Category: Sources of inspiration

A Business Trip to Mineral King

The last time I was in Mineral King, I did almost nothing. Accomplished quite a bit of knitting, but went nowhere and did nothing else. Read a little. But went nowhere.

The shadow beneath the bridge was nice. This photo has been enhanced, because the reality is that there is mostly brown, brownish gray, and brownish green in the scene. California is very brown, including the governor. Brown, brown, brown.

Sawtooth looked quite fetching on the way up the hill. (It is gray, not brown.)

There is some subtle color (enhanced browns?) on Vandever, which is the right half of Farewell Gap.

Each of these photos will make a decent painting, particularly if I juice up the colors.

Hey! I did do something. Gathering photos for future paintings is something. In fact, I think it must have been a business trip!

Hail and Quail in Mineral King

Because it was almost a non-winter, we had early access to Mineral King this year. However, it didn’t act very summerish in those early weeks. (You may recall our cold, gray, overcast, foggy and rainy Memorial Weekend.)

Two weeks later I was back, and had an exciting afternoon in the cabin.

Is this hail??

It is, but the mountain quail doesn’t mind. Wow, it really piled up out there!

It cleared up for an evening stroll, so we got to see the alpen-glow on Empire (this is the rock outcropping, not the highest part of the mountain.)

Despite our lack of precipitation during the so-called “winter” of last season, these spring storms are providing water, for which we are very grateful.

Hail remained on Sawtooth for much of the next day.

If a bit of judicious pruning was done, the point of Sawtooth would be visible in this view. I have made it visible with pencils several times (all sold, no records, sigh.) I think of this as Tim and Judy’s view, because they were married close by 19 years ago. (or was it 21 years??) We’ve lost touch with several moves and 3 adopted children later, but they will remain forever in my heart.

Maybe it is time to paint this scene. Mineral King provides an endless source of inspiration.

Related link:

Mineral King opening weekend

Hiking in Mineral King

While I was painting diligently at home in Three Rivers, Trail Guy, who is retired, was hiking in Mineral King. He now has possession of the little camera that I used to carry around, so he documents his hikes for me to share with you. Or maybe he does it simply to share with me? Whatevs. Here are some photos from a couple of forays in the earlier spring months.

Trail Guy met a couple of guys from Germany. If he told me their names, I forgot. How about Gunther and Rolf? This was on the way up toward Farewell Gap.

Isn’t it cold and gray here? Brrrr.

It is actually a great time of year to see stuff when all the growth is low and the bears are out.

Hi, Bear.

Pussy Paws! (and some sunshine)

Marmot!

Evidence of human habitation, back in the mining era of Mineral King

A splendiforous view from the Timber Gap trail. Trail Guy has a couple of loop hikes that he repeats several times over the course of a summer. This one is the Empire loop.

And this is the view I used on my first big mural in Exeter, called “Mineral King: In Our Backyard” (named by Trail Guy, of course!)

Related Links:

Mineral King: In Our Backyard

Empire Hike

More Opening Weekend in Mineral King

Mineral King was overcast, cold, rainy and foggy on opening weekend this year. Guess it makes sense to get March in May since we had May in March.

mineral king fog

What’s a Central California artist to do? How about read, knit and discuss colors? I said blue, Michael said purple, and neighbor Annie said purplish blue. (Discussing the yarn color with a purple glasses case thrown in for comparison.)

How about a some bird watching out the window? Down the hill we have California quail and scrub jays; up the hill we have Mountain Quail and stellar jays.

Is the sun starting to break out? Let’s go see!

Mineral King in fog

mineral king

Reminds me of a couple of paintings! Mineral King is definitely a major source of inspiration behind my art.

Well, oops. There seems to now be a tree missing from this scene.

Farewell Gap XVII

Farewell Gap XVII, oil on wrapped canvas, 8×10″, $100

1513 Honeymoon XX

Honeymoon Cabin XX, oil on wrapped canvas, 8×8″, $90

Relevant Links

Cabinart landscape oil painting

Tulare County Beauty

As a Central California artist in Tulare County, it is my mission, goal and duty to portray the beauty of this place I live.

Yesterday I showed you oil paintings as examples of the various subjects I paint that fall into a category I call “Because People Like It”.

However, I didn’t show you my latest paintings in several of those categories.

Let’s try this again:

Sequoia (this painting is still in progress – I wasn’t kidding when I said “latest”.)
Mineral King: (top painting – 6×6″, bottom painting 8×8″)
Citrus
Poppies
Three Rivers

Most of these paintings are available through this page of my website. Excuse me for sounding sellsy. (It is a part of the way I earn my living.)

Painting Subjects That Sell in Tulare County

If you want to earn your living as an artist, it is important to paint things that people want to buy. I think of these subjects as Because People Like It. In Tulare County, there are some stand-outs, and I try to keep them on hand in various sizes.

Sequoia – the Big Trees, park attractions like Tunnel Log, Moro Rock, Crescent Meadow and Tharp’s Log
Mineral King – Farewell Gap, the Honeymoon Cabin, the Crowley Cabin, and Sawtooth. There are some other Mineral King subjects that sell occasionally and I add them in for variety – Timber Gap, a foot bridge or two, trails, Vandever, views around the valley.
Citrus – oranges off or on the tree, orange blossoms, and the occasional lemon or tangerine/clementine/mandarin
Poppies – in fields, by themselves, in groups, against a blue sky, against a green background, lots and lots of California’s state flower.
Three Rivers – the Kaweah Post Office, the river (any fork will do), views of Kaweah Lake, views of Alta Peak with Moro Rock, and the Oak Grove Bridge (this might be due to my biased view of this Tulare County Treasure).

