Summer’s Coming and so is the Bridge

Last week it got cold and rainy but I painted in the unheated workshop anyway because summer is coming and I will wish it was cold. Yes, there is a heater which Trail Guy offered to light for me several times, but I declined. It was overcast, and I knew I wouldn’t be painting all day because it was a little hard to see the colors correctly.

In deciding which of the 7 Mineral King oil paintings to work on, it may not surprise you that I chose one of the Oak Grove Bridge, my favorite subject to draw and paint.

The bridge needs to be refined and the foliage needs to be finished. Then I will probably start on the other oil painting of my favorite bridge in all of Tulare County. 

 

Summer’s Coming

Yes, yes, I know it is still March, my second favorite month (interpret that either way you would like). But summer comes every year, and with it comes the need for me to supply Silver City Resort with oil paintings to sell. There isn’t a lot to paint of Silver City itself, and as nice as it is, people go there BECAUSE IT IS NEAR MINERAL KING.

Excuse me for shouting. I feel that all the way to my toes, since I took a job at Silver City in 1985 BECAUSE IT IS NEAR MINERAL KING.

Here are the paintings that I have begun in order to have merchandise for Silver City to sell.

Forrest’s Dream Cabin

My friend/customer/web designer Forrest requested a large painting of a cabin. He searched for several months, until he came up with a photo that he declared to be “IT”. Alas, he was not the photographer, and I just can’t be copying people’s work without permission. 

No no no no, I can’t copy no more, I’m scared of waking up in the courts. No thank you, please, it only makes me freeze (with fear), and then it makes it hard to face the Lord.

Forrest contacted the photographer and got permission!

So, I started. He said it would be fun to see the progress, and I decided to include you all in on the fun. I also told him to not be scared, because they all start out ugly. Forrest’s Nightmare Cabin, perhaps.

Yeppers, it is sideways. Easier to reach the top of this 20×30″ commissioned oil painting. Remember, 

I use pencil, oil paint, and murals to make art that you can understand, of places and things you love, for prices that won’t scare you.

(except that the beginning stages might scare you.)

And Still Painting. . .

. . . but almost finished.

Almost finished
Probably finished.

That was the last one needed for the upcoming show, Still Here, at Arts Visalia in the month of April (virtual? actual in-person? More will be revealed. . .)

Now I can get back to the Mineral King paintings that I started when the others were too wet (or I was too flummoxed) to work on.

Now I have to decide if it is a good idea to show you all the finished paintings that will be in the show or maybe just make you actually attend the show in person. (As if I have the power to make anyone do anything)

Told You I Was Still Painting

Lest you worry that I am spending too much time taking walks, visiting friends, admiring daffodils, and weeding my baby poppies, here is some evidence of forward motion toward completing the paintings needed for the upcoming show Still Here at Arts Visalia in April.

Lots of detail, little buildings, random trees, empty lots, all the hard-to-see and hard-to-paint things remain.
Commission, as last seen
Commission, almost complete.
This Springville Ranch has been waiting patiently for more paint.

All finished except for the drawing of detail, my favorite part.

It was getting dark, so it was hard to see the right colors and the detail. Plus, the cats were ready to reclaim their home/jail/safe space for the night.

More on the Gift Exchange

As a thank you gift for a gift of oil paints, brushes, and an easel, I am painting a Karmann Ghia.

No, not painting a car, making an oil painting of a Karmann Ghia.

This is for a former drawing student, and because my students and I always tell each other the truth about our art, I asked him to tell me if the painting was finished. 

In the photo he sent to me, there was a piece of chrome missing from the door. I wasn’t sure what he was referring to, so I took a close up photo of the door on the painting to ask.

He replied with another photo of the car. (I deleted it before remembering that you might want to see it.) 

Aha! I fixed the painting.

This received approval, but I told him that I think oil paint is so wobbly compared to pencil. It is. The canvas has texture, the paint doesn’t often flow smoothly, and the brush hairs go rogue. But I keep trying to make my paintings look as good up close as they do from the back of a fast horse (or across the room).

I touched up the sky, brought the painting into the house to dry, and then scanned it.

Karmann Ghia, 8×8″, private collection

Another one of my drawing students asked me why I painted it so small. BECAUSE IT IS FREE! Besides, when you give someone a piece of art, it isn’t wise to assume they will love it as much as you do or that they might have space for something large.

Juxtaposition

Isn’t that a lovely word? I love the juxtaposition of agriculture, especially citrus, against foothills. It wasn’t until I looked at my entire body of work that I realized this subject wasn’t adequately represented.

This painting of Lemon Cove is still in progress, an afterthought to my upcoming art show, Still Here, coming to Arts Visalia for the month of April. 

This last photo was taken after dark, when I was painting using a light. I wonder how the color will look in daylight. 

Meanwhile, I recently spent a bit of time with a friend in Orange Cove, another beautiful area of the Central Valley where citrus meets the foothills.

Orange Cove is in Fresno County, so I won’t be hustling to make any paintings from these pictures for the upcoming show. Its focus will be Tulare County, because I am STILL HERE!!

Gift Exchange

One of my long-time drawing students took as many art classes as he could cram in for several years at the local junior college. (Sorry, not sorry – “community college”) He completely immersed himself in art until suddenly, he was finished. Done. His interests moved into mechanical subjects, and currently he is immersing himself in all things automotive.

A few weeks ago he asked me if I’d like to have his oil painting supplies. REALLY??  Yes, please! What a generous gift!

So, I decided to paint a gift for him. 

It isn’t quite finished because it needs me to draw with my paintbrush in order to reach the level of detail to do justice to his Karmann Ghia.

Yes, I still have paintings to finish for my upcoming show, Still Here. 

But, in spite of those necessary paintings for the show, I am still. . .

. . .using pencils, oil paint, and murals to make art that people can understand of places and things they love.

Cowboy Logic Applied

I was tempted to work on the Mineral King paintings, but cowboy logic steered me toward finishing the ones with the closer deadline (April, Still Here, an exhibition at Arts Visalia).
This new one (not the Mineral King ones – were you paying attention to the first paragraph?) is 8×16″, a new shape and size for me to paint. It is lacking some detail, a signature, and paint on the edges. 

This painting is almost finished. Here are three stages:

It lacks a couple of wind machines, some oranges, a signature, and paint on the edges.

This one will take several more layers because I am covering over some old painting on this canvas, which a friend kindly brought to me from a yard sale.

Because these 3 new pieces were going well, I decided to try a 4th new one. A realtor friend advertised a Springville ranch with a photo so beautiful that I asked him if he could connect me with the photographer for permission to paint. The photographer replied to me directly in the affirmative.

Rose-colored glasses might help you see the potential. (That’s just a figure of speech.)

You can see that I am really taken with scenes that combine foothills and agriculture. I feel certain that a cowboy would agree with the appeal of these paintings.

 

A Few More New Oil Paintings

When I thought through the oil paintings that are ready for the upcoming show, Still Here, for April at Arts Visalia, I realized there were a few more subjects that will add to the mix. Round it out. Complete it. 

These are looking scrappy and rough, as paintings do while in progress. This isn’t a very satisfying step in the painting process; hence, the odd job kept pulling me away from the easel. But with a looming deadline (doesn’t that sound ominous?? It doesn’t truly feel that way), I will get back to these paintings and see if I can finish them for the show. They are 16×20″, 8×16″, and 6×18″, all manageable sizes.

P.S. Hi Tucker. You’ve already been fed three times – thank you for just sitting with me instead of begging.