and known. People want to be part of something.” Or as Anne Lamott puts it, “Everyone is screwed up, broken, clingy and scared.”

Seth also says, “People don’t want what you make. They want what it will do for them. They want belonging, connection, peace of mind, status.”

Further, “Create experiences. Using a product, engaging with a service, calling customer service. Each of these actions is part of the story; each builds a little bit of our connection. Offer these experiences with intent, doing them on purpose.”

He is all about marketing, and speaks and writes with great abstraction. I try to apply what I hear him say to my art business, and finally, in these words, I think I can gather some practical advice. Let me translate:

  1. People need to be shown kindness and treated as if they are significant (because they are).
  2. Custom art commemorates and legitimizes, celebrates and pays tribute to the things that matter in people’s lives.
  3. Spending time to hear someone’s stories, look at his photos, listen to what matters to him, take more photos, make sketches, and involve him in the process gives the customer an experience to remember, one that validates the things that are most important to him.*

Does this make you want to hire me to make a custom painting or drawing for you?

I use pencils, oil paint, and murals to make art that people can understand, of places and things they love, for prices that won’t scare them.

*The masculine pronoun is intentional here; in this context it means all humans, regardless of biological gender. “They” is a plural pronoun, and I am speaking of a theoretical singular customer here, “someone” and “the customer”. This blog does not cave to current trends.

Anniversary Dogs

A thoughtful mom commissioned me to draw a pair of dogs for her daughter and son-in-law’s anniversary. She videotaped them opening the gift, and while I cannot put that on my blog, I can show you the dogs.

The daughter sent me this message: “Jana!!!!! I love love love the portraits of Charlie and Maggie!!!!! Thank you so much!!!! You captured their expressions brilliantly!” (I might have gotten the number of exclamation points wrong in the quote).

You are so welcome, K & F!! It was a pleasure, especially because we are friends AND because you stopped by the studio when it was on the table. It was in a folder, so I knew you wouldn’t notice it, but your mom was as nervous as a long-tailed cat in a room full of rocking chairs.

In case it has slipped your mind:

I use pencils, oil paint, and murals to make art you can understand of places and things (and sometimes pets) that you love at prices for won’t scare you.

One Inch Too Big

Here are the three dry Mineral King oil paintings that are one inch too long to fit on the flatbed scanner, which I now have to connect to the old laptop in order to use. This is because when I “upgraded” my operating system, it caused my current laptop to no longer communicate with the scanner. 

What passes for old in this world is just hard to comprehend. Merle Haggard had a line in a song, “Wish a Ford and a Chevy could still last ten years, like they should” – how about a printer or a scanner?

I now also have to do some shenanigans with a flash drive in between the old and new laptops in order to fix the unsightly black edges around some of the paintings because of that blasted “upgrade”. If I hadn’t said anything, you probably would not have noticed.

Never mind, let’s move on, shall we?

The Honeymoon Cabin (which is a museum for the Mineral King Preservation Society)
Farewell Gap (well, oops, I hadn’t signed that one and now have to retake the photo.)
The Oak Grove Bridge, #32 (I’ve probably painted it more than 32 times – sometimes I just lose track of numbers).

Each one of these is oil on wrapped canvas, ready for hanging, 6×18″, $165 plus California sales tax, which is 7.75% here in the foothills of Tulare County, deep in the heart of California’s fly-over country. (But we feed the world, and don’t you forget it.)

Guess I’d better gird my loins, find my inner warrior, be a brave soldier, and return to Forrest’s Dream Cabin.

Extra, Extra

Today I went to Arts Visalia to gallery sit. It was closed!

Tomorrow’s hours are noon – 8:30 p.m. and there are some available appointments, if you’d like to see my work in person. Here is the phone # to call: 559-739-0905. Ashley is there until 5:30 today (Don’t quote me on this because the operation is a little bit squishier than I realized) to make an appointment for you.