Between Jobs

That’s “between paying jobs”. I didn’t charge my church, a decision I made many years ago—I will charge people in the church, but not jobs for the church.

What does an artist do when there aren’t commissions or upcoming shows? (Besides look out the window and contemplate matters of consequence).

(Or think about joining Pippin in a nap.)

(Or look out the window and wonder why this blooming shrub has the peculiar name of “pineapple guava”.)

Your Central California artist does these chores:

  1. Plan new paintings, based on the assumption (and experience) that current ones will sell, and the sellers will want replacements.
  2. Package notecards for a custom order.
  3. Balance the checkbook
  4. Sort through piles and toss or file all the stuff that seems to multiply in the dark
  5. Go to the bank (as a few checks trickle in)
  6. Write a few notes
  7. Contact drawing students who have missed for awhile to ask if they quit and forgot to tell me
  8. Write blog posts
  9. Answer the phone, learn of a request for a QUICK, CAN YOU HELP US RIGHT AWAY?, and dive in to planning the next job.

Okay, let’s roll!

Sold in April and May

It has been awhile since I did a Brag List. Perhaps it could be called a Reassurance List, because when my business hits a lull, it reassures me to see that work has sold recently.

Ten Things I Learned in May

  1. I learned about a Redbud booth location that was new to me: a. the patio is very convenient for set-up and breakdown; b. that location would be too hot if it was a warm weekend; c. sharing a booth is an excellent idea; d. my screens can blow over.
  2. Selling a home without an experienced and organized realtor is UNTHINKABLE. (Nope, not my home; I’m still here). I highly recommend Diana Jules of Sierra Real Estate if you live in my neck of the woods. (Woods have necks??) She made it stress-free and is a joy to be around.
  3. It is very complicated to be simple. Setting up a new landline at our cabin has taken 4 very lengthy phone calls with Huge&Rude, the dominant (and only) communications company for Mineral King. I could fill a page with the things they promised and did not deliver, along with all the lies I was told (probably by accident of ignorance, due to the complicated nature of simple things). 
  4. Look what happens when you neglect to pay attention while baking; let’s call it Flour Deficit Disorder. I kept ignoring the little voice in my head that said, “Not enough flour—the dough is too thin”. (It sounds an awful lot like the voice that tells me that a knitting project is going the wrong direction).
  5. Iron-on patches don’t work. (And isn’t it interesting that my jeans wore out above the knees rather than on the knees?)
  6. I learned that there is a Murphy bed with an attached desk that keeps its load when you lower the bed. See that desk/tray piece beneath the mattress? It stays in a horizontal position even when the bed is down.
  7. Precis is a real word. It is pronounced “PRAY-seez” and it means a concise summary. 
  8. Have you ever bought or seen squished pennies at a tourist site? They were introduced to the USA in 1892, although begun in Austria in 1818. The elongation machines cost $4-5000, and and it usually costs .51 to squish a penny. Even if a single transaction costs $1, it seems like a pretty long shot to make one’s money back. The coins are called “elongated coins” and collecting these souvenirs is a popular hobby. Souvenir collection itself goes back to the early history of humans when one needed to bring home something foreign from travels to prove one had been somewhere. The Three Rivers Historical Museum plans to get a machine, and one of the designs will be the logo I made for the Mineral King Preservation Society. There are maps online for the dedicated collectors which show where the machines can be found throughout the USA. When I was first asked about the use of my design, I had my usual response:
  9. A friend showed me an app for the phone called Picture This. If you take a photo of a plant using their camera, it tells you the Latin name, common name, and characteristics of the plant. To keep the app free, you have to hit “cancel” a few times each time you use it. Otherwise, after 7 free days, it will cost you $29.99 for a year. I wonder if the subscription comes with benefits other than just not having as many interruptions to sell you things. . . see? My mind is flooded with questions. (Discovered the name of a terrible smelling weed in our yard is “stink grass”!)
  10. For several years I have used DuckDuckGo as my search engine. I didn’t like the sense of being stalked by Google. Now I have learned of a new search engine called Ecosia It plants trees when you use it a certain number of times or something like that. I just like the idea that it isn’t trying to make a gazillion dollars by selling ads instead of helping me find stuff on the World Wide Web. We’ll see if it works. I learned about it from Seth Godin’s blog. He is a little bit too smart for me, but I do trust him when he tells about a good product that I can actually use. Not sure how, not sure if it will work, but I will try it.

Early Season Mineral King

This post comes to you courtesy of Trail Guy. He took the photos for us to all enjoy.

This is Empire Peak. 

This is Timber Gap, to the left of Empire. Farewell Gap isn’t entirely visible in the next photo, but you can see Little Florence Peak, which is on the left side of the gap.

This is the view from the Timber Gap trail.

