Locals, at CACHE, Part 3

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“Locals” is the name of the current exhibit (i.e. show and sale of art) at CACHE, the new name for Exeter’s Courthouse Gallery and Museum. It stands for Center for Art, Culture, and History in Exeter. THE RECEPTION IS SUNDAY, 2-4 PM.

I began my recorded talk about this oil painting, “Groves, Hills, and Mountains” like this:

“A few years ago I became obsessed with the way that orange groves look against foothills and distant mountains. I took many photos and borrowed from friends, and began painting those scenes.”

Locals, at CACHE

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How’s that for a mysterious title? 

“Locals” is the name of the current exhibit (i.e. show and sale of art) at CACHE, the new name for Exeter’s Courthouse Gallery and Museum. It stands for Center for Art, Culture, and History in Exeter.

I qualified to show in Locals in spite of never having lived in Exeter because my studio was there for 9 years. 

There wasn’t a limit to the number to be entered. Normally in a group show each applicant is limited to 3-5 pieces, so I entered five. 

Then we were asked to record ourselves talking about each piece, so that visitors who bring smart phones and ear thingies can scan the scribbly square and listen to artists. 

The piece above is Kaweah Oaks Preserve, painted specifically for this exhibit. (If the title of the show is “Locals”, it stands to reason that the art ought to be locally themed).

Here is a little bit of what I said in my recording about the painting:

“Kaweah Oaks Preserve is a place we all just get used to passing without really noticing anything in particular. Driving home on Highway 198, I was surprised by how clearly Alta Peak shows from Kaweah Oaks Preserve. I snapped a few photos through the windshield, then did some photoshop work to see if anything might be useful.”

Enjoying Life Before the Storms

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A day before the big storm, there was a brief time of sunshine. It lit up this germander, a drought tolerant shrub that looks great in spring and horrid in summer.

That evening, Jackson did not want to be put away. He decided to walk the other way and then attempt to catch his own dinner. I walked around the yard calling for him, and of course, he ignored me. However, I found him. Can you see his tail?

He was very intensely focused on some quail which feed around dusk, which is when we feed our cats.

Dude, I am watching you, and you are not going to catch a quail. 

He showed up at the front door looking for entry to the workshop where his dinner was waiting. Michael walked him over, and put him away for the night.

The next day was so intensely green and my leaning tree was in full bloom. (It’s a flowering pear, one of the earliest trees to bloom and one of the last to hold its color in the fall.)

Eventually I made it into the workshop (the cats’ safe place at night) to get a little painting done.

The first one is called Below Terminus Dam. I love this view in spite of it not having snow-covered peaks in the distance. Some years there are poppies on the distant hills; it is too soon to know this year because we are having a real winter.

This is the commissioned piece, now finished. (The right side looks darker because I am casting a shadow on it.)

This is the painting that was giving me trouble. I’ve decided that it is finished now.

This concludes today’s post about your Central California artist enjoying spring, her recalcitrant cat, her yard, and painting her favorite Tulare County scenes. 

Thank you for visiting my blog today.

 

Whooping it up on the Canvases

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The customer told me which mountains she wishes to see in her 11×14″ painting. So I started.

Sky, mountains, foothills, indication of distant groves, indication of closer groves. Then, it was too wet to continue. This might be an excuse; sometimes when painting these scenes, I hit a place of thinking it is too hard and that I can’t do it. (pathetic, no?)

So, time to move to the 18×36″ painting.

Working on a new sky layer gives me an opportunity to think about what I want to do here.

I think I want some overhanging branches, loaded with oranges. This means I have to make up some stuff, move some trees, bringing in some closer ones. And why not? I made up the snow-covered mountains in the distance. If I am painting this to please me, then yippee skippee, I can just go hog wild and really whoop it up.

I sure do know how to live, eh?

Happy Birthday, Little Sister!

Aaaaand. . . More Orange Groves

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(More storms predicted for today and tomorrow, and if anything exciting happens, I’ll return to my post as photojournalist for you then.)

About Painting

Back in January I started eight new oil paintings of orange groves. I added a similar painting of oak trees with distant mountains (for the show Locals), and then someone wanted a painting of the groves with hills and mountains in a different size. That brought the total to ten paintings, all similar. Five are now completed (one sold), and other than the commissioned painting, there is no urgency or deadlines.

The urgency is self-imposed on the commissioned painting. As I prepped the canvas, I realized that I didn’t know which view of the mountains my customer was interested in. So I sent her these two photos (she is the photographer but I am the painter) and then put a thin layer of paint on the canvas (too boring to photograph).

Since my palette was loaded with the right colors and I had the biggish brush in hand, it seemed like a good time to begin layering paint on the 18×36″ that I was hoping to keep for awhile.

While slopping it on, I realized that maybe I want a different scene than the one I painted for myself last time. No rush; the space in my dining room is currently occupied by a painting of redwood trees.

Next, I moved to this 6×18″ with the blocks of groves that are confusing.  I repainted the sky, distant mountains, and foothills.

The groves are confusing because I have not been following the photograph or the advice I give to my drawing students: “Draw the dog before you draw the fleas.”

This means figure out the larger parts before putting in the details. So, I covered over most of the lines of the groves, got out the photo, and started to pay attention. It isn’t that I have to follow photos because they are the only right way to paint; I have to follow them in order to understand how to make those blocks of trees look believable.

