Redwood, Sequoia, Big Tree?

If you can’t see the photos, go here: cabinart.net/blog.

 

Hi Pippin! I hate it when you have a campout, but at least you are camouflaged pretty well in the non-spring months.

Couldn’t think of anything to say about today’s paintings except that I might have enough sequoia/redwood/big tree paintings for a little while. Might have had a bit too much fun at the class reunion (Redwood High School, Visalia, Class of ’77) to be very articulate. (No, I don’t drink, but lack of sleep has similar outcomes of stupidity and dull-wittedness).

Sequoia, Big Tree, or Redwood?

If you can’t see the photos, go here: cabinart.net/blog.

Sequoia, Big Tree, or Redwood? 

All three work. 

Redwood High School class of ’77 45th reunion is this weekend. So few people are attending that it was moved to a smaller location (no, not Goshen or Farmersville or Ivanhoe). I will be attending because many people travel great distances to go, and it would be quite rude if I couldn’t be bothered to go 35 miles to Visalia. Besides, maybe someone will show up who likes and then buys my work. “Networking”, I think it is called. Now, back to production.

Three paintings are now completed and ready for display and sale at Kaweah Arts in Three Rivers.

In the Big Trees, 8×10″, oil on wrapped canvas, $125 (plus Calif. sales tax)

Sequoia, 8×8″, oil on wrapped canvas, $100 (plus you know)

Big Tree, 6×6″, oil on wrapped canvas, $65 (plus. . . sigh.)

 

Finding titles for these pieces is quite the chore. Painting them is easy, because now I have enough experience that I can make them up, using a photo just to get a clue.

Big Tree, Sequoia, or Redwood?

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There are lots of big trees in the world, Redwood is the name of my high school, and the trees for which Sequoia National Park is named are sequoia gigantea. However, any of those names apply to the paintings in today’s blog post.

It is a little bit difficult to work at the cabin because there is no studio space, and everyone else is on vacation. Besides, when I am there, I’d rather be reading, knitting, splitting wood, or chasing wildflowers. But sometimes a grownup has to do what needs to be done. I know, this is difficult to accept, because didn’t we all think that being a grownup meant we got to do anything we wanted? It is true, but choices have consequences, and the consequence of not painting when inventory is low is that there will be nothing to sell.

That’s a good enough start. Think I’ll put down my paintbrushes and go pick up my ax.

Welcome to the World, New and Improved Oil Painting

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When paintings are slow to sell, it is a good art business practice to analyze them. This is best done with the help of someone who knows the customers. 

Recently I took a hard look at this painting, one that I had always liked, because I love seeing dogwood in bloom around redwood trees. But what if I am the only one who feels that way? I am here to earn a living, not to paint for myself. (Well, sometimes I do allow a painting to live in my house for awhile, but that isn’t the main point of all the easel time.)

I asked the proprietor of Kaweah Arts why she thought this hadn’t sold yet. She and I have been friends for many years, always honest with one another. I told her that I figured most of her customers don’t even know what dogwood is, because the bulk of them visit Sequoia National Park in the summer when the dogwood isn’t in bloom.

She very diplomatically replied that her customers are interested in the big trees alone. Of course they buy other items, but sequoia trees are what Sequoia National Park was formed around.

Together we evaluated the painting, and then I told her to remove it from the inventory list, because I was taking it back to the easels.

This is how it went.

Welcome to the world, new and improved

“Redwood, Dogwood”, oil on wrapped canvas, 12×16″, $325.

Painting Mineral King, Chapter Nth

If you read this blog through an email subscription on your phone, the photos might not show up. (Some people get them, some do not.) You can see them by going to the blog on the internet. It is called cabinart.net/blog, and the latest post is always on top.

In the summer, I paint Mineral King scenes, over and over and over. Thank you for showing up anyway.

Hi Tucker. I wasn’t talking to you, but you are always welcome anywhere I am.

Aspens grow in Mineral King. I don’t think they would survive down the hill in the heat, but they are native to Tulare County at higher elevations. Can you tell that this little square will be a picture of aspens?

Can you tell now?

Here are two more 6×6″ oil paintings, photographed with a phone rather than a camera, and too wet to scan at this point. I think people are getting cautious with spending again, so smaller paintings might sell more quickly than large ones.

There–now you can see that these are aspens.

All will retail for $65 plus that dastardly California sales tax unless you live in a less golden state. Alas, I am a Central California artist, a regionalist from California’s flyover country, and high tax is part of this place. 

Are You Drawing With Your Paintbrush Again?

If you read this blog through an email subscription on your phone, the photos might not show up. (Some people get them, some do not.) You can see them by going to the blog on the internet. It is called cabinart.net/blog, and the latest post is always on top.

