The Business of Art: Notecards

“Margaret’s Poinsettia, package of 4 cards and envelopes, 4.6×7.2”, $20. Inside message: Wishing you Christmas joy and blessings in the new year!

Through the years I have designed, printed and sold hundreds, nay, THOUSANDS of little cards. “Notecards”, as I refer to them, are perfect to say “thank you”, “hi”, “just one more thing”, “I appreciate you”, or even “I’m sorry”. If you write real big, you can get by with just one sentence.

“Sun Kissed”, pencil and colored pencil drawing, package of 4 notecards and envelopes, 4-1/4 x 5-1/2″, blank inside, $10

Designs come and go; sometimes I redraw something and then get rid of the older version. Other times, it seems as if a design has run its course and needs to be retired. Sometimes I have too much inventory, so I let a design run out for awhile. And sometimes a design that really grabs me just doesn’t speak to the buying public.

“Oak Grove Bridge #28″, oil painting, package of 4 notecards and envelopes, 4-1/4 x 5-1/2”, blank inside, $10

I used to sell my cards in many stores around the county. Most of those stores are now closed. Even if the stores were still around, my costs are so high that if I sell them at a wholesale price to a retail store, there is zero profit for me. This means that I am working for free. That’s just dumb business.

Sawtooth and wildflowers, pencil and colored pencil drawing, package of 4 cards and envelopes, blank inside, 4-1/4 x 5-1/2″, $10

Nowadays I sell the cards here on my website, occasionally when I do a bazaar or if I am having an art showing or exhibit (what’s the diff? I dunno), and on consignment at a very few places. “Consignment” means that they pay me after the cards sell, which means a lot of checking in, rewriting lists to keep current on supplies, making bills, sending the bills, paying attention to what has sold and what needs to be restocked.

Farewell Gap in Mineral King, pencil drawing, package of 4 cards and envelopes, blank inside, 4-1/4 x 5-1/2″, $10

It’s all part of the business of art, which involves many decisions. Most of those decisions would be better if I had a crystal ball. Lacking that, I look at the history of sales, look at the current economy, look at the venue and think about the customers. If consignment, I look at the store’s record of payment, if the cards are getting shopworn and need to be repackaged, or if the store hasn’t been displaying the cards in a manner that the customers can see them.

“Sawtooth”, oil painting, package of 4 notecards and envelopes, 4-1/4 x 5-1/2″, blank inside, $10

The business of art is a complex and delicate blend of science, art, and guesswork.

Art On Sale?

UPDATE: All packages except the Pear Lake Ski Hut have sold.

There are so many opinions about whether or not artists should put their art on sale. I’ve done this in the past with old drawings that are doing me no good in my flat files. I’ve never done it with notecards until now.

Why now? Because when I did inventory of my many designs, there were some that aren’t big sellers and only have a few packages left.

I have minimalist tendencies, and it is an easy thrill for me to get rid of things I am not using. By “get rid of” I mean sell, give to someone who can use it, donate to the local thrift shop (called “The Thingerie” in Three Rivers) or to the Good Will in Visalia (in case the item was a gift from someone in Three Rivers), or if it is truly worn out, toss it. (Yeah, yeah, recycle, sometimes that works too).

Here are the card packages that are now on sale on my website on the notecard page of my store.

Seven packages of these remaining
Three of these are available
Only one left
Only one package remaining

The normal price is $10 for a package of 4 cards. The sale price is $6. The sale lasts through the end of the year, for no reason other than the website asks for an end date to a sale.

Will I take these sale packages of cards to the Holiday Gift Fair? Might, might not.

The Library of my Youth, Chapter 1

I grew up in the country, with the choice of asking Mom to drive me or riding my bike if I wanted to go somewhere. (One did not bother Dad, because he was working; we were Mom’s work.) She rarely denied me when I asked her to take me to the library 2-4 miles away (we moved closer when I was in 6th grade), which was (and is) very small.

It was a challenge to find new books to read in that tiny building, but I never gave up trying. We either didn’t know about or didn’t have the option of ordering books from other county libraries as we do now. And I remember the first time I went to the library in the big town instead of the little burg—it was mind-boggling in its enormity. So many books, so little time!

Over a year ago, I was asked to paint an outdoor mural on the library of my youth. Within a week, I drove there with sketch paper and a tape measure. I met the librarian, who turns out to be a close friend of my sister-in-law. (Welcome to Tulare County, and never talk bad about anyone!)

Immediately, I began scouring my memory for ideas, and without knowing the budget, I came up with 3 versions—each one emphasizing different aspects of that nondescript rural unincorporated town, and different sizes for pricing options.

Alas, the Asker didn’t return my phone calls. I saw him in person, he apologized, and then still didn’t follow up. So, I let go of that dream.

Several months later, the Arts Consortium put out a Call-To-Artists, for not one, but TWO murals on the library of my youth. WHAT?? That was supposed to be MY mural.

Allll-righty-then, at least I had a headstart. I designed a second one, did the best presentation sketch possible, and even wrote an (unasked for) explanation and a (also unasked for) heartfelt statement about why I am the most qualified for this particular project. I met the deadline, and then waited to hear when I could begin. (Can you say “overconfident”?)

The deadline to notify the winner came and went. Silence. I asked the Arts Consortium who got the job, and the reply was that the selection committee was unable to meet. More months passed, and I asked again. This time the answer was that the selection committee was unable to decide.

