Art and the economy

First published January 2009

Have you noticed how often the phrase “with the state of the economy” is getting used these days? Tiresome to hear the repetition of whatever phrase the media and culture latches onto. . . sigh. Anyway, here are a few thoughts about art in “these current economic times” (another worn out phrase – sorry!)

In the current issue of Art Calendar magazine (note the correct usage of the word “issue” here), there are several articles about selling art in an economic slowdown. One speaks of art as the “non liquid asset par excellence”. It also discusses art as a “reflection of societal values”, and as a chance to “offer new insight and perspectives of reality”. Is that what I do???

If so, it just happens, because my thought pattern is rather predictable when it comes to making art. First thought: “How beautiful!” Second thought: “Can I capture that first on film and then on canvas or paper?” Third thought:  “I wonder if that will sell. . . ”  I have never considered my art to be a non liquid asset, only a way to bring joy and beauty and memories and peaceful happy thoughts to my customers’ lives! (what kind of a simpleton am I anyway???)

My “guru”, Jack White writes about all the people whom are not affected by the economic slowdown. These are nurses, ambulance drivers, teachers, fire fighters, law enforcers, just to name a few. He says that these folks are our customers. In my opinion, these have always been my customers. Who else lives around here? I know one or two people who do esoteric stock market type jobs, and they aren’t any bigger customers than my blue-collar buyers.

Perhaps the way to survive “the current state of the economy” (sheeesh! how else can this be phrased??) is to live in a continually semi-depressed rural economy so that “these current economic times” are hardly noticed as any different (other than the excess of those hackneyed phrases).

For example, I know a guy who has been waiting months and months for 4 different contractors to bid on building a new house for him. Last night in Costco, it was crowded and shelves were empty (Hey! can I get some mozzarella cheese over here??) My husband and I have had our new roof lying in our yard for 2-3 years waiting for our favorite carpenter to install it and even with the state of the economy (sorry) he is still too busy.

Here, let your spirits be lifted with this bright, cheerful, colorful and cheap inexpensive painting! 3-peppers.jpg Three Peppers IV, 6″x6″, oil on wrapped canvas, SOLD (I certainly hope so, since 2009!)

All About Drawing Pencils

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  I use three different brands of pencils. None is particularly better than any other, but my current favorite is the red one, Stabilo. I can’t find them anymore, but being someone who dislikes shopping, I haven’t tried very hard yet. The blue ones, Staedtler,  are pretty good, quite dark, but not as dark as the Stabilo. Turquoise, made by Sanford, are the ones I used in college, so there is a weird sense of loyalty even though they aren’t as dark as the others. Besides, they are very easy to find.  There are other brands, but these are enough for me. You can see colored pencils in the cups in the background, but that is for another entry.

That little black and silver dealie on the end of the three pencils in the lid of the box is a pencil extender. It used to be a bit of a game to me to see how short I could get a pencil and still use it. Then carpal tunnel syndrome kicked in, and it became clear that the longer the pencil, the less the pain.

For years I drew without understanding what the H and B actually stood for on those drawing pencils. With some reading, I finally learned that H is for Hard and B is for Black. The higher the number with the letter, the more there is of that particular quality. So a 5H is harder (and lighter) than an H (which is 1H but the 1 is assumed). A 6B is blacker (and softer) than a 3B. An HB is exactly in the middle, and is the equivalent of a #2.

And get this: the lead is a combination of graphite and clay. The more clay, the harder and lighter the pencil. The more graphite, the softer and blacker the pencil. Ever used a pencil that scratched? It probably had a rough piece of clay in it. (Don’t you just hate that?)

  Sometimes students ask why the pencils don’t come with erasers. EASY answer! Because we would use the eraser up long before the pencil, and then we would automatically flip the pencil over to erase and scratch our drawings. By forcing us to develop the habit of picking up the separate eraser, the pencil manufacturers are sparing us some unnecessary pain. (And for that,we thank you, lovely Pencil Manufacturers.)

  All this leaves me with some questions: 1. Who decided that hard is the opposite of black? and 2. What in the world does F stand for? 3. How does this all fit with the school-type rating of pencils, 1, 2 and 3?

How splitting wood is like drawing with pencils

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 Sports are not for me – in fact, I’ve been known to say that I have only two sports: walking and splitting wood. I love to split wood! That is the axe my dear husband gave me for my birthday, and this weekend I was thrilled to get to try it.

As I was splitting wood, it occurred to me that there are many parallels between splitting wood with an axe and drawing with a pencil. Look at these:

1. Neither require electricity.

2. Both require a sharp edge – blade or point.

3. For best results,  start with the large and move to the small.

4. They both make wood bits – shavings from the sharpener or splinters from the axe.

5.  Lots of strokes are required for results.

6. One has to start with good stuff to get decent results – great scenes make great drawings, and good clean-grained wood makes good shaped pieces.

7. Both require paying close attention to what one is doing, unless one doesn’t mind wasting time and energy.

8. The terms “hard” and “soft” are always being flung around, both with wood and with pencils.

  9. Cedar makes the best pencils and also the best-splitting wood.

I’m sure there are more parallels; can you think of any?