Random Comments About the Business of Art

This list of comments was started just after Mother’s Day weekend, when I was recovering from the Redbud Festival. Now that I read them after a snowy Memorial Day weekend, I’m slightly climatically confused. Just sayin’ (which is the popular vernacular that means “I talk to hear the sound of my own opinions”)

  • It is hard to do weekend festivals and really hard to do shows when it is hot and REALLY hard to do shows with low attendance. But I’m merely commenting, not complaining.
  •  Kodak’s online gallery is going away and I have to learn how to use Shutterfly. I’m trying to keep this in perspective, but am really in a state of semi-despair. All the of books, cards, calendars, and other cool photographic projects I’ve made will be gone. GONE! I can recreate cards in Shutterfly, but they don’t put any info on the back. Shall I order anyway and use a rubber stamp?? That is kind of tacky. I might have to do it that way. Perhaps that is fitting for a Regionalist from Quaintsville.
  • When an artist does a show, there are more benefits than the immediate sales. Here is a list: new friends, new customers, potential commissions, potential new drawing students, seeing old friends, meeting other artists, sales that happen after people go home, new blog readers.
  • A long time ago, I did a variety of shows. Had to do them all to learn which ones worked. Redbud Festival has been here the longest and is now the most enjoyable and best organized. They have generous booth sizes, good food, good music, and are kind to their exhibitors.  (Even when it is hot.)
  • Doing shows in the heat and then painting 30×40″ commissions with an unaccustomed style of Loosiosity is most exhausting. But I’m merely commenting, not complaining.

Little Brown Church© 2012, oil on board, 4×6″, private collection

Any comments (not complaints) you’d like to add?

First Peek at Commissioned Oil Painting

As promised on May 24, here is the first peek at the commissioned oil painting spoken of in two previous blog posts.

Cowboy Bert told me he has a shirt that color. I said, “It’s called wheat”.

He said, “That don’t look like wheat to me.”

I said “It is wheat as viewed from the back of a fast horse.”

He said, “I’ll buy that”.

When cowboys say “I’ll buy that”, it doesn’t mean they plan to purchase an item. It means that they agree with you. It is the cowboy equivalent of city folk saying “Word”.

Aren’t you glad I am around to explain the English language to you?

My pleasure.

And, in case you are wondering about this painting, remember the commissioner/client/customer/friend/drawing student said she loved “loosiosity”.

Bet you can figure that word out all by yourself!

Any other words you’d like the California artist to ‘splain to you?

Great Poppy Year

The year was 2008, and the California poppies were stunningly abundant in Three Rivers. People still talk about it.

This is one of my photos from that most memorable year.

My postman brought me some photos he took, and I painted from them. You saw the results of one such painting here.

I promised to show you this when it was finished, and I keep my promises. If I remember. This larger version contains more detail than the 8×10 version. The mailman’s photo was easier to paint from than mine, because the solid mass of poppies almost makes my head spin. Hard to paint with an almost-spinning head.

Great Poppy Year©, 16×20″, oil on wrapped canvas, $360

California Poppies Oil Painting

This is another painting of California poppies, working from a photo supplied by my thoughtful and generous mailman. I painted it as an 8×10, loved it, and decided to repaint it 16×20. Practice makes perfect, someone said. It is not a commission. The 8×10 hasn’t sold yet, so maybe I am just getting ahead of myself. (Sometimes I’m just dying to paint something, and then no one else thinks it was such a good idea.)

This is after 3 layers. When this dries, I’ll add lupine.

Stay tuned – I’ll show you when it is finished!

Here is the 8×10 version:

Great Year For Poppies©2012, oil on wrapped canvas, 8×10, $90

Product or Process

In knitting, there are regular discussions about whether one is a product knitter or a process knitter. This is in reference to one’s motivation – is it the journey that you enjoy, or is it the destination?

When it comes to drawing, I am both a process and a product artist. The pencil feels like an extension of my hand which is an extension of my eye and my brain.This makes it immensely satisfying to build a drawing.

In addition to enjoying the journey, it is always a thrill to see the finished piece. Getting to my destination never loses its buzz. My latest drawing is usually my favorite.

(Painting is a completely different story, and in the interest of not going into a navel-gazing session here on the blog, we’ll just stick to drawing for now. You’re welcome.)

