You Can Do THIS With Colored Pencils?

If my drawing students learn to draw with graphite pencils – i.e. see proportions, understand values (the darks and lights), understand hard and soft edges, and make the tools do what they intend for them to do, then my drawing students who want to can use colored pencils.

Colored pencils (mis)behave differently than graphite pencils. I’ve heard plenty of colored pencil artists say the reason to use colored pencils instead of paint is C O N T R O L.

Colored pencils require many many layers, and it hurts my wrist to use them. However, many of my advanced students choose to use them, and in spite of my ouchy wrist, I can help.

It may appear to you as if Mae has copied her photo as efficiently as a Xerox machine. I can assure you that she has done a fabulous job of interpreting the photo and adjusting it so the drawing makes more sense than the photo. She pays a great deal of attention to detail and chooses what to eliminate and what to enhance.

IMG_4610

May is using Polychromos by Faber Castell. These seem to be the highest quality for the price that I’ve used so far. They are oil based, made in Germany, and last a long time. They are a little fatter so they don’t fit in our normal sharpeners. They are also a little hard to find if you just want to buy them one at a time.

Prismacolor used to be my favorite. I learned their colors beginning with a set of 12 that my Aunt Shirley gave me when I was in 5th grade. They are wax based,  made in the USA,  and break easily, which is exasperating. They are readily available in sets or in one-sies, and can be repaired in the microwave (but don’t tell the company – they don’t take responsibility for the breakage and blame the pencil sharpeners, not the rough handling before they arrive in your hands.) I noticed they are now referred to as “soft-core”, probably a response to all the complaints!

So, yes, you CAN do this with colored pencils (after hours and hours of practice!)

Beautiful Pencil Drawing

Every Tuesday I teach people how to draw at the Courthouse Gallery in Exeter. Been doing it for 20 years or so. You can learn about it here. Drawing Lessons

My drawing students are wonderful. They work hard, and they learn and they do beautiful drawings.

jennifer_edited-1

This beautiful woman drew her beautiful granddaughter. It is her first portrait, which is one of the hardest subjects to tackle. She has been drawing with me about 2-1/2 years, and honestly, she had a bit of a head start because she used to touch up portrait photos. But that doesn’t mean this wasn’t hard – it was hard! Everything is hard, so pick something you love, because you’ll be staring at it for a long time.

P.S. Today is my 6th Blogiversary. I still haven’t run out of things to write about!

Wonderful Drawing Students in My Life

For twenty years I’ve taught people how to draw. This happens on Tuesday afternoons at the Courthouse Gallery in Exeter.

During the Studio Tour on the weekend, a former drawing student named Kelly came by. She still draws and paints and has a job as a receptionist for a chiropractic office. She sells some of her work, and is a wonderful person and fine artist.

Current student Wendy Miller came by the studio with her daughter. I met Wendy on a Studio Tour a number of years ago. She was hoping to interest her daughter in art, and ended up taking lessons herself. She is an outstanding artist who had her own show at the Courthouse Gallery last summer. Her work is so wonderful that I bought a piece.

The daughter of my first adult student came by. Her Mom was a wonderful artist and a wonderful person. She left this planet last month. We miss her and were blessed to have her in our lives.

Meanwhile, here is a look at the work of one of my wonderful students. Char has a wonderful sense of humor. She is wonderful at drawing.

blue plate special_edited-1

Wonderful, wonderful, wonderful! I feel like Lawrence Welk.

Building Bridges In Drawing Lessons

For the past 20 years I’ve been teaching people how to draw. One hour per week, 4 people at a time, each working on her own project (and sometimes his), $55/month – drawing lessons! Here is the link if you want to learn more: Drawing Lessons.

Everyone learns in a different way and at a different pace. Some people slam through drawing after drawing, finishing them by themselves at home and bringing them in for fine tuning. Some people spend weeks on the beginning exercises. Some people want me to show them one step at a time how to shade each element in their drawings. Some people practice on scratch paper before putting a pencil on their real drawing. These are just a few examples of learning styles. I could write an entire week of posts about this!

One of my drawing students is working on a bridge picture. She has gotten all the shapes down on paper and now we are working on the various textures. There was a weird spot under the bridge that I saw as one thing and she saw as another.

I go to great lengths to help my students understand. In this case, I built a wonky paper bridge so we could see a three dimensional version and understand what we were seeing in the two dimensional photo.

There is the bridge, the photo, the drawing in progress, and three different practice sheets of ways to shade the part under the bridge.

She got it!

 

 

Amazing Work from my Drawing Students

This year marks the completion of 20 years of teaching people how to draw. Or, perhaps it marks the beginning of year #21. Numbers aren’t my strongest subject.

