Jennifer

Jennifer Logan was a friend of mine for about 30 years. We met in Lemon Cove at the Womans Club (yes, that is the correct spelling); I was taken with her English accent and for some reason, she liked me. She called me “Janner” and referred to herself as “Jennifa”, which tickled my fancy. 

When my studio first was public, I shared space in a very fine gift shop called “Shirley’s Home” in Exeter, before Exeter had murals. Shirley hired someone each year to help us during Christmas, and for a handful of years we had the pleasure of working with Jennifer. It was during one of those times that Jennifer suggested to me that I publish a book of my art, which became The Cabins of Mineral King.

Left to right: me, Jennifer, Shirley – 1994? 1995? 1996?

I followed Jennifer to Foothill Fruit in Lemon Cove; the next year after working a temporary job at the Lindcove Field Station, they offered me a full time job, so I recommended Jennifer, who lived around the corner. A few years later, after I finished a temporary job at the Citrus Research Board, Jennifer went full time there.

There were also two years when I needed crutches several times, and Jennifer was always there with a pair for me to borrow. We laughed about it, and sympathized with one another while being thankful it was always for temporary conditions. She didn’t mind when I confessed using them to get into the neighbor’s swimming pool (only as deep as the top step.) 

About five years ago, Jennifer asked me if she could take drawing lessons. I was astonished and delighted. She had done photo retouching and also set-painting in her life, but had a desire to try my style of drawing. It was a pleasure to meet with her each week, to have that regular time together. She began with this peony, which she later came to dislike (we call that “growth”!) (Jennifer, I’m sorry for showing this, but not sorry enough to not show how you increased in skill.)

We joked quite a bit about how she chose difficult subjects, working from photos that were too small to see the detail or just plain challenging in other ways. She was always cheerful and sometimes cynical at the same time, which would make us laugh.

She loved gardening, reading, horses, her dogs and cats, and her grandchildren. This is Anna, and although I haven’t met her, Jennifer said she caught the likeness.

Jennifer joined some of the secret oil painting workshops (given just for my drawing students, not open to the general public). She definitely marched to her own drumbeat – when everyone else painted pomegranates, she painted a buoy. When the class painted redwood trees, she painted a cat.

Her drawing classmates bugged her to try a redwood tree in pencil, so that was the project she was currently working on. She referred to it as “wood with leaves” and when I would correct her with, “Needles”, she would say, “Whatever”. Then we’d look at each other and snicker, and I’d call her a closet tree hugger.

Jennifer was the only person who called Trail Guy “Mikey”, and he liked her so much that he just accepted it. My dad used to tease her about her accent and call it “a speech impediment”, and she was always gracious with his offbeat sense of humor.

A few months ago, Jennifer surprised me by inviting “Mikey” and me to her upcoming birthday party. For the first time in almost 30 years, she actually told me her age, which was also a surprise. I said, “Jennifer, you could be my mother, and it wouldn’t even be a scandal! I had no idea.”

On Wednesday, June 7, 2017, Jennifer surprised us all by moving to Heaven. She went quickly with no fuss, no 911 calls, no tubes, no hospital indignities, and no warning. 

Jennifer Logan, you were a dear friend and I choose to be grateful for the time we had. “See you, Sweets”, as you used to say to me.

One Day Drawing Workshop

Are you interested in a one day drawing workshop?

Here is your opportunity!

Place: Arts Visalia, Visual Art Center

214 East Oak Avenue
Visalia, CA 93279
Phone: (559)739-0905
 
 
Date: June 10
What: Pencil Drawing Workshop
Time: 9:00 am – 3:00 pm
Instructor: Jana Botkin
Details: This workshop teaches realistic detailed pencil drawing from photos. Advancing your skill set or new to drawing? All levels welcome, 6th grade minimum age.
SUPPLIES OR MATERIALS: The materials will be provided for the class. The student would only need to provide their own lunch, as the class extends through the lunch period.
CLASS TUITION: $85

Opening Night at Gray Matter

The show “Gray Matter”, consisting of pencil drawings by 3 of my advanced drawing students and me, opened on Friday evening.

This is the Brandon-Mitchell Gallery from the front, 117 S. Locust Street, Visalia, California. That is the county seat of Tulare County, in Central California where I live and work as an artist. (In case you are new to the blog. . .) 

Here is what you see when stepping through the front door.

And this is what I saw when I came through the back door before the people started arriving.

