Mural, Day Three

Since the sky is finished, I pulled the blue masking tape from the top. Then I reshaped the small window, widened the building a skosh on the right, filled in the posts with a first layer and then Customer came to say “Good Morning”. He had a smart aleck remark about the bluebird, so I offered to let him put some blue on it. He actually recoiled at the request, so I opened up a container of blue, dipped my finger in, and smeared a bit on the bluebird.

Then, I began the dogwood.

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The dogwood tree puts out its blossoms before it leafs out, but this looked a bit twee with pink, white and blue together. So, I decided it needed to have some green; let’s call it another tree behind the dogwood.

I also began detailing the grasses at the bottom.

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You can see there are grasses on the left and blurs on the right.

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See?

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When I photograph a painting, whether a mural or an oil painting, things that aren’t just right show up. This photo tells me that the shrub on the left needs another clump in the lower back, and the large tree behind the building needs a little work. And it says, “While you are at it, could I have a few dogwoods in the distance? Oh, and maybe another branch or two on the lower edge of the big dogwood?” Bossy-pants photo.

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Customer came back at the magic 5 minutes in the late afternoon when the sun is exactly across the doorway of the old building. Then he suggested ivy growing on the front of the building, which I thought was a grand idea. I began it immediately, and complimented him on the addition. He said, “I’m not just a pretty face, you know”. Except, being from Missouri (which he pronounces “Missourah”), he said “purdy face”. We are really having fun getting acquainted as I paint.

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Okay, everyone just calm down from the bossy photo, brilliant sunlight, funny pronunciations, and creeping ivy. This is how it looked when I closed up shop for the day.

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The ivy needs more detail, more leaves and some stems. I’ll check out the ivy at home before beginning on Day Four. This photo also shows the grasses before detailing, along with the not-quite-finished log on the ground and very transparent and sketchy bluebird.

Stay tuned. . .

New Mural, Day Two

The first task of the day was to mix a good color for the weathered building. That greenish tan was just the paint remaining on my palette from Day One.

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Often I have a beginning drawing student draw something made of old wood for a first picture because the results are usually pleasing. Painting old wood is just as forgiving and satisfying as drawing it.

This is how it looked when I stopped for a brief lunch break. I went outside and photographed some oranges, so it was a working lunch.

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Wow. Tomorrow I will add the dogwood branches in bloom on the left, detail the posts, detail the grasses, detail the downed log, and put the cherry on top – the BLUEBIRD!

Maybe. Maybe it will take 2 more days. My detail brushes wear out so quickly, and then doing the detail accurately becomes a slow and annoying process. It would make sense to keep track of which are the best brushes, and then just know I have to order a pile of them before beginning a new mural. I don’t think there is time to get more before starting mural #2, so I’ll have to baby these along.

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Isn’t this an interesting free-standing wall? It was fun to figure out the borders and that I could wrap the design just a little.

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Here it is from the other side. (Thanks, Captain Obvious.) The plywood on the floor is so that I don’t bruise my knees while kneeling on the river rocks that are at the base of the wall. Or, so that I don’t bruise my knees as badly.

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The Oak Grove Bridge Saga Begins

Or perhaps it continues. . .

 

 

Oak Grove Bridge XVII

This commissioned oil painting of the Oak Grove Bridge is signed, sealed and delivered.

On Monday, February 8 at 6 p.m., there will be a public meeting at the Three Rivers Memorial Building concerning the future of this bridge. A hearing? Something about the planning commission? Not sure exactly of all the bureaucratic wording, but whatever it is, I will be there. (Lord willing, the Creek, etc.)

In addition, we are invited to send “comments” (does that mean opinions? suggestions? protests?) to a Jason Vivian by February 1. Here is a link to an explanation that includes Jason’s eddress. Click this.

Next week I”ll show you what I wrote.

Meanwhile, I have 2 more bridge paintings to finish.

