Custom Pencil Drawings

A friend’s mom was visiting from Georgia. She brought me these photographs.

Each one is the only existing photo of a house that no longer stands.

Each one will become a 9×12″ drawing.

Each drawing will be better than the photo, at least that is always my goal. 

There will be no visible wrinkles either.

 

Soldiering on with Drawing Lessons via Email

C sent me this, requesting help with some specific areas.Oh how I wish we were together in person! But my o-so-wise dad taught me this: “If you put a wish in one hand and spit in the other, which hand actually contains something?” So we shall soldier on.

First, I did this:

Then I wrote up these notes:

P.S. It costs a fortune to have a transplant, and while insurance covers much, there is much more that it does not cover. If you feel generous and inclined to help my friend, Rachelle, this is the best way to do so: HelpHopeLive.Org

Painting the River

There is something new coming to Three Rivers, but I don’t yet know any details. Might be a simple retail shop where one can pick up local art, maybe some tchotchkes. This is why I wanted to get those little Three Rivers paintings looking better. This is also why I started a new river painting.

This is painting session #1. I want to do this in many thin layers, striving for perfection. But why?

It might be an overreaction to how I felt about the blurry Kaweah Post Office painting. It might also be some residual from having drawn this exact scene in pencil with a touch of colored pencil a handful of years ago, a commissioned piece. I want to see how close I can get to perfection with paintbrushes. I’ve already decided to leave out the tree on the left side, but like everything I do, more will be revealed in the fullness of time.

My show “Still Here” is still there, at Arts Visalia, that is. The phone # to make an appointment to see it is 559-739-0905. TWO DAYS LEFT, Thursday, noon-5:30 and Friday, noon-5:00. I will be there on Friday, April 30, and will take away the unsold pieces at 5 p.m.(MB, I will be sending you your painting next week!)

 

Drawing Lessons Via Email

My drawing student, C, and I continue working together on the horse named Buck, who I called Mr. Curly. 

She scanned her drawing instead of taking a picture with her phone this time.

C also asked me about the eyes, and after doing a bit of measuring, I could see that the one on our right is a bit low. I wrote up some instructions for her:

Then I decided that drawing various parts of Buck, showing the layering differences using 3 pencils of varying hardness (4B, 2B, and HB) might be helpful.

My show “Still Here” is still there, at Arts Visalia, that is. The phone # to make an appointment to see it is 559-739-0905. Gallery hours are Wednesday through Saturday, noon-5:30 (5 on Friday). I will be there on Friday, April 30, the last day; the work will be removed at 5 p.m.

 

Drawing Buck

My drawing student C and I continue to work on her pencil drawing of the horse, Buck. This last time she took a photo of the drawing instead of scanning it. I tried to help and was able to show her how to put a lock of hair across the eye. She also asked me about her hair shading techniques, and after staring at it a bit, I finally concluded that it was all too squarified for me to tell what was pencil and what was pixel.

Here is what I told her in the email (because I think my writing is a little bit too sloppy):

“About the hair crossing over the eye: The question to be answered is always: Which is darker? sometimes the only way to tell is to squint at the photo so the detail and color blur. Another way is to turn your photo to black and white, but this sort of feels like cheating. Well, not cheating, but bypassing the ability to learn to see values by letting the computer do the work. Often the black and white method backfires, because the 2 things are the same value (darkness). This means you get to decide (you are the boss of your picture.)
 
“The hair is darker in some places and lighter in others. Just make the adjustments to whatever is behind the little clumps so that it shows up. It is okay for the clumps to look broken or disconnected.
 
“Hair always tapers at the tips.
 
“I can’t help you on the shading; because of the pixelation, it is too hard to tell what you have actually done and what is getting squarified. 8-( 
 
“You can either keep going and then scan it, or you can rescan this and I can keep going here!”
 
So, this lesson is on hold for a bit.
My show “Still Here” is still there, at Arts Visalia, that is. The phone # to make an appointment to see it is 559-739-0905. Gallery hours are Wednesday through Saturday, noon-5:30. The last day to see my work there is Friday, April 30.

 

Custom Pencil Drawings

These are all examples from a whole lotta years at the drawing table. (Yes, I know — “a whole lot of”, but I also like to say “prolly” and “liberry” and “remorial building”).

I’ve been a long time admirer of this house and was thrilled when the owner asked me to draw it. I took many photos, looking for the best way to depict this gem.

This was a collection of favorite memories of a couple’s trip to Ireland, working from many photos that they provided. The challenge was how to put them all together.

The customer provided all the photos for these. I pushed back against the portrait; the customer said that a likeness wasn’t necessary. Good thing, because likenesses are impossible to guarantee, especially at this size.

