A Day Without the Internet

Last week was a rough one for tech. My blog croaked, which led me to realize that my entire website was AWOL. This led to many phone calls, and a large expenditure. Then, when I had things working again, thanks to Rowland, Mario, Eva, and Ken Joe Sam (Really? No, really??), we had a day without internet, cell service, telephone, or teevee. (I didn’t miss that last thing.)

So, I painted, after spending a bit of time in the studio making plans and taking care of administrative tasks. Those necessary parts of an art business are too boring to tell you about.)

Mr. Antisocial Jackson was suddenly interested in everything I was working on.

This painting is either 11×14 or 12×16, but I don’t remember. I am painting it so that if someone needs to take a painting from Simply Home, I will be able to put something in the hole.

Tucker took a break with me.

This lighthouse painting, done mostly plein air, still needed to be finished in the painting workshop. (I draw in my studio and paint in the workshop, because painting can get messy.)

It will look better when it is scanned. This was photographed with my inferior phone camera. And as always, it will look better in person.

Pippin was happy to sit behind me while I painted.

REMINDER: Tuesday, November 12, 6:30-7:30, I will give a demo/talk called How To Draw at CACHE. Contact me if you are interested, because seating is limited.

SIMPLY HOME

Homer Barn, 12×16″, SOLD

CACHE Gallery hours are Fridays 1:30-4:00, Saturdays 10:00-4:00, Sundays noon-4:00.

Three Finished, Two Begun

These three turned out pretty well, if I do say so myself, which I just did.

Tom-ato’s Last Mater, 6×6″, private collection
Lemons on the Tree, 6×6″, $65, oil on wrapped canvas
Pomegranate on the Tree, 6×6″, oil on wrapped canvas, $65

Don’t be scared; these will also turn out well.

Simply Home

Ed’s Herd, 11×14, oil on wrapped canvas, $300 (This is the only painting that comes from outside Tulare County, but since I met Ed in Tulare County, this qualifies.)

CACHE Gallery hours are Fridays 1:30-4:00, Saturdays 10:00-4:00, Sundays noon-4:00.

How To Draw, Tuesday, November 12, 6:30-7:30, at CACHE, 125 S. B Street, Exeter. Admission is FREE, but seating is limited, so email me cabinart@cabinartdotnet (do it the real way, not this bizarre spelling designed to thwart spammers).

Simply Home, Now Open!

We arrived about 15 minutes before the reception began, and the light was so nice coming around from the side of the gallery.

This is the early moment of Is It All Ready? before people arrive, the moments when I think, “Oh no, what if no one shows up??”

The gallery board is so welcoming, and Trail Guy seemed to know everyone.

It started to fill up. Say hi to Paula!

Then the gallery got full, the art director introduced the gallery board president, who went on and on about me, making me look good. It was a little embarrassing, and kind of fun too, because we interacted a little, as we like to do. Then I said my little spiel, ending oh so cleverly with how I always return to Tulare County after seeing other places, because it is “simply home”.

When the gallery was full, I didn’t take any photos, of course.

Lots of visiting with old friends, meeting a few new folks, and then when no one was left except gallery board members, when there was just 17 minutes remaining, this couple came in. It was an old friend of mine from about 30 years ago, and her husband, whom I had never met!

They bought three paintings. Insert a big goofy grin here, as I remind myself that is exactly why I NEVER NEVER NEVER close up my booth early if I am doing an art bazaar. NEVER close early. Besides, I was really happy to see my old friend, because we only email from time to time.

Finally, I took a photo of the guitar man, who filled in all the awkward pauses and set the tone for a nice evening.

CACHE Gallery hours are Fridays 1:30-4:00, Saturdays 10:00-4:00, Sundays noon-4:00.

News on Four Topics

Painting

I finished these two oil paintings, to be held in reserve for when the Mural Gallery in Exeter needs to be resupplied with citrus paintings.

Navels on the Tree I, 6×6″, $65
Navels on the Tree II, 4×6″, $45

Mineral King

The Mineral King road and recreation restrictions were scheduled to be lifted on Saturday, September 21. By now people who need to know will know for sure if that has happened.

This is how Mineral King looked in September of 2023. At the time of composing this blog post, I hadn’t been up there in almost 3 weeks.

