Oak Grove Bridge Painting in Progress

HAPPY BIRTHDAY, Gordon!

Scroll to the bottom of this post for an update on The Bridge’s future.

As I work on this 11×14″ oil painting of The Oak Grove Bridge, I am thankful that there is no deadline. The idea is to take as long as necessary to make the painting as good as possible. And the hope is that in another 2 years (or maybe less), I’ll be saying “That old thing? Oh my, I paint so much better now!”

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The cliffs on the left, the rocks beneath, and the shrubs on the right, AND the bridge railing are all challenging.

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Cliffs, rocks, and shrubs looking better. The railing will have to wait.

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Is this improved? hard to see, hard to say.

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The railing is better, the rocks are better, and the ones that aren’t so hot? Cover with branches and leaves!

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This might be the most difficult corner. Too ambiguous.

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Any improvement now? Keep layering, keep looking for ways to improve and finish. Nevuh, nevuh, nevuh give up.

At a meeting on February 8, we learned that there are 3 alternatives for making The Oak Grove Bridge safe. Tearing it down is not on the list. The three alternatives will be explained at another meeting on February 23, 6 p.m. at the Three Rivers Memorial Building. After public input, which DOES affect the outcome, a choice will be made.

Building Bridges

I build bridges with oil paint. They aren’t safe to drive over, but mine are only meant to be walked across in your brain.

Oak Grove Bridge

When I see a photo of the the photo next to the painting, the weak areas and wrong places appear. Yikes. Just try to be polite, ‘k?

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I drew this in pencil so I could bypass the Weak Areas Stage of painting. Isn’t it fun to see all these weird bright colors? It is beginning to be correct in the farthest away places.

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Keep layering, Central California Artist. You’ll get there, eventually.

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Okay, everyone gather in close for a family snapshot! (Yes, I know you aren’t fully dressed yet, and that you don’t have your make-up on, and that you forgot your earrings. We are recording real life here, not having a formal studio portrait, so just calm down.)

Remember, there will be a meeting on Monday, February 8, 6 p.m. at the Three Rivers Memorial Building to discuss the future of this bridge. There is conflicting info about the time and place of the meeting – for the real info, call Jason Vivian at 624-7135.

Pick Something You Love

In spite of obsessing about The Oak Grove Bridge, I am capable of painting other subjects.

1566 Olives II 1567 Olives III 1577 Olives VI

After painting 6 little paintings (I CAN count, but thank you for your concern – here are 3 of the 6)  of olives in December, I decided that olives are a pretty subject, worth another painting. This one is larger (8×8″), and I am taking the info from multiple photos.

Incidentally, although olives are grown here in Tulare County, they are not in the top 10 money producing crops. So what? I grew up in a house in an olive grove, and I like them.

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I thought it would be easy-peasy to incorporate the best parts of the previous paintings into a new arrangement.

I thought wrong. As I often tell my drawing students:

It is all hard, so pick something you love, because you’ll be staring at it for a very long time.

What I Wrote to Tulare County About The Oak Grove Bridge

This is what I wrote to Tulare County about The Oak Grove Bridge. Notice I am now capitalizing “The” with the name of the bridge. It is growing in importance in my little world.

The email to him may have landed in his spam file because I attached this picture:

Oak Grove Bridge X

Hi Jason,

Tulare County is a little weak on historic landmarks, but we do have the Oak Grove Bridge on the Mineral King Road. When driving that rough, narrow, winding, rural road, it is a wonderful and elegant surprise. It is one of the most beautiful structures in our entire county. 

I am horrified to think that it could be replaced with something new. Please do everything you can to preserve this special bridge and remove the option of tearing it down from your list of possible solutions.

Thank you for your consideration of this request.

Sincerely,

Jana Botkin

That sounds reasonable, not hysterical, right? Someone, anyone, please reassure me that everything will be okay!!

P.S. Here is the link if you want the info to send your own email: Bridge

The Oak Grove Bridge Saga Begins

Or perhaps it continues. . .

 

 

Oak Grove Bridge XVII

This commissioned oil painting of the Oak Grove Bridge is signed, sealed and delivered.

On Monday, February 8 at 6 p.m., there will be a public meeting at the Three Rivers Memorial Building concerning the future of this bridge. A hearing? Something about the planning commission? Not sure exactly of all the bureaucratic wording, but whatever it is, I will be there. (Lord willing, the Creek, etc.)

In addition, we are invited to send “comments” (does that mean opinions? suggestions? protests?) to a Jason Vivian by February 1. Here is a link to an explanation that includes Jason’s eddress. Click this.

