Productive and Pathetic in Wilsonia

I spent a very productive week at a cabin in Wilsonia, a private community within Kings Canyon National Park. The idea was to talk to lots of people, to learn and write down their stories, impressions, memories and thoughts on cabin life there. I was fairly certain that I had all the photos I needed and that the design of the book, The Cabins of Wilsonia, was almost cast in stone.

a cabin in wilsonia
Not the cabin where I stayed, but a very visually appealing cabin in Wilsonia that I keep photographing over and over and over. . .

But. . .

. . . While there, I finally had the opportunity to work uninterrupted on the book. (When I’m in my own studio, there is so much painting to do that the non-urgent business of the book collects dust. I want to work on the book, I really really like working on the book, I wish I could just work on the book every day! Okay, I think you believe me now.)

Redesign: Each day I walked through Wilsonia with my camera and continued to photograph things for a second and third time. OF COURSE I kept finding new things to photograph.This meant I needed to re-evalutate which were the best choices for each street, and continually redesign each section.

Rebalance: I began to realize that there was an imbalance. How many pages have I allotted to each street? (called “Lanes” in Wilsonian) How many cabins are there on each Lane? Had I given the most populated streets the greatest number of pages? This took quite awhile to discern and then to redesign.

Quote Gathering: In addition to the photography and redesign, there were many conversations with people, which was the point of the visit. It is interesting that folks assume I am compiling the history of Wilsonia. Their first response to knowing that I’d like to include quotes from the cabin community is to give me a list of previous owners of their cabins!

This is most likely due to my own inept interviewing and inadequate explanations. I’m an artist, not O’Reilly. (It probably isn’t a good idea to bark at them, “This is a no-spin zone!”) I’m now realizing that gathering quotes will take a long time, lots of conversations, lots of getting to know people gradually. When Jane Coughran and I did The Cabins of Mineral King in 1998, we simply sent forms in the mail requesting stories, and magically, they got filled out and returned. Doesn’t work that way any more.

Eating an elephant: It is time to face the fact that this book is going to take at least 2 more years to get to publication.

That’s not the pathetic part. I’ll tell you that part tomorrow.

More tomorrow about my work week in Wilsonia. . . 

 

 

How I Write a Blog Post

Usually I begin a blog post with a relevant photo. There must be a reason it seems relevant, so I ponder why you might want to see it.

pencil drawing of Wilsonia cabin by jana Botkin
Attention to detail not only makes better blog posts, it makes for good pencil drawings. This is one of the cabins of Wilsonia from my upcoming book “The Cabins of Wilsonia”.

The thoughts begin flowing, and boy of boy, I LOVE to type because the words can keep up with my thoughts. I type fast, I make mistakes, but they are easily corrected. (Got fired from a typing job once – still smarts.)

After the thoughts are recorded, I reread them for flow and understanding. If anything makes me hesitate or wonder what I meant, or if it could mean two things, then it gets changed.

Next, I remove unnecessary words, such as beginning a sentence with “So”, which is a current speaking trend that I hope to avoid. (Has anyone else noticed this?) I also remove sentences after asking myself, “Does anyone care?” (if the answer is NO!)

Sometimes I think about SEO. That means Search Engine Optimization, which means using certain words in certain ways so that Mr. Google can find me (for certain).

Then I check for typographical and grammatical errors. Typos make me twitch. They jump out of other people’s blogs, out of menus, library books, the newspaper, signs, and anything with the written word. Websites with typos do not look trustworthy . . . nosirree, if that company can’t even make their website correct, then they won’t care about my order.

Finally, I do all the technical stuff like putting in key words and tags (geeky stuff), filling in the SEO all-in-one-pack (more geeky stuff)  checking categories, and finally, I schedule the post.

Now that you know my routine, you can join me in wondering “Does anyone care about this blog post?” 

 

Four Things Artists Don’t Explain

Maybe they don’t explain these things because they don’t know. Maybe they don’t explain because there are too many conflicting opinions. Maybe they don’t want new painters to know the secret information. Maybe they think that no one cares, or everybody already knows.