Sold Sunflowers

Remember I talked about painting things just because I love them? That is a different category than painting something because it sells.

Sometimes, the things I paint for myself sell quickly. This is a mixed blessing – WAIT! I wanted that one! Oh. That’s right. I paint to sell things. It beats getting a job.

A friend/customer stopped by one afternoon and fell in love with the sunflowers.

This is how they looked at the time of her visit:

sunflower oil paintings

Together we evaluated them. We agreed that the yellow one is brilliant, and that the orange one doesn’t quite have the pizzazz.

It didn’t matter to my friend because she wants to buy them both. I told her I’d study up on the orange one – probably just needs more color and contrast, the usual things. (Other common things that are lacking are sharp and fuzzy edges or needing more detail – it isn’t all color and contrast).

Her husband called me to say he wants to buy them for her for their anniversary. I delivered the yellow one wrapped, and when the orange one is dry, it will join its brother.

First, let’s get that hanger problem fixed. The mini green sunflower belongs at the bottom edge of the painting, not on the side. Since I paint these 6×6″ oils while holding them in my hand and rotating them around and around, sometimes they get sideways. I reattached the hanger, painted out and repainted my signature.

Done yet? After a few more layers of a brighter yellow, I think I will stop now.

Okay, now I think this one is worthy of joining the yellow sunflower!

IMG_0949_2

Sunflower Paintings

Today, let’s review sunflower oil paintings.

sunflower paintings in progress

I am painting them because they look happy. The category is Because I Want To.

sunflower paintings in progress

Painting happens in stages.

sunflower oil paintings

These may now be finished, or may need a couple of touch ups before letting go.

Go ahead, admit it – they make you feel ever so slightly happy when you see them!

P.S. I have little bitty sunflower plants in my garden and am hoping they survive deer, drought, pill bugs and gophers so they can bloom and bring happiness.

What Shall I Paint?

Have you ever wondered how an artist decides what to paint?

Me too.

What I paint falls into 4 categories:

Things I know will sell
Things I want to paint
Commissions
Reworking old paintings

Category #1 includes Sequoia scenery, anything Mineral King, citrus, the Kaweah Post Office, the Kaweah River, the Oak Grove bridge and poppies.

sawtooth XI

Sawtooth Peak, 8×10, sold (Mineral King)

Category #2 can be flowers, fruit, an experiment, something with great light or a color that makes my heart sing, a gift for someone, or something so beautiful that I cannot resist.

Category #3 is anything a customer has requested, usually paid for up front, and sometimes working from his photos.

Sequoia painting in progress, sunflowers because I want to paint them, Buckeye Bridge as a commissioned piece.

Category #4 happens when I look objectively at a painting that’s been hanging around for awhile (literally) and decide that I paint better now.

Lake Kaweah

Lake Kaweah, or perhaps Kaweah Lake, 16×20, $350, repainted, revised, and revisited more times than I can remember. The constant improvement is bound to catch the eye of a customer. Oh – it is called “Lake View VII” on my website!

Drawing Lessons as Apprenticeships?

While reading Jeff Goins’ The Art of Work, I received a bit of reinforcement and validation for my teaching people how to draw. (Thanks, Jeff!)

All along I have said that the only ones who don’t learn how to draw from me are the ones who quit too soon.

Jeff reinforced that thought with this:

An apprenticeship is designed to give you guidance from an expert, knowledge in a given field, and experience in a challenging environment . . . It takes a lot of courage and tenacity to not only find but to finish an apprenticeship.

It makes me a little squirmy to consider myself an expert at teaching people how to draw, but if I am not an expert after 21 years, then I must just be a poser. If that is the case, how did all these people learn to draw so well??

End of the Trail

The End of the Trail, drawing in pencil by Kelvin Farris

It does take courage. Many people have come to me quietly on the side to say how nervous they are. I do my best to explain that I will help them in any way I can. The reason they are taking lessons is to learn, not to show me what they already can do!

I don’t teach drawing lessons the way P.E. teachers “taught” sports when I was a kid. If you “got it”, then you were praised and given extra encouragement, respect and perks. If you didn’t “get it”, you were yelled at. “Try harder!” is not teaching. “Don’t be afraid of the ball” is not teaching. “Run faster” is not teaching.

Teaching is breaking down difficult and complicated material into small and manageable steps, while explaining exactly how and why, and then giving ways to practice those steps until they make sense. It is showing the way, and when one approach doesn’t make sense, the good teacher finds another way to demonstrate. It is giving the student the chance to practice as much as necessary until he is comfortable and understands the process.

No deadlines, no homework (unless requested), no tests, no pressure and certainly no yelling (and no piano recitals either) in drawing lessons, just learning. Each student goes at his own pace working on the subject matter of his own choosing.

The Art of Work: A proven path to discovering what you were meant to do by Jeff Goins may be just what I need to validate my choice of art as a profession in spite of being in the poorest part of one of the least educated counties in California. I am a Central California artist!