Inching Forward With Pencils

The custom pencil drawing of 2 little girls in an orange grove is going to take awhile. I can quickly scribble in the distant orange trees and have them be believable, but everything up close needs to be carefully drawn.

In order for the snow-covered mountains and the wind machine to show up, it needs sky. This is because you cannot draw white; you have to put shading around a white thing for it to appear.

You can see that the leaves on the trees are getting added to, and the distant hills and mountains are too. One side of the wind machine is darker than the other; this will require some attention. 

I think this drawing will have quite a bit of “put some on, take some off, put some on, take some off”. Sounds like a middle-aged woman trying to get comfortable, but I am talking about pencil here. I keep adjusting darks and lights in the distance, looking for the best way to make it look the most believable.

 

Orange Grove in Pencil

This is a commissioned pencil drawing, custom art, a specific job as requested by a customer. (All that is in case you are only tuning in right now and missed the previous posts leading up to this).

The most difficult part of this drawing is the children. I found photos of children walking from the back, and then put together various elements from these photos to depict something that doesn’t actually exist. The youngest child that this drawing is supposed to represent is not yet walking. By the time she is walking, the other child will be older (duh) than she currently is. Hence, by guess and by golly. 

I started here because if this is impossible, there is no point in continuing. The customer said it was fine. No, that’s not what he said, but I decided that is what he meant.

Then I photographed it with a pencil so the size could be understood. After that, the mountains, and beginning the distant trees.

All this was done at the dining table in the house. I started this on the snow day, because the wood stove puts out better heat than the little wall propane heater in the studio. 

Lighting was a bit of a challenge, so toward the end of the drawing session I turned on the flashlight in the phone to use as a spotlight. This made it possible to work close and make precise leaves and oranges in the upper right corner.

P.S. The customer’s wife weighed in at the end of the day and had a very valid and helpful suggestion to make the smallest girl look younger. I believe this will be a lengthy series of blog posts as I bumble along in new territory of drawing little people without benefit of photos in a size that is ridiculously small. It will all be worth it, because this drawing will be ridiculously perfectly darlingly cute, a brilliant idea! (Plus, there will be some added color)

Orange Grove, Improved

Because my friend liked this little rough sketch enough to mention framing it, it seemed prudent to improve it. I do have a professional reputation to consider, since word-of-mouth is my strongest marketing method.

So, I spent a little time polishing the sketch. This time I photographed it with a ruler so he could see how small it is.

He asked if I had started the real drawing yet. I replied that I was about to start, but first I had to squash a spider. My studio is really out there on the edge of civilization. (Please be impressed by my pioneering spirit.)

With that nasty little job finished, I began the real drawing.

I started the 11×14″ drawing on Strathmore Bristol Smooth 400 series paper WITHOUT EVEN LOOKING AT ANY REFERENCE PHOTOS!

Looks like a nothing-burger at this stage. Good thing that you all know I know how to draw. 

I love making custom art for people, especially for friends, ESPECIALLY of orange groves, and ESPECIALLY in pencil.

Using pencils, oil paint, and murals to make art that you can understand, of places and things you love, for prices that won’t scare you.

And More Orange Groves

Remember this painting?

A friend saw it and wondered if I could draw a similar scene in pencil, this time adding in two little girls. Because I love to draw, love to draw and paint orange groves, and really like my friend, I said yes.

Ahem. There isn’t a photo of the two little girls from the back, walking together holding hands, because one doesn’t even walk yet. 

My friend sent me photos of the girls as they look now. Then I went to The Duck (search engine DuckDuckGo) to see if I could find helpful photos. 

From those photos, I did this little sketch.

Good thing my friend knows that I know how to draw. He was very taken with the sketch, so I think this idea will work, IF I CAN DRAW TWO LITTLE GIRLS THAT I CANNOT SEE!

No pressure or any undue stress.

Just shut up and pick up your pencils, Central California Artist.

Coming Home to Orange Groves

I grew up in an orange grove.

That sounds weird. Until I was about 11 years old, we lived in a house in an orange grove, not under a tree with the jackrabbits. After that, we moved to a house in an olive grove. Although picturesque, olive trees are not as appealing to me as oranges trees. That opinion has to do with the scent of orange blossoms, along with the ready availability of food. (Don’t try to eat an olive directly from the tree. You’re welcome.) 

A year or two (probably three—you know how time flies) ago, I developed a strong desire to paint orange groves with foothills and mountains in the background. This isn’t my best selling subject (that would currently be Sawtooth and before that Farewell Gap or the Honeymoon Cabin), but it sells steadily. 

We saw this painting in progress a week or two ago:

Here are a few more stages of development:

It is lacking oranges on the right side, a wind machine, and maybe some blossoms. They might be too small at this scale. I was very careful to get the mountains accurate, so if you know the middle fork of the Kaweah, you will recognize Alta Peak and Castle Rocks.

Why do I love this subject so much? 

Prolly need some counseling.

Definitely need some counseling, but it prolly doesn’t have anything to do with this particular obsession.

“Prolly.” I love this non-word.