When I started, I didn’t know how to teach. I just bumbled, fumbled and mumbled. If someone wanted to draw, say, a lion, I’d procrastinate on the parts I didn’t know how to do. Then, we’d figure it out together.

My students were kids 4th grade and older. I was too nervous to teach adults, because I was sure they’d see how little I knew. Eventually I caved in, and learned that it is easier to teach adults than children. Even children who are there because they want to be get a little squirrely at times.

The fact that adults were easier didn’t mean I stopped teaching kids or that I didn’t enjoy it. I LOVE teaching people how to draw.

The only people who haven’t learned how to draw from me are the ones who quit too soon.

I could go on and on about learning to draw. Instead, I’m going to show off the work of some of my students. I’ve chosen these because each one was drawn from the artist’s own photos and because I happened to have scans of them. Besides, they’ll knock your socks off!

End of the Trail, by Kelvin Farris

Swing girl, Wendy Miller

Kaia, Maggie Meling

Learning to Oil Paint

Remember in the olden days when I was an oil painter? This was before 2013, the year I drew 180 pencil drawings of Wilsonia cabins.

A number of my drawing students have been pressuring me to teach oil painting. We know one another fairly well so they understand how I teach, and I understand how each one of them learns. Besides, I believe strongly that a person needs to be able to draw before painting. You can read about it here.

There were four students in the first session, and they painted oranges. That is the first thing I  painted when I started learning. They painted from photos, because the light changes way too fast to paint from real life. It is especially tricky when one is mixing from the primaries, which is the way I paint. (Some day I will post about that for you.) With four people painting, I spent the entire time going from easel to easel, with a short lunch break. Every time I finished helping one person, the next person was stuck. It was exciting!

The following week there were eight students! Three were returnees, one had been to my studio for a private lesson and the other four were brand new to oil painting. The new ones were wondering how they’d do, the returnees wanted to finish their oranges, and one ambitious painter wanted to also paint a lemon.

The results of the two days painting sessions were FABULOUS!

Yes, I know. “Drawing with a paintbrush” and a watercolor brush at that! So? She was getting the job done and easing into it with the tools and style that she was comfortable with.

This is a former tole painter who has been learning to draw with me. We were very pleased with her results! (She likes to “draw” with short handled brushes too.)

At last year’s oil painting workshop, this participant painted a pomegranate. Now she has almost an orange to go with it.

This fabulous orange was painted by an advanced drawing student. If she decides to not pursue a career in medicine, she can always become an artist.

Last year a pomegranate, this year an orange AND A LEMON TOO?? In another year, I’ll be taking painting lessons from this woman!

Pretty good, eh? And this is her first oil painting in her entire life!

Sometimes when we are drawing, we turn both the photos and the piece of work upside down. It works for painting too, unless you are painting from real life. This gives our eyes the chance to override our preconceived notions of how a thing is supposed to look. It gives the right side of the brain precedence over the left side. It helps us fix the parts that aren’t correct. It is hard at first, but it is a great way to get better accuracy.

Not finished, but when it is, it will be stunning.

Orange, pomegranate and lemon oil painters, I am proud of you!

 

Last Chance to See Wendy’s Awesome Pencil Drawings

Now there’s a title and a half!

Remember my amazing and very advanced drawing student, Wendy Miller?

Her show ends this coming weekend. The last day to view it at the Courthouse Gallery (at 125 South B Street in Exeter) will be September 29, 2013. The gallery is open from 10 a.m. – 4 p.m. on Saturday and Sunday.

Here are some sneak peeks at a few of her amazing pencil drawings. Some of the titles may have changed. (We had a fun brain-storming session in drawing lessons to come up with scores of entertaining titles, but Wendy may have chosen differently for the show.)

Does This Dress. . .?

Inside Out

(If you have southwestern leanings, this picture would be wonderful in your home – it is small, and I am sorry I don’t know the prices or size!)

Not Moving

(If you are even half as smitten by cats as I am, you understand this title.)

Not The Gateway

(This is because it is officially the “Pumpkin Hollow” bridge.)

Plums

(Did I mention that Wendy works in colored pencil too?)

These BELONG in your kitchen, dontcha think??

Reader’s Corner

(I would have called it The Knitting Chair myself!)

If any of you would like to purchase any of these drawings, I will connect you with the Awesome Wendy Miller. 

A Friend’s First Art Show

One of my drawing students is so good that I asked The Courthouse Gallery in Exeter ( where I teach drawing lessons) to feature her in an upcoming show.

