Welcome to the World, New and Improved Oil Painting

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When paintings are slow to sell, it is a good art business practice to analyze them. This is best done with the help of someone who knows the customers. 

Recently I took a hard look at this painting, one that I had always liked, because I love seeing dogwood in bloom around redwood trees. But what if I am the only one who feels that way? I am here to earn a living, not to paint for myself. (Well, sometimes I do allow a painting to live in my house for awhile, but that isn’t the main point of all the easel time.)

I asked the proprietor of Kaweah Arts why she thought this hadn’t sold yet. She and I have been friends for many years, always honest with one another. I told her that I figured most of her customers don’t even know what dogwood is, because the bulk of them visit Sequoia National Park in the summer when the dogwood isn’t in bloom.

She very diplomatically replied that her customers are interested in the big trees alone. Of course they buy other items, but sequoia trees are what Sequoia National Park was formed around.

Together we evaluated the painting, and then I told her to remove it from the inventory list, because I was taking it back to the easels.

This is how it went.

Welcome to the world, new and improved

“Redwood, Dogwood”, oil on wrapped canvas, 12×16″, $325.

Painting Mineral King, Chapter Nth

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In the summer, I paint Mineral King scenes, over and over and over. Thank you for showing up anyway.

Hi Tucker. I wasn’t talking to you, but you are always welcome anywhere I am.

Aspens grow in Mineral King. I don’t think they would survive down the hill in the heat, but they are native to Tulare County at higher elevations. Can you tell that this little square will be a picture of aspens?

Can you tell now?

Here are two more 6×6″ oil paintings, photographed with a phone rather than a camera, and too wet to scan at this point. I think people are getting cautious with spending again, so smaller paintings might sell more quickly than large ones.

There–now you can see that these are aspens.

All will retail for $65 plus that dastardly California sales tax unless you live in a less golden state. Alas, I am a Central California artist, a regionalist from California’s flyover country, and high tax is part of this place. 

Are You Drawing With Your Paintbrush Again?

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Yes, I am drawing with my paintbrush again. Paintbrushes, and the smallest I can find, treating them as if they are pencils. Wet flexible pencils are not as effective as graphite pencils, but I think this painting is getting better as a result of all this teensy work.

Remember this?

The first item of business was to complete the distant hills and grove.

Next, instead of painting around the children, I dove into the minutiae, “minutiae” in terms of size, not in terms of importance.

Boy first, because as a righthanded artist, working from left to right lessens the risk of smearing wet paint.

Since the photo of the children was taken in a parking lot, it will be tricky to manage the light in a believable manner, and tricky to make believable shadows. First, though, we need believable children.

These kids are just so cute, both in person and on canvas.

Much work remains, and it will be thoroughly enjoyable as I pursue art of Tulare County, combining my favorite subject of citrus and the mountains with the challenge of believable little people.

Mineral King Oil Paintings For Sale

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“Mineral King Oil Paintings For Sale” sounds pushy. That isn’t my intention. The idea is to let you know these are completed and available. Their next stop is the Silver City Store, four miles below the Mineral King valley. However, if you’d like to intercept one before it heads up the hill, that can be arranged.

Sawtooth I, 8×8″, oil on wrapped canvas, $125 (plus California sales tax)
Mineral King Aspens, 8×8″, oil on wrapped canvas, $125 (plus California sales tax)
Honeymoon Cabin III, 8×10″, oil on wrapped canvas, $125 (plus California sales tax)
Sawtooth Ridge, 6×18″, oil on wrapped canvas, $165 (plus California sales tax)
Mineral King Alpenglow, 6×12″, oil on wrapped canvas, $125 (plus California sales tax)

P.S. They all look better in person.

Wildflowers as Tiny Colored Dots

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Wildflowers drive my hiking choices, and ever since publishing Mineral King Wildflowers (almost sold out), I look for opportunities to put them in my oil paintings. Because I paint small, they end up as tiny dots. 

Doesn’t matter, because those tiny colored dots are magical enhancements of scenes that would otherwise be primarily green, gray and brown.

Remember this oil painting? It sold very quickly due to those tiny colored dots.

So, of course I painted it again. Here is the sequence.

Once it is dry enough to scan, I will show you a non-shiny version with colors that are closer to the real painting.