This, That, and Something Else

  1. I started some new poppy paintings. These are 4×6″ and will be for sale at Kaweah Arts this spring, unless they sell here first.
  2. I found a new web designer, RIGHT HERE IN THREE RIVERS! (No photo for that thrilling piece of news).
  3. Kaweah Arts sold a large painting for me.
  4. I started a new orange painting, this one 6×12″; it will be available through the Mural Gallery in Exeter, unless it sells here first.Of course, I will have to work once in awhile if I expect to finish these paintings. There are many distractions in addition to an immature and unprofessional attitude about loafing since I had great sales in December, and so far, so good in January.

Just give me a pair of minutes; I will look for my work-face (maybe).

P.S. Don’t be scared of these beginnings because I really do know how to paint, and everything starts out ugly.

Another Version of Sawtooth

Two years ago I had a great idea for an art project for Tulare County. I  asked important people with good connections how to pursue the idea, followed instructions to get put on an agenda for a quarterly meeting, wrote a letter as advised, put together a Powerpoint presentation, and then everything was cancelled due to The Plague.

An arts organization in Visalia has recently put out the word that there might be an upcoming project, based on the idea that I never got to present. A friend overheard and notified me, and now I am working on my submissions for the unnamed project, unnamed because it isn’t real yet and there hasn’t been a “Call To Artists”.

It calls for art that is horizontal in a 2:1 ratio. 

OF COURSE I thought of the current most popular subject matter that I paint, which is Sawtooth Near Sunnypoint.

Trouble with that is the verticality of the subject matter. Will this work horizontally? The best way to find out is to try it. 

Not wanting to spend a ton of time on a piece that might look wrong, I just did a quick messy first pass over the canvas of a 6×12 to get an idea whether or not it would be worth the effort.

If Sawtooth is big enough to matter, then the stream won’t fit. Black Wolf Falls barely fits. I am definitely fudging reality here. Does it matter? Does this work?

Maybe, maybe not.

Insert my regular cliché here; you know the one.

Back to Sawtooth

Remember all those oil paintings of Sawtooth Near Sunnypoint? Sunnypoint was a Forest Service campground in Mineral King closed in the 1970s (or was it the 1960s? I wasn’t there then.)

The view that has been so popular is a bit made up. When you are standing where I have stood to take so many photos, year after year, of the same scene, your eyes tell you that the barest tip of Sawtooth shows. When you leave the exact spot, you remember it as a place where Sawtooth, Black Wolf Falls, the stream, and wildflowers are all coexisting in beautiful harmony.

It is my job to gather up all those pieces of reality and combine them into a believable fantasy for you. This beautiful fantasy, which matches up with peoples’ memories, has brought me back to the easel once again.

After a week of messing around, taking walks, editing 2 books, and staying away from the painting workshop, I finally went back to work.

The work that remains after this dries:

  1. Add the wildflowers
  2. Fix whatever is wrong that I have noticed during the drying process
  3. Sign
  4. Let dry again
  5. Scan
  6. Varnish
  7. DELIVER!

There is more to the story of multiple iterations of the Sawtooth Near Sunnypoint paintings. Mañana. . .

Last Oil Commission of the Year

On December 31, it was cold and gray outside. This meant it would take awhile to get heat up near the easels in the painting workshop, so I chose to paint inside the house. 

The lady from Spain who bought a poppy and requested an orange and a pomegranate to match extended her stay here. (Clearly, she is liking our subject matter.) This meant there was enough time for me to paint a pomegranate. It made me wish I could get the orange painting back in order to touch it up, assign an inventory number, and scan it. (I painted the orange in a day while sitting at the Courthouse Gallery.)

It has a few days to dry before it is ready to be scanned and delivered. 

It is very pleasant to paint in the house – I sit at the dining table instead of standing at the easels. The room is warm, Trail Guy is hanging around, Pippin is in the living room (under strict rules), there are tunes. Yes, I can have tunes in the painting workshop but I generally listen to podcasts instead. Maybe I’ll get my hard-nosed work face in place a little later in the new year. But for now, this is my preference. 

Thank you, Señora España, for choosing the art of this Central California artist!

Day Six on Indoor Murals

Mr. and Mrs. Customer sent a photo of the mural to their son who said, “Dad, be careful you don’t trip on those rocks!”

This time I started at the bottom of the stairs, adding texture to the boulders, along with more lichen.

Then it was time for the flowers to start blooming. Mr. Customer said, “This is a magical place, and all the flowers bloom at the same time.” That gave me the freedom to put in every foothill wildflower that came to mind.

I finished the carnival of colors, and moved to the other side of the stairs. The sequoia mural that I painted 10 years ago is on the right-hand wall leading down.

My instructions for this wall are simply a manzanita shrub.

Mrs. Customer requested blooms on the manzanita. Mr. and Mrs. Customer have asked many times for me to be sure to sign and date every one of these mini murals. 

I told them to live with it all for a few days. This gives them a chance to ponder any ways to make it fit their vision better. They have great suggestions and have been right every time.

Next time, I will put blooms on the manzanita, maybe add some more leaves above and behind the bannister, fulfill any correction or addition requests, and sign everything.