Starting Over Again With Sawtooth

All those paintings of Sawtooth completed over the past several months, and someone wants a different size? 

Yep. No problem. I am an artist, and artists make art. Here are the beginning steps of the commissioned oil painting of Sawtooth:

First I assign an inventory #, title the piece and attach a hanging wire.
Second step is to prime the canvas, or “tone” it as another artist names it. That was even more boring than Step #1, so this photo is showing the paint from the tubes and the colors I mixed to begin the painting.
Painting from back to front means that the blue sky strips go on first.
Then some clouds, and the realization that it would be helpful to crop the photo to a square.
More clouds and the beginning of Sawtooth’s shape.
The angle looked too steep on Sawtooth’s right side slope, so I pulled out my angle finder tool. It was a little tricky to take this photo so I am not holding the thing correctly here (vertical needs to be vertical, not tipsy). I’ll recheck the angle in the next layer.
At the end of the painting session, everything had a first coat of paint.

Wow, it is time-consuming and interruptive to photograph the steps in this much detail. But, this customer has become a friend and likes seeing the progress. I’ve heard from others that seeing the process is interesting, so here we go. . .

Kaweah Post Office Oil Paintings 2

Thank you for returning to see the next set of seven Kaweah Post Office oil paintings. Shall we commence our tour of the growth of my painting skills through the capitalistic exploitation of an innocent elderly landmark? (That would have cracked my Dad up – is anyone else out there laughing along?)

Kaweah Post Office VIII. Obviously, the little post office was popular in 2012. This one was bought by a celebrity who occasionally comes to Three Rivers. That isn’t as a big of a deal to me as the fact that a stranger bought my work!
Kaweah Post Office IX was painted in 2013.
Kaweah Post Office X was painted in 2014. It might have been the first one sold to raise money for the new roof. I think it is wrong to see this much sky behind it, because there is a steep hill back there.
Kaweah Post Office XI is my favorite so far. This was done in 2015, specifically to help with the new roof. Another lying sky.
Kaweah Post Office XII was also painted in 2015, also painted for the roof repair. But shouldn’t there be a little sky showing off to the side? This is another thing I forgot to check when I was there in person. Frankly, I don’t think anyone else cares!
This one is simply titled Kaweah Post Office. I lost the sequential numbering momentum, so that means that #13 is actually #14. Does anyone care? Too bad I didn’t skip #13, like ships and some apartment buildings do. And yet another lying sky. . .
Kaweah Post Office XIII was also painted in 2015. It is currently available at Anne Lang’s Emporium in Three Rivers or from my website. 8×10″, oil on wrapped canvas, $125 plus tax (unless you buy it from my website which STILL is unable to charge sales tax for some irritating and unknown reason).

And thus we conclude our tour of my endless depictions of the Kaweah Post Office, popular landmark in Three Rivers, but not where I get my mail, in case you were wondering.

Kaweah Post Office Oil Paintings

Kaweah Post Office, first painted in 2009 with three years of painting under my belt, no confidence in my ability to paint architectural subjects and not a ton of experience in photographing my work either.

Every time an oil painting of the Kaweah Post Office sells, I paint it again.

Kaweah Post Office II, painted in 2010 (Where is the flag???)
Kaweah Post Office III, painted in 2011
Kaweah Post Office IV, painted in 2010, getting really elaborate with my details as my confidence and skill grows.
Kaweah Post Office V, complete with the cigar Indian on the porch, also painted in 2010.
Kaweah Post Office VI, 2012 (must have taken awhile for the previous one to sell)
Kaweah Post Office VII, also painted in 2012

That’s a lot of oil paintings of the Kaweah Post Office. But wait! There’s more! Come back tomorrow and see the second set of seven.

Private Oil Painting Lessons

Occasionally I have a chance to teach a handful of people what little I know about oil painting. I have only been painting for 12 years, so while I feel qualified to share what I know, I don’t think of myself as a qualified oil painting teacher.

There are 3 women about 2 hours away from Three Rivers who have been learning to oil paint by various methods and by painting together. They invited me to teach them what I know. One was my dear friend, The Captain, who successfully painted a pomegranate with me about a month ago.

This time we painted poppies, each person working from a different photo, but all mixing similar colors and tackling the project in the same order, but at differing individual speeds.

  1. We squeeze out our double primary palette colors and mix up three shades of the background greens.
  2. We draw the approximate shape of the poppy on the canvas, rotating the canvas and photo to view all the shapes from every angle and learn how to erase.
  3. The background gets painted first, working first with the darkest colors and moving lighter.
  4. We mix 3 shades of orange for the poppies.
  5. We paint the poppies.
  6. We let it dry overnight (only sort of dry – this is oil paint!) and then repaint the background for better coverage and more detail.
  7. We repaint the poppy for better coverage and detail.
  8. We evaluate one another’s paintings, congratulating the others on their success and belittling our own efforts (sad, but true).
  9. We exclaim over the fun, the success, and say that we need to do this again.

    At the end of day one’s painting session.

