Hard Drawing and Painting Hard

Last week I did some sketching and designing for a very difficult pencil commission. It is breaking a hard and fast rule that I have set for myself, but I can’t figure out how to say no and still help the customer. It’s too scary to show you right now. . . more will be revealed. . .

Then I painted hard. How hard?

I painted so hard that my brush snapped. That’s a first for me in 18 years of painting.

These two paintings got moved into the house near the wood stove to dry. There’s more to be done on both, but I am spending my week working on my presentation for How To Draw.

IMPORTANT

Tuesday, November 12, 6:30-7:30, I will give a demo/talk called How To Draw at CACHE. Contact me if you are interested, because seating is limited and there is one more spot.

SIMPLY HOME

Olive Orchard, 10×10″, $200

CACHE Gallery hours are Fridays 1:30-4:00, Saturdays 10:00-4:00, Sundays noon-4:00.

Navels in the Orchard

Navels in the Orchard is actually just navels on canvas, another oil painting of Tulare County citrus.

I painted the details working from the back to the front, which means first I painted the items which are the farthest away from the viewer.

Usually I wait until the painting is dry to photograph it. But look at the weather —the sun wasn’t shining, making the wet parts sparkle.

RAIN! (No lightning, please)
Navels in the Orchard, 10×10″, $200

Fix ’em Up, Make ’em Better Than Before

Yesterday I told you that the paintings retrieved from Silver City will be heading to Exeter’s Mural Gallery, which reopens September 19 (TOMORROW!) after a summer-long renovation. (I don’t think they have a website, but their physical address is 121 So. E Street (next door to the former Wildflower Cafe, at the edge of Mixter Park, home of Exeter’s first giant outdoor mural.)

These 5×7 oil paintings on panels got freshened up and will be sold with little easels. I didn’t photograph the process out of respect for my readers who have no interest in miniscule improvements to paintings.

And here is a table full of Mineral King paintings. I painted them quickly, in order to hustle them up the hill for the usually excellent selling month of August at the Silver City Resort. Alas, we had a thunderstorm which caused a lightning strike which began the Coffeepot fire on August 3. So, I brought them home.

They aren’t terrible, but I studied each one and found at least one thing to improve. I started at the bottom left, and here is a photo for comparison. Prolly a useless exercise for you to discern what got improved, but here goes anyway.

And now the entire table-full has been renovated.

You’ll just have to trust me that they are all a little bit better than before. By the end of the day, the light has changed significantly enough that they look different in photos, whether or not they’ve been retouched.

Now they must dry and I must rescan them in order to have a good record of each painting, because OF COURSE they will sell.

Getting Ready for Simply Home

The amount of work to prepare for a solo show is astonishing. I’m so thankful that I was given an entire year to get ready for Simply Home at CACHE, opening October 19, 4:30-6:30 PM.

Here is the list of the most recent show prep activities:

  1. Name the show (Simply Home)
  2. Make a list of all the paintings, their sizes, titles, and prices. (52 oil paintings!)
  3. Verify that the prices were consistent by sizing. (tedious)
  4. Ask the gallery lots of questions about contracts, opening reception, second reception, events to keep people coming back, whether or not to bring pieces that were in private collections (nope, all must be for sale).
  5. Answer questions about labeling (No, I don’t want my name on every label, and why must each one state “oil” when they are all oil, and is the size really necessary for people who are standing in front of the paintings?? I made my wishes known but left the final decisions to the gallerists.)
  6. Decide if I want piano or guitar music at the opening—PIANO, ALWAYS!! (too bad—the pianist is already scheduled)
  7. Make sure the pieces are correctly titled on the backs, with correct inventory numbers. This is always crucial with my paintings when there is so much repetition in subject matter. (i.e., was that Giant Sequoia, Big Tree, Two Big, Redwood Trees, Giant Sequoia XI, Redwood Tree VI. . .?)
  8. Think about how to advertise drawing lessons at the show, and which pencil pieces to use as an enticement to sign up on the waiting list for lessons. (Might use a few of my students’ drawings on the poster)
  9. Begin designing a poster for the lessons after asking the Mineral King Preservation Society where they have such items printed. (Signtime in Visalia)

After all this thinking, I made a list of the next things to do for the show. It is quite boring. I needed something productive to do that didn’t require decisions, so I vacuumed the painting workshop (dust, feathers, cat hair, spiders, spider webs) and reupholstered my painting chair with duct tape. I work in a classy joint.

I also cleaned my studio because a guest of honor was coming for a working visit. Because the studio is feeling neglected, I started a colored pencil drawing just for fun. Weird, drawing for fun.

The color looks a bit weird here because it was smoky out. So, what’s new? It’s late summer in Three Rivers and that’s normal.