Chop-chop and Doing What I Want

If you subscribe to the blog and read the email on your phone, the photos might not show up. (Some people get them, some do not; it isn’t a problem I know how to solve.) You can see them by going to the blog on the internet. It is called cabinart.net/blog, and the latest post is always on top.

Here is another new Mineral King oil painting of an old subject, the Honeymoon Cabin, which is a museum for the Mineral King Preservation Society. It was in a state of rough first layer for a few weeks, and then suddenly July happened, which is when sales pick up at the Silver City Store.

Chop-chop, Central California artist!

8×10″, $125 (+sales tax), probably underpriced, quick, get it before I raise my prices.

I looked again at this painting of Sawtooth, which has been hanging for awhile as I mulled it over before putting it on the scanner. 

While flipping through my photos, I ran across one with my favorite yellow wildflower, Bigelow Sneezeweed (terrible name for a delightful bloom). I said to myself, “Self”, I said, “Why not?”

If this 6×18″ oil painting with its radical addition of yellow flowers doesn’t sell, I can always paint them out. I am 62 years old, self-employed, experienced in all subjects Mineral King, and I get to do what I want to my paintings.

Any questions?

Making Two Paintings Better

If you subscribe to the blog and read the email on your phone, the photos might not show up. (Some people get them, some do not; it isn’t a problem I know how to solve.) You can see them by going to the blog on the internet. It is called cabinart.net/blog, and the latest post is always on top.The other day I just sat in front of these two Mineral King oil paintings with Tucker shedding, purring, and slobbering on my lap. While holding my favorite cat (sorry Pippin and Jackson, but I have known your uncle a year longer than I have known you), I studied the paintings carefully, wondering how I could make them better.

The answer usually lies in better contrast, and shaggier edges. Not that shaggy edges are always the answer, but in this case a few edges were a bit smoother than real life.

Never mind. Just look now and see if they look better to you (bearing in mind that they are now too wet to scan and that they always look better in person).

Each of these paintings is 8×8″, and I spent way more time on them than justified by the $100 (+tax) sales price each.

It is probably time to raise my prices. That is hard to do, because people are just trying to keep food on the table and gas in the car, and art is not a necessity. (It is for me, but I think you understand my point.)

Seeking Calm at the Easels

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Sometimes life is hard. Oftentimes life is hard. Even if my own life is wonderful (and it is), life around is less than wonderful. Friends are suffering, the world seems to be on fire. I could list the worrisome items, but you probably have a similar list.

So, I will simply continue to seek calm at the easels.

I hope that seeing the progression of this Mineral King oil painting brings a bit of calm to your world.

Refocusing on Real Art

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My real art is oil painting and pencil drawing. Road signs, deer cages, book safes are all just for fun. Useful fun, but fun, particularly because I listened to an audio book while working on them: Once Upon a Wardrobe, by Patti Callahan.

Then, I got serious and refocused on my real art.

I took this one all the way to the end.

Then I painted all the skies.

Next, I finished this one. Maybe. Now that I see it here, it is a bit too monochromatic for my tastes. (That means single colored . . . I wonder if wildflowers would look weird in the lower section. Certainly not believable, but maybe attractive.)

Finally, I finished another Sawtooth just before sliding into Idiotland.

Three down (maybe), five to go.

Mineral King oil paintings are the best sellers in the summer. The trick is to guess how many of which subjects and what sizes. 

I wonder if I could make a useful crystal ball??

 

Familiarity Breeds Comfort

If you subscribe to the blog and read the email on your phone, the photos might not show up. (Some people get them, some do not; it isn’t a problem I know how to solve.) You can see them by going to the blog on the internet. It is called cabinart.net/blog, and the latest post is always on top.

“Familiarity breeds contempt” in some cases; in the context of my oil painting endeavors, familiarity breeds comfort. “Sawtooth Near Sunnypoint #8” is signed, sealed, and delivered, another commissioned oil painting in the archives.

This means I can move into another comforting subject, one that I love to paint, although this one has its own challenges. This oil painting commission came with much freedom. The customer didn’t care what orchard as long as it is oranges, wasn’t concerned about the foothills, and after much conversation (“Really, you must care about something specific here!”), he decided that Sawtooth and Homer’s Nose made the most sense for the visible peaks. His focus is the children, and he provided good photos.

If I were a loosey-goosey painter, this would be close to finished. Alas, I am a painter who loves detail and when this dries, I will begin drawing with my paintbrushes on this Tulare County classic view.