Large Important Oil Commission

This will be a long story, told in multiple chapters. 

Because I have been an artist for a long time in the same county, often people think of me when they need an artist. This is a good thing, because even if I am not the right person for the job, I often know who might be.

Someone from the county library emailed me, looking for a portrait artist. Nope, not me. The library received a donation in memory of a patron and wanted to hire someone to paint or draw a portrait of the woman. Nope, not me. I could tell that the poor librarian did not even know the right questions to ask, so I called her and gave her a rather detailed set of instructions about how commissions work, what questions to ask, what to expect, and a couple of names of artists who might be available. Nope, not me.

I followed up the phone call with a summary, and included samples of my work, both pencil and oil, and of course I sign all business emails with my website address. I made it abundantly clear that I don’t accept commissions for portraits, but should they change their minds, I would be very happy to work with them on this project.

A few weeks later, they decided, yeppers, me, because scenery instead of a portrait would be just fine with everyone concerned. The instructions were vague, so I pushed for more information. They provided a few photos of the ranch owned by the family, and requested that the painting include books. Say what?

WAIT A MINUTE!  I recognize that barn!

Remember this pencil drawing? Probably not. I did it in March of 2013. 

I took this photo back when I was looking for the right way to show off this area:

it is an odd-looking barn, which makes it memorable.

Okay, where were we? To be continued. . .

 

Dead Saloon and Western Bang Bang

Excuse me??

I am working on a logo design for a customer-friend (if it is business, “customer” is the right term, but they are friends too). He requested “western type”, so I went searching on the Duck. DaFont, actually.

The names of those typestyles are hilarious! Look at these: Eastwood, I Shot The Serif, Bleeding Cowboys, Insane Rodeo, Boots and Spurs, Dust West, Confetti Western, Lost Saloon, Fort Death, Tequila Sunrise, Cowboy Cadaver, Poker Kings, Texas Tango, Macho, Western Swagger, Old Bob Junior, Dusty Ranch. . . they go on and on and on. Lots of them look alike, so I will just keep sketching, figuring out which type fits with which sketched logo design. 

The logo will include something that looks a bit like this:

And that’s all I will reveal at this time. More will be revealed in the fullness of time, or as my dad used to say more succinctly, “Time will tell”.

P.S. Logo design is not my strong suit, but pencil drawing is. I have done quite a bit of work for these folks, they are easy to please, and I have a lot of ideas for them. Remember this logo design? I like it a lot, and it inspired my confidence to offer to do this job for these folks.

 

Two New Big Trees

A few months ago, I went out on a limb and used my mural paints to put a Giant Sequoia on a panel that was about 1-1/2×5 feet. It was at Kaweah Arts for awhile, and then it sold. The next day, someone came into Kaweah Arts, cash in hand, excited to buy that Giant Sequoia. They snoozed and loozed. (Just say it aloud – you’ll get it).

Trail Guy and I went through our lumber scraps, and he was able to put together another one of these panels, this time 2×4′. He set up some sawhorses, and I put the new panel on them, along with a smaller one from the previous project. 

This is how it came together.

These don’t show the entire tree because the proportions of the panels are wider than the first one. The entire tree on these panels wouldn’t fill the space well; it would be too skinny and leave too much empty space around the tree.

But I hope those cash-laden folks like one of these anyway.

P.S. I don’t know how to classify this. It feels like a mural because I used my acrylic mural paints, but it isn’t on a wall.

Another Oil Commission

In case you might have forgotten, I use pencils, oil paint, and murals, to make art that you can understand of places and things you love, for prices that won’t scare you.

Sales pitch over – let’s get on with it.

A friend sent me this photo of Sawtooth because her mother said she’d like a painting of the signature peak of Mineral King. The photo is a little plain, so we decided that some wispy clouds in the sky and brighter aspens will jazz it up.

Here is the rough beginning of the painting.