And Another Still Life

Fridays are usually for Mineral King. We haven’t been able to get there due to the road closure. There are limited times that people can pass through, but it isn’t helpful to only be able to go up at the end of the day and be required to head down early in the morning. (Maybe that will change soon. . . ever hopeful here.) For fire information, you can go here: watch duty or here: inciweb. I can’t seem to find the maps on watchduty using an old iPad, but maybe you can. The Coffeepot fire is called “CAKNP” on inciweb.

Are you curious as to what subject I chose for my third still life? I guess you must be if you are reading this.

COLOR won!!

I know, this doesn’t look like color. Just you wait. . .

This is probably too small to see the progression. It was fiddly, exacting, and really fun to mix a bunch of colors that were not landscape greens, browns, and grays.

These are my two final pieces for the upcoming show. “Simply Home” will open on Saturday, October 19 and run through December 29, at CACHE, 125 So. B Street, Exeter, CA 93221.

P.S. Want to know the titles? Blue Bowl, Yellow Lemons, and Cabin Dishes. (I bet you can figure out which title goes with which painting.)

A Productive Painting Day

Is there a word that starts with P to substitute for “day”? I could use “process”, but it isn’t accurate enough.

After spending time with Krista evaluating my paintings, I repaired four in one day. (One wasn’t even on the list, but it was bugging me.)

Before: too dark, but also scanned too dark.
After: lighter, brighter, better
Before: bothered me for several reasons that are too boring and technical to go into.
After: better, more accuracy, more detail. (Oranges on those trees now!)
Before
After: subtle differences, and as always, better in person.
This one was bugging me, and in my normal definition of improvement, I just added more details.
So much better!

Everything dried quickly to be scanned. Maybe I will have time to do the two more still life paintings before the show opening in October. . . but, maybe not. There are more things happening than I tell you all here. . . will more be revealed??

This, That, and Another Thing, Again

This:

This painting is inching forward. It wants wildflowers (fiddleneck) next, maybe some distant shrubs.

That:

The book about TB got sent to the publisher/printer and then put on hold because it needed “hyperlinks” in order to be an e-book. Hunh?? I learned how to do this, then after 2 hours, I remembered that the manuscript could not be sent from my laptop because the Mac scrambles the index (Word and Mac are not very good teammates.) This meant a trip to Visalia and 1-1/2 hours of fumbling around on the author’s HP to no avail. Wow, I am clumsy on that machine which is NOT intuitive. We made the good decision to scrap an e-book.

Another Thing:

It is bear season in Three Rivers. This doesn’t mean you can get tags and shoot bears; it means that they are active. (Thank you for use of the photo, JM!)

Because I Feel Like It

Normally I think pretty long and carefully about what to paint, particularly when trying to build up a solid body of work for a solo show. I know that citrus, sequoias, Mineral King, foothills, and local landmarks are the most likely to sell. After all, I did come here to earn a living, not to just putz around for fun. It ain’t all that fun when it is 103°, painting in a room barely cooled by a swamp “cooler”.

I’m not complaining, just explaining.

This scene kept calling me back, so I finally decided to just paint it, even though it doesn’t really fall into any of the regular categories.

I love to draw with my paintbrushes. If I am listening to a good podcast and drawing, I hardly notice the heat. There will be an enormous amount of drawing with the bark on the trees, the chain holding the swing, all the branches and twigs, leaves, and of course, wildflowers in the foreground.

This tree with the tire swing is a mile or so above my house. I’m painting it because I feel like it.

So there.

Any questions?

I have one for you: WHAT SHALL I NAME THIS??

Quickety Fix

What’s wrong with this picture?

The downhill lane isn’t convincing, the leafy bush/tree over Guardsman #2 is too yellow and looks like a cultivated roundie-moundie, and the growies in that center lane are too mushy.

All better now.

The decision is made: this painting is called “Four Guardsmen”.

Inching Forward in the Heat

When it is hot (i.e. “summer”), I prefer to paint in little stages rather than in long sessions. The swamp cooler helps, but it isn’t A/C for sure and for certain.

This might be how it looked last time you saw it. “It” has the working title of “Keep Right”, and I am open to suggestions, because I don’t want to paint the sign that says “Keep Right”, which belongs on the lower left.

I didn’t show the steps between the photo above and the one below. Sometime after I thought it was moving in the right direction, I put another layer of sky over everything in the background. It was a little alarming, and I didn’t take a photo. After it dried, I redid the distant tree trunks, and rebuilt the greens back there. Then I moved to the foreground on the right side.

I was working from a terrible photo that I took through the windshield and then cropped vertically. When I started the painting, I changed my mind and started it as a horizontal painting. This meant that I set aside the printed photo and switched to the terrible one on my laptop. Aha! I see the downhill lane on the left! Now I needed to rearrange things to make sense instead of just slapping lots of greenery on the unknown spaces.

Something might be different in this photo but I can’t quite tell.

I took this last photo when I was tired of being hot.

There is more work to do, but it is beginning to look believable.