A One-Person Oil Painting Factory

After the Redbud Festival, it took awhile to rearrange everything in the studio and the painting workshop. I returned many of the paintings to Kaweah Arts, but not all that I had “borrowed”.

While sitting in my booth at the Redbud Festival, I had a lot of time to assess my paintings. I made lists of what to change, correct, or improve on eight of them.

It didn’t take long to do those little improvements. I’m not showing you the before and after because they are too wet to scan; besides, why would it be advantageous to point out all my errors? It was just a small matter of darken this, lighten that, brighten something else, add a branch or two, adjust some color for greater realism or to make it more appealing.

Feeling much better about those “old” paintings, I returned to the small sequoia paintings. The goal is to complete enough so that Kaweah Arts has some back stock. So far, sequoia paintings are the most popular subject, and I am happy to keep producing them.

6×12, untitled at the time of this post
both 6×18″, both untitled

Next, I will return to painting pieces for the Silver City Store (on the Mineral King road, four miles below the actual Mineral King valley) to sell this summer. I have great high hopes, because the resort was closed last summer, along with the entire area. However, the road will be under reconstruction and there will be some closures. In theory, it will open for Memorial weekend. In reality, we shall see what they actually choose to do. There is supposed to be a schedule, but it changes almost daily.

6×12″ along the Nature Trail, 11×14″ some of the cabins

I’m running a one-person factory of oil paintings of scenes local to Tulare County

Better than Before, New and Improved

“Old and Improved” is a bit more accurate than “New and Improved”. If something is new, how can it be an improvement??

Here are three more paintings that I have made better than before. In the time since I first painted these, I have gotten better at painting. (“Better” means “better in my opinion”.)

This is Sunny Sequoias, 18×36″.

before
after

This is Big & Tall, also 18×36″.

before
after

Oak Grove Bridge #28, 24×30″

before
after

I wonder what I will think of these “improvements” in another 5 or 10 years. Chances are you can’t see the differences, compounded by the photographic variances.

Oh well, you can just rest assured that I am working hard at making my fall show at CACHE be the best it can be, showing off the beauty of Tulare County to the utmost of my ability.

Before and After, New and Improved

As I study some of my paintings and live with them, I see ways to make them better. So, I touch them up to improve them.

Before
After
Before
After
Before
After
Way before
After

Just another peek into the work of a Tulare County artist, bumbling along here in Central California. Sometimes you just can’t tell on a computer screen because they photographed differently. Guess you’ll just have to trust me.

Painting With a Few Interruptions

Another beautiful spring day, accompanied by the desire to just be outside and pull weeds.

Nope. It’s a workday, chica.

But wait! There’s an eclipse! I joined Trail Guy for a brief look at the weirdness of shadows and light, with the help of a colander and a piece of white paper.

Back to work.

Two paintings now drying, so that tighter detail can be applied in the next session.

How about another break to enjoy the wildflowers?

Back to work.

In spite of succumbing to a few temptations, it was a very productive day. So, here is our final reward of the day.

Happy Birthday, Mr. Stroben!

Finished Pencil Drawing of a Cabin

I sure do know how to stretch a story out. . . have you noticed how many people use the cliché “long story short”, and then proceed to make a short story even longer? I am sort of doing that here, except I break it into chapters for you, because of another cliché that applies to many blog posts: TLDR (Too long, didn’t read).

Here is scanned Minnesota cabin drawing before I scrubbed it up on Photoshop Junior.

Here it is converted to gray scale with all the chuds erased and the paper color also erased. Chuds are marks on the scanning bed—this word came from the days when I worked in a frame shop. Sometimes after you’d get a piece of art all sealed up under the mat and frame and backing, with paper secured over the back, you’d flip it over and there would be a little something under the glass. My co-workers called these little somethings “chuds”.

A few more thoughts. It was a thrill to have a stranger find me over the interwebs, because people are always contacting me to say that my Google ratings are too low and that they can help me. (No thanks, you creepy Stalking Strangers; how did you find me on Google if my ratings are too low??)

The customer was a pleasure to deal with. She mailed a check when I told her that PayPal takes a bite, she replied quickly when I asked for more information, and she even marked up the photos so I would know who was on first and what was on second.

Alas, I learned something the hard way. A few months ago, I raised my prices for pencil drawings. It had been years (decades??), and it just seemed like a wise move. BUT I DIDN’T RAISE THEM ON MY WEBSITE. Sigh.

Someone could use a business manager, an administrative assistant, a Girl Friday, a right-hand man. Hmm, I guess that’s the problem: my man is left-handed!

P.S. If you are curious about my prices, you can see them here: Pencil Drawing Prices. I only show the smallest and the largest, because sometimes it is all just too much information and too much work. (I’d rather be drawing.)

Drawing a Cabin in Pencil, 2

The Minnesota customer replied quickly and thoroughly to my inquiry about the two different versions of the cabin. I couldn’t tell if there were actually two gable ends, slightly different, or if some changes had been made. She said the cabin has been a work in progress and changes get made regularly. The three rows of shingles beneath the upper gable window is the most current. She also sent this helpful set of color coded photos.

We had a rainy day, which is perfect for drawing. I went to the studio where the distractions are limited and the heater works well, and was psyched for a day of pencil, my favorite art medium, drawing a cabin, my favorite type of subject.

