Private Studio Tour

For nine years my studio was also a gallery, open to the public in downtown Exeter. When I closed that space and built a studio at home, people weren’t sure when or how to see my work. The answer – – –

By appointment!

Just call or email and we can set a time. You can ask any question, see whatever suits your fancy, learn about whatever piques your interest. You can have a private Three Rivers Studio Tour when you are in Tulare County.

Last week I had the pleasure of meeting Sophia and Max who are home schooled by their Mom, the jewelry maker of Plumage.

[Time out – I went to her site to link it to this blog post and I got sidetracked and bought a pair of earrings! I NEEDED them. They are navy abalone teardrop shaped, and you just can’t believe how exactly they fit my idea of a perfect pair of earrings. I love navy blue. I love teardrop shaped earrings. I love abalone. L O V E  these. If you are lucky, maybe Liza (pronounced “Lee-za”) will make a pair for you. Then we can be twins. But remember, I got mine first, so there.]

Where were we?

In my studio!

We were supposed to be learning about art, but there was a scorpion on the floor. After squishing it, I put it in this bag and gave it to Max. He looked at it under the giant magnifying light, which is normally used for drawing fine detail in pencil. Max thought all the grossness that is a scorpion was cool.

Sophia tried out my pencils after we talked about the different hardnesses and blacknesses and the different erasers.

You can see Max’s blue head here as he looks over Sophia’s shoulder.

I’ve never met a home schooled kid that wasn’t terrific. These two were no exception to that rule.

Thank you Liza for bringing Sophia and Max to my studio!

Man oh man, you are gonna love those earrings! Let me know when yours arrive so we can wear them on the same day!

2012 Redbud Festival

The Redbud Festival will be Saturday and Sunday, May 12-13 at the Lions Roping Arena in Three Rivers. Saturday is 10-5, Sunday is 10-4.

Redbud Festival is named after this flowering tree which grows wild in Three Rivers. It blooms in March, so the name of the Festival doesn’t correspond with nature. However, it does coincide with Mother’s Day, so here is something to do with your Mom this year.

My space looked like this 2 years ago. (I didn’t participate last year because all my work was in the Tulare Historical Museum for a solo show.) It will look different this year.

As I continue to read art marketing sites and blogs and to interact with other artists, I continue to make changes to the way I display my work.

The changes won’t be huge, but the hope is that my work will look better.

If my work looks better, you will stay in my booth longer. If you stay in my booth longer, you will study the work more. If you study the work more, you will get attached to something. If you get attached to something, you will want to buy it. If you want to buy it, I will sell it to you.

Oh great. Now you will be afraid to come see my booth at the Redbud Festival because you will get sold! No, I won’t sell to you unless you want me to. I don’t know how to “hard-sell” stuff, much less my own art. If I did, I’d, ummm. . .  no, I love my life. It would be the same as it is now!

There will be a new painting of the Kaweah Post Office, 2 of fields of California poppies, a Sequoia painting in a new shape, and maybe, just maybe a new painting of the Kaweah River. And there will be oranges, of course. And some small paintings of California poppies that sit on easels on a table top.

 See you at the Redbud Festival?

Four Things Artists Don’t Explain

Maybe they don’t explain these things because they don’t know. Maybe they don’t explain because there are too many conflicting opinions. Maybe they don’t want new painters to know the secret information. Maybe they think that no one cares, or everybody already knows.

Whatever the reason, there are many things I’ve wondered about in the past 6 years of oil painting.

1. Why is the word “medium” used to mean so many things?

It can mean that your painting is neither small nor large.

It can mean the stuff you are using to make your painting. “What medium do you use?” “Thanks for asking [see how polite artists can be?], I use oil”.

Finally, it can mean the stuff you use to mix with oil paint to make it flow better. “What medium do you use?” “Good question – I prefer linseed oil”.

2. Why are you supposed to use expensive artist’s linseed oil instead of a big can from the hardware store? Let me guess – it is a plot to keep art supply companies in business.

3. Does anyone truly wait an entire year before varnishing a painting? I’m not making this up – it is what the books and websites and varnish cans advise. A YEAR?! The customer wants the painting now – you think he’s going to mail it back to me from Illinois in a year so I can varnish it??

4. What are you supposed to do when your box cutter slips as you are unwrapping a new unpainted canvas and it cuts a hole in the canvas? I asked Mr. Google and came up with multiple answers from just do an easy patch to NEVER TRY THIS AT HOME!

