A Rural California Artist’s Thoughts on LinkedIn

You “MUST” be on Facebook/LinkedIn/GooglePlus/Twitter to be considered a serious promoter of your work.

Oh yeah? Do I really need more time on the computer, with “virtual” friendships?

Are these Giant Sequoias having a water cooler conversation?
Four Guardsmen, pencil on paper, 11×14, unframed, $175
 I’ve heard that Facebook is like the backyard barbecue, another one whose name I’ve forgotten is like the bar scene, and LinkedIn has been compared to the water cooler.

I chose LinkedIn, because the barbecue is too big and feels like a waste of time, I don’t like bars, and having not worked for big companies, I’m curious about the proverbial water cooler. (Ever seen farmers on the side of the road, their pick-ups side-by-side in opposite directions, windows down as they chat? That’s their water cooler.)

Staying Power

LinkedIn is a bit of a puzzle to this simple rural artist. I haven’t yet concluded if it is helpful, or if it is just another distraction from being in the studio. It takes so much time to follow the links, find people’s websites, examine their work, comment if they have a blog, and for what? Are other artists truly my potential customers? And as a definite regionalist (referring to my subject matter), is anyone outside of my area truly a potential customer? Do these people in Minnesota/Washington/New Jersey care about Mineral King or Sequoia or Wilsonia??

Sure, it is fun to be asked to join people’s networks, and I feel warm and fuzzy to see that I now have 120 connections. But why? I’m not having personal conversations with these folks. I’m not looking for a job, which seems to be the primary function of this virtual water cooler place.

I’m always hoping for sales and for commissions, but doubt if this is going to happen from clicking “Accept Invitation” or “Send Invitation”. And that seems to be the motivation behind every person’s request to join his network. We all want sales – we are in business, and businesses exist to make a profit.

On LinkedIn, I am somewhat active in an Art Business group. So far, I have picked up a few tips, commented occasionally, and enjoyed some good virtual conversation. This is conversation minus body-language and vocal inflections, so who can say how authentic it is??

In Mineral King, we seek authentic conversation with real people, complete with body language and vocal inflections.
Sunshine at the Neighbor’s Place, pencil on paper, 11×14, unframed, $175

In this Art Business group there are many beginning artists, seeking answers and help. (Most established artists are too busy working to be spending time talking to strangers on the computer. Yikes, what does this make me?) So many commenters obviously don’t take the time to reread what they have written – the typos almost give me a rash at times. It takes time to weed through the dross.

I pay attention to those who are articulate, friendly, professional and thoughtful.  This sometimes causes me to look for their websites, which is a little tricky and time-consuming on LI. (lots of clicking and link following and window opening) Again I ask, “Why?” Is this my version of reality teevee,  am I just procrastinating,  am I seeking like-minded colleagues or do I just want to find a secret recipe to success by copying the business practices of Someone Who Gets It?

I could buy Linked In For Dummies. If I read it and followed its recommendations, would I begin to sell more work to strangers?

I’d rather be drawing, painting, teaching, or blogging. When I’m not doing those things (i.e. WORKING!), I’d rather be knitting, gardening, reading something, or hanging out in Mineral King.

 

Lots of Thoughts

Or, Loughts of Thoughts? Or Lots of Thoughts?

Clearly, this California Artist has thinking time while drawing all those pencil pictures of The Cabins of Wilsonia, where she is right on schedule.

This is some of the noise in my head:

  1. While at the Post Office, the clerk asked if I wanted cash back. While at the grocery store, the clerk asked if I wanted stamps. I wondered if perhaps I would be offered a head of lettuce at the bank. . .
  2. How can I live in a town of 2600 (so says the population sign) and go months or perhaps even years without seeing people I know?
  3. How can I live in a town of 2600 and attend a party where I meet scores of new people who live in my same town?
  4. Doesn’t it seem to you that if your phone and internet service quit for 2-3 days that the phone company should offer a discount? I think they know that they have a monopoly and won’t lose a customer because there is no other place to go. And just in case you were thinking of calling to ask for a discount for being without service, they make sure there are 47 phone numbers for them, each complete with its own maze of button punching to make you think you are getting somewhere when instead, you are just punching buttons to pass the time.
  5. How is it that saturated fat, eggs, butter, protein and coconut oil used to be Nutrition’s Worst Enemy and now they are all considered fine, in fact, beneficial?? I’m reading Young for Life by Marilyn Diamond and someone else. She has changed her mind. She thinks there is a plot to keep us from learning correct nutrition. We know it is true that in the years since non and low fat products have gotten popular, our population has gotten progressively fatter.

That’s it. I’m having ice cream for lunch. I’m sure sugar will remain the Enemy, but my fingers are in my ears, my eyes are squeezed shut, and I’m shouting, “LALALALALALA!”