Next week I”ll show you what I wrote.

Meanwhile, I have 2 more bridge paintings to finish.

Happy Recipients

Here are some works of art that were done for Christmas gifts. I heard back from 3 of the 5 about the happiness of the recipients. The fourth and fifth are most likely very happy – an email and a phone call would confirm it, but I don’t like fishing for praise. So, I will assume that the recipients are happy.

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People say they love my pencil drawings, and I believe them. That’s what they choose for commissioned work.

As far as “off the shelf” work goes, the oil paintings far outsell the pencil.

Go figure. . .

Bridge Paintings

My favorite bridge is currently my favorite subject for oil painting. (Brought to you by the Department of Redundancy Dept.)

The Oak Grove Bridge crosses the East Fork of the Kaweah River, 6.5 miles up the Mineral King Road, out of Three Rivers, in Tulare County, California.

Some governmental agency has declared it to be unsafe. There is talk of rebuilding it, leaving it in place as a foot bridge and building a new driving bridge upstream, and even tearing it down. 

Better start saving $ for my bail, because I might have to chain myself to the bridge and then get arrested.

Nah. I’ll think about that tomorrow. I have some paintings to finish.

Oak Grove Bridge

The detail on the railing is the most difficult part of painting this bridge, especially when it is 8×10″. Too too tiny.

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Why is this upside down? Because every part except the top of the painting has wet paint on it. Okay, the back doesn’t have any paint, but you probably figured that out. This one is a commission, and the customer specifically requested detail around all four edges.

Still a Central California Artist

WHERE HAVE YOU BEEN, CENTRAL CALIFORNIA ARTIST?

Calm yourself, Interviewer. I’ve been thinking, planning, resting, and taking care of stuff.

Stuff? What stuff?

None of your beeswax.

Fine, then tell me if you are still a Central California Artist.

I am. Want to see what I am working on?

Are you working on something?

But of course. I am a Central California Artist, and artists make art.

Let’s see some evidence! Prove it! Show us!

Keep your shirt on, Interviewer. I thought you were going to ask me about my plans, direction, and what I’ve been thinking about.

Nah, just show us some art, Central California Artist.

My Favorite Bridge

This one is 11×14 and is just because I love to paint this bridge.

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This one is 8×10 and is just because I love this bridge.

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This one is 8×10 and is a commission. It is further along than the other two paintings because someone is waiting for it.

These oil paintings are of the Oak Grove Bridge on the Mineral King Road. It is my favorite bridge, in case you have forgotten. I am currently on a roll of enhancing colors to make things seem a little brighter and prettier than real life. When life feels hard, look at something beautiful because it takes the edge off without any ill effects.

 

Too Hard, Part Three

A few years ago, my mom and I visited Blowing Rock, North Carolina. This is where her mom, my G’ma grew up. We were exploring a bit, and I took a few photos of a little creek near G’ma’s homestead. Mom expressed an interest in having me paint this for her, and I have been procrastinating for 5 years. The point of this procrastination is to acquire more skill.

I’ve been messing with this painting that is too hard for me for several days in a row. Finally, I got an idea.

Since I took the photo and it is on my computer, I pulled it onto the screen and enlarged each murky spot so I could see what I was trying to paint. It’s pretty stinkin’ hard to paint things that I can’t see, and I finally accepted and understood that I cannot see what all those dark murky things are.

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Look at that! The colors are brighter and the details appear on the laptop screen.

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Now I have lots of rocks in the closer water area.

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It’s hard to tell anything in the full sized photo, either as an 8×10″ or on the screen. But when each thing is enlarged, VOILA!

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I THINK THIS IS GOING TO BE FINE!

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Excuse me for shouting. I’m so relieved. It is too wet to photo (too shiny). It is too big for the scanner, so maybe I will get a good photo when it dries, and maybe not.

Phew. Christmas is 2 days away.

Too Hard, Part Two

When something is too hard, we go slowly. Think about a steep trail. Think about moving a heavy piece of furniture.

S L O W L Y.

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The background, the part where the sunlight is brightest, and the bank to the right of that area is beginning to make sense.

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Ick. This is terrible, and there are too many dark rocks. The colors are all either dark brown or something sort of greenish-brownish-gray. Why did Mom and I like this scene so much?

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Best viewed from the back of a fast horse.

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Hey! this is looking significantly better! I’ll tell you why tomorrow.

This scene is near Blowing Rock, North Carolina, and is significant to my Mom. I hope to finish it by Christmas AND have it dry enough to transport.