Bumbling Along With One, Almost Finishing Another, and Finishing a Third

Your Central California artist bumbles along on one Tulare County oil painting, almost finished another, and finished a commission. Let’s start with the bumble.

The differences are subtle between the before and the after version. In the after version, the lower left corner makes more sense, and there are more branches on the trees.

Before
After

A neighbor-friend stopped by to bring her recyclables because we share garbage services. She works alone at home as I do, and sometimes we just visit for awhile, perhaps our version of hanging out at the water cooler. (Pay no attention to those garbage cans.) She expressed an interest in my current projects, and when I showed her my challenging painting, together we came up with a couple of ideas for improvement. I will continue to bumble along on this difficult painting.

But wait! I made two more adjustments, and then photographed it more carefully. My neighbor approved, which gave me hope. (There will be more adjustments, corrections, and added details.)

I thought I was finished on the Lower Dry Creek Road oil painting. However, the closer fence posts might require some wire. On the other hand, I might not be capable of such minuscule detail. It still needs a signature and the edges to be painted.

Better detailing and color on the golden hills, the dam, the trees. Cattle, fenceposts, wildflowers, done. Maybe I can put in wire on the fence. Maybe I can do a little brain surgery while I am it. . . not feeling capable of wire. . . will it matter?

Better detailing, stronger colors, and a signature now done on Sawtooth #34, a commissioned oil painting for JL’s son. This one is only photographed, not scanned, because it is wet.

Commission, Cat, Correction, Challenge

Someone, let’s call her JL, bought this 8×8″ painting, “Hiking Mineral King” at Kaweah Arts as a Christmas gift for her son.

He loved it and requested a second 8×8″ painting to go with it for his birthday. JL isn’t familiar with Mineral King, so I made a couple of suggestions. The son chose Sawtooth, based on this painting that I sent to JL.

I must have made that one up because there is no such photo. As a result, I spent a big part of a day making it up again, looking at a handful of photos. (The photo on the right does NOT have a waterfall—that is a reflection.)

After this dries, I will work on more details, polishing and finessing. I need to hustle my bustle, because there is a definite delivery date.

Tucker stayed with me for most of the day as I painted.

On the same day, I spent a fair amount of time studying this painting.

Can you tell any difference now? I can, muy poquito.

This painting reminds me of one I did several years ago, one that was definitely a large challenge for me in 2015 (might still be). I just kept guessing, layering, correcting, and slowly improving it. It is now one of my paintings that I am most proud of.

Drawing in Pencil for the Joy of It

A few months ago I started this pencil drawing, simply for the joy of drawing (and to prove to my drawing students that I can draw). I worked from photos that I took in Mineral King last fall. The light, Audra’s hat, the lack of dealing with a face or an actual complete horse all caught my interest, along with the dynamics between the woman and the horse.

This horse was the last one to get loaded for transport down the hill. Audra was so patient, just waiting for this recalcitrant horse to follow her into the trailer. “Recalcitrant” because he spent most of the summer outside the corral with a couple of mules. The others just watched while staying in the boundaries. Then, sure enough, this guy was not interested in joining the herd to head down for the winter.

Because the hat seemed to be the most important part, I started with it. If I can’t get the most important part to look right, there’s no need to waste time on the rest of the picture.

I had a little bit of difficulty with some of the shapes, so I made corrections and showed those to my students to demonstrate how to repair problems (and to stay humble). But I didn’t photograph the corrections—they were for my drawing students to learn from. (Do you want lessons? I have a waiting list, and you are welcome to get on it!)

Drawing lessons were suspended in December, because that’s the way we roll. I was occupied with many things, some work-related (painting, blogging, participating in a little bazaar, resupplying my vendors, filling calendar orders, sending Christmas cards to my students, sending out 2 newsletters—are you on that subscription list? —planning a solo show for Autumn 2024, ordering supplies, doing some year-end bookkeeping) and some non-work-related (you don’t need a list of this stuff).

As you have recently read here, I was a little flummoxed by how to proceed on several paintings, so I used the excuse that it was too cold to paint in the workshop and went into the studio to finish this drawing. (I love to draw in pencil—did you know that?)

