After finishing the commissions with tight deadlines, I went back to the ones without a timeframe.
First, the most difficult one, the Hard House.
It needed some tightening up, and 2 baskets of fuchsias. But I decided it needed something more. There had been a birch tree in the front yard, but I didn’t want it to cover the gable end. So, branches coming from the left seemed to be the right approach.
The photo had a palm tree in the distance, and that seemed to be a helpful addition to all the empty sky on the right.
The edges are painted, it is signed, and now it needs to dry for awhile. It is too big for my scanner, so when it is dry, I’ll carry it out into the sunshine for a proper photograph.
Big deep sigh of relief.
Now, will I learn to turn down jobs with inadequate photos?
Probably not. Challenges are how one can increase in skill, and I like the idea of getting paid for the practice.
Turns out the sigh of relief was premature. To be continued as I bumble along in order to keep. . .
. . .making art people understand of places and things they love at prices that won’t scare them.
1 Comment
From Sharon: “It’s amazing how tiny details (a branch, a palm tree, hanging plants) can make a huge improvement in a painting!”
Sharon, it always surprises and delights me to see that details matter.
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