These are five-spot, an early flower.

And these are violets. Yes, I know they are yellow, but I didn’t name them.

Another view from the Timber Gap trail.

And these deer are just now remembering that people start showing up this time of year. 

Painting in Church, Again, Chapter Three

After leaving this unfinished mural extension, I returned, rested and ready to complete this little section.

Branches to the left of the door are now mostly completed.

Better now. There were a couple of parts that looked wrong. I also messed with the trees, ground and background.

Now this side might be finished. 

If you sit out here:

You will see this (the parts that aren’t hidden behind musicians):

Next week, I will tackle this side (Lord willing, the Creek, etc. . .):

For now, this concludes a peek into my little church in Three Rivers. 

Painting in Church, Again, Chapter Two

Yesterday’s “Painting in Church” post ended with Music Man turning on the stage lights for me. He also said it was as if I had read his mind in how the mural extension should look, and he had a suggestion for extending the ridges that was altogether excellent.

I felt a little bit stuck. Maybe a few branches extending to the left of the door are in order.

This is hard. I don’t know what I am doing.

That’s it for Day One. I was getting sloppy and stupid, a dangerous state, particularly when combined with having slept poorly the night before, skipping lunch and being a little bit lazy.

I really thought I could do the left side in one morning and the right side in a second morning?

Fall down laughing.

Tune in tomorrow. . .

Painting in Church, Again, Chapter One

In 2015 I painted a mural at the front of my church, inside the sanctuary. (in Three Rivers)

Two years later, I added snow covered mountains in the distance.

Yesterday, I began adding to the left side, thinking a few trees would do the trick.

First I studied the wall, then I added 2 lines where I thought it needed trees.

Inadequate. It needs more trees and some ground so the trees aren’t just floating, or sprouting out of the carpet.

Wholly inadequate. The meadow needs to be extended.

The Music Man came by and turned on the stage lights for me. This showed me that I didn’t know what I was doing, and it was too dark to mix the greens correctly. Should have had lunch. Wish I’d slept better the night before.  

I thought I’d do the left side one day, the right side a second day.

Fall down laughing.

Come back tomorrow to see the progress once the stage lights were on.

Mineral King Painting Machine

I have 11 paintings ready to deliver to the Silver City Store for the season, which begins on Memorial Day weekend. (I think this is the correct way to designate the last weekend in May.)

Having just finished the commissioned oil painting, I could have just quit painting for a week or two. My art business is usually feast or famine, and when there are no impending deadlines, that is the time to plan and work ahead.

Here are the steps to firing up the Mineral King Painting Machine:

  1. Grab a random assortment of canvases off my shelves, nothing larger than 6×18 or 10×10.
  2. Cover them in a layer of paint, any paint, whatever is left on the palette
  3. Pull out my prechosen photos. I have to choose the right photos ahead of time, being careful to keep scenes that I painted in recent years separated. Although I paint the same scenes over and over (Mineral King doesn’t have that many different options), the goal is to change the shapes, the times of day, and the angles from which I photographed the popular scenes.
  4. I pull out the list of sizes and subjects that I have already painted for this year, and then choose new photos of the ones most likely to sell first.
  5. The photos get paired with the canvases, making sure that the sizes and shapes are different from the ones already finished for the year.
  6. Each canvas gets a title, inventory number and hanging hardware.

7.  I usually begin with skies; it is most efficient to do all the same color in one session.

8. Next, I either block in the main shapes or I draw them in with a small paintbrush. None of this is how I was taught in any of the various classes and workshops. It just happens to be the most efficient way that I have developed.

9. When I have finished about half of the canvases, I begin getting tired and sloppy. So I just slap on approximate colors in the basic shapes, knowing that the next time I paint, the guidelines are in place, the proportions are correct, and there is enough paint down that the canvas won’t show through.

I had ten canvases out, primed, and wired, then only worked on eight. I wasn’t sure that the last 2 photos were appropriate for the 6×6″ canvases—too many details on too small of a canvas means too much effort for too little money. My prices are competitive with other local artists, but when Silver City takes its hard-earned bite, my “wages” drop considerably. Thus, it behooves me to be efficient with my time.

Does this post affect you the same way that watching sausage get made might affect you? Make you not want to eat sausage anymore, or make you not want to buy paintings?

I hope not!

Little Do-Over

This little 4×6″ oil painting has been around for a few years. I thought it was quite charming, but apparently I was alone in my opinion.

A friend is leaving Three Rivers, so I gave the painting a do-over to give to her.

If it looks familiar, it is because it is the fourth time I have painted this scene.

I don’t remember the order in which I painted them. And here is my normal disclaimer: they ALWAYS look better in person.

I will miss my friend. She will miss her river in real, but at least will have this little painting.