Maggie and I spent 3 hours hanging the 40 or so pencil drawings, grouping them in ways that made sense visually, lining up the tops ever so carefully, evaluating the spaces until we laughed aloud at our fastidious approach. It was so important to us to make this show just shine with the brilliance of our pencil work.

Kelvin began his art life with cartooning a chicken named Henrietta. He has cards, quilt squares and original drawings featuring her and the rooster Harold.  He even had cookies one time. . . This is all in addition to his very fine pencil drawings.

This is me with Kelvin and friends (newlyweds!) Melissa and Jeff. This was at the end of the evening, which was so busy and exciting that I didn’t take any photos. . .

. . . except for a magical moment when the light on the Post Office near by was just stunning. I ran outside as if it was truly important, abandoning my post, guests, and art. The Post Office is a work of art.

I didn’t get a photo of artist Maggie, but did catch Wendy (center) and her family in this blurry snap. I saw her husband across the gallery and thought he looked familiar, like someone I should know. Well, indeed – I have assisted Wendy in drawing him several times!

A good time was had by all, and the art looks wonderful. If you weren’t able to make it, there will be a second reception on Friday, June 2, 5-8 p.m. If you live anywhere near Visalia and like pencil drawings, I suggest you plan to attend. The work is really remarkable!

Pencil Show Coming Soon

A pencil show? Yes, an art show of only pencil drawings by 3 of my advanced drawing students and me!

Some facts:

Title: Gray Matter

Dates: Friday, May 5 and Friday, June 2

Location: Brandon-Mitchell Gallery, 117 So. Locust in Downtown Visalia (between Main and Acequia, west side of the street)

Time: 5-8 p.m.

Participants: Kelvin Farris, Maggie Meling, Wendy Miller, Jana Botkin

We are part of the monthly “Art Walk” in Downtown Visalia. There are many business and art studios that join in this regular event. This is something I’ve never gone to, so I don’t know what to expect. However, you can expect some wonderful pencil drawings, including these.

Abby the Calf, pencil drawing by Kelvin Farris
Farmersville Corner, pencil drawing by Wendy Miller
Pensive Pose, pencil drawing by Maggie Meling

No Face Smaller Than an Egg

That’s what I tell my students, and perhaps I need to specify that I am NOT speaking of a hummingbird egg.

But, sometimes my students test their skills while also testing mine. I warn, nag, deny, forbid, warn some more and finally capitulate, but with more warnings.

When someone insists on doing a drawing that I know from experience will be too hard, I just help them as much as possible, and moan the entire time. (Good thing I am not a parent.)

Susan is a classic case. She is determined, committed, focused, and perseverant. Look what she did!  Yes, she erased the face multiple times, and there was one day where I almost shouted at every class, “LEAVE YOUR ERASERS BY THE FRONT DOOR TODAY!!” As she would leave class sometimes, I would tell her, “DON’T TOUCH THE FACE!”

Why she puts up with me, I’m not sure. She is a remarkable person doing a fantastic job of learning to draw. Congratulations, Susan, on a job well done!

P.S. To everyone else taking drawing lessons, NO FACE SMALLER THAN A GOOSE EGG! (At least I didn’t say an emu egg, although I felt like it.)

Susan at 27, pencil drawing by Susan Oldfield

Finishing Drawings For Other People

Every week I teach people how to draw and have been doing this since 1994. Sometimes people stay for years, sometimes they discover it isn’t for them after a few lessons, and sometimes a year or two satisfies their itch to learn to draw. Sometimes people grow up, graduate, move away, retire, travel, or something else.

Two girls quit drawing lessons and left unfinished work. I don’t remember when this happened, and somehow I ended up with the drawings and the photos from which they were working.

This may surprise you, Gentle Reader, but I am not a perfectionist. I am a finisher. It takes focus and discipline for me to try and perfect something, and it isn’t natural behavior for me. (Remember the drawing of the bridge over the Tule River a few months ago, the one that I used for February in the 2017 calendar? Yikes. I needed a perfectionist to stop me from printing that before I embarrassed myself.)

Girl One began a drawing of a border collie, her very first (and last) with me, working from a calendar. I don’t work from copyrighted photos, but often my students do. I am friends with Girl One’s dad, so I thought I’d surprise him with this:

She did the hard work of setting it up and shaded the eyes before deciding that drawing lessons weren’t for her. I had fun finishing it, and then I signed both of our names.

Girl Two was with me from 6th grade until she graduated from high school. She left this unfinished self-portrait. I am friends with her parents, so I thought I’d finish it and give it to them.

She did the hard work of setting it all up and shading the eyes and mouth. This made it easy to just add more shading, and wow, what a pretty girl! Again, I signed both of our names.