I added some green blobs, then moved it into the drying area with Yosemite Falls. I could have kept going, but it was time to head up the hill. And sometimes I just quit in the middle of the day because I am the boss of my business and can do anything I want. (Fall down laughing . . . sometimes the business is the boss of me.)

OH NO! Yosemite Falls is sideways! 

This is because the Yosemite friend first sent me a horizontal photo, so I wired the canvas that direction. After she changed her mind, I decided to wait until the painting is entirely dry to change the orientation of the wire. Being the boss of my business, I can do things in any order I want. Sometimes I just get rebellious and live on the edge like that.

P.S. I have good friends who like my art and prove it by hiring me, and I consider it a great honor, although sometimes I wish I could just give it all away. But then how would I pay for this overpriced laptop and all the hidden internet costs? And gas? Oh, food too. . . what about taxes? and YARN???

New Oil Commission

“Commission” is fancy talk for custom art.

A friend requested an 8×10″ oil painting from a photo she took in Yosemite.

I haven’t been to Yosemite very often and don’t really know it but somehow I knew to ask if this was Yosemite Falls, and doesn’t it have 2 parts? The oak tree in the foreground was obstructing the shapes of the cliffs, and I also needed to know if the barely visible cabin in the lower right mattered.

After a bit of back-and-forth, I went to the World Wide Web, found many photos that showed the dual nature of these famous falls, and proceeded to make up my own version. 

Since when have I become such a rogue painter??

Here are the steps (without showing you the photo from the WWW because I do not have permission.) I began the painting in the studio (the reasons are boring), where oil painting does not belong, but I was very very careful.  I worked from my friend’s photo on the laptop. You can see that I chose to keep and enhance the little structure, because I am into cabins (hence “Cabin Art”).

The next painting session was in the painting workshop, where it is not a tragedy to drop and spill things. The natural light is better there than in the artificial light of the studio, so it was a much better place to finish the painting.

The last photo was taken with the phone instead of the camera. Neither one is adequate, but will have to suffice until the painting is dry and can be scanned.

 

Four Places to Buy My Art

Apparently, in spite of not having pop-up ads, here is my own ad on my blog. Self-promotion and marketing are the most difficult parts of being a self-employed artist. However, if you are a reader of my blog, I am assuming you like my art. Therefore, telling you where to find it is simply providing you with a service, yes? (I refuse to end my sentences with “right?” as so many people do these days, a nervous vocal tick that sticks up my nose).

  1. Kaweah Arts in Three Rivers has been selling very steadily for me. This is an art consignment shop located along the main road through town, on the river side of the highway, AKA Sierra Drive. Great variety of local original art, open Thursday – Tuesday. No website, but on Instagram and probably Fakebook. They have my paintings (mostly Sequoia and Three Rivers subjects) and notecards.
  2. Farmer Bob’s World is a new adventure in agri-tourism in Ivanhoe, which is a citrus growing area north of Visalia. They offer tours and have a venue for events. It is new, and I am honored to be part of this, since citrus growing is my heritage. They have paintings (mostly citrus) and notecards. Their website is Farmer Bob’s World.
  3. The Mural Gallery, a store for Exeter, A Festival of Arts on E Street in Exeter just reopened. They have a good variety of mural related merchandise and the muralists are invited to show and sell their work. They carry my Exeter coloring books and paintings (citrus, Sequoia, foothill scenery). No website, but here is a youtube video discussing the murals. Exeter, A Festival of Arts. (The first 2 murals shown in the video are mine!)
  4. Silver City Resort, 4 miles below Mineral King (or 21 miles up the MK Road) has been selling my paintings for over 10 years. Now they also carry Mineral King Wildflowers: Common NamesTheir website is Silver City Mountain Resort. (P.S. This is an old photo – the store is fancier these days.)
  5. A bonus place to buy my art is from me directly, either off the website (yikes, hope the piece didn’t already sell somewhere else before I learned about it!) or from me in person.

And remember, I make custom art.