Happy Recipients

Here are some works of art that were done for Christmas gifts. I heard back from 3 of the 5 about the happiness of the recipients. The fourth and fifth are most likely very happy – an email and a phone call would confirm it, but I don’t like fishing for praise. So, I will assume that the recipients are happy.

colored eyes IMG_2081 petrich gamma.07 toyless dogsbrundage

People say they love my pencil drawings, and I believe them. That’s what they choose for commissioned work.

As far as “off the shelf” work goes, the oil paintings far outsell the pencil.

Go figure. . .

Bridge Paintings

My favorite bridge is currently my favorite subject for oil painting. (Brought to you by the Department of Redundancy Dept.)

The Oak Grove Bridge crosses the East Fork of the Kaweah River, 6.5 miles up the Mineral King Road, out of Three Rivers, in Tulare County, California.

Some governmental agency has declared it to be unsafe. There is talk of rebuilding it, leaving it in place as a foot bridge and building a new driving bridge upstream, and even tearing it down. 

Better start saving $ for my bail, because I might have to chain myself to the bridge and then get arrested.

Nah. I’ll think about that tomorrow. I have some paintings to finish.

Oak Grove Bridge

The detail on the railing is the most difficult part of painting this bridge, especially when it is 8×10″. Too too tiny.

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Why is this upside down? Because every part except the top of the painting has wet paint on it. Okay, the back doesn’t have any paint, but you probably figured that out. This one is a commission, and the customer specifically requested detail around all four edges.

Navel Season

December is in the midst of navel season. Navels are seedless oranges, known for their great eating rather than for juice. The season has been greatly extended by adding early and late varieties.

These are most likely the classic navel, Washington, also known as Old Line. 

These five oil paintings are also for the ag realtor who gives them as gifts to his clients. 

1570 Navel XI 1571 Navel XII 1572 Navel XIII 1573 Navel XIV 1574 Navel XV

Olive Harvest

Olive harvest takes place in October. For me, it is NOW, because these oil paintings of olives are FINISHED.

Five of these paintings go to an ag realtor who has the good taste and class to give my oil paintings to his clients. Isn’t that brilliant?

The sixth goes to a friend who is giving it to her brother, an olive grower.

There will be a seventh, a 24×24″ painting that incorporates the best of each one of these.

Maybe. I have the canvas and the idea, but until paint hits canvas, it is just an idea.

1565 Olives I 1566 Olives II 1567 Olives III 1568 Olives IV 1569 Olives V 1577 Olives VI

Commission of Cats with Colored Eyes

Remember, Mr. Customer chose view “C” – a Commission of Cats with Colored eyes?

Here it is, Tabby as a kitten and an adult, Sasha as a kitten and an adult.

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The kitten on the lower right is perched on some sort of a figurine. I don’t know what it is, but Sasha is in charge of it.

And just for fun, as I was finishing up, I was drinking coffee from a mug that says “. . .and thou shalt have dominion over all the beasts, except, of course, for CATS.”

 

Cats!

For someone who does not consider herself a kitty-puppy artist, I seem to be over-run by pencil drawing commissions of cats and dogs.

That’s okay. I love to draw in pencil.

First, the sketch. The customer chose C.

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Second, begin the real drawing.

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Third, keep drawing.

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When I told a friend about this drawing, I couldn’t think of the kind of cat called “Persian”. So, I took the palm of my hand and smashed it against my nose, and she got it.

Okay, Central California Artist, quit talking and nose-smashing, and get back to the drawing table.

Dogs!

I have no intention of becoming a kitty–puppy artist. However, when I receive commissions to draw cats or dogs, if the photos are decent and I have the time, I usually say yes to those jobs.

This one began with sketches, as most commissioned pencil drawings do.

Ernst Dogs

Not quite it. More sketches requested.

Dogs B & C

Mr. Customer chose C. Now we’re cooking with gas!

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The printed photos weren’t detailed enough so I also worked from the laptop screen.

Dogs Done

Mr. Customer changed mind about toy in front of dachshund. Back to the drawing board.

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And thus we have 3 dogs all together, being quiet and well-behaved. Mr. Customer informed me that this NEVER happens. That explains why he sent me so many separate photos.

If you recognize these dogs, SHHHHHH. It’s a Christmas present surprise.