Whatcha Doing, California Artist?

Working on the book, posting about the book, thinking about the book, working on it some more, that’s what.

What book, you ask? The Cabins of Wilsonia, progress being documented here.

How about if I make you a nice list, since you were good enough to come to my blog to see what I’m working on:

  1. The comments are disabled on this post because of 300-600 spam comments per day. 
  2. You can contact me via the Contact the Artist tab at the top of the page or by email if you have my eddress.
  3. “Eddress” is the best made up word ever – why am I the only one to use it??
  4. I found the most beautiful photographs in the world, even more beautiful than the stillblog I shared with you a few weeks ago. It is called 500px, with stunningly gorgeous photos by Elena Unspellable (not really – but she is Russian and her name is a long one). Thank you, Ann, for sending me the link to this fabulous breathtaking site.

Because I don’t have any new artwork or any significant message for you, contemplate this:

A man and his truck. A man and his old truck. An old man. . . never mind. 310,000 miles on this rig.

We might be looking for a 2001-2004 Toyota Tundra, 5-speed manual transmission, 4WD, extra cab, less than 150,000 miles. But keep in mind, there’s NOTHING WRONG WITH THIS TRUCK AND HE IS KEEPING IT. (I’m shouting it because I’ve been told this numerous times.)

Oh, and not silver. Not black or white either. But we really don’t have any strong opinions on this. . .

Meanwhile, I have a book to prepare for the printer!

 

A California Artist Interviews Herself

It’s been awhile since the California artist has had a conversation with herself. I’m sure you have some of the same questions that she does. How about if the interviewer is in black, and the California artist replies in her favorite color, which is teal.

Hey California Artist, what are you doing now that your drawings for The Cabins of Wilsonia  are completed?

Great question! (Remember, all big shot interviewees say that when being interviewed. I’m not a big shot, but I might be some day so I have to practice). I’m working on the written parts of the book. If you read my other blog, www.thecabinsofwilsonia.com, you’d know this.

Sorry. I’m busy.

Everyone is busy. Welcome to America. What else do you want to know?

Doing anything else interesting?

I’m glad you asked! (All big shot interviewees say this too.) Trail Guy and I are painting our outbuildings.

Oh? What color?

I love that question because I am a color junkie. You know the color of dark chocolate dipped in black coffee, all shiny and beautifully brown?

Who does that??

Me. I do that. Doesn’t everyone?

Hmmm, no, never met anyone else who dipped dark chocolate in black coffee.

You should try it some time. It is magically delicious.

California artist, you are weird. This interview is over.

HEY! I have more to say!!

Tell the blog readers some other time. Besides, you said teal is your favorite color, and then sometimes you say blue is your favorite color. You are too confusing to talk to.

But aren’t I lots of fun and that makes up for the confusion?

Nope, not talking to you anymore.

Okay, I’ll just tell the blog readers without your help:

The biennial Three Rivers Studio Tour will be this year in March, and my buildings will be looking so good that you might think you are at the wrong address. I might not have anything to sell because I am spending my time scraping and painting, (and writing! I’m working on The Cabins of Wilsonia, really, I am! but by golly, the murals sure show up brilliantly now! More on the studio tour tomorrow.

Commissioned Oil Paintings With Far Away Customers

Commissions are an important component of earning a living with art. Some artists love them, some do them while figuratively holding their noses, and some artists flat out refuse. I fall somewhere between the first 2 types of artists, because it depends on both the idea and the customer.

While I worked with Lisa on her commissioned oil painting of the Lake House last fall, I did some thinking about commissions. It is so tricky to work long distance, using photos, email and an occasional phone call. Words mean things, and relying on words to explain an unseen thing is tricky.

Three Rivers commissioned oil painting

There are several elements at work in this type of art-making endeavor:

The Ideas: Those who know what they want, and those who are not sure, and those who keep editing.

The Customers: Those who can communicate and those who cannot.

Hmmm, that makes 3 x 2 = 6 possible commission customers

1. Knows what she wants and can explain it – The easiest!

2. Not sure what she wants but can explain as she figures it out. . . keep talking, because eventually we will arrive. (Hi Lisa! We did it!!)

3. Keeps editing and can explain each new idea – keep talking, but my prices are really too low for this type of continual editing and changing. Construction companies call these “Change Orders” which means they charge each time a customer orders a change.

4. Knows and cannot communicate – yikes.

5. Isn’t sure and cannot communicate – Sorry, Toots, I am unable to be of any assistance here.

6. Doesn’t have an idea and cannot communicate – Fuhgeddaboutit.

It all comes down to communication.

The painting above was painted for a customer in the #1 category, except that she isn’t far away. She wants another just like it. That will be fun, and I will add the personal challenge of just like it only better.

P.S. I see it is time to update my commissioned oil painting page because I have put commissioned paintings on the sold page instead of where they belong! Where are My People? I need People for this stuff!

Happy 2014, O Gentle Blog Readers

Hi.

I finished all the drawings for The Cabins of Wilsonia.  Maybe. When I get the book designed, I might need to add, subtract or rework the 265 pencil drawings. T W O H U N D R E D S I X T Y F I V E PENCIL DRAWINGS OF CABINS!

Excuse me for shouting. It is a little overwhelming.

Tired of drawing? Never. Ready to just goof off a little? Maybe.

I was goofing off, cruising around the internet and found the most beautiful blog ever. It is called stillblog dot net. Here is the link. It is my little gift to you, O Gentle Blog Readers. Scroll through, enjoy. I share this with you because

I appreciate you!

Aw shucks.