Worth It, oil on board, 8×10″, sold, sorry, but not really, Hi Shannon

A Friend’s First Art Show

One of my drawing students is so good that I asked The Courthouse Gallery in Exeter ( where I teach drawing lessons) to feature her in an upcoming show.

I’m defining “so good” based on several things:

  1. Her work is technically excellent.
  2. She composes her drawings from her own photos (and occasionally from mine), carefully choosing, scooting, cropping, editing, giving great thought to composition (which is the arrangement of the elements in the drawing) as opposed to automatically copying what is in the photo.
  3. She does the work – studies drawing on her own outside of class, draws on her own outside of class, sketches regularly and takes practice very seriously.
  4. She produces one good drawing after another after another – the big word for this is “prolific”.

The Courthouse Gallery selection committee asked her to show there in July through September!

We thought they were booked further ahead, but suddenly, we both felt some time pressure. We realized we would have to work together to get her work titled, framed and priced. We decided a postcard would be a good thing. We decided that scanning her work would be prudent. We realized that this could get expensive. We remembered that I have lots of mats and frames.

We had a lovely 1/2 day together, along with her daughter Jenna, digging through my mats and frames, deciding if any of them complement her drawings. We found several that worked. We scanned, we scrutinized, we did the work.

You will be seeing more about Wendy Miller and her work in this blog as her show approaches. Without giving away too much of her work, here is a teaser. (I want you to come to her show!)

 

“Hey Mom”

11×14, pencil on paper, by Wendy Miller, private collection

Weird

First, I want to share something with you.

I am a spelling nut. Typos jump out and slap me between the eyes. (My own don’t – it is a fact that proofreading one’s own work is nearly impossible.) It sometimes feels as if I might have a form of Tourette’s Syndrome, except that I shout “TYPO!” in inappropriate settings instead of swearing.

Come to think of it, “typo” IS  four letter word.

I’ve never forgotten the spelling rule “I before E except after C”.

Weird.

Think about that for a bit. I saw it as a pin on Pinterest. Might have been on a tee shirt:

I before E except after C.

Weird.

Now that I’ve shared that little oddment, I can’t remember what I was going to say.

I’m on schedule for the pencil drawings of The Cabins of Wilsonia. Here is a cabin drawing.

You can read more about the project at my other blog, The Cabins of Wilsonia.

Decisions, Decisions

The commissioned pencil drawing presented several challenges. When a place is really beautiful, visually captivating, unusually interesting, my oh my it is difficult to choose the right view!

I didn’t intend to draw this view but thought it made a nice photo.

The door by which one enters a building is considered the “face” and is usually the most welcoming view.

Since it is actually the office of a ranching business, showing the tank with the name was a good commercial idea.

This used to be the front door. It faced the afternoon sun, and with the stone steps and the view beyond, I was a goner. But I knew it wasn’t even worth showing to the customer because this sort of view is not why people commission me to draw their houses and offices and cabins and ranch offices.

This is the view which attracted my attention to this beautiful house way back when. . . with the orange trees recently topped, the house really shows up well. Unfortunately, topped trees look sort of like a weird lumpy lawn.

Come back tomorrow to see which view the customer chose! 

Commissioned Pencil Drawing Coming Up

I’m drawing my brains out, working on The Cabins of Wilsonia. (Okay, I’m not really drawing my brains out – I need them for stuff like posting to my blog. Try not to take me too literally here.) When I get commissions, I take a break from that Giant Project.

There is a house here in Tulare County that I have admired for years. It is on a road I really like – it is curvy, against the foothills, and it meanders through citrus country. A friend was hired to do some work at this house and provided the name and address of the owner.

I had the audacity to write a letter introducing myself and asking if he would like to hire me to draw the house.

He did not respond.

I was embarrassed, but got over it. If I was a really good business person, I probably would have followed up with a phone call. Alas, I don’t want to be sellsy, so I let it go.

A few weeks ago, I was contacted by the man’s wife, via a common friend. (She isn’t really “common” – she is actually quite special. But, what I meant is that she is a friend to me and to the wife. Try not to take me so literally here.) She asked if I could draw the house for her hubby’s upcoming birthday. She mentioned that I had written to her husband awhile back – I was a little embarrassed, but also pleased that my self-promotion hadn’t been too sellsy.

Trail Guy and I went to the house to get some photos. Now that he is retired, he gets involved in the more fun parts of my business. He also does errands for me so I can draw uninterrupted.

These are not the photos I am using for the drawing – because it is a birthday surprise, and because there is a 1 in 1,000,000 chance that the man reads my blog, I’m not showing you those yet.

On the off chance that he does read my blog, he won’t know which view I am drawing. Sneaky of me, yes?

Now that I only have Perkins, I am especially vulnerable to any and all cats. Try not to take advantage of this weakness, please.

If I didn’t love living in Three Rivers, I’d want to live here. Of course, I thought that when I was in Blowing Rock, Washington, and Downers Grove. Stop it.