I gave up, let go, moved on, while wondering what in the world is wrong with organizations and why I allow them to waste my time. I lost the big Catholic church murals—might as well add this to the pile of missed opportunities, and make a note to just deal with individuals in the future, rather than large outfits.

Then, 14 months after I was asked to paint a mural on the library of my youth, the Arts Consortium emailed that I HAVE BEEN CHOSEN FOR THE JOB!!

Stay tuned to see the sketches, hear the explanations, and learn when it will begin.

Bad News, Good News, Good News

Bad news:

Explosive sneezing and uncontrollable coughing aren’t good for public interaction, so I won’t be at the Holiday Bazaar after all.

Good news:

My friend Elizabeth the Jewelry Maker will sell my calendars at the bazaar. She has been a bazaar and boutique buddy of mine for many years and makes wonderful (and very affordable) jewelry. She will accept checks or cash for the calendars. (Be sure to look over her jewelry while you are there!)

More good news:

You won’t catch my bug.

Annual Three Rivers Holiday Bazaar Tomorrow!

Saturday, November 18, 2023

Three Rivers Memorial Building

9 a.m. to 4 p.m.

Look at those Chinese pistache trees in the parking lot!

Merchandise that I will have available:

Small original oil paintings, Rural Tulare County coloring books (for grownups and older children), Mineral King Wildflower books (only 8 left!), The Cabins of Wilsonia books (never you mind how many are left), single cards, card packages, and 2024 Mineral King Calendars!

2024 Calendar is Here

This year’s calendar is photographs of Mineral King from the odd and beautiful summer of 2023.

“Odd” because the damaged road limited access to only a handful of intrepid cabin folks, but not the public. (Stay safe, all y’all, but you cabin folks are on your own.)

“Beautiful” because the winter had been phenomenal, with water running in every possible drainage and going strong most of the summer, the tallest grasses in memory, abundant wildflowers, and greenery through September.

I chose to not post about Mineral King in the summer because it just seemed wrong to rub people’s noses into the fact that it was gorgeous but inaccessible.

When it was time to choose the calendar theme, I decided to share the beauty that many people missed. Good idea? Bad idea? Everything is a mixed bag.

As the back of the calendar explains, seeing Mineral King at its most beautiful reminds us all that even when we can’t get there, this beloved place endures.

The calendar is $20 (including tax), plus $3 shipping for one, $4 for two, and $7 for three (shipped in 2 separate packages). If that sounds pricey, be thankful that I am not charging for those overpriced cardboard mailers, and that I am not charging the entire mailing price. Just wanted you to know this, in case you were thinking of making do in 2024 with one of those freebie calendars that advertise a business or show you places that you will probably never see.

There are several ways to get a Mineral King 2024 calendar:

  1. From me in person (no mailing costs that way) either just around, or at the Holiday Bazaar at the Three Rivers Memorial Building on November 18
  2. Order from my website store
  3. Visit the Three Rivers Historical Museum, either in person or on their website.
  4. Put an old-fashioned check in the old-fashioned mail to old-fashioned me (P.O. Box 311, Three Rivers, CA 93271)
  5. Be related to me and wait until Christmas

SOLD (Took awhile. . .)

For several months, I had no work. Instead of worrying about it, I enjoyed guilt-free time at the cabin. Well, guilt-free except for the fact that the road was closed, and other people couldn’t enjoy Mineral King this past summer. Life is a series of good things and not-so-good things; we do our best with what we have been given. Or I do. Most of the time. I don’t know what you do. Maybe you just complain. . .

My point, and I do have one, is to show you that I did have a few sales. One must pay closer attention when times are a little hard, because the negatives are often much louder than the positives. Here are my positives from that slow period plus a couple of months beyond.

I am guessing on the titles and some of the sizes. Closies count. . .

Pencil, 6×9″, a commmission drawing
Pencil, 11×14″, a commmission drawing
Oranges, 5×7″, oil on panel
North Fork, 10×10″, oil on canvas
Navel, 6×6″, oil on canvas
Sawtooth, 8×8″, oil on canvas
Unspiced, oil on canvas, 6×12″
Alta and Moro After a Storm, 6×18″, oil on canvas
Craig’s View, 6×6″, oil on canvas, a commission painting
Orange Pair, oil on panel, 5×7″
Big & Tall, oil, 6×12″
This is acrylic on a 1’x3′ panel.

Starting Over Again. . .

It is time to do a few small paintings to sell at Kaweah Arts. The proprietor requested Sequoia trees and mountain ranges. I looked through my canvas sizes, looked through my photos and made some decisions. Inventory number, title, wire on the back, add to the inventory lists, crop and enhance the photos—all needs to happen before paint lands on the canvas.

Wait! This isn’t a Sequoia tree or a mountain range. What is it?

It is a scene I have wanted to paint for many years, but felt it was a bit too hard. This will be one of my long slow paintings, with many many layers. There is no deadline, and I want it to be Most Totally Excellent.

Okay, this is a standard 6×18″ painting of a big tree, AKA redwood, AKA Sequoia, formally known as Sequoia gigantea, not to be confused with the redwoods of northern California, called Sequoia sempervirens.

WHAT IS THIS???

This is a work in progress, a housewarming present for someone Very Important in my life. She showed me the pieces she has in her kitchen, and I was inspired to ask her what I could paint to add to the collection. (These might not be the actual pieces that she has, but hers are very similar to these.)

The sequoias and mountain range paintings can just hold their camels* for a little bit. I have some designing, improving, polishing, rearranging, composing ahead.

*Learned to say this while in Israel back in 2016 and decided it is more fun than horses.