The Book About TB

The TB book index problem is not repaired but we now have a plan. Instead of an index that can adjust itself to repagination, we will have a static index. This means that after the manuscript is formatted, I get to go through the index word-by-word and make sure the right page numbers are listed.

This is my favorite photo in the upcoming book. (Historic Saranac Lake Collection, 2022.4.6. (Courtesy of the Trudeau Institute)

2025 Calendar

Is it a good idea to show you the calendar now? They have arrived, are now for sale, and here is the part I am unsure of: they are a sneak peek into my upcoming show, Simply Home, which opens on October 19, a month from now. Wait, this isn’t truly a “spoiler”, because I have been showing you the progression of paintings for almost a year now!

2025 Calendar Front Cover — Simply Home, $25

The Mineral King road and recreation restrictions were lifted at 10 a.m. on Saturday, September 21.

Various and Sundry Thoughts on Stuff (both personal and professional)

Pippin likes his people to be at home.

I’m in a bit of a holding pattern, waiting for several things: the Mineral King road to open, a week-long plein air painting trip to Monterey, the indexer to finish repairing the index on the TB book, and my show, Simply Home, to open.

Tucker loves the unmowed lawn, which is part of one of my gardening experiments.

What’s a person to do while waiting? Stuff, both personal and professional. (What word did people use before “stuff” became a ubiquitous filler?)

Oh-oh! Where will Tucker hide now?

Personal stuff: enjoy being home, work in the yard, do some work on the landscaping at church, read, organize some messes, hang out with the cats, you know, just stuff.

Such a sorry excuse for a pomegranate. The tree has not produced a single edible normal sized piece of fruit in over 15 years.

Professional stuff: my art has been retrieved from the Silver City Store and also from the Mural Gallery. This means that I have to change information on my inventory lists, and put card packages away.

Finally, some time to think about and design a calendar for 2025. This will be based on the upcoming show, Simply Home. Yeah, yeah, I KNOW that people care more about Mineral King than my art, but I am trying to earn a living here. (My farmer dad used to say that he “scratched his living out of the dust of the earth”. Maybe I just scratch mine out with pencils, or smear it out with paint. . .) So, because I am an active citizen of Realville, I have ordered fewer calendars than in previous years. This means if you snooze, you lose, unless the demand warrants a second order.

Why is my vitex tree blooming in September? Why is it called “vitex”, which sounds like some sort of nutritional supplement?

Oh that’s right—it is time to design a new Christmas card. Yeah, yeah, I KNOW that fewer people send cards every year, except for those flat ones full of tiny photos of themselves doing glorious things throughout the year. Not me. Each year I design a new card and send them to my drawing students (and a small handful of distant friends), using the United States Postal Service.

And while putting away the paintings that did not have a chance to sell at Silver City, I studied them and decided that they each deserved more attention.

More tomorrow on that.

Getting Ready for Simply Home

The amount of work to prepare for a solo show is astonishing. I’m so thankful that I was given an entire year to get ready for Simply Home at CACHE, opening October 19, 4:30-6:30 PM.

Here is the list of the most recent show prep activities:

  1. Name the show (Simply Home)
  2. Make a list of all the paintings, their sizes, titles, and prices. (52 oil paintings!)
  3. Verify that the prices were consistent by sizing. (tedious)
  4. Ask the gallery lots of questions about contracts, opening reception, second reception, events to keep people coming back, whether or not to bring pieces that were in private collections (nope, all must be for sale).
  5. Answer questions about labeling (No, I don’t want my name on every label, and why must each one state “oil” when they are all oil, and is the size really necessary for people who are standing in front of the paintings?? I made my wishes known but left the final decisions to the gallerists.)
  6. Decide if I want piano or guitar music at the opening—PIANO, ALWAYS!! (too bad—the pianist is already scheduled)
  7. Make sure the pieces are correctly titled on the backs, with correct inventory numbers. This is always crucial with my paintings when there is so much repetition in subject matter. (i.e., was that Giant Sequoia, Big Tree, Two Big, Redwood Trees, Giant Sequoia XI, Redwood Tree VI. . .?)
  8. Think about how to advertise drawing lessons at the show, and which pencil pieces to use as an enticement to sign up on the waiting list for lessons. (Might use a few of my students’ drawings on the poster)
  9. Begin designing a poster for the lessons after asking the Mineral King Preservation Society where they have such items printed. (Signtime in Visalia)

After all this thinking, I made a list of the next things to do for the show. It is quite boring. I needed something productive to do that didn’t require decisions, so I vacuumed the painting workshop (dust, feathers, cat hair, spiders, spider webs) and reupholstered my painting chair with duct tape. I work in a classy joint.