Seems to me that in order to finish a project, you have to want the product AND enjoy the process. One without the other equals more unfinished stuff, or UFOs, as knitters call them. (Un Finished Objects)

Finished pencil drawing for the upcoming book The Cabins of Wilsonia

 

Painting the Primary Books Alla Prima

I added “alla prima” to the title today because yesterday we learned what it meant. A little review is good for the memory.

This style of painting has never appealed to me unless it is just WHAMO briliant.

Want to know why I don’t like this style of painting? Good question – glad you asked. It is because I’ve spent my entire life with myopic vision. That means if it isn’t a few inches from my face, it is blurry. Alla prima painting is BLURRY! The detail is fuzzed out, the edges tend to be indefinite, and personally, I’m sick of seeing the world that way.

Anyway, I digress.

After getting the yellow book painted,  I thought it looked plain. Boring. Lacking in detail. Fuzzy edged. Well, duh, it is alla prima’d up – that’s the way it is.

Nope, not in my studio, it ain’t! I put down the short square stiff brush (called a “bright” in Artspeak) and picked up a smaller brush that could be used for better edges. Not my best brush, because I was trying to stick to the program of being an alla prima painter. My best brushes squish to a nice point so I can try to draw with them as with a pencil. (Drawing with a paintbrush is considered a crime in ArtWorld. As I said yesterday, I am trying to be a law-abiding citizen of that place.)

What do you expect from a pencil artist of 30+ years? (time spent drawing, not my age, which does exceed 30 but by more than a single plus sign)

Sorry. Still digressing. Have a look at the finished painting. All the edges were wet so I had to hang it up and then the shadow from the bars of the window crossed it. (What do you expect when I am so darn rushed with this alla prima method??)

Then I went outside for a cigarette.

Just kidding! But if I was a smoker, that would have been a good time to smoke. I wasn’t able to do any therapeutic knitting because there was oil paint on my hands and I didn’t want to get it on my sweater in progress. So, I took it out on the blog.

Are you still wondering what the titles are? Any guesses?

Painting the Primary Books

After that last post I decided to paint the books. I carried them out to the workshop, photographed them in 29 different arrangements (yes, I counted), then decided to just see if I could slam out a small painting in one sitting (standing, actually).

Could I apply the paint thick enough? Could I make it look accurate in just one pass over the canvas? “Everybody else is doing it” – many of my painting friends, many of the artists whose work is selling on daily painting sites, many many artists paint “alla prima”, which means all in one session, wet-on-wet, single application with bold brush strokes. (that is not a literal translation – I don’t know Italian or Latin or whatever that is)

Here is the painting, step by step.

First, I mixed the colors (but didn’t photograph that step).

Then I drew it on the canvas.

I painted the background with the mixed color that passes for black. It is against the law in ArtWorld to use black. I try to be law-abiding. (But I want to know why it is manufactured if you aren’t supposed to use it??)

The common wisdom in painting is to go from back to front. That is why the background came first. The blue book is second because it is underneath (behind?) the other 2 books.

The red book sat upon the blue book.

And then it was the yellow book’s turn to get painted.

Nope, not finished yet. To be continued tomorrow. . .

Anyone wondering what the books’ titles are?

 

California Art

(Tomorrow I will have a guest post on Brendon Wilson’s blog. It will probably cause you to think “Who is this preachy chick and where is Jana The California Artist?” The subject is gossip. . . not related to my blog at all, but a subject that really triggered many thoughts in my pea-brain.)

Our interviewer got annoyed with me, so today’s blog entry will be unassisted.

The redwood boards are slats that will serve as the backs to Adirondack chairs. You may recall my throne, or even want to see the chairs as sold on eBay. The furniture maker and I enjoy working together and are figuring out a way to dress the chairs up a bit more.

Meanwhile, I do know how to paint oranges, poppies and Sequoia trees/Big trees/Redwoods on canvas. After all, I am a California artist!

California Artist Reclaims Poppies from Redwoods

That’s definitely a California artist title! Here are the poppies, reclaimed from a painting of Sequoias (redwoods) in snow, painted in oil on a 5×7 board. Still needs signing and the edges need painting. So much to do, and all for $49. (SUCH a deal)

Redo, Recolor

In my quest for truth and reality, I took a hard look at a painting of a green apple. I liked it, but it didn’t sell. The other 2 had, but not this guy.

Sold

Sold

Homeless green apple

Must be the grayish bluish background! No one decorates in those colors. “Everyone” is decorating in warm reds and golds and bronzes and rusts. Wise up, California Artist!

Golden Delicious, 6×6 oil on wrapped canvas, $40 (when it dries I’ll sign it)