This feels like slow going, perhaps because it is. When I draw, a day flies by. When I paint, it crawls. Maybe someday with enough experience this will change. Meanwhile, tick, tock, tick, tock. . .is it lunchtime yet?

Painting my Obsession

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I thought this painting was finished and was about to scan it when I realized it was missing something important.

Snow covered mountains in the distance! White is the slowest color to dry, so it will be a week or two before this one is ready to scan.

This one needs definition in the distant groves and detail in the foreground branches. 

I am just making stuff up now. As long as it is believable, it’ll do.

This will take awhile, lots of painting sessions to try this, that, and something else.

Saturday night, remember to spring your clocks forward because Daylight Saving Time begins. It isn’t saving any daylight, merely shoving it an hour later so that mornings are dark again. There is talk of making it permanent, but those who think that is a good idea aren’t thinking ahead to waiting until 8 a.m. to see any daylight in the fall and winter months. I say leave the time right where it belongs and quit jerking us around.

So there.



Decisions to Get Ready for a Show

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“Locals“, is hung now at Exeter’s Courthouse Gallery, now called CACHE. I hadn’t planned to enter, because I have never lived in Exeter. But then I learned that having my studio in Exeter for 9 years was qualification enough.

Because I had a solo show at the end of 2021 and then participated in a group show in 2022, I chose pieces that the likely audience won’t have seen yet.

Two of the five pieces are pencil, only shown to you and to my drawing students. I dug around through existing unsold pencil pieces to find mats and frames that might work and found two, so I unframed the old drawings. One of the new drawings needed to have its boundaries extended to better fit in the mat. Then, I put the newer drawings in those mats and frames, a tedious task.

In thinking about three oil paintings to enter, I decided to use one of the new orange grove paintings, one of Sawtooth (the view that was so very popular in my 2021 solo show), and a new painting of a new subject (shown to you in an earlier post). 

This photo (2 taped together) was taken through my windshield on one of those fabulous clear days. It is shown here at an angle because otherwise it is too shiny to see here.

This got painted on a 6×18″ in spite of being proportioned differently from the photo, because I just cropped off the bulk of the sky. It was easy to paint, because the mountains are the same as on most of those orange grove scenes.

I considered the title “Heading East on 198”.

Then I reconsidered.

Locals is at 125 So. B Street in Exeter, Saturdays and Sundays, 11-4, until April 23, 2023. OPENING RECEPTION—MARCH 26, 2-4 PM (Yes, I know it opens prior to the reception.)

Where are the Orange Groves?

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Where are the orange groves? They are in other paintings, eight other ones, to be exact.

This is a grove of oak and sycamore trees, at the Kaweah Oaks Preserve, working from a photo taken through my windshield. Don’t be alarmed; there was no traffic either in front or behind. I didn’t take the time to compose the photo carefully, just went click click click and then patched things together later on Photoshop Junior to get something paintable.

I flipped things to get the mountains more accurate.

That’ll do. Now the trees.

I thought you might like to see my palette; all the colors used here are mixed from white, 2 yellows, 2 reds, and 2 blues. 

Here is the left hand side as the detail begins to appear in the distant trees.

Mostly working left to right.

I didn’t save my crummy photos on the computer so that I can show it to you. After I had the prints made (it is 2 8×10″ taped together), I deleted them. There are too many photos on my computer, so I have to be very vigilant about deletion.

Finished! Too wet to scan, so I laid it on the floor to photograph it without shadows or wet paint glare.

Now, back to the orange groves. . .

Possibly Walking More Than Working

I really meant to paint. I started detailing this piece.

But holy guacamole, look at this day!

My walking buddy and I spotted some white rocks beneath the bridge. They got heavier as we got closer to home but we made it. 

I added them to my little eccentric project to be arranged later. The iris are starting to appear above the soil now.
Then I went back to work and finished this 10×20″ oil painting of Tulare County’s finest scenery.

Next, I went back to this 10×20″ painting.

Doesn’t look like much, but it was a little progress. Remember, no deadlines, no upcoming shows, no commissions, just the beautiful month of February in Tulare County.

A Little Work, A Little Walk, A Little More Work

While I am waiting to begin the murals at the giant church in Visalia, I have time to paint. However, I don’t have any deadlines, no upcoming shows, no commissions (there are a couple, but they are still in the conversation stage), and it has been BEE-YOO-TEE-FULL outside.

So, I work a little, walk a little, and work a little more.

When I am thinking about walking, it is a little bit hard to focus on detail. So, the detail on this 6×18″ oil painting of Tulare County’s best will have to wait. 

Let’s make like a tree and leaf.

Nothing in particular to photograph, just the same beautiful scenes of February in my Three Rivers neighborhood.

The elephant on Alta Peak is very clear, with a shadow making an ear and a rocky place making an eye. His back leg is significantly larger than his front. And there is Moro Rock.

A neighbor’s narcissus are in bloom. Mine are too, but I don’t want you to get too bored with the repetition here.

Back to work, Central California Artist!

This is 10×20″. Sawtooth is the peak on the left, and Homer’s Nose is visible on the right. 

I photographed this at an angle so you could see a bit of the reference photo minus the glare.

Nothing is finished after today’s disjointed painting attempts, but there was progress made, and February was enjoyed. Such a short month. Sigh.