I also cleaned my studio because a guest of honor was coming for a working visit. Because the studio is feeling neglected, I started a colored pencil drawing just for fun. Weird, drawing for fun.

The color looks a bit weird here because it was smoky out. So, what’s new? It’s late summer in Three Rivers and that’s normal.

A Productive Painting Day

Is there a word that starts with P to substitute for “day”? I could use “process”, but it isn’t accurate enough.

After spending time with Krista evaluating my paintings, I repaired four in one day. (One wasn’t even on the list, but it was bugging me.)

Before: too dark, but also scanned too dark.
After: lighter, brighter, better
Before: bothered me for several reasons that are too boring and technical to go into.
After: better, more accuracy, more detail. (Oranges on those trees now!)
Before
After: subtle differences, and as always, better in person.
This one was bugging me, and in my normal definition of improvement, I just added more details.
So much better!

Everything dried quickly to be scanned. Maybe I will have time to do the two more still life paintings before the show opening in October. . . but, maybe not. There are more things happening than I tell you all here. . . will more be revealed??

19 Oil Paintings Sold in May, June and July

Kaweah Arts in Three Rivers (now located in The Dome) and the store at the Silver City Resort 4 miles below Mineral King have been selling steadily for me so far this summer.

When times are slow, it is easy to start thinking: “I’m a has-been. My prices are too high/too low. I’ve saturated the market. It’s all over. I feel fat—maybe I should start singing.”

When sales are brisk, it is easy to start thinking: “It’s about time. I wonder if I should raise my prices. Finally, I’m starting to figure this thing out.”

The truth is that there are feasts, famines, surges, and ebbs. The economy is up, then the economy is down. (Mostly in Tulare County the economy is “downer” than in the rest of the country.) Sales are seasonal. It’s all part of the business of art.

All I can do is continue to paint the best I know how, and when sales are surging, keep producing for the wonderful stores that sell my work.

P.S. The sizes aren’t shown in relativity to one another. They vary in size from 6×6″ up to 6×18″ and 12×16″.

Ad-libbing, Guessing, Winging It

On my first day back at trying to be fully human, I resumed detailing this piece. This Mineral King painting was a big challenge on many levels, and I am now quite happy with it.

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Cabins below Timber Gap and Empire.

Feeling accomplished, I chose the next painting to work on, thinking it would be a piece of cake. This is a scene I have admired for decades and photographed it many times. It often looks great when I am driving back to Three Rivers (it doesn’t show on the way down the hill unless I do the Linda Blair head-twist, and no, I didn’t see the movie) There is no turnout, so it gets shot through the windshield. Very few of the photos are worthy, so it will require lots of ad libbing.

With a good start on my first 8×16, I started the next one, also a drive-by shot, that will also require some ad libbing.

I know that I might have more paintings of orange groves with mountains than there will be interested parties. But then again, maybe not. Guessing, speculating, and winging it are all part of the business of art. Apparently, so is ad-libbing. In ArtSpeak, it is called “artistic license”.

A Situation and a Recovery

A week ago, I had a situation to deal with: I got sick. Such a disruption. I was only able to paint a little bit before the need to lie down took over.

While reclining, I used the laptop to look carefully at the paintings finished and paintings needed for the upcoming solo show at CACHE. More paintings are needed, but feeling poorly meant that I would paint poorly.

There were other tasks to tackle, ones that didn’t require heavy concentration. One day I gathered canvases, put on the hanging wires, chose titles, assigned inventory numbers, and actually slapped on a light layer of paint. I knew it wasn’t a good day for painting when I dropped my palette. It landed upside down, of course. I headed back to the couch.

These are all 8×16″, a new size for me. 10×20″ was too big, and 6×12″ was too small. These might be just right, as Goldilocks said.
These are all 16×20″.

Another simple task for another day was to scan these two new Mineral King paintings.

Sawtooth #61, 8×8″, $145
Mineral King Valley #7, 8×8″, $145

Recovery came; it always does (except when it is time for the big dirt nap).