More Paintings to Sell

I fixed the two river paintings and then worked on another sequoia painting. It is good to have backup inventory for the places that sell to folks on their way to Sequoia. It is good to have backup inventory for all the places that sell my work, currently four, but Silver City will be closing soon for the season.

I have learned that the best sellers have light on the edges of the trees along with a burn scar. It doesn’t matter which trees I paint, or if I can tell you where they are in Sequoia National Park or even if they happen to be in Kings Canyon or Balch Park. Just big trees, sunlight, scar.

As usual, I’ll scan this when it is dry to show you. It is called “Too Big”, a 6×12″ oil painting on wrapped canvas for $150.

No More Potatoes

There might have been a question about a river painting that wasn’t selling. It might have been: “Why do those rocks look like potatoes?” 

The answer might have been, “Because you are hungry”.

However, Nancy at Kaweah Arts and I concluded that her customers tend to be visitors to Sequoia National Park who are more interested in paintings of sequoia trees than of an unfamiliar section of the river.

When it is dry, I’ll scan it and try to remember to show it to you.

“There is no try—only do, or do not.”

Be quiet, Yoda. I didn’t ask you. I didn’t even like your movie, so why do I know this? In fact, I don’t think I’d recognize you, so mind your own beeswax.

Facelift, Figuratively Speaking.

The heat backed off a little and two places that sell my work requested more. 

I started with the river painting do-over. It sat on an easel with its buddy non-selling river painting. . .and got a facelift. . .…but we will wait until the bruising subsides and the stitches get removed.

I mean we will wait until it is dry enough to be scanned before doing an actual comparison.

What’s Wrong With This Picture?

Sometimes when a painting has been hanging around for awhile, I have to ask myself a question that is hard to answer: What is wrong with this picture?

This painting has been hanging around too long. It is the North Fork of the Kaweah River in Three Rivers, looking downstream from what used to be known (maybe still is) as The Airport Bridge with Blossom Peak(s) in the distance.

This is what might be wrong:

  1. Blossom Peak(s) in the distance need to be more separate from the trees in front of them.
  2. The main rock needs to be blurrier where it contacts the water.
  3. The sky looks murky.

Stay tuned to see if those changes fix the painting. 

Unspiced Pumpkins for Falling Into Winter

Falling Into Winter is the name of an upcoming juried show at Exeter’s Courthouse Gallery and Museum. I have many pieces that fit the theme, but most are colored pencil and need framing. This would probably be a poor monetary decision, knowing that oil paintings sell better than pencil or colored pencil drawings. 

Pumpkins are a fun subject, and people like them. They also like to make fun of pumpkin spice, but secretly love it. 

These are plain pumpkins, not spiced up. I painted them on a 6×12″ canvas in order to keep the price low enough to tempt an impulse buyer. 

They went on the canvas quickly, but this isn’t good enough yet.

Better.

A little more detailing.

Finally, I wrapped the pumpkins and background color around the edges and signed the painting.

HEY! I think I will call the painting “Unspiced”.

Now, if I only had a pumpkin spice latte, all would feel complete in my little world.

NEWS FLASH: Cold brew pumpkin spice from the big S coffee store is muy fabuloso. (Nope, not gonna advertise for them here. . . you can probably figure out who I am talking about.)

Sold in Summer

If you can’t see the photos, go here: cabinart.net/blog. 

Sales have slowed down a bit, which makes me concerned for my sellers and their businesses. However, I remain both busy and optimistic with some new projects pending. That will appear in another post.

Sequoias, some poppies remaining from spring, one commission, and the rest was Mineral King, of course. No pencil drawings this time.

 

But, summer isn’t over, not in weather, nor the calendar. Of course, the calendar says September 21 is the beginning of fall, but everyone knows that Labor Day is the other bookend to Memorial Day, holding together those weeks that remind us of the beach, fluffy reading, swatting mosquitoes, fireworks, watermelon, road trips, cowering in the A/C, and a sense of NEEDING to be off work.

Thus we conclude another peek into the (seasonal) business of art.

A Repair and an Agreeable Customer

If you can’t see the photos, go here: cabinart.net/blog.

Repair

This returned painting now has a cleaned up sky, new snow on Bearskin and new whitewater in the creek. I photographed it wet, which is why the color looks patchy. It is not actually inserted in the frame, which is why it looks unframed. Duh. I just propped it in the frame so I could photograph it.

Redo for an Agreeable Customer

 This sign was well used and loved for 10 years.

The customer asked for a larger one this time, so I ordered a 20″ round instead of the 12″ version. After applying 3 coats of exterior paint to both sides, I decide that the back of the round would make a more interesting sign than the flat front. The customer is very agreeable, so that’s what I will do.

I used oil paint on the first sign because I was unable to achieve a satisfactory level of detail with mural (acrylic) paints. Because this one is bigger, I am going to try it in the mural paints, and then if the detail needs to be tightened up, I will finish it off with oil paints.