Yes, I am drawing with my paintbrush again. Paintbrushes, and the smallest I can find, treating them as if they are pencils. Wet flexible pencils are not as effective as graphite pencils, but I think this painting is getting better as a result of all this teensy work.

Remember this?

The first item of business was to complete the distant hills and grove.

Next, instead of painting around the children, I dove into the minutiae, “minutiae” in terms of size, not in terms of importance.

Boy first, because as a righthanded artist, working from left to right lessens the risk of smearing wet paint.

Since the photo of the children was taken in a parking lot, it will be tricky to manage the light in a believable manner, and tricky to make believable shadows. First, though, we need believable children.

These kids are just so cute, both in person and on canvas.

Much work remains, and it will be thoroughly enjoyable as I pursue art of Tulare County, combining my favorite subject of citrus and the mountains with the challenge of believable little people.

Mineral King Oil Paintings For Sale

If you subscribe to the blog and read the email on your phone, the photos might not show up. (Some people get them, some do not; it isn’t a problem I know how to solve.) You can see them by going to the blog on the internet. It is called cabinart.net/blog, and the latest post is always on top.

“Mineral King Oil Paintings For Sale” sounds pushy. That isn’t my intention. The idea is to let you know these are completed and available. Their next stop is the Silver City Store, four miles below the Mineral King valley. However, if you’d like to intercept one before it heads up the hill, that can be arranged.

Sawtooth I, 8×8″, oil on wrapped canvas, $125 (plus California sales tax)
Mineral King Aspens, 8×8″, oil on wrapped canvas, $125 (plus California sales tax)
Honeymoon Cabin III, 8×10″, oil on wrapped canvas, $125 (plus California sales tax)
Sawtooth Ridge, 6×18″, oil on wrapped canvas, $165 (plus California sales tax)
Mineral King Alpenglow, 6×12″, oil on wrapped canvas, $125 (plus California sales tax)

P.S. They all look better in person.

Wildflowers as Tiny Colored Dots

If you read this blog through an email subscription on your phone, the photos might not show up. (Some people get them, some do not.) You can see them by going to the blog on the internet. It is called cabinart.net/blog, and the latest post is always on top.

Wildflowers drive my hiking choices, and ever since publishing Mineral King Wildflowers (almost sold out), I look for opportunities to put them in my oil paintings. Because I paint small, they end up as tiny dots. 

Doesn’t matter, because those tiny colored dots are magical enhancements of scenes that would otherwise be primarily green, gray and brown.

Remember this oil painting? It sold very quickly due to those tiny colored dots.

So, of course I painted it again. Here is the sequence.

Once it is dry enough to scan, I will show you a non-shiny version with colors that are closer to the real painting.

Chop-chop and Doing What I Want

If you subscribe to the blog and read the email on your phone, the photos might not show up. (Some people get them, some do not; it isn’t a problem I know how to solve.) You can see them by going to the blog on the internet. It is called cabinart.net/blog, and the latest post is always on top.

Here is another new Mineral King oil painting of an old subject, the Honeymoon Cabin, which is a museum for the Mineral King Preservation Society. It was in a state of rough first layer for a few weeks, and then suddenly July happened, which is when sales pick up at the Silver City Store.

Chop-chop, Central California artist!

8×10″, $125 (+sales tax), probably underpriced, quick, get it before I raise my prices.

I looked again at this painting of Sawtooth, which has been hanging for awhile as I mulled it over before putting it on the scanner. 

While flipping through my photos, I ran across one with my favorite yellow wildflower, Bigelow Sneezeweed (terrible name for a delightful bloom). I said to myself, “Self”, I said, “Why not?”

If this 6×18″ oil painting with its radical addition of yellow flowers doesn’t sell, I can always paint them out. I am 62 years old, self-employed, experienced in all subjects Mineral King, and I get to do what I want to my paintings.

Any questions?

Making Two Paintings Better

If you subscribe to the blog and read the email on your phone, the photos might not show up. (Some people get them, some do not; it isn’t a problem I know how to solve.) You can see them by going to the blog on the internet. It is called cabinart.net/blog, and the latest post is always on top.The other day I just sat in front of these two Mineral King oil paintings with Tucker shedding, purring, and slobbering on my lap. While holding my favorite cat (sorry Pippin and Jackson, but I have known your uncle a year longer than I have known you), I studied the paintings carefully, wondering how I could make them better.

The answer usually lies in better contrast, and shaggier edges. Not that shaggy edges are always the answer, but in this case a few edges were a bit smoother than real life.

Never mind. Just look now and see if they look better to you (bearing in mind that they are now too wet to scan and that they always look better in person).

Each of these paintings is 8×8″, and I spent way more time on them than justified by the $100 (+tax) sales price each.

It is probably time to raise my prices. That is hard to do, because people are just trying to keep food on the table and gas in the car, and art is not a necessity. (It is for me, but I think you understand my point.)