 

 

We used to write to people to ask them for answers to questions before Mr. Google came along.

Kaweah Post Office VI, 10×10″, oil on wrapped canvas, $125, © 2012

Signed, Sealed, Delivered. . .

. . . it’s yours!

Some artists don’t like to do commission work. Maybe they don’t like to eat, either. Or maybe they aren’t very good at understanding what other people want. Maybe they are rebellious adolescents trapped in the bodies of adults.

I like commissions.

It is a fun challenge to make a visual representation from a person’s verbal description. It is very gratifying to have a happy customer at the end of a job. It is a wonderful thing to have a sale without all the will-she-won’t-she.

During the Three Rivers Artists Studio Tour Ten, several folks asked me to paint specific things for them. As a California artist, naturally I was thrilled to receive confirmation that California poppies and giant Sequoias are always a popular subject.

These poppies were unfinished, sitting on the easel, looking like little butterflies when Amy spotted them. She asked if she could buy it before it was completed. I think I said, “Um, sure!” (Hopefully I was more polished that that.) This was painted from a photograph that my very generous mailman brought to me; he’s just thoughtful like that.

Christine asked me if I thought I could get inspired to paint a Sequoia in the snow. I said, “I’m always inspired if someone wants something.” (Hopefully I was a little more polished than that.) I went through my photos, picked one, and happily dove in, well inspired and eager to do my best for Christine. She now has it and is very happy.

That’s the goal of commissions in my little business.

Peeking into the painting studio and eavesdropping on conversations

Um, would you paint something  just for me?

You betcha! I’d be happy to paint something for you! What did you have in mind?

How about a pomegranate?

How about 3 of them? Then you can decide which one you like best.

Would you ever be willing to paint a sequoia in the snow, say, 8×10″?

Would you be willing to buy it when it was finished? If yes, then yes.

What about doing an 18×24″ oil painting from your pencil drawing of  “Redwood & Dogwood“?

I’d love to do that for you! What a great idea, you brilliant patron of the arts!

If you finish that 6×18″ painting of poppies, I’ll buy it.

Really? I knew that one was a great idea. (Thanks to my mailman for bringing me the photo!)

 

If you were to commission me to paint something for you, what would you request?

Odd Jobs

Oh-oh, here comes that interviewer again.

Hey California Artist, what are those?

They are Giant Sequoias, aka Big Trees, or for those Rangers out there, they are Redwoods.

Yes, I can see that, but that doesn’t look like canvas to me on that easel.

Me either.

So what is it?

Redwood. Those are redwoods on redwood.

Are you kidding??

Now don’t get your knickers in a twist – it is salvaged wood, not savaged trees.

But what is it?

Keep your shirt on – more will be revealed.

Jana-of-all-trades or Master of One?

This piece is called “Less Traveled”. I believe in taking the less traveled road, which is one of the reasons I am not on Facebook.

I read blogs – art blogs, business blogs, marketing blogs, inspirational blogs, knitting blogs, humor blogs, travel blogs, writing blogs and art marketing blogs. The writers of these blogs are my teachers, guides, mentors and some have become my friends.

One of the most helpful is called Fine Art Views. Informative articles, insightful comments by professional artists and interaction with the writers all keep me returning to this site.

A recent series of articles by Brian Kliewer really struck a chord with me. He is writing about the myth of social media as a viable marketing avenue for all artists. It caused me to write this overly long post, which began as a comment on one of his posts.

About 1000 years ago I decided to become a professional artist. Pencil drawing was my favorite (only) style. I chose to be a master of pencil rather than a Jana-of-all-trades.

I learned from Jack White that in art sales oil painting sells the best and pencil the least. It crushed me. So, I learned to oil paint, moved into murals, and now have much more to offer customers. Because my subject matter and my audience are mostly Tulare County, having more to offer is a good business practice.

Still, those who have followed my art for years and new friends continually tell me they LOVE my pencil work. (Perhaps this is because I don’t paint very well, and they are too polite to say that.)

Almost four years ago I started this blog. I LOVE to post, love to show photos, talk about Three Rivers, Mineral King and Sequoia, my drawings, drawing lessons, my sources of inspiration, the processes, the shows and events, and be a smart aleck any time inspiration strikes.