I don’t know the proper protocol for any of this, so I make it up as I go along. There is tremendous satisfaction in finishing things and giving them to the people who will appreciate them.

What’s Wrong With This Picture?

HAPPY BIRTHDAY, TAMMIE!

Last week I took a small stack of pencil drawings to a framer because I have a show coming in the spring. As I was lining them out on his counter, I decided that there is something wrong with this picture. It isn’t anything I can put my finger on; I just don’t think it is good enough and I don’t know why.

One of the things I teach my drawing students is honest evaluations of drawings. We tell each other the truth (kindly, of course) because it is how we learn and grow. It is too hard to find flaws in one’s own work, just like it is impossible to proof one’s own writing.

This is what I heard:

  1. not enough darks
  2. weird road curve into the distance
  3. something wrong with the shoulder of the road
  4. edges of bridge arches too clean – should be more pock-marked for its age
  5. furthest pillars wrong size

I thought about just shredding the drawing. Please forgive me for inflicting this on those of you who bought a calendar – try to be brave through the month of February. At least it is the shortest month!

Then I thought that seeing the photos might help us all understand.

I actually worked from 3 photos, picking and choosing the best and most visible parts of each. 

This sort of dissatisfying result is probably because I worked from photos instead of standing there on location with a sketchbook. Of course, then I might have gotten run over, bitten by a rattlesnake or a mosquito with a nasty disease, gotten too hot or too cold or sunburned or maybe bugs would have landed on my paper or the wind might have blown it away.

I hate it when that happens.

Will I try to figure it out and rework the drawing? Probably not. I used spray fixative (actually called “Fixatif”, which on of my drawing students says ought to work on any marriage!) which makes it not erasable.

Color Bullies, Part 2

My advanced drawing students successfully bullied me into 2 oil painting workshops. We had a great time!

A rebel set aside her Sequoia painting that she began last week. This is of the Tetons from a photo she took. I painted the scene first so it would be a little easier for her. (I had the assignment of copying an “Old Master” during the 1/2 semester of painting I took at the local junior college – copying is a good way to learn.)

A rebel set aside her Sequoia tree to finish a painting of the Tetons that she began last year.

We had an overachiever who worked on 2 paintings at the same time.

An overachiever worked on 2 paintings at the same time.

Good job, E! You get an A for sure. No rebelling, one painting at a time.

Good job, E. You get an A for sure!

Turned out that two painters did choose the same scene. We put them side by side, and learned that the one on the left could benefit from stronger colors and more contrast, and the one on the right could benefit from more detail. Interesting exercise! (They look different in real life than on the screen because I had to mess with the photo because it didn’t look right because. . . . on and on and on. Never mind.)

Two painters ended up working on the same scene.

At the end of our session, it turns out that we had two rebels and five Sequoia trees. Yes, that is a cat, but the cat painter is actually drawing a Sequoia tree in pencil these days.

img_4860

None of these paintings are finished. They need more layers, more details, some color corrections, edges of canvas painted, signatures, and varnish.

This probably means there will be another painting session ahead.

Color Bullies

About twice a year, I allow several of my advanced drawing students to bully me into giving an oil painting workshop.

Sometimes everyone paints the same subject, and sometimes each person chooses her own subject. It is easier to teach when everyone paints the same subject. That way everyone benefits from the same instructions rather than having to wait until I get around to help individually.

Recently, the color bullies arm-twisted me into another oil painting workshop. I negotiated to get them to all paint Sequoia trees and the result was that I gave them several photos from which to choose.

OF COURSE every single participant chose a different photo.

Good start, E!
Good start, E!
Good start, A!
Good start, A!
Good start, L!
Good start, L!
Good start, M!
Good start, M!
Whoa, E, you are getting this, but why is your photo upside down?
Whoa, E, this looks great, but why is your photo upside down?? (Teeheehee, those of us who draw together know the answer to this.)
Go, A, Go!!
Go, A, Go!!
Wow, M, you are getting this and even listened to me a couple of times!
Wow, M, you are getting this and even listened to me a couple of times!
Hey, L, are you confused?
Hey, L, are you confused? (We insiders get it. . . how snobbish of us!)
Let's all go outside and marvel at the colors in the leaves.
Let’s all go outside and marvel at the colors in the leaves.

The color bullies and I had a great time. (You know I use the term “bullies” as an exaggeration, yes? These folks are truly wonderful, and we love painting together!) Stay tuned to see how the paintings turn out after session #2.

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