Using pencils, oil paint and murals, I make art you can understand about places and things you love for prices that won’t scare you.

We now resume our normal broadcast schedule.

Big Old Country House, Done!

Done? That word brings biscuits to mind, or perhaps a tri-tip. “Completed” is probably a better word for a custom pencil drawing.

Because of the influence of my drawing students, I decided to put clouds in the sky rather than oranges or walnuts. (Oranges in the sky? Walnuts in the sky? Riders in the sky?)

Because I love our flag and love to add color, Jane and I decided to add a flag to the drawing that wasn’t there in person.

Because I want the colors to be right on the flag, I experimented on a piece of scrap paper on the drawing table.

Because it is a huge drawing, I decided to sign with my huge name. (When I paint, all I can manage with that uncontrollable paintbrush is “J. Botkin”.) I don’t know why I got into the habit of not capitalizing, but now it is an established habit.

And because it is so vulnerable, just a piece of paper, until Jane and I decide a retrieval/transfer date and method, it has to remain flat on the table, covered by tissue paper. (The drawing has [t]issues?)

The most difficult part of the entire drawing was getting a good photo. It was too bright outside, too dark in the studio, and so no matter what I tried, it had to be photoshopped to be worthy of showing to Jane. It is just too big for the scanner, so all that fiddling around had to be done.

Enough teasing. Here is the Big Old Country House custom pencil drawing, 16×20″:

Using pencils, oil paint, and murals, I make art that people can understand of places and things they love, for prices that won’t scare them.

Better Sequoia

From 2012:

2012
Thought it was finished and changed my mind.
Best Sequoia painting, titled “Sandy’s Sequoia”.

Since everything looks measurably better in person, I am wondering if the differences are just due to camera variations. I don’t know where the original painting from 2012 is, nor can I find the photo that I used, so this is a mystery to be lived with. Not everything has an answer (Uncle Google may be omnipresent but he is not omniscient.)

This is custom art, Gentle Blog Reader. Custom art works like this:

Using pencils, oil paints, and murals, I make art that people can understand of places and things they love, for prices that won’t scare them.

P.S. My business manager made me put that in the blog. She is mean like that.

I Can Do Better

I thought the commissioned oil painting of a Giant Sequoia was finished. I photographed it, fixed the photo on Photoshop Junior (because there is no way to hold the camera perfectly aligned with the painting), and even varnished it.

Then I decided to compare it to the one that my customer saw and liked, painted back in 2012.

2012

The darks are darker in this one, and it just looks better. 

Back to the easel with my newest Big Tree oil painting, since I can do better, because. . .

. . .I make art that people can understand, of places and things they love, for prices that won’t scare them.

Big Old Country House Drawing, 2

Another day at the drawing table, and only 2 photos in progress. Watching this part is a little like watching paint dry, or watching grass grow.

Because of pruning back the shrubs on the left, I needed more photos to show what is behind them. The shrubs on the right are also being pruned in the drawing, so more photos of that side of the house will help fill in some blanks. The very tall valley oak tree on the right is a bit of a mystery too, as is the mass of confusing growth behind it. I can’t figure out the detail on the front door, and the shapes of the windows are confounding me.

A field trip is in order for more photos. Let’s go!

The front door is wider than it appears in my drawing and has more detail on the screen than I could see in my earlier photos.
Nice detail on this window. I missed it entirely. It might not show in the angle of the house that I am drawing, but more photos than necessary are a better “problem” than not enough.
Is this thing important? I’d better ask.
Now I can see that the window over here is square and centered. (I saw the square part in real life – may not have been able to capture that in a photo without crawling into a shrub.)
How many trees are over there??
It splits into 2 massive parts but from a distance, appears to be 2 separate trees.
Wait a minute. There are several trees over there, and one is a pine.

Good thing Jane isn’t in a big hurry for this drawing.

HAPPY BIRTHDAY, RACHELLE LEDBETTER!!!