Whatever the reason, there are many things I’ve wondered about in the past 6 years of oil painting.

1. Why is the word “medium” used to mean so many things?

It can mean that your painting is neither small nor large.

It can mean the stuff you are using to make your painting. “What medium do you use?” “Thanks for asking [see how polite artists can be?], I use oil”.

Finally, it can mean the stuff you use to mix with oil paint to make it flow better. “What medium do you use?” “Good question – I prefer linseed oil”.

2. Why are you supposed to use expensive artist’s linseed oil instead of a big can from the hardware store? Let me guess – it is a plot to keep art supply companies in business.

3. Does anyone truly wait an entire year before varnishing a painting? I’m not making this up – it is what the books and websites and varnish cans advise. A YEAR?! The customer wants the painting now – you think he’s going to mail it back to me from Illinois in a year so I can varnish it??

4. What are you supposed to do when your box cutter slips as you are unwrapping a new unpainted canvas and it cuts a hole in the canvas? I asked Mr. Google and came up with multiple answers from just do an easy patch to NEVER TRY THIS AT HOME!

 

 

We used to write to people to ask them for answers to questions before Mr. Google came along.

Kaweah Post Office VI, 10×10″, oil on wrapped canvas, $125, © 2012

Why Artists Choose Three Rivers, a rerun

Because I just began year 5 of blogging, I decided to repost some of my earlier blogs for my newer readers.

When my art studio was in Exeter and I lived in Lemon Cove, people assumed I lived in Three Rivers. I’m guessing this was because of my occupation of pencil artist. (Given the choices of of towns in Tulare County, this is a reasonable assumption.) Now that I actually do live here and have become a painter, I recognize a multitude of reasons that any artist would want to reside in Three Rivers.

We are surrounded by beauty that takes no effort to see. There are incomparable views from my yard, studio, mailbox, and even from in my neighbor’s pool. The beauty continues as we go to the post office, the Memorial Building, the golf course, or maybe even from the dentist’s office!

Then there is the beauty that might require a little more effort to take in: the North Fork, the South Fork, Kaweah River Drive, and the Salt Creek area of BLM land come to mind. If you are able to walk, there is so much more that becomes visible.

Another great enticement to living in Three Rivers is the shorter drive to Sequoia and to Mineral King. In less than an hour you can be among the big trees and in a little longer than an hour, you can be in a valley that I have heard resembles the Swiss Alps.

Everywhere I look there are subjects to paint. The wildflowers could keep my brush flying for several seasons. The gates alone could occupy my pencils for a year. I could produce an entire series of drawings and paintings simply of loading chutes. Curves in the road, bends in the river, the autumn leaves, light on the rocks, Moro Rock from every possible angle, Alta Peak from every attainable viewpoint, sycamores all around town, the grand oak trees of every variety, the assortment of fence styles – every one of these subjects could be depicted in pencil or paint.

It is true that there is beauty in almost any location if one learns to recognize it. I certainly had plenty of subjects available in my former locations.  Now, the accessibility of paintable scenes is almost overwhelming!

The Kaweah Post Office V, oil on wrapped canvas, sold

Fourth Blogiversary

Today, April 16, I begin year #5 of blogging. There are many reasons that I blog. Since lists float my boat, here is the list for you:

1. It is fun. Remember Show-and-Tell in grammar school? For some kids it was a chore (and a chore for the rest of us to listen). For others, it was the highlight of their day. I tried to only participate if there was something I was really excited about. That is how I feel about blogging. Every day!

2. It keeps me accountable. Ever tried to work alone, day after day, week after week for 19 years? How did that turn out? Unh-hunh. You HAVE to show someone. You HAVE  to tell someone your progress. (Pity my UPS driver and the mailman!) The blog takes out some of the party-of-one-ness and forces me to produce even when the distractions are oh so very inviting.