 

Just Another Workday

One day a week or so ago, I painted in the morning and drew in the afternoon. This is what it looked like:

Piper was needy. He is resting his little head on my arm, not biting me the way Samson did.
Felt compelled to paint this view again; 4 days later a friend/customer/collector emailed to ask if I had this view available; turns out he wants it to be 16×16″, not 6×6″. Good thing I have practiced this view many times.
This is a popular size and shape, so my last canvas of this size became Sawtooth #29.
Finished? Sawtooth definitely fits this shape of canvas nicely.

Then I moved into the studio. It was a sunny day, so I raised the blind and saw this:

Hi Mike, the carpenter (not to be confused with Michael, the Trail Guy)
Here is another drawing in progress for the 2019 calendar.
The plan is to put a little color into this drawing of oranges. Can’t be considered an authentic Tulare County artist unless I include oranges in my rotation of subjects.

And thus we conclude another workday in the life of this Central California artist.

Shedding Light on Some Lanterns

While participating at a boutique on a quaint little farm in Three Rivers in December of 2016, I photographed these lanterns:

Everything the farm couple touches is quaint, beautiful, pretty, attractive, and every other complimentary term I can think of. My intention was to paint the lanterns on a 6×18″ canvas.
I started the painting with high hopes. First layers are never anything to feel good about.

The second and third layers provided a little more confidence.

Then I got to refresh a mural in Exeter, prepare for and participate in a pencil show with 3 of my students, paint some Mineral King to sell in the summer, draw lots of water, do 2 more murals in some vacation rentals, teach a couple of drawing workshops, work, and more work, all of it challenging in a great way.

Meanwhile, the lantern oil painting just hung in the workshop, getting dusty. I took almost the entire month of July off work, and hiked, sought out new wildflowers, visited Hume Lake.

More Mineral King oil paintings were necessary on short notice, then I drew morempictures of water in pencil, some pencil drawing commissions came in, and suddenly it was time to prepare for the fall shows.

Still the lanterns waited for some attention.

What was this Central California artist going to do with those lanterns?

Come back tomorrow and I’ll show you.

Birds Old and Sold

I got curious about how many hens and roosters I have painted, so here is a recap for us all to enjoy. I wonder how long this will be a popular subject. A friend had her kitchen decorated in hens and roosters in the ’70s, I think. She gave them away in the ’90s. And, here they are again. . . “We’re back. . .!”

M’s Hen – the first domestic fowl that I painted, a 6×6″.

This one is titled simply: “Fowl” and he appears to be in a foul mood..
Cleverly titled “Flock”, this one was cobbled together from multiple photos.
This is Dinnerbone, the first time I painted him.
Ethan’s Chickens, and I don’t remember the size. Probably 8×8″ in order to get the detail on both the birds.

Ethan’s Rooster – I wonder if it was Gumball or if it was Dinnerbone? I might have called him Top Dog. This one was 8×10″.

Birds, Birds, Birds

The domestic bird paintings are all 6×6″, oil on wrapped canvas as usual, $60 plus tax as usual (unless you live outside California, in which case you can skip the 8% sales tax).

The wild birds are on 4×6″ wrapped canvas, oil as usual, $50 plus tax (unless you live in another state.)

Ethan named this rooster “Cloudwing”, so I am naming this painting “Cloudwing”. (I’m clever that way sometimes.)
Ethan named this rooster “Dinnerbone”. He is clever; I am an imitator. So, this painting is named. . . can you guess??
This is a hen named Blondie. Originally I named the painting “A’s Buddy” (“A” is Ethan’s sister); now the painting is simply called “Blondie”.
Would you believe “Gumball”? Yeppers, this is Gumball!
This is the third time I’ve painted a California Quail, but calling it Quail III. . . meh. So, it is simply “California Quail”. SOLD
Heron – Great Gray? Great Blue? Nope, just “Heron”.

Finished Mineral King Oil Paintings

These are the oil paintings that were dry enough to scan so I can list them on my website. This size doesn’t normally sell through the website but does sell very well in Mineral King in the summer, and I am now ready. Maybe.

They never scan as bright or colorful or pretty as they look in real life.  There are two more, but I showed you yesterday and don’t want to bore you.

Mineral King VIII, 6×6″, oil on wrapped canvas, $60 plus tax for Californians
Sawtooth #27,6×6″, oil on wrapped canvas, $60 plus tax for Californians
From Timber Gap, 6×6″, same, same
Upper End of Nature Trail, SOLD
Mineral King IX, all other info the same

More Mineral King Painting Factory 5

This one sold!
I like this one so much that if I saw it in a gallery, I’d probably buy it.
This is an 11×14 of White Chief.
When this is drier, I can add the flowers.
Piper is easier to paint with than Samson was. He is calmer.
This is Timber Gap, as seen from the trail nearing Crystal Creek, and that is Piper asleep under the easel.
This is the trail leaving Monarch Lake.
Those rocks along the sides of the trail are a time-consuming challenge. They don’t have to be exact, but they have to be believable, and there are so many. . .

At the end of last week, I had 4 more finished Mineral King oil paintings, a 6×18″ was sold, and the 2 paintings on hold were still just waiting their turns. Now it is time to count up again, evaluate by subject and size, and decide if I need to keep the factory producing more Mineral King oil paintings.

Really, truly, I just want to draw. I love to draw. Have I told you this?

P.S. Look out the window at the shingle siding on the studio!