Just like becoming a master at pencil, I’ve chosen to be a master at blogging. (Nope, not there yet but putting in my hours faithfully.) That is where the bulk of my computer efforts are spent. I’ve dabbled in LinkedIn, eBay, Etsy, and Google+. What a waste of time! (Notice I have continued to resist Facebook)

Has it paid off? I’ve read that it takes 5-7 years for a blog to really reap results. Not sure what the writer meant by “results” – probably a Big Fat Following. The pay-off  thus far to me is in personal satisfaction, steady growth in the number of readers, the discipline of 5 posts per week, the relationships built, the credibility established.

Thank you for your loyalty, comments, email, encouragement and honesty as I fumble my way along in the world of art, art business, art marketing and blogging.

The Business of Art in Tulare County

This began as a plum orchard, then I added pink and renamed it Peach Orchard. February is so beautiful here in Tulare County!

The drawing is sold, but I can always do another one for you.

Today you can find me at the Farm Equipment Show, also known as The World Ag Expo.

I’ll be hanging out with my cousins who will be demonstrating a wood splitter. (I still prefer an ax.)

UPDATE – that was the best splitter I’ve ever seen. EVER!

It might seem like a waste of time, but I can assure you (and my Very Mean Boss) that I will have my camera so I can take photos while in transit. (Might even pull over and stop to do so.) And I will have a pocketful of my business cards. An artist has to interact with the real folks from time-to-time. This is all about the business of art. Really! The business of art in Tulare County means going where the people are, and they are at the World Ag Expo in great numbers.


Self-interviewing again

Whatcha working on now?

I just finished bidding on 2 murals.

Where??

In my studio.

No, where will the murals be?

The bid that was accepted will result in a beautiful trail scene on the side of a new business in Three Rivers. They hope to open in March, so I could be painting in February.

Will you show the progress on your blog?

Of course!

You said “murals”.

Yeppers, I did! The other will be at a private residence, if the folks accept my bid.

How’s it going with that Adobe InDesign 30 day trial?

Holy guacamole, that is one complicated piece of work. I’ve watched many tutorials, some of them several times. I’m learning, and have a few pages laid out. Plus, I have a very long list of questions that I hope get answered soon!

Anything else going on?

Oh I’m so glad you asked! A winery just asked me for a pencil drawing to use as a label. Would you like to see the first sketch?

Hey, I’m the one asking questions here!

Forgive me. I got confused. How about if we just show that sketch and then go away until tomorrow!

Big Fat Announcement

For a few months I’ve been dancing around the subject of a Very Large Project on the horizon. Today is the day to tell you all what it is. It isn’t a very well kept secret, just a non-published-on-this-blog secret.

If you know me, you know I love to draw in pencil and that I love to draw cabins. Little cabins, big cabins, they inspire me to draw. So, The Cabins of Wilsonia, a book of drawings of (duh) the cabins of Wilsonia is underway! It will be similar to The Cabins of Mineral King.

There are differences.

1. It will contain very little history  because I’m an artist, not a historian, and the history has already been written in several forms.

2. I will be doing this one solo instead of with Jane Coughran, the very qualified former picture editor from Time-Life Books who was my partner on the Mineral King book.

3. It may not contain any photographs, because there are more than 3 times as many cabins in Wilsonia as in Mineral King.

4. It will take longer than a year to produce because it is a bigger book (226 drawings, at least 128 pages and probably more) and I have to learn how to do the designing on my computer all by myself. (deep breaths, deep calming breaths. . .) I’m aiming for Memorial Day of 2013.

5. The cabins won’t all be represented – there are just too many!

6. The cabins won’t be identified by name. They will be in chapters by street names.

There are similarities.

1. It will contain pencil drawings.

2. It will contain quotes from cabin folks.

3. It wil be hardcover (yes Brad, I listened to you!), horizontal in format.

4. It will contain some history and explanation of Wilsonia.

5. It will be self-published. This is the way Janey and I did our book in 1998, except technology has changed DRASTICALLY. There are plenty of assisted self-publishing sites out there like Lulu and Blurb and West Bow Press, but I won’t be using them.

There are challenges.

1. 226 drawings to complete and scan.

2. 40-something quotes to gather and verify.

3. Adobe InDesign to learn to use.

4. Writing the text.

5. Finding a printer.

6. Finding a binder.

7. Selling them all!!

Happy New Year!

This California artist blog will resume the blog’s regular posting schedule of Monday through Friday, 7 a.m. Pacific Standard Time on January 3, 2012.