Cen. Calif. Artist Actually Works

Lest you think all I do is travel and walk, here is evidence to the contrary.

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Red on green retouched; green on red, just begun. These are on 5×7″ boards for displaying on little easels.
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Whoa, these sure look messy on the first pass! They are also on little boards, 4×4″. Can you tell what they will be when they grow up?
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The Big Trees, AKA Sequoia Gigantea, AKA redwoods. This is a regular subject for me. This is 8×10″.
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More of the same, also 8×10″. It will take several passes for this one to look like anything worthy of wall space.
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Lake Kaweah or Kaweah Lake? Around here we say, “The Lake”. If someone says, “What lake?” then the answer is simply “Kaweah”. Hence, the confusion as to order of the words.

One last painting begun. It is the season of the freebie. This one will go to the Courthouse Gallery in Exeter for their annual fundraising auction. I’m happy to donate to the wonderful place that allows me space for teaching drawing lessons. However, I will not be able to attend the fund raiser, because the stress of watching no one bid for something I painted might just reduce me to giving up my business, stabbing myself with my knitting needles, and taking in enormous numbers of stray cats.

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Popular Fruits

Oil paintings of fruits are popular for kitchen and dining rooms. Oranges and pomegranates sell the best for this Central California artist.

Here in Tulare County, we grow olives, walnuts, grapes, every type of citrus, cotton and all sorts of stone fruits, plus we produce more dairy than the entire state of Wisconsin. Some people like those things decorating their walls. If you want those things on your walls, I can paint them for you.

Meanwhile, I will continue to paint the very popular oranges and pomegranates.

1630 Orange #129 1631 Pom #52 1602 Pom #53

These paintings are available here. Or you can find me in my usual places. Or, you can holler at me while I am pounding out miles to prepare for the Lake Tahoe 1/2 Marathon. My walking partner and I are the ones with a neon green shoelace and a neon orange shoelace. That’s our team uniform. Color is popular with us.

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One More Mineral King Oil Painting?

These Mineral King oil paintings seem to be reproducing while I have my back turned. Maybe I should have left the light on, or maybe I should not have taken that road trip.

Ha. Don’t I wish they just reproduced on their own.

This is the one that was on my easel when I started the series about the most popular scene in Mineral King.

Farewell Gap #24, 11x14, oil on wrapped canvas, $250
Farewell Gap #24, 11×14, oil on wrapped canvas, sold

Yes, I realize there is a numbering problem. How can this be #24 when I have shown you 32 other versions?

Life’s full of unknowns, unsolved mysteries, and other conundrums.
If the plural of medium is media, shouldn’t the plural of conundrum be “conundra”? English is weird, but I still prefer it to Artspeak.

California Quail

We have California quail all over our property in Three Rivers. They are notoriously difficult to photograph, but sometimes I sneak photos through the windows.

That’s how I was able to paint this California quail. Studio painters work from photos, not from real life or a photographic memory.

I’m thankful to live in an era of easy, convenient and abundant photography, along with abundant California quail.

1622 Calif quail #2
California Quail #2, 6×6″, oil on wrapped canvas, $60

California Quail #2 is available on this webpage, or all the usual flexible ways that I mentioned in yesterday’s post.

The Last Oil Paintings in Mineral King

“Last” is one of those many faceted English words. Here it means the most recent Farewell Gap, Mineral King oil paintings.

4x4" - wow that was tiny!
4×4″ – wow that was tiny!
Farewell Gap XIX - wait, does this mean #19? Are there 2 of this number??
Farewell Gap XIX – wait, does this mean #19? Are there 2 of this number??
An unnumbered Farewell Gap oil painting
An unnumbered Farewell Gap oil painting
Another unnumbered Farewell Gap painting
Another unnumbered Farewell Gap painting
Farewell Gap XVIII - notice the red fir on the left has shrunk.
Farewell Gap XVIII – notice the red fir on the left has shrunk.
Farewell Gap IXX - does this mean #19??
Farewell Gap IXX – does this mean #19??
Farewell Gap XX
Farewell Gap XX
Farewell Gap XX - hmmm, haven't we had that number already? And how did the fir tree grow back?
Farewell Gap XX – hmmm, haven’t we had that number already? And how did the fir tree grow back?
Farewell Gap XXIII, and the fir is tall because I like it that way, so there.
Farewell Gap XXIII, and the fir is tall because I like it that way, so there.

There are more depictions of Farewell Gap, on murals, in pencil and in 2 coloring books (drawn in ink). However, in the interest of relieving monotony, I won’t continue this theme in other media. (Did you know that “media” is the plural of “medium”? “Medium” when it means material used for making art, not the size of my clothing.)

And Yet More Mineral King Oil Paintings

4x4" Farewell Gap 2014
4×4″ Farewell Gap 2014
Farewell Gap XIX, 2015
Farewell Gap XIX, 2015
Farewell Gap, 2015
Farewell Gap, 2015
Farewell Gap, 2015
Farewell Gap, 2015
Farewell Gap XVIII, 2015
Farewell Gap XVIII, 2015  (This is my favorite.) Short fir tree on the left!
Farewell Gap IXX, 2015
Farewell Gap IXX, 2015 Short fir on the left.
Farewell Gap XX, 2015
Farewell Gap XX, 2015 Double short firs.