Because I wasn’t showing my drawing students along the way, I didn’t photograph or scan any of the rest of the steps.

Here it is almost complete. “Almost”?? Yeppers, because when I scan it, the white paper scans as gray, and the pencil has a brownish cast.

This is unacceptable, so I use Photoshop Junior (actually Photoshop Elements) to erase the margins.

The drawing is simply titled “Audra”, not “A Girl and Her Horse” (she’s a grown woman and it ain’t her horse), not “Big Hat, No Cattle”(no cattle in Mineral King because it is National Park, not National Forest) or “Wranglers Are For Women Too”. . . wait, that one is pretty cute. Maybe it should be called “Wranglers Aren’t Just For Cowboys”.

Nah, the hat is more important.

Mineral King—Painting the Details

If you receive this in your email and want to see the photos, click on the title.

When we last saw this most popular Mineral King scene on the easels, it looked like this.

A little more work brought it to this stage.

That big juniper tree needed attention, as did Vandever (the peak).

Next, I worked on the shrubs and the stream bank.

It was time to make sense of the stream, starting the farthest away where it curves to the left. That’s not technically correct, because it is flowing toward us, coming from the left. You know what I mean, yes?

Now, let’s back up and see the whole picture again.

Looking good, except the stream was definitely lacking detail.

Next time I show you this painting, I will back up so you can see the whole thing. Then I will probably start adding more detail to the shrubs. Details are my favorite part, but you knew that already.

The Most Popular Mineral King Oil Painting Subject

Five steps closer to completing a new painting of the classic Mineral King view, but still about 60 steps from actual completion.

Remember this?

It is 30″ high, and I can’t reach the top very well. That’s okay, because it is movable.

The cabin is too wide.

Better.

I’m not trying to be exactly true to the photo. I am trying to make it look believable, and after looking at it for 39 years, drawing it about a dozen times in pencil and painting it at least 64 times*, I can recognize when things aren’t quite right.

However, I am making free with the locations of the rocks in the river.

Now there is a base coat on almost everything. Maybe two more layers will do the trick: one to fill out and finish covering the shapes and another to detail it. But then I’ll have to detail it more. And then it will need more correcting. After I show it to my most discerning critics, I’ll need to correct it even further. (See? 60 more steps ahead)

Changing the sizes, the lighting, the cropping—these things keep me interested when I continue to paint the same scenes over and over.

*Really! I counted my photos of the completed paintings, so I know this is true, and there might even be more that I didn’t photograph. Curious? Here they are up through 2016, when the count was at 32.

Same Mineral King Scene

More Farewell Gap Mineral King Oil Paintings

Mineral King Oil Paintings, Continued

Still Oil Painting in Mineral King

And Yet More Mineral King Oil Paintings

The Last Oil Paintings in Mineral King

One More Mineral King Oil Painting?

Quickety Update on Calendars (and a Little More)

Please excuse this interruption in your day.

1. The 2024 Mineral King calendar is still available. At the time of this post, there are 8 left, available through my website or if you email or call me. The Three Rivers Historical Museum no longer has any.

2. I spent 1-1/2 hours on the phone with Apple today to learn why blog subscribers using MacMail or AppleMail cannot see the photos in my blog posts that come to their email. (A few can, but WHY??) No answers came other than that I now need to spend an interminable length of time on the phone with the host of my website. Later. Today’s session used all my reserves for bad hold music and helpers who cannot help.

3. The new painting of fruit is in its home and is just right for the location.

4. The Native Voices exhibit at the Three Rivers Museum looks fabulous!

And that’s all. Just didn’t want you to miss out if you need a calendar.

Quickity Peek at the Mineral King Road

Trail Guy, The Farmer, and The Supervisor (retired) worked on the Mineral King road this week, clearing culverts and cleaning gutters. This was all volunteer work, sanctioned by the Park.

The contractors repaired the damaged parts that were marked by Federal Highways; our guys did preparations for the winter, with rain predicted up to higher elevations in a few days. Their goal is to prevent the sort of troubles we had last winter.

The weather has been mild, and with all the water from last spring and summer, there are still WILDFLOWERS IN DECEMBER! (Yeppers, Trail Guy took the camera and came home with these photos).