After the birthday gift has been given, I’ll show you the photos I used, the ones I didn’t use, and the finished drawing. I think it turned out great, but given the subject matter, how could it be anything except beautiful?

What Happens in My Brain While I Draw

A list is coming. First, please enjoy this drawing of a Wilsonia cabin:

pencil drawing of Wilsonia cabin

Turned out pretty well, especially considering it was another one of those cabins with cedar trees blocking much of its detail.

Here is the sort of thing that runs through my head while I draw.

1. Yea! This is #________. I’m on schedule/running behind/might be getting ahead. (A continual evaluation of my progress)

2. Why are there ALWAYS cedar trees blocking the views?

3. Persistent thoughts on a loop – one day last week I ruminated about whether it is better to have work at a gallery that doesn’t sell very well but pays reliably OR work at a gallery that sells but won’t pay. The answer kept returning to me that the lesser selling gallery was infinitely better. Do you know how awful it is to try to collect from someone for 3 years, someone who sneers at you and says, “Patience is a virtue, you know!” I hope you never have to know that firsthand.

4. I wonder if I am enough on schedule or possibly ahead of schedule in drawing for The Cabins of Wilsonia to take a day off to paint.

5. It would be nice to paint instead of making yet another trip to the sneering, virtue-spouting, non-paying vendor.

6. Maybe she’ll have a check for me this time.

7. I can always visit a yarn store afterward. Wool fumes are soothing. Alpaca is soothing. Lots of color and nice people are soothing. Soothing is good.

8. Now what number am I on in my drawing progress?

9. Hmmm, I think I have an idea for a blog post. I wonder if it belongs on my “real” blog (this one) or my new blog (the Cabins of Wilsonia)?

10. This is hard. Maybe I should just go to Chicago for a few days. . .

Fear and Drawing a Book of Cabins

Fear is a great obstacle to creativity. This post lists common info about fear and a list of my personal worries (an easier word to stomach than fear, as if I’m not a Big Chicken).

Wilsonia cabin pencil drawing

Here is a list of random thoughts about fear:

1. The greatest fear that is most common to people is public speaking.

2. Fear of the unknown is another biggie.

3. “The only thing to fear is fear itself” has always struck me as mysterious, weird and hard to understand.

4. Fear of failure is another common thread running through life.

5. I’ve had friends say to me, “I only knit scarves; aren’t you afraid to knit a sweater?”

6. Seth Godin says that fear is what holds people back from making art – fears of vulnerability, being discovered to be a fraud, or not connecting honestly with people.

Drawing an entire book, The Cabins of Wilsonia, completely self-publishing (not assisted self-publishing like Lulu or CreateSpace), designing using a difficult program (InDesign is NOT intuitive and NOT anything like the Apple stuff I’m used to), marketing – all on a subject with which I am familiar in general but not specifically . . . that is  PILE of unknowns.

Check out this list of worries:

1. While I spend a year on nothing but pencil drawings of cabins (reaching for a total of 230 with the start # of 86 on January 1, 2013), how will I earn a living?

2. What if the books don’t sell?

3. What if the originals don’t sell?

4. What if I don’t find a good printer?

5. What if no one comes to the book signings?

6. What if the economy tanks further and people can’t afford a luxury picture book?

What if, what if, what if?

If ifs and buts were candy and nuts, we’d all have a Merry Christmas.

Shut up, negative voices. I have drawing to do!

More Thoughts About Happiness

I’m not done telling you about The Happiness Project by Gretchen Rubin.

Salt & Light, or Reading Rabbit, oil on board, 11×14″

These are thoughts that struck me as I read through her chapter on happiness at work. (You can call me “List Lady” today.)

1. “Enthusiasm is more important to mastery than innate ability.”

No kidding! My drawing students who are unexperienced but enthusiastic often excel as much as those who come to me already knowing how to draw.

Gretchen says that if you pursue a profession that you love, you will be eager to practice more and thereby earn a competitive advantage.

Well, I DO practice. . .

Anyway. . .

2. “The brain is stimulated by surprise, and successfully dealing with an unexpected situation gives a powerful sense of satisfaction.”

I do love surprises. Not many surprises for me in pencil drawing anymore, particularly in drawing cabins. Lots and lots of practice there. My Very Wise Dad often said, “Life’s full of surprises”. Maybe there will be some as I work on The Cabins of Wilsonia.

3. “We tend to overestimate how much we can accomplish in an hour or a week and underestimate how much we can accomplish in a month or a year”.

Since one of “my galleries” sold a few paintings last month, I will need to take some time off the book to paint. This may cause me to be overestimating the number of drawings for February. (It is embarrassing to say “my galleries” – sounds so pretentious!)

4. “Research shows that the more elements make up your identity, the less threatening it is when any one element is threatened.”

DON’T TAKE MY PENCILS AWAY!! Just sayin’. . .

5. “. . . doing what you love is itself the reward.”

Covered that one on Tuesday.