I love these custom jobs for agreeable customers with no deadlines.

 

 

Hot Day in the Orange Grove

If you can’t see the photos, go here: cabinart.net/blog. Just another hot day at the easel, painting another orange grove.

Is it an “orange grove” or an “orange orchard”? We tend to call it “orange grove” or “orchard”. Some people call it a “ranch”, but I have yet to see any cattle in an orange grove. 

Commissioned Oil Painting

The swamp cooler kept me at the easel working on this commissioned oil painting until early evening. Growing leaves takes some time, particularly on a 16×20″ custom oil painting.


Reference Photos

In spite of being a familiar subject to paint, the piece is a challenge due to the melding of multiple scenes in multiple lights with multiple sizes and perspectives. My goal is consistency, believability, and of course, beauty. Always beauty, along with as close I can get to truth while fabricating the scene.

Here are a few of the dozen or so photos that I referred to. (Not showing the children because I respect people’s privacy here on the World Wide Web).

I love this photo. If I could have figured out how to put the children in this one and have the sizes all make sense AND be large enough to paint some detail, I would have used this one.

The painting still needs orange blossoms, and might need a wind machine. And because I believe it depicts the best part of Tulare County*, I will probably keep polishing it, drawing with my paintbrush, not wanting to quit.

Good thing there isn’t a deadline.

*I asked Ecosia (a new-to-me search engine instead of DuckDuckGo) to find me information on “the best of Tulare County” and it went to the Exeter Sun-Gazette, an article about Tulare County leading the nation in illiteracy. Sigh.

 

 

Many Happy Returns (and some not quite as happy)

If you can’t see the photos, go here: cabinart.net/blog. 

Three Returns

One advantage (and disadvantage) of being in the art business in the same county year after year after year, is that sometimes your art gets returned to you. Some are happy returns, some are hassley returns.

The circle is a sign, painted by me about 10 years ago. The customer was happy and now the disintegrating sign needs to be replaced, larger this time.

The citrus art was for sale at Farmer Bob’s World, and nothing sold. The customer wasn’t happy, apparently. (Who was the customer? No one.) I am happy that I can sell it in a place with greater visitation.

Many years ago when I began oil painting, a friend (because almost everyone in Tulare County is a friend, unless he is a friend of a friend) bought this painting. That friend has moved on to his reward, and the painting was given to the Mineral King Preservation Society. The MKPS brought it to me because it needed a little attention after all these years. This is not a happy return because my friend is gone, but it is a happy return because I can spruce it up.

Interruption: What is Pippin Doing?

If This Ever Gets Returned…

The customers presented this painting to the happy recipient, who got a little teary-eyed. He and I have many things in common, and we just chattered away about various aspects of this painting, such as how the idea was conceived, what exactly is in it, why I left some things out, and how much we love this view. He is sort of like anutter brutter from our utter mutter. (And if this painting gets returned, I’m hanging it in my house!)

No More Return

I returned to this colored pencil drawing. The original concept was to only use the 24 Prismacolor colored pencils in their limited set. Those stupid pencils kept breaking, so I started using lots of other colors too. It reminded me of one of the many reasons I quit using colored pencils.

I doubt if I will be returning to colored pencils any time soon.

Not Returning This Either

About a year ago after a whole lot of trouble, I finally bought a mini fridge for the painting workshop. The freezer is where I store my oil painting palette, a convenient luxury. The big box store was TERRIBLE to deal with. A few weeks ago when I retrieved my palette, it was HOT inside the fridge. Sigh. I unplugged it, pulled it off its pedestal, propped the door open, and now I have to figure out how to get rid of it. I am NOT going back to the extremely inept, incompetent, undertrained, understocked, understaffed, and apathetic big box store. Instead, I will consider it one year of luxury, now both a memory and a hassle. (Learned in June 2021, #10)

Still Painting Mineral King in the Heat

For those of you who subscribe and read the blog post on your phone: if you can’t see the photos, go here: cabinart.net/blog.

Again, I say that painting elevation while down in the heat has no benefits, other than in one’s imagination. Sawtooth, visible from Mineral King in this painting, is 12,343′ in elevation; Three Rivers (where I live) is 1000′. They say (“they”? who is this?) that the temperature drops 3 degrees for every 1000′ gained in elevation. You can do the math if you’d like; I’m too overheated.

This isn’t quite finished. When it is dry, I will do some nitpicking, careful evaluating, and then will make corrections and plant wildflowers. Of course I will plant wildflowers—do not doubt me on this! 

P.S. The color looks washed out here – does heat affect photography too??

Links to other posts about painting Sawtooth:

  1. Department of Redundancy Dept.
  2. Lots of Sawtooths (Sawteeth? Nah)
  3. Almost finished with the Sawtooth paintings
  4. You just won’t believe this one
  5. Back to Sawtooth
  6. Really Painting Sawtooth Again