Complaining and Painting

Because this post is full of complaints, I will intersperse the verbal bummerations with nice photos.

We had a week when the internet went out 2 or 3 times a day on 4 days, and one of those days it was down all day long. This meant that neither the cell phone nor the landline worked. We also had an unscheduled half day without electricity and another day without power from 9:30-6:15. All of this took place during the week when I was preparing for my demo/talk How To Draw. In addition, I had people waiting for emails, with proofs, sketches, and price quotes to approve. It was also a week that I had set aside to make multiple phone calls to a tech service in order to repair and understand my wonky website.

Without power or internet, how does one print drawing exercises? or scan things necessary for handouts? or print one’s own notes? or let inquiring customers know you are not a flaky artist? How does one repair a website that one cannot access?

One waits. One uses a yellow legal pad and a pen. One waits some more. One composes emails and puts them in a folder called “Drafts”. One keeps waiting. One works in quiet, without tunes or podcasts. And one waits some more.

When the power came on, the printer wouldn’t print anything in color until I cleaned the heads about 6 times. Then I had to replace the ink, of course. I believe that printers were designed by ink companies. The next one I get will be a laser printer. I don’t know what that actually means, but people who have these say they are very reliable and use less ink. Everything uses less ink. EVERYTHING. (Excuse me, I need to leave this blog and order some more ink while thinking about it.)

Okay, I’m back, $48.70 poorer.

Eventually, I was able to get everything printed and scanned in time for the talk. Eventually, the emails went through. Eventually, I was able to make one phone call to repair one thing on my website. I also got a bit of painting done on one disrupted day before it got too dark to see.

From this:

To this:

To this, when I finally decided it was too cold to leave the door open, but too dark with it closed.

Thus, we end today’s complaint session with a vague sense of productivity and thankfulness for autumn beauty and electricity and internet and telephones.

Simply Home

Alpenglow on Homer’s Nose, 8×16″, $275

CACHE Gallery hours are Fridays 1:30-4:00, Saturdays 10:00-4:00, Sundays noon-4:00.

Plein Air Painting in Three Rivers

For about 2 years, my friend Krista has been asking me to paint with her in Three Rivers. Last week we had an entire day without electricity, phones, internet, so it seemed like a good time to leave home and paint outside. Besides, it is always a pleasure to hang out with a friend, especially outside on a nice afternoon in our scenic foothill town.

I thought about places to paint, and it is tricky when every shoulder of the road is marked with NO PARKING signs. I decided that I didn’t care, and if anyone wanted to tow Fernando away, we would have a conversation about it, and it would turn out just fine. (Our sheriff is an artist.)

This view shows the curve on the right side of the road as it heads to the bridge.

This view shows the tall sycamore trees on the left.

I wanted both, so did a sketch to see if I could squish them both in. Good thing you know that I can draw, or you might be a little worried about the quality of this sketch.

Here is my substandard plein air equipment, perfectly functional for my limited interest in this method of putting paint on canvas.

Here we go, another sketchy messy beginning.

The light changed quickly, and then all the color was gone.

That’s fine, because I took the painting as far as I could figure out while painting on location. I just don’t understand how to smash all sorts of details together; maybe someday I will, but I can’t imagine that I would like the results. I think I will like this painting after reworking it in the painting workshop at home.

Krista and I had a great time together; it is very likely that we will do this again.

Simply Home

Silage, Silos, and the Sierra, 6×12″, $145

CACHE Gallery hours are Fridays 1:30-4:00, Saturdays 10:00-4:00, Sundays noon-4:00.

Trying to Work in Three Rivers

It started out to be a fine day. The time change was over, my neighbor and I had a good morning walk, the election was behind us (phew, what a stressor that has been), and I had a list of phone calls to make, my website to keep repairing, some sketching/designing to do, and of course, paintings to finish. On top of that, there was planning to do because of a scheduled all-day power outage the following day.

The Sequoia Gigantea is drying.

I reworked the Asilomar beach path. This was my second painting during my week of plein air painting, and it is one I liked, probably because the scene held still, as opposed to those manic ocean waves.

 Tucker was enjoying the sunshine and keeping me company (this cat LOVES me).

Then the power went out. WAIT, WHAT?? It’s not tomorrow yet.

A friend from about 2 miles below me said it was out for her too. She was driving down the hill and reported that there was a fire at the dam. (Turned out to be more in Lemon Cove than actually at the dam.)

It wasn’t dark out, so I worked on the Marble Fork Bridge painting for awhile, using enlarged photos on my laptop for details until the battery needed charging.

Life in Three Rivers: Within one week, the internet went out for a day and thus, no phone either. Without internet, no cell phone for me because we have no signal. Then we had a scheduled power outage, but it went out a day earlier. Currently we have road construction causing 10-15 minute delays in town.

At least our water hasn’t gone out in awhile.*

Simply Home

Peach Orchard, 10×10″, $200

CACHE Gallery hours are Fridays 1:30-4:00, Saturdays 10:00-4:00, Sundays noon-4:00.

Today, 6:30-7:30, I will give a demo/talk called How To Draw at CACHE. The spaces are all full.

*WROTE THAT TOO SOON. A DEER BROKE A HOSE BIB, WE STARTED WASTING WATER AT A RATE OF 6 GPM, SO WE DREW SOME WATER AND SHUT OFF THE MAIN. THE PLUMBER WASN’T AVAILABLE, AND EVENTUALLY TRAIL GUY FOUND A WAY TO BYPASS SOMETHING, BLOCK SOMETHING ELSE, AND GET WATER BACK TO THE HOUSE. Excuse me for shouting. This has all been so annoying.

Walking in Three Rivers

Walking isn’t as easy as it used to be. I walk shorter distances more slowly than I used to, wearing Crocs instead