Tomorrow we will take a final look at the Farewell Gap paintings.

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Still Oil Painting in Mineral King

Not really oil painting in Mineral King – oil paintings of Mineral King, painted in Three Rivers.

As a studio artist, I work from my photos. The variations are based on size and shape of painting (square, rectangular, really rectangular – and never horizontal for this scene, although that is an interesting idea). The variations also happen with time of day and time of year and type of snowfall and flow of water AND where I stood to take the photo. Plus, sometimes I juice up the colors a little more than natural. Sometimes I work at tight realism, and other times I try to loosen up. That isn’t natural to me, but is certainly faster.

Farewell Gap XV
Farewell Gap XV
Farewell Gap XVI
Farewell Gap XVI
Farewell Gap XVII
Farewell Gap XVII
Farewell Gap XVIII
Farewell Gap XVIII

These all look sort of dark, but I think it was the way I photographed them, not the paintings themselves. 2014 wasn’t a dark year. 2015 was a dark year, but we’ll have to see if that sadness was reflected in my paintings tomorrow.

More Farewell Gap, Mineral King Oil Paintings

Happy Birthday, Diana Banana!!

Since I have about 32 oil paintings of Farewell Gap with the Crowley family cabin in Mineral King, let’s keep going. You can evaluate my progress (or lack thereof).

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Farewell Gap, 2011
Farewell Gap, 2011
Farewell Gap, 2011

I painted it often in 2012.

Farewell Gap IX, 2012
Farewell Gap IX, 2012
Farewell Gap, 2012
Farewell Gap, 2012
Farewell Gap, 2012
Farewell Gap, 2012 (this one seems to have a looser feel with brighter colors)
Farewell Gap X, 2012 (this one seems particularly realistic)
Farewell Gap X, 2012 (this one seems particularly realistic)
Farewell Gap, XI, 2012 (this one is also very realistic)
Farewell Gap, XI, 2012 (this one is also very realistic)
Farewell Gap XII, 2012
Farewell Gap XII, 2012

The Roman numeral numbering system isn’t consistent here. Sometimes I called a small version simply “Mineral King”, sometimes I included it in the consecutive numbering.

Come back on Monday to see how I painted the scene in 2013.

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The Same Mineral King Scene

I paint the same Mineral King scenes over and over. One in particular sells very well. It is the classic Mineral King scene, the view from the bridge at the end of the road. Farewell Gap, the East Fork of the Kaweah River and the Crowley family cabin.

Let’s look at these in order of painting. There are variations in time of year, color of light, amount of snow on the peaks, amount of water in the stream, size of the fir tree on the left, arrangement on the canvas, and skill level of the artist. (Don’t mention this to my boss – she’ll get worried that I might ask for a raise.)

There are 32 of these in my iPhoto, but I don’t think that corresponds with the way I’ve titled them. Sometimes I can’t count very well. (Oh great, there goes my raise.)

And no, I won’t put all 32 in this post. They also might not be in order of getting painted. (There goes my raise for sure.)

Farewell Gap, 2007
Farewell Gap, 2007
Farewell Gap IV, 2007
Farewell Gap IV, 2007

Now there is a gap in time. Either I numbered the paintings wrong, or I took a big break from painting Farewell Gap. I think I spent a few years painting nothing but oranges, trying to get more comfortable with oil painting.

Farewell Gap VIII, 2010
Farewell Gap VIII, 2010
Farewell Gap, 2010
Farewell Gap, 2010
Farewell Gap in snow, 2010
Farewell Gap in snow, 2010
Farewell Gap, a do-over in 2010?
Farewell Gap, a do-over in 2010?

This might have been a repaint to the 2nd one above. Oh man, don’t tell my boss. She would be shocked, dismayed and disappointed at my shoddy record keeping.

Stop by again tomorrow for more Farewell Gap Mineral King oil paintings.

 

 

Layer After Layer After Layer

That’s how I paint – layer after layer after layer. The Artspeak word for that is “glazing”, but I prefer English.

Layer one – Should have begun with the sky, but I asked my boss and she said, “Do whatever you want, if you think you’re so smart!” I didn’t want to mix up sky color – lazy or unmotivated or just rebellious that day, and my boss wasn’t paying attention anyway.

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I’ve painted this Mineral King scene a few times before, so sometimes I just want to experiment because it gets a little boring. Maybe I ought to try painting it without looking at photos – that would be a challenge.

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But I digress. Layers, we were talking about layers on Mineral King oil paintings. Or layers of Mineral King oil paintings. I could fill a room. . . I wonder if you could arrange them in order of experience. . . I wonder if I could.

Whoops. There were a lot of unphotographed layers in between the first picture and this one. Guess I got into it and forgot to show you the steps.

Now you can see the baby steps, incremental changes as the photos move along.

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It is time to dry, and then I will put in all the tiny improvements and details that you need to see in person to properly appreciate. It might even require reading glasses, cheaters, middle-aged-magnifiers to see those details.

I’m not sure I like the willows that are not yet leafed out. . . they do pull your eye to the cabin, but the cabin pulls your eye to the cabin.

(Hey! Stop pulling my eye – you are going to pop out my contact lens that way!)

 

Next. . . a new ugly beginning, waiting for layers.

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