Merry Christmas, Gentle Blog Readers

Enjoy this special time of year. . . I’m going quiet for a few days so I can do likewise. Blessings to you, friends, family, followers whom I have not yet met.

P.S. This post was scheduled to appear on Christmas Eve. I stayed away from the computer and didn’t notice that it hadn’t posted! Today I wondered where it was, and reposted it. THAT’s why it is just now appearing. Bye-bye, weirdo blog machine. I’m going to draw for a few days and ignore you and all your techie weirdness.

Worst Critic

Has anyone ever said to you, “You are your own worst critic”?

It might be meant as an insult, although it could be interpreted as a compliment, meaning “no one else is as hard on you because there is no reason to be hard on you”.

I think being one’s own worst critic is a helpful skill in art, especially when one works alone. Who else is there to do any criticizing with the intent of helping or critiquing with the intent of improving?

A long time ago, last century, I drew this picture:

It is called “My Front Porch”. It sold recently, and before I packaged it up to ship, I put on some magnifying glasses (aka “cheaters” or “readers”) to look it over.

UNACCEPTABLE!

I spent about 1-1/2 hours improving it, because I draw better now. Yes, it looks like a different color because the method of scanning has changed. But, if you click on each picture and make them bigger on your screen, I think you will see the difference. If you can’t see the difference, that’s okay. I’m my own worst critic, not you! 😎

Growth is good (unless trying to lose weight or are a cancer cell.)

P.S. I just clicked on each picture separately, enlarged them on the screen, and realized that the new one looks all pixelated and icky. Okay, you’ll just have to trust me that the second one is better. The customer may not know of the improvements, but I certainly feel better.

Donation Bloviation Postscript

I received a few emails about my “Donation Bloviations” post. Some people like to interact privately with me instead of in the comments, and I am grateful for their feedback and input.

As a result of those private conversations, I’ve made a list of thoughts as a postscript to that blog entry.

1. Some of those “beg-athon” events are really fun for the community and anticipated with happiness.

2. I’m not the only artist who is worn out from being asked to give away my work.

3. Artists can request that bidding begin at a minimum price, which will help them maintain some dignity and their work retain value.

4. Should other donors be paid for their contributions, such as hair salons, motels, restaurants, retail stores?

5. Does donating help their businesses?

6. Are they able to write off anything on their taxes?

7. Are they tired of being asked too?

8. Is there another way to raise money for good causes instead of through donations and auctions?

9. Is it possible for the non-profit to say “We’ll pass on that donation because it doesn’t represent you well and it won’t bring in money for us”?

10. Some members of the public sincerely anticipate a piece of art from their favorite artists, and it causes them to want to participate in the auctions.

I welcome your thoughts about this subject, either privately (you can use the contact the artist tab above) or in the comments on this blog.

With Apologies to the Veterans

Yesterday was Veteran’s Day. I messed up by posting something not about veterans. When I realized it, I painted a flag on the door to my painting studio.

What veterans have done is incomprehensible to me in its sacrificial capacity. I am in awe of their bravery, adventuresome spirit, discipline, devotion, patriotism and unselfishness. Even those who had no choice became all those things.

THANK YOU.

 

 

Donations Bloviations

When non-profits want to raise funds, they hold dinners or tastings and have silent and live auctions to go with these events (called “Annual Beg-athons” by author Matt Gleason in the Huffington Post on 6/8/11). The first people they contact to donate items to their causes are artists.

Why artists? Why not dentists, lawyers, gas stations, pharmacists??

There was a year that I donated more than I sold. (Hmmm, someone might possibly benefit from a business manager here. . .) That year I decided to stop the insanity. I began reading what other artists had to say about the matter.

Sequoia oil painting, 8×8″, sold? Nope, donated. 

There are many reasons for artists to not donate and a few for them to continue donating.

REASONS TO NOT DONATE:

1. An artist is only allowed to write off the cost of the materials.

2. Donating depletes hard-won inventory.

3. Art work at these events usually sells for less than its full value.

4. If an artist develops a reputation for giving away work, those who paid full price will feel ripped off.

5. If an artist develops a reputation for giving away work, the buying public may begin waiting for the events instead of spending money with the artist.

6. If an artist gets tired of donating, she may begin donating second-rate work and damage her reputation. An artist friend once told me, “Just give them your bad stuff that won’t sell anyway.” Yikes, is that what is happening?? That’s not good for the organization, the artist’s reputation or the recipient!

REASONS TO DONATE (and some are pretty poor reasons):

1. An artist loves the cause and want to help.

2. An artist wants to reduce inventory.

3. An artist wants exposure (which is a myth in terms of building a business.)

4. An artist feels guilty and wants to “give back”. (What did he take in the first place??)

If you are part of a non-profit, you might rethink this common idea that artists are the best ones to approach for donations.

Here is an idea for non-profits: Ask to buy the work. The artist can sell it to you at a discount, you can write off what your organization spends, and you can begin the bidding at that price. Anything you receive above that will be profit for you, and none of the Reasons To Not Donate will happen.

A few weeks ago I got caught up in the spirit of an event and spent a very long day helping to create labels for the silent auction. It was a fun day, and I ended up donating a painting. A good friend bought it, and I’m very happy for all the parties involved. I donated the painting because of Reason To Donate #1, which I think is the only good one on the list.

Meanwhile, here is a letter I’ve borrowed from New York Times writer Tim Kreider on the subject:

“Thanks very much for your compliments on my art. I’m flattered by your invitation to donate a painting or drawing or print or package of cards or to paint a mural. But art is work, it takes time, it’s how I make my living, and  I can’t afford to do it for free. I’m sorry to decline, but thanks again, sincerely, for your kind words about my work.”