Category: drawing

A Little Bit of Design “Work”

“Work” is in quote marks because this was simply a gift for a friend. She has had just one too many cars come flying up her driveway instead of following the curve of the road and is ready for a gate.

I drew a few ideas, then we looked at them together. She picked one she liked the best, and together we worked on it, adding a tree here, a rock there, moving a line, adding a line. Then we looked at her second favorite and did more of the same.

First favorite:

Second favorite:

After studying them, the second favorite became The Favorite. I sent it to the gate builder, and next we will learn if it is a design that he can build. I think some parts might need a bit of modification for strength. I also wonder if perhaps I shouldn’t have used the back side of something printed (but I bet you can’t read it).

It will be thrilling to see this as an actual gate.

We did get things a little bit backward, because if her driveway is so wide that it requires a double gate, we will have to redesign it.

She mentioned to me that gates in Three Rivers are so interesting that she has thought they might make a fun calendar. I have often thought it would be possible to do a photo (or drawing or painting) book of the gates here, and simply call it “A Gated Community”.

It might be fun. Speaking of fun with gates, check out this photo.

If you came here for Mineral King news and are disappointed, you can check the Mineral King website to see if anything new has been posted.

Three Rivers

Drawing and Thinking

The business of art is fickle, always changing. An artist can just make whatever she feels like making and hope it sells. However, if an artist wants to earn a living, she needs to pay attention to the ever-changing world of what people want, what they can afford. She also needs to pay attention to selling opportunities, another ever-changing set of circumstances.

For a handful of years, there have been three places that sell steadily for me. One was next to a popular restaurant, which has now closed, diminishing foot traffic by the gallery. Another is a seasonal store in the mountains, and it most likely will be unable to open this year due to a ruined road. The third is in a building which recently changed hands, the lease will expire so things will go month-to-month, and with Sequoia National Park being closed so long, the traffic in town has diminished tremendously.

This may or may not be connected, but I have no commissions.

The murals which I thought were in the bag have fallen into indecision on the part of the customers.

So, I am drawing simply because I want to.

I will continue to think, and continue to share my thoughts.

Two bird stories

Bird Story #1

I am working on a book, doing the transcribing, editing, and book design. This is for a friend of a friend, and the book will only have 25 copies, distributed to the friend’s friends. The friend of a friend’s friends.

Never mind.

The book is a collection of stories over ten decades of an extraordinary life. The writer and I have only spoken on the phone once, after I published her first book. By “published”, I mean everything: transcribing, arranging the stories into an order, editing, choosing photos and editing them with Photoshop, proofreading, helping someone to write a foreword, formatting the interior, designing a cover, writing the synopsis (“blurb”) for the back cover, sending it to the printer, proofing it for the umpteenth time, getting it printed. It was fun!

She doesn’t email or text, so when I have questions, I write her a letter, and then wait for the response. This is a slow but good way to communicate, because if one forgets what was asked or answered, the information can be found on a tangible piece of paper.

There are a few references to birds, and a poem about birds is included. So, as a surprise for the writer when she receives her book, I am including a drawing of a bird above the poem. Why not? I love to draw!

The process of shepherding a book from typewritten pages to an actual book is complicated, challenging, and very rewarding. It is a privilege to be able to do this kind of work, especially for such a remarkable person.

Bird Story #2

The title of this post is “Two birds”, so here is the second bird story (no photos).

Pippin was carrying a scrub jay in his mouth while another one was squawking overhead. I grabbed little Mr. Orange Bob Square Pants, shook him, and the bird fell out of his mouth and flew away. Sorry, Buddy. Birds, no. Rodents, yes.

editing pencil drawing publishing

Drawing For Fun

A friend of mine drives for Sequoia Sightseeing Tours.* He had some passengers from Michigan and learned that one is an artist. So, he told her about me. Because people can’t get to Sequoia through Three Rivers right now (wrecked roads from winter floods), they sometimes don’t know how to spend their time. My friend suggested they visit my studio (not open to the public but open by appointment.)

He called to ask permission to give them my contact information. I said yes, then I vacuumed the studio, made sure things were put away, and hung out the flag.