I’m defining “so good” based on several things:

  1. Her work is technically excellent.
  2. She composes her drawings from her own photos (and occasionally from mine), carefully choosing, scooting, cropping, editing, giving great thought to composition (which is the arrangement of the elements in the drawing) as opposed to automatically copying what is in the photo.
  3. She does the work – studies drawing on her own outside of class, draws on her own outside of class, sketches regularly and takes practice very seriously.
  4. She produces one good drawing after another after another – the big word for this is “prolific”.

The Courthouse Gallery selection committee asked her to show there in July through September!

We thought they were booked further ahead, but suddenly, we both felt some time pressure. We realized we would have to work together to get her work titled, framed and priced. We decided a postcard would be a good thing. We decided that scanning her work would be prudent. We realized that this could get expensive. We remembered that I have lots of mats and frames.

We had a lovely 1/2 day together, along with her daughter Jenna, digging through my mats and frames, deciding if any of them complement her drawings. We found several that worked. We scanned, we scrutinized, we did the work.

You will be seeing more about Wendy Miller and her work in this blog as her show approaches. Without giving away too much of her work, here is a teaser. (I want you to come to her show!)

 

“Hey Mom”

11×14, pencil on paper, by Wendy Miller, private collection

Why the (beta version) Oil Painting Workshop Was Successful

Yesterday’s blog post told a secret – that I gave an oil painting workshop without publicizing it first, and why I didn’t publicize it.

oil paintings of pomegranates

Today, I will reveal why I believe that workshop was a success. No, I will reveal the reasons that I believe it was a success, not why I believe . . . never mind. Here is the list.

1. All of my students know how to draw – they understand proportion, are confident about putting shapes on paper (now on canvas), understand values (darks and lights), understand about hard and soft edges.

2. All of them understand what I mean when I make up words to explain things – “smoosh that part” or “verticalize those marks”.

3. They are very kind about my inexperience as an oil painter/oil painting teacher and very understanding when I explain that all I know to teach is what I know.

4. They don’t mind when I say “I don’t know – let’s try it both ways and see which turns out better”.

5. They stayed to help me clean up.

6. They brought things – old tablecloths, drop cloths for the floor, soup, brownies, great attitudes!

I just love my drawing students. I’d hang out with any one of them and be thankful for the time together, I respect them and their willingness to learn and try, I understand their frustrations, and I am proud of them!

I gave them each a jar of pomegranate jelly at the end of the workshop. 😎 Gosh. I feel warm and fuzzy.

 

Learning and Growing

My drawing students really impress me. They sign up for lessons, come for an hour a week, and produce wonderful pencil drawings. Most of them begin knowing nothing. They persist, they do the work, and they learn to draw.

I show them the way, but they do the work and grow in their knowledge and skills. Some of them go to other workshops on the side, like watercolor painting or oil painting, or knitting. They come from a variety of backgrounds, and most have much more formal education and are far more travelled than I am.

Got me to thinking – do I make an effort to grow? Am I working on self-improvement, personal growth, being a life-long-learner?

I don’t take any classes and in fact, I’ve quit many of the classes I’ve tried.

That admission makes me look like a sluggish quitter.

But wait! There’s more!

Currently I am forcing myself through something called the hundred pushup challenge. Really! Weenie-armed,  never-done-a-pull-up or a boy push-up, girlie wussy me. Even if I don’t succeed in the 6 week time frame, I will certainly be able to do more than I could before I started!

My great friend in the Seattle area gave me a 6 month subscription to a site called Lumosity. This is a brain training site that claims to be able to improve your abilities in the mental areas of memory, attention, speed, flexibility and problem solving. Over the past several weeks, I have grown mentally in all areas. Or not – perhaps I’m just better at playing the games. Whatever the truth is here, I’m having a great time!

While I paint or draw, I listen to podcasts by Michael Hyatt, Chris LoCurto, and Artists Helping Artists. Okay, sometimes I just listen to music, talk radio, sermons, or talk on the phone, or savor the silence, but often I take the chance to cram more knowledge and wisdom into my brain.

7 years ago I learned to knit.

oil painting of yarn by Jana Botkin
Knitting has changed my life!

6 years ago I began learning to oil paint, and a few weeks ago I took a portrait painting workshop.

I’ve learned how to train for long power walks and done a 5K, a 9-miler, 2 1/2 marathons, and a 21-miler. I’ve also learned about Plantar Fasciitis, dang it, and all the various treatments for it, dang it, including acupuncture, which is finally bringing some relief.

I have learned to blog, update my own website, to comment on blogs, to use LinkedIn, Adobe InDesign, Paypal, Pinterest, and Daily Paintworks, all in the past several years. (no smart phone, Twitter or Facebook – gotta draw the line somewhere!)

I LOVE to learn new things, especially things to do. (These are just the ones I remember, because according to Lumosity, my memory is the weakest part of my mind.)

What are you learning? How are you learning it?