3. It gives my work credibility. Published, even if it is online and even if it is self-published, is public. If it is worth putting Out There, it is Real. It counts. (Remember Steve Martin getting all excited about seeing his name in the phone book? It is sort of like that.)

4. It provides a record of my work. (No, I don’t want to keep a journal. The more stuff I own, the more stuff I lose.)

5. It allows me to connect with those who like my work. They can tell me what they think, and I can learn from them. “They”? Who is this “they”? It is YOU!

6. It is a bit like an online brochure, continually being updated, always available. That is a business thing, or perhaps a marketing thing.

7. I am building a platform. Doesn’t that sound fun? No hammer and nails required. It has to do with developing followers so that when I have something to share, there are people to participate.

That is why I blog. I’d love to hear why you read it. Not so I can gather compliments, but so I can learn what is interesting to you and what I should skip!

Completed pencil drawing for upcoming book The Cabins of Wilsonia

RETIRING

When do California artists retire? Beats me.

When do the husbands of California artists retire? How about after 37 years with Sequoia National Park. That’s a lot of years of getting up at dark-thirty, putting on green pants, driving miles on mountain roads in his own pick-em-up-truck (called his “rig”), and then driving big yellow machines. Faithfully going to work. Faithfully serving the public. Faithfully supporting his California artist wife. Persevering, persisting, day after day and month after month and storm after storm.

When does Michael The Road Guy retire? TODAY!! (Not officially because he works for the federal government and everything with those people is very complicated but don’t get me started because this blog post is about Michael The Road Guy, not those people.)

Impressive, yes? (thank you John Elliott of the Kaweah Commonwealth for this photo and the next)

I am not kidding about the miles on his rig. This was last year.

Doesn’t he look tired?

Thinking with a marshmallow on your head is really hard work. And working when you’d rather be hiking takes a tremendous amount of discipline.

One with the Stream, oil on wrapped canvas, 24×30″

Congratulations, Michael Botkin! No more dark-thirty, green pants, marshmallow head or big yellow machines!

Peculiar Sight

Happy Birthday, Elder Sister!

This photo was taken in my yard on March 15.

This photo was taken in my yard on March 18. I live in Central California (I am a California artist, remember?) at an elevation of 1000 feet. One thousand, not 10 thousand. Three Rivers, California.

How does this apply to art, California Artist?

So glad you asked that question! When working from photos (and Jack White said all realistic artists either work from photos or they lie about it), it is sometimes a temptation to work from something that is unusual or peculiar. Problem with that approach is that a drawing or painting of something peculiar looks as if the artist doesn’t have a firm grasp on reality.

People are still convinced of the truth of photographs in spite of Photoshop.

Back in the olden days when a camera was a camera and a phone was for receiving calls in one’s home or office, photographs were taken on special occasions. One time some folks wanted me to draw all 4 homes their mother had lived in her entire life. I think two were in Los Angeles, and two were in Exeter. Three of the photos they provided me were of the houses in the snow! WHY? Because when unusual things took place, the camera came out to record the event.

It wasn’t typical back then to take pictures any time you desired. I used to be a bit of a maverick, keeping my camera in my car at all times. And not only did I keep one, but I kept two with me. One had color print film and the other either had black and white or slide film.

Why did you always have cameras with you, California Artist?

Great question, I’m glad you asked that one. It was because I had to be ready to record the beautiful things and moments and light of every day life, not the peculiar sights!

Jana-of-all-trades or Master of One?

This piece is called “Less Traveled”. I believe in taking the less traveled road, which is one of the reasons I am not on Facebook.

I read blogs – art blogs, business blogs, marketing blogs, inspirational blogs, knitting blogs, humor blogs, travel blogs, writing blogs and art marketing blogs. The writers of these blogs are my teachers, guides, mentors and some have become my friends.

One of the most helpful is called Fine Art Views. Informative articles, insightful comments by professional artists and interaction with the writers all keep me returning to this site.

A recent series of articles by Brian Kliewer really struck a chord with me. He is writing about the myth of social media as a viable marketing avenue for all artists. It caused me to write this overly long post, which began as a comment on one of his posts.

