Sometimes I have the overwhelming need to share some beauty with you that is not of my making. (I hope you know me well enough to not take that sentence as if I believe all my art is beautiful. Gotta stay real and humble here.)







Things I’m learning in Artworld.
Sometimes I have the overwhelming need to share some beauty with you that is not of my making. (I hope you know me well enough to not take that sentence as if I believe all my art is beautiful. Gotta stay real and humble here.)
Yesterday I told you of some good ideas that came to me while I was organizing my storage shelves. Today I will tell you of two that aren’t complete. They are good ideas in terms of how to spend my time and energy with my art business, but will take more thinking on how to bring them about.
Lately I have preferred to work in silence instead of listening to podcasts, music, or the radio. I seem to need lots of quiet in order to think. I don’t have an agenda; instead, I just let the thoughts roam freely, and sometimes good ideas show up.
When I photograph my paintings on the easel in the painting workshop, I am often appalled by the state of the storage shelves behind the painting. What am I storing? Why is it such a mess? If the things aren’t useful, why I am keeping them?
Last week I went through those shelves, moving things that seldom get used to the upper levels, consolidating things, and evaluating their usefulness. I had some thoughts while doing this task, some new, some old.
A friend wanted to hear my thoughts on plein air painting, so I wrote to her about it. Several other friends said they hadn’t known what the words meant until I started my detour down that road. (Or maybe it will become my main road. More will be revealed in the fullness of time.)
Plein air means “open air”. (Thank you, Dan!)
There is a snobbery in the art world, an attitude that real artists paint plein air. Studio artists? Meh, anyone can do that. I had a college professor who belittled those of us who signed up for photorealism studio painting; I quit at 1/2 a semester because he didn’t teach what he dismissed as “smoke and mirrors”.
Plein air is difficult for several reasons, including bugs and weather. There are no boundaries to the scene that ultimately will be enclosed by specific borders. Artists have to be able to see and decide what they plan to paint, ignore what they will not paint, and arrange those things in a pleasing manner. In order to “erase” the unnecessary details, they squint so that nothing remains except dark and light masses. When mixing the colors, the artists come up with an average color for various areas. They simplify textures, and memorize light when it appears in order to put it in at the end. And, it is assumed that a plein air painter will finish the painting “alla prima”, which means in one session.
An aside about the art world: why the extra languages? Plein air is French; alla prima is Italian. Go figure.
In order to finish something alla prima, one has to work very quickly and finish an entire painting within 3-4 hours. Artists who are honest will tell you that many paintings are finished in the studio later. This is possible even without photos, because very little is done with tight detail. The proportions are usually in place, so it is probably just values (the darks and lights) and color correcting that happens later.
The art world loves to throw around the term “painterly”, which I have concluded simply means “messy”. Since I was 8 years old, I have worked hard to see details, to have distinct, clear edges to things, and I find it completely counterintuitive to purposely blur things. But, I am willing to learn, to try, to improve (but how will I know if I have improved or if I have added more details than are allowed?)
Painting plein air is a great skill for several reasons:
Since taking the 3 day workshop in Georgia 2 weeks ago, I have been able to produce many paintings. (I haven’t shown them all to you.)
So, my conclusion is that the skills are very valuable and that I will practice them: painting quickly, focusing on good composition and correct colors (not entirely perfect, just colors that look right together in a scene). Some of this will be done while looking at a scene in person; some of it will be done looking at photos. I won’t be able to paint like Laurel Daniel, but I can paint more simply than I have in the recent past and still add enough details to retain my own “voice” (and some dignity).
The summary of what I learned in April doesn’t seem to fit my normal end of month list. A paragraph will suffice.
In April I learned how to plein air paint. I also learned to use a cell phone, how to navigate the world of travel that is now dependent on cell phone ownership, usage, and competency, and that a green lizard in Georgia is actually called an “anole”. I learned that a small cat can have 5 kittens, that a cat with a stump of a tail can have tailed cats, stumpies, and rumpies. (We don’t know yet if the “rumpie” is healthy. Stay tuned.)
So, here is a beautiful and dramatic photo for you (because it was a beautiful and dramatic month) and tomorrow we will resume our adventures in plein air painting.
So many things to choose from for my final plein air painting.
And that’s all, folks. Suddenly, the carriage turned into a pumpkin. I told Laurel that the entire experience was so perfect that I’d think it was just a dream if I wasn’t sweating so much in the humidity.
So, back to the host and hostess’s home in Brunswick, rearrange all my supplies to pack for flying, say a quick good-bye (like ripping off a bandaid), hit the road for a silent drive back to Jacksonville (since I never did figure out the fancy radio), return the car, oops, go back to gas up the car (less than $3/gallon in Florida when it is over $4 now in Calif.), get a ride to the hotel, find some dinner (grits! because I was in the south), fall into bed for a 4 a.m. wake-up call. “Pumpkin”? More like a squash.
It was a fabulous adventure, a time of new sights, learning, friendships, challenges, new wildflowers, and, umm, sweating.
After class on day 2 and before class on day 3, I went driving around, looking for things, taking in all the sights. I love exploring!
The next morning I drove through the Victorian neighborhood of Brunswick, just being a looky-loo. It isn’t often I get to see such fabulous houses or such a variety of architecture, so I was definitely gawking.
It is possible that I didn’t learn much in March. Perhaps I spent too much time on hold with both Huge & Rude and Small & Bumbling. But now we have faster internet, so that’s a good thing.
My walking partner and I walk several roads in our neighborhood, often so early in the a.m. that we need flashlights. (We’ve learned the traffic patterns, cross the highway carefully and listen for cars–thank you for your concern.) A few years ago we began noticing heart rocks in the asphalt on one particular road. On Sunday, I took my camera and we found 10 heart rocks! Today I’ll show you five, along with a little bit of scenery (yep, trespassing again.) The rock photos were taken after the scenery ones, on the way back home when the light was better. They are all about an inch high in real life.
Tomorrow I’ll show you the rest of the heart rocks and the rest of the walk in better light.
Did I learn anything in February of this year?
Maybe.
Now I need soothing, and perhaps you do too. In fact, let’s change gears entirely and I’ll show you a lovely late afternoon of feeding cattle from the back of a little ATV with the Captain.
And thus we conclude another February, a month that I find way too short here in Central California.