These are bush poppies.
California poppy!
Mary Trauger’s sweet peas

Finishing a Big One

I am referring to finishing a large (12×24″) oil painting that I started in August, and then left to gather dust and spider webs while I worked on smaller paintings. Smaller paintings provide something closer to instant gratification; larger paintings build character.

These photos were taken in August.

These were taken in October, a progression of adding paint. You might notice that Vandever (the peak on the right) grew in height. If you are particularly observant, you may notice some angle changes too.

The painting was wet and shiny, so the final photo is not telling the true story. (. . . pants on fire)

I rotated the easel every direction, wasting film like crazy.

NO, I WASN’T WASTING FILM! I have a digital camera. But you probably knew that, because I am so modern, so quick to adopt new technology.

I can hear you thinking sarcastically, “Sure you are.”

This is Farewell Gap at dusk, in Mineral King. (I bet you guessed that already). Perhaps the title will be “Farewell Gap at Dusk”, because I am just clever that way sometimes.

Breaking the Silence—Mineral King in Early October

It is normal for us to close our cabin in mid-October. We closed a little earlier this year due to impending road construction.

We stopped at a lower spot so that Trail Guy could move a tarantula off the road.
Baby’s breath, around the Conifer Gate.
A new-to-me flower along the road: stephanomeria.

There was a weird phenomena along the road: white stuff that looked like thick spider web material was stuck in grasses and shrubs almost all the way to Conifer, the upper gate. It felt sticky to Trail Guy; it felt like unnatural fiber such as acrylic or nylon to me, the way it stuck to my hangnails. My camera stopped working on the close-up setting, so it is a little hard to see what this stuff looked like.

There were definite signs of fall, finally.

We walked up to Crystal Creek, and the normally Yellow Tunnel was still green.

We walked down the road to Cold Springs Campground.

A little bit of work has been done on the Nature Trail, which was blocked by fallen trees and snow patches earlier in the summer. The water is still flowing strong, the aspens are still green, and there is some fall color showing in a few leaves.

We saw some interesting things.

This giant red fir was felled in Cold Springs Campground a year or two ago.
This fungus grows on wood and is called “Witch’s Butter”
I didn’t find the name of this fungus.

The berries were abundant this year.

Bitter cherry
Elderberry
Gooseberry
Gooseberry
I don’t know what this is.
Sierra currant
Snowberry (white, hard to see in this photo)
Thimbleberry
Twinberry; has fuzzy leaves (The most thorough book shows 2 varieties of twinberry; this one is new to me.)
More twinberry; the type I am familiar with wasn’t bearing this year.
Wax currant
Wax currant was extremely abundant this year; this is the one I was not successful in turning to juice for jelly-making.

Closing has lots of tasks, not all of which I photographed, because why would you want to see all that?? But here is one, peculiar to our cabin. Not every cabin requires a climb onto the roof.

Closing is bittersweet. It is hard to say goodbye to one’s second home, even if it is a seasonal farewell. There is also the relief of knowing everything is securely buttoned up, putting away one’s duffel-bags, being home, catching up on yardwork, spending time with the cats, going to church again, staying current with emails and various internet activities, getting work done. (Knitting is portable, so I didn’t list this.)

Trail Guy is nostalgic; I just knit, unravel, reknit, and enjoy the final moments.

The drive down took awhile because we stopped several times to share information about sites and road construction, to discuss the locks on the gates, to wish friends a good winter, and to just take in the sights.

The water is still flowing along the road, and scarlet monkeyflowers were abundant this year. We also saw Farewell-to-Spring, yes, in October!

Farewell, Farewell.

Breaking the Silence—Mineral King

This will be one of just two posts about Mineral King because I don’t want to gloat about enjoying it this summer while the public was barred from visiting. However, I know you are curious, so here is a brief look.

This year everything was delayed in Mineral King, due to a heavy winter. Normally, in August we begin to see signs of impending fall. Not so in 2023!

Here is a look at August and September this year. Water was flowing, berry bushes were still in bloom, grasses were green, snow patches hadn’t melted. By late September, some of the ferns had taken a hit in colder temperatures and turned bronze.

Tomorrow I will show you pictures from closing weekend, October 5-8, 2023.