See the edge of my laptop? There is NO WAY I could have done this almost impossible drawing with this degree of detail without viewing the photos on my laptop. I lightened the shadows of the very dark places, enlarged the photos enormously, and even flipped the summer view of the gable end horizontally so I didn’t have to guess how all the angles would look. You can see the potential for tying one’s brain in a knot here:

This view points right.
This view points left.

I worked from top to bottom, left to right. This is the best method for a right-hander to not smear. (Left handers can work top to bottom, right to left.) Actually, smearing happens anyway, but it is less of a problem when the paper is covered in this systematic method.

And, I finished the drawing!

Come back tomorrow if you want to see it. Same Bat time, same Bat channel. (I never actually watched Batman because we only got 2 channels, not the third one that had Batman on.)

Drawing a Cabin in Pencil

Which of the three sketches of a Minnesota cabin did the two sisters choose?

They chose A! (The exclamation mark is because that was the one I was hoping for.)

I cropped all the extraneous cold stuff. The sisters asked if I could show a bit more porch, and the best I could say was, “I’ll try.” There just wasn’t much to work with.

I spent an entire hour struggling to place the cabin so that there would be room for part of the wings on either side of the gable, in order to squeeze in a hint of the porch. It took a very long time to get the angles exactly right. This sounds excessive, but architectural subjects are not forgiving, and if you don’t get the skeleton down correctly, the parts don’t fit.

Finally, I was able to begin. (The picture of the drawing below is accidentally cropped—it actually has a 1″ margin around the image on this sheet of 9×12″ archival smooth expensive paper.)

Oh no! When I look at the photo I am using, the window size in the winter photo doesn’t quite match the summer photo that shows the gable end. Further, on the summer view of the gable end, there are 3 rows of shingles beneath the upper window.

Time out. I need some instructions, please!

So, I emailed the sisters.

What happened next??

Tune in tomorrow. . .

Cabinart = Art of a Cabin

Drawing cabins in pencil is the way I started my art business. Now I spend 90% of my artmaking time as an oil painter, so when I get asked to draw a cabin, I am really happy about it!

Someone from Minnesota found me on the internet and asked if I could draw her parents’ cabin in spite of not having clear photos of the entire structure. I told her to send them to me, and I’d see if I could make sense of the photos.

Want to see the pictures she sent?

I knew you’d be interested.

(Pay no attention to the purple lines)

These presented a real challenge. I did three little sketches and emailed the potential customer. She was delighted, and asked me to wait for an answer (yep, dealing with a deadline here) because she needed to consult with her sister.

Which one did they choose?*

Tune in tomorrow. . .

*If you read my blog on April 11, you know the answer to this question.

Some flowers, a painting, and a lost and found sketch

A couple of weeks ago, a friend and I decided to ride bikes in Lemon Cove, because there are flat roads down there. We parked at the Lemon Cove Woman’s Club (I think that is the odd way the name is spelled), and we were just slayed by the orange blossom scent and the incredible Lady Banks rose at the clubhouse.

As wonderful as it all was, it was still a workday, so we headed back up the hill (in a car with a bike rack—remember, we were seeking flat roads to ride.)

Kaweah Arts sold a painting on their opening weekend, and I needed to replace it.

Sequoia Siblings, 6×18″
No, really, it will be good!

It was a bit of an overcast and chilly day, so I moved into the studio to begin a commissioned pencil drawing. (I’ll tell you more about this one later, as the details unfold.)

After studying 5 not-so-great photos, I made 3 sketches for the customer to determine if I could capture the Minnesota cabin for her parents’ anniversary gift. Then, I lost the sketches. Good thing I scanned them —HEY! I BET THEY ARE IN MY SCANNER!!

YIPPEE SKIPPEE, SURE ENOUGH THEY WERE!

Alrighty then, let’s just calm down. I worked off the laptop to start the drawing (because I couldn’t find the sketches).

About an hour later of checking angles, drawing, measuring, erasing, and repeating the dance several times, I ended up with this mighty impressive foundational drawing.

Gotta draw the dog before you draw the fleas. . . and this dog has many challenges. Never fear—I am up to the task.

New and Improved!

Do you remember when advertisers used to try to get our attention with that little descriptive phrase? Did it work? It created some cynicism in me, even as a kid who wasn’t paying much attention.

HOWEVER, I think I have improved the walnut orchard painting.

before
after

Never mind. You probably can’t even see what I did.

Let’s look at the blooming peach orchard.

before
I remembered to work from left to right so that I didn’t rest my hand on wet paint.
This is getting close to being finished. But who knows? I could continue to fix little things that nag at me each time I see the painting.

The Oak Grove Bridge is still my favorite bridge, although it has moved into second place in the Favorite Subjects to Paint category. I worked on it flat on the table, turning it upside down as needed to position my brush where I could watch the tip. Architectural subjects are not very forgiving, and when painted at this tiny scale (6×12″), there is even less room for wobble.

Much of the water and cliffs has to be invented and interpreted through the lens of experience. When it comes to those precise shapes and details, I have to remind myself No One Actually Cares. (It is with restraint that I didn’t fully capitalize that phrase.)

The bridge painting has to dry before I get into the microscopic details on the bridge and begin to polish the water.

Yeppers, I think these three paintings are New & Improved!