About 1000 years ago I decided to become a professional artist. Pencil drawing was my favorite (only) style. I chose to be a master of pencil rather than a Jana-of-all-trades.

I learned from Jack White that in art sales oil painting sells the best and pencil the least. It crushed me. So, I learned to oil paint, moved into murals, and now have much more to offer customers. Because my subject matter and my audience are mostly Tulare County, having more to offer is a good business practice.

Still, those who have followed my art for years and new friends continually tell me they LOVE my pencil work. (Perhaps this is because I don’t paint very well, and they are too polite to say that.)

Almost four years ago I started this blog. I LOVE to post, love to show photos, talk about Three Rivers, Mineral King and Sequoia, my drawings, drawing lessons, my sources of inspiration, the processes, the shows and events, and be a smart aleck any time inspiration strikes.

Just like becoming a master at pencil, I’ve chosen to be a master at blogging. (Nope, not there yet but putting in my hours faithfully.) That is where the bulk of my computer efforts are spent. I’ve dabbled in LinkedIn, eBay, Etsy, and Google+. What a waste of time! (Notice I have continued to resist Facebook)

Has it paid off? I’ve read that it takes 5-7 years for a blog to really reap results. Not sure what the writer meant by “results” – probably a Big Fat Following. The pay-off  thus far to me is in personal satisfaction, steady growth in the number of readers, the discipline of 5 posts per week, the relationships built, the credibility established.

Thank you for your loyalty, comments, email, encouragement and honesty as I fumble my way along in the world of art, art business, art marketing and blogging.

The Business of Art in Tulare County

This began as a plum orchard, then I added pink and renamed it Peach Orchard. February is so beautiful here in Tulare County!

The drawing is sold, but I can always do another one for you.

Today you can find me at the Farm Equipment Show, also known as The World Ag Expo.

I’ll be hanging out with my cousins who will be demonstrating a wood splitter. (I still prefer an ax.)

UPDATE – that was the best splitter I’ve ever seen. EVER!

It might seem like a waste of time, but I can assure you (and my Very Mean Boss) that I will have my camera so I can take photos while in transit. (Might even pull over and stop to do so.) And I will have a pocketful of my business cards. An artist has to interact with the real folks from time-to-time. This is all about the business of art. Really! The business of art in Tulare County means going where the people are, and they are at the World Ag Expo in great numbers.


Goodbye, Unc

This post is only related to my art in that it shows a portrait of my uncle that I drew in 2001. Please forgive me for indulging in a bit of personal talk today. I’ll bring my professional self back tomorrow. Here is the obituary as written by his sister-in-law with a few additions by me.

Allan Marshburn, originally of Orange County, CA, (born January 13, 1928) and most recently of Kaweah, CA, passed into the presence of his Savior on February 6, 2012.  He is survived by his sister, Margaret Estes, of Mount Vernon, WA, his brother Neil and wife Elaine Marshburn of Escondido, CA, his sister-in-law Martha Marshburn of Visalia, CA, numerous nieces and nephews, foster son Patrick Short of Rockwall, TX, and his daughter in the Lord, Virpi Takala.

Allan’s love for the Lord was greatly reflected in his interest and participation in many outreaches proclaiming the gospel of Jesus Christ. He sought to encourage many in their walks with Christ.

In addition, Al had a lifetime of interesting adventures in the Merchant Marines, as an outdoorsman, a game warden in Alaska, Saskwatch hunter in northern California,  and a commercial fisherman.  Many were spellbound by his great (and true!) stories.  Early in his adulthood, he was an active participant in the citrus industry in Orange and San Diego counties and as a cowhand at his cousin’s ranch in San Luis Obispo County. Prior to moving to Kaweah, he spent many years in northern Idaho where he enjoyed hunting and logging on his property. It was said of Al that he could squeeze a nickel until it coughed up a penny. He was a highly unique individual who had a great impact on many peoples’ lives.