Why I Make Art, A Postscript

Wow, the word “postscript” has 5 consonants in a row.

Today’s post is borrowed from Jon Acuff, who borrowed from Steven Pressfield. I’m not sure of the exact etiquette of this borrowing business but think it is okay if credit and links are provided. This was so timely and so in line with my thoughts that I wanted you to read it too.

It’s hard for me to describe what a gift that book was. I’ve underlined most of it, dog eared page upon page and constantly re-read it. Designed with short, powerful essays on the creative process and the threat of what Pressfield calls “Resistance,” the War of Art is easily one of my favorite books of all time. Here’s a section I really liked:

The Artist’s Life

Are you a born writer? Were you put on earth to be a painter, a scientist, an apostle of peace? In the end the question can only be answered by action. Do it or don’t do it. It may help to think of it this way. If you were meant to cure cancer or write a symphony or crack cold fusion and you don’t do it, you not only hurt yourself, even destroy yourself. You hurt your children. You hurt me. You hurt the planet.

You shame the angels who watch over you and you spite the Almighty, who created you and only you with your unique gifts, for the sole purpose of nudging the human race one millimeter farther along its path back to God. – Steven Pressfield

Creative work is not a selfish act or a bid for attention on the part of the actor. It’s a gift to the world and every being in it. Don’t cheat us of your contribution.

Give us what you’ve got. – Jon Acuff

via A book that changed how I look at creativity. | Jon Acuff’s Blog.

Isn’t that powerful and motivating and guilt-relieving (or inducing if you aren’t doing your thing)?

Why I Make Art, #5

This is a painting of poppies on an antique window. (Thank you for asking, Carol!) You can read about it here:

April 29 May 23 June 7

Reason #5: I make art because it beautifies spaces.

Real life is messy. Artists get to clean it up in 2 ways. We can draw and paint in a manner that eliminates the cruddy stuff in the view. We also get to cover bare or ugly walls with beautiful things. That is a satisfying motivation!

Think about how the town of Exeter would look without its murals. Buildings would be empty, bare walls would contain graffiti, there wouldn’t be nearly as many good places to eat or shop, and it would be easy to find a parking place. (not that there would be a reason to park. . .)

Think about your home without anything hanging on the walls. It would echo, and it wouldn’t have much personality.

Almost makes you want to paint, doesn’t it?

Why I Make Art, #3

Reason #3: I make art because it is my job. (Duh, hunh?)

Some people make art because they feel like it or because they can; I make art because if I don’t, there is nothing to sell.

Being an artist is a great way to earn a living, even if it is not always easy, fun or highly  profitable. My friends have heard me say more than once, “I’d rather draw an ugly house than wait tables.”

In his nonfiction book “On Writing”, Stephen King wrote, “Life isn’t a support-system for art. It’s the other way around.”

If you are thinking “what a sell-out” or “how commercial”, comfort yourself with the fact that this isn’t my main reason. Even when I had a real job, I made art. That was because of Reason #2 – I feel compelled to make art.

Why I Make Art, #2

His Other Car

Reason #2: I make art because I feel compelled to do so.

When I was a child, I would get this overwhelming urge to make something. “Mom, I feel like making something.” She probably dreaded those words. She’d send me to Highlights to find a project. We NEVER had the materials, even if the finished result was something I wanted to own, which it rarely was.

Sometimes I would get out the doll-sized sewing machine, go through Mom’s scraps and sew something sort of functional, a little schlocky and definitely slightly weird (hmmm, sounds like my knitting).

Other times, I’d draw.

Often I’d look for something to do until the urge wore off in a fit of frustration and just go read.

Regardless of the outcome, the desire to make something has never left me. Drawing, painting, making tile mosaic stepping stones/tables/steps/drinking fountain/light pole, origami boxes, tatted doilies, crocheted afghans (that was in the early ’80s), knitted anything. . . it is the way I am wired.

Since deciding to earn a living with by making something, it seemed wise to choose one method that I never tire of – drawing in pencil. Drawing brings the most satisfaction of anything I do. I think it has to do with skill level; the ability to do something well removes the frustration.

Why I Make Art

This is the first in a series.

Reason #1:

My art freezes a beautiful moment of time. The camera is my best friend, because my visual memory isn’t photographic and my techniques in drawing and painting are slow, slow, slow.  When I see something beautiful, I feel compelled to capture it, to relive it, to revisit it, to examine it and to share it.

Always learning

If you’ve been reading this blog in the last week or so, you are aware that I have a large, nay, HUGE (I refuse to accept “ginormous” as a word), nay, ENORMOUS project underway. There is much to be figured out, tons, freak-me-out amounts. (Deep breaths, deep relaxing breaths. . .)

One of the things is to learn is whether it is better to photograph the drawings or to scan them. I experimented with lots of settings on the camera, keeping Kaweah Kitty from walking over the drawings,  trying different editing tricks, and comparing the differences.

Remember in the olden days when we took photos as carefully as possible, then waited an eternity for the film to come back and let us know we failed? Things are much better now, maybe. That might be a subject for another post.

This post is about showing you the difference between a scanned drawing and a photograph of the same subject. There is a distinct difference in quality.

photographed version

photographed, adjusted with iPhoto

scanned version

Whoa. Wow. Woo-hoo.

Let Us Spray

This is what drawing student Gerald said to me when he finished his drawing. “Spray?”, you are asking, even as you read this. (Yes, I can hear you.)