I love to draw in pencil; however I also use…

…oil and murals to make art that people understand about places and things they love for prices that won’t scare them.

Anniversary Dogs

A thoughtful mom commissioned me to draw a pair of dogs for her daughter and son-in-law’s anniversary. She videotaped them opening the gift, and while I cannot put that on my blog, I can show you the dogs.

The daughter sent me this message: “Jana!!!!! I love love love the portraits of Charlie and Maggie!!!!! Thank you so much!!!! You captured their expressions brilliantly!” (I might have gotten the number of exclamation points wrong in the quote).

You are so welcome, K & F!! It was a pleasure, especially because we are friends AND because you stopped by the studio when it was on the table. It was in a folder, so I knew you wouldn’t notice it, but your mom was as nervous as a long-tailed cat in a room full of rocking chairs.

In case it has slipped your mind:

I use pencils, oil paint, and murals to make art you can understand of places and things (and sometimes pets) that you love at prices for won’t scare you.

New Virtual Drawing Lesson #2

Last week we saw the beginnings of C’s new horse drawing.

The eyes are the best place to start when drawing a living being. The eyes on Mr. Curly were too dark to see on the photo, so I used the computer to lighten and enlarge. (If you can’t see a thing, it’s almost impossible to draw the thing. Duh. You are welcome.)

Eye on the left after enlarging and lightening:

Eye on the right, after lightening and enlarging:

My demonstrations and notes, scanned a little darker than accurate in order for C to be able to read my handwriting, which makes the drawing parts a little too dark. There are many drawbacks to this virtual stuff, but C is a very committed drawing student and an excellent communicator.

I wonder how many of you will unsubscribe to my blog because this type of post is making your eyes cross.

New Virtual Drawing Lesson

Look at this beautiful photo of a horse by my drawing student C. She wants to draw it and I will do my best to help her, through emails.

The first set of instructions was this:

  1. Trace the main parts to simplify the visual information
  2. Copy the tracing onto the drawing paper, rotating directions. Start upside down, then sideways, next other sideways, finally right side up. Each direction will show you different shapes and angles that need to be corrected.
  3. Trace a few more details onto the first tracing.
  4. Add those details to the drawing, remembering to rotate.

This is what C sent to me after finishing those actions.

She is drawing the same size as her printed photo. This means she can scoot the tracing over the top of her drawing to check her accuracy. 

When students draw the exact same size as their photo, they can do this sort of checking. Here are some thoughts about that:

  1. Always force yourself to draw first, BEFORE laying the tracing on top. We all need to exercise our “seeing muscles”, and practice is the only way to learn to see accurately.
  2. When you draw the same size as your photo, you aren’t learning to see proportionately as quickly as if you draw larger or smaller. Sure, you will still have to see how things relate to one another inside the drawing, but you aren’t looking at the whole to learn to think thoughts such as “half is always half” or “a third on my drawing needs to be the same as a third on the photo”.
  3. When you draw the same size as your photo, sometimes you get paralyzed by the thought of changing size.
  4. If you are dependent on drawing the same size as your photo, it is even harder to transition into drawing from real life. Drawing from real life is the hardest way to draw, because you are going from 3 dimensions to 2 dimensions, and every time you slouch a bit or accidentally lean to one side or the other, the image in front of you changes.

Stay tuned. The virtual drawing lesson will continue.

 

Dithering Over Decisions

Still Here, my upcoming exhibition for the month of April has me dithering about how much is enough, how to prioritize the work ahead, and wishing for the umpteenth time that I had a functional and accurate crystal ball.

When Arts Visalia asked me if I’d move from January 2022 to April 2021, I decided that I would finish 4 of the 5 paintings in progress and not try to add anything else. The fifth could just wait for another opportunity.

This might be finished now.

Because I am painting larger than normal for me, I am not able to guess how long a painting will take to finish. The ones on the easels seemed almost impossibly far from completion. Then suddenly 3 of the 4 looked ready to sign. So, I pulled out #5, because it will be a nice addition.

Maybe there is time to finish this one.

 

Incrementally closer to completion with each painting session.

Meanwhile, I went through my framed pencil drawings and decided a bit more variety will be good. So, I delivered 3 more drawings to my framer with the usual instructions of “Make them look good and call me when they are ready.” I believe in hiring the best people for the job and then just getting out of their way.

I wonder if Arts Visalia will rethink the decision to hang my work in Gallery 2 and move me into the Main Gallery. I could fill it up. My work could fill both galleries. HEY, ARTS VISALIA, DO YOU READ MY BLOG?

Probably not. Guess I’ll head back to the easels.