I thought that it might be fun for them to see a piece in progress, so I opened up my flat file drawer labeled “In Progress” (Captain Obvious here) and pulled out a drawing that I started so long ago that I can’t remember when or why. I think it had something to do with drawing for fun.

I began working on it, realizing that I draw for money, not for fun. This is because:(1) if I drew for fun, there wouldn’t be as much time to do other fun things; (2) if I didn’t draw for money, I’d have to get a job; (3) if I drew for fun, those flat files would be so full that they wouldn’t open; (4) if I drew for fun, I wouldn’t have paintings to sell, only drawings; (5) if I drew for fun, I’d end up putting a ton of money into framing, and where would that money come from since I wouldn’t be drawing for money?

This is from a photo taken in 1997 and used to draw the little picture you see next to it. It is the light, shadow and detail that appeal to me. (This drawing was on the back cover of the dust jacket for The Cabins of Mineral King, by me and Jane Coughran, published in 1998, long since sold out.)

I looked up from the drawing and saw this out the window.

Back to the drawing board.

In spite of listening to an interesting podcast, I almost fell asleep at the drawing table. That’s because I got up really early to go walking. I’ll show you tomorrow.

P.S. The people didn’t call. Maybe they fell asleep.

*If you take a tour with Sequoia Sightseeing, ask for Steven. He is terrific!

Sold in Spring 2023

If you are getting this post in your email, go to the internet and type in jana botkin dot net (type it in computer style, not the way it is written here).

Sales have been slow. I am not defining “spring”, precisely, and it isn’t over yet. However, I am not producing very much: just editing and formatting 2 different books, teaching drawing lessons, communicating occasionally with the folks on 2 different pairs of murals, and wondering if there will be any reason to paint towards selling at the Silver City Store this coming summer.

Lest you think I am bored, your Central California artist is never bored. I am yardening, meeting up with an old friend from high school, cleaning out closets and rooms at church, yardening some more, reading, knitting, walking with my neighbor, and yardening (in case you were wondering.)

cabin pencil drawings commission oil painting oil paintings pencil drawing

1997 Coming Back to Haunt Me

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A few weeks ago, I got a real letter in the real mail from a real person. She said my phone wasn’t working (this is common), nor was my email (also common), so she resorted to old fashioned means of communicating, which I believe to be superior in many ways, but that isn’t a topic for this post. (You can read about such things here.)

She was part of something called The Green Hotel Restoration Foundation, and they ran out of the 1000 notecards of my pencil drawing of their building. (That’s a burn rate of 38 cards per year, in case you are curious). The foundation wanted more cards.

Back in 1997, I didn’t have much of a computer, nor did I have a digital camera or a scanner. The only record I kept of my work was an occasional photocopy, a slide (remember Kodachrome?), or if the customer had cards or prints made, I’d keep an extra.

The printing company I used back then is out of business, and even if they weren’t, they certainly wouldn’t still have the plates and negatives used 26 years ago (that’s how offset printing use to be accomplished).

I called her, since obviously my email isn’t speaking to her email, and asked her for the original.

Oh-oh. No one knows where it is. We had a great visit, then she told me that her cousin would take over the project.

Her cousin and I had many phone conversations, with lots of ideas batted around to figure out how to get more cards without having the original, and more ideas about where to look for it (the foundation balked at paying me to draw the hotel again), and we reached an impasse.

Then I had an idea. I went rooting around in my many stacks, boxes, drawers, and binders of old cards and prints, and sure enough, I found the Green Hotel.

I scanned and photoshopped it into printing shape, since printing something with an ivory background will not yield good results.

A few more phone conversations, many undeliverable emails and lots of various attempts, and finally, finally, this drawing was in the determined and capable hands of The Green Hotel Restoration Foundation.

Then I wrote a copyright release letter and an invoice for the photoshop work. This wasn’t what one could refer to as highly profitable in terms of monetary gain, but I sure did enjoy talking to these two dynamic women, devoted to history, determined to get a thing accomplished, and very quick-minded.

To top it all off, Cousin Lady lives across the street from my brother-in-law’s parents former home, so despite being in a county to the south of Tulare County, the small-world-ness of my little life is alive and well.

drawing pencil drawing

Interesting Inquiry

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Recently, I got this email:

Hello –
I have an artist proof -pencil drawing of Farewell Gap by Jana M. Botkin –
It is approximately 11 “ x 13 “ —
I would like to know the value –
Attached is pics —

Thank you ,

(name, which I have left off for privacy purposes)

This is the picture she showed me (but hers was an artist’s proof):

Oh. Ick. This is my reply to her:

Thank you for asking. I drew that in about 1987 and had about 100 reproduction prints made, which allowed me to add 10 to the run as “artist’s proofs”. These reproductions only have the value that people assign to them, and since I am not dead (yet!), please don’t view it as anything other than a piece of paper with a reproduced drawing of the most popular view in Mineral King.

When I looked further, I saw that I only had 50 prints made, which means only 5 could have been designated as “artist’s proofs”. I sent her another email to correct my mistake.

Maybe I should have offered to buy it from her, and then run it through my shredder.

She sent a second email, asking if an artist’s proof is worth more than a numbered print. I told her the same thing as before: such items are only worth what another person is willing to pay for it.

This is my most recent drawing of the same scene; you can see why I am cringing when faced with the old one.

Blessings on all you lovely kind people who bought my art back then.

mineral king art mineral king drawing pencil drawing

Locals, at CACHE, Part 2

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“Locals” is the name of the current exhibit (i.e. show and sale of art) at CACHE, the new name for Exeter’s Courthouse Gallery and Museum. It stands for Center for Art, Culture, and History in Exeter. THE RECEPTION IS SUNDAY, 2-4 PM.

I began my recorded talk about this pencil drawing, “Big Oak in the Pasture” like this:

“I spent time with a friend who had cattle, and we often passed this large oak, standing by itself in her pasture. Sometimes I looked at the overall shape, and other times I looked at the tangled branches. I think it is a Valley Oak, and it kept calling me back. I took many photos, not sure how they would get used.”

CACHE gallery drawing exeter art show oak tree drawing pencil drawing

Drawing Because I Can

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Sometimes I draw simply because I love to draw. I try to hold back, because my flat files are full. When I have a good reason and know the drawing will not simply be stored in my files, then get outta my way.

(“Outta” is like “prolly” and “liberry”: words I like in spite of being an editor and a proofreader.)

An acquaintance did me a big favor, so I am drawing her cabin.

I started several months ago, then set it aside because of paid work. My work priority order is this: 1. commissions with a deadline; 2. commissions without a deadline; 3. building up inventory of subjects that will prolly sell; 4. reworking paintings that haven’t sold; 5. whatever I feel like painting or drawing.

This one is considered to be Category #2. The customer isn’t commissioning me because she doesn’t know she is a customer. I am commissioning myself.

What does commission mean? That’s another topic for another blog post.

This is the drawing before I tackled it with Photoshop Junior to prepare it for eventual printing, which most likely won’t happen.

And this is after I converted it to grayscale and erased any errant lines or spots, most likely the result of a scanner screen that WILL NOT come clean, which is most likely the result of scanning paintings that aren’t quite dry, which is most likely the result of being in a hurry, which is most like the result of any number of unfortunate incidents such as not planning ahead, pulling weeds or taking walks instead of working, or choosing to draw something without a deadline instead of painting to build up inventory.

Where were we?

Oh. The finished drawing.

Now I am outta here.

cabin art cabin drawing commission pencil work drawing pencil drawing

Finishing a Plein Air Drawing

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Plein air means “on location”. Last summer I sat by the stream in Mineral King with a set of 12 colored pencils to see if I could complete a drawing on location.

Not a chance.

My friend Carrie Lewis posted the project on her blog, and recently someone asked if I would complete the drawing.

Since nothing is pressing right now, I decided to finish the drawing in the studio, but this time using the entire set of 120 colored pencils (Polychromos by Faber Castell)

I’ll just show you the photo, then all seven progressive scans, minus any jibber jabber. (But you can ask me questions in the comments, if you want to know anything specific about the process.)