Spray fixative is one method of preventing the finished drawing from smearing. Framing is another; workable fixative is a third. I’ve been told it adds “tooth” (that means texture in Artspeak) to the paper. It didn’t, but that’s another story for another time.

Early in my art career, drawing people’s cabins and houses was my main activity. One time, I finished a commissioned drawing of a lovely old home, grabbed my trusty can of spray fixative left over from some college art class and proceeded to ruin the drawing. It left little waxy spots all over the paper. They scratched off with my fingernail, and I learned a Big Fat Lesson: do a test spray on something else first.

Because of that unfortunate incident, I went off spray. Completely, cold turkey, no tapering down, no patch, just Q U I T. Go ahead and call me a quitter – I can take it. (I’m a loser too, in the true sense of the word. But I digress.)

A few years later I met a pencil artist who charged huge amounts of money for her drawings, used a wide range of pencils, and sprayed with Blair No Odor Fixative. I began using a wider range of pencils (see The Rules for further explanation) and the fixative. My prices stayed the same.

“No odor” was a lie – it stunk. I think the manufacturer meant “this smells like you can get high but don’t waste your time”, but “no odor” took up less space on the label. After several years of learning to depend on this marvelous stuff that prevented my drawings from smearing despite pulling them in and out of various envelopes, folders and picture frames, the magic spray was discontinued.

I hoarded 6 cans, and today I used the last spray from my last can.

There are other brands, other types, maybe even a Blair substitute. Ick, shopping. Add it to The List. Meanwhile, I’ll just be careful with my drawings as I complete them. There will be many. I’m not ready to tell you why just yet.

Let us spray.

Blog tutorial

Lemons VII, oil on wrapped canvas, 8×10

If you are on my email list, about every week or 2 you receive an email from me. It mostly says hello and this is what is in my blog and here is the link. People ask me about these emails when they haven’t heard for awhile. Some people don’t read my blog unless I resend the link. People also ask questions about how to access certain posts or if I have ever written about a subject.

  1. If you would like to be on my personal notification list, you can email and ask, or you can use the Artist button at the top of the page and click  “Contact The Artist” . I might be able to figure out myself how to add one directly to my blog, but I’d rather be writing or painting or drawing or anything else!
  2. If you would like to receive automatic notification each time I post, look to the left of this entry. Scroll down if necessary. See the thing that says FEED ON? (No clue what that means but it doesn’t mean lunch is coming, sorry.) Underneath, see Posts RSS? click on that. It gives you a place to enter your eddress (isn’t that a clever word?); then, each time I post, you get an email from WordPress with a clickable link to my blog.
  3. If you would like to learn about a particular subject, you can scroll down to Categories and click on whatever subject piques your interest.
  4. If you missed an entire month and would like to catch up, you can scroll down to Monthly and click on the month you’d like to read.
  5. If you are looking to read other blogs but don’t know where to begin, scroll down to Blogs I Follow and click on any of them. Each of those blogs may have its own “blog roll” with clickable links to other blogs. This is a great way to find interesting reading material and learn of new subjects. I find other blogs to be great sources of information and inspiration. For example, I recently read a blog about blogs. It said lemons are cheerful and welcoming. Really? Do you feel cheered and welcomed? I hope so!

Thanks.

Class dismissed.

Don’t You Get Bored Working Alone At Home?

Grapes V, 6×6, oil on wrapped canvas, sold

Nope. Look at the things I could/can/should/am/will do:

  1. draw
  2. paint
  3. blog
  4. update website
  5. photograph work
  6. sort through photos and refile those used/stacked/piled/contemplated
  7. plan for upcoming shows
  8. package notecards and reproduction prints
  9. sweep the dead scorpions and spider webs from the studio
  10. write another bio for the upcoming studio tour
  11. decide what to paint next
  12. update inventory lists
  13. look at artists’ websites
  14. read artist blogs
  15. read art marketing blogs
  16. visit a gallery or museum
  17. follow up on inquiries about commission work/lessons/paintings for sale

This list didn’t include rehanging my work in the studio, wrapping and shipping work to shows and customers, going to the Post Office, paying bills, updating accounting, balancing the checkbook, or weeding and pruning outside the studio.

Are you tired yet?

‘Scuse me, I need to go lie down.

Daily Painting

This is a movement, or perhaps a trend, or maybe even a fad in the Artworld. I’ve considered it for several years, but seem to have too much work to be slamming out extras. And I would be “slamming them out’, because layered and detailed is my preferred way of painting. But, I can and often do paint daily among the tasks of blogging, updating my website, drawing, paying bills, tending the studio garden, teaching drawing lessons, returning phone calls and emails, bookkeeping, running to the Post Office, designing murals, bidding jobs, framing drawings, keeping up with inventory, photographing my work, et cetera. (Notice this list does not include Facebook. I am still resisting, but feeling the pressure and beginning to weaken.)

“Scuse me. I got distracted with that list. Had to go lie down for a bit, revive my spirits with a bit of chocolate.

It occurred to me that I don’t have to pay a fee to join a daily painting site. Nor do I have to announce that I am going to do FIFTY PAINTINGS IN FIFTY DAYS or whatever grand scheme I might concoct by staying up too late at night, consuming too much chocolate, stewing over ideas to generate interest and create sales.

Nope, all I have to do is show you one painting every day. In fact, I am going to do that for 5 days in a row. Maybe even 6 days. Aren’t you excited??

This was a painting done from the Hidden Garden Tour. I did 8 different paintings, of which 5 sold, including this one. It has a certain glow to it, and might have been the best one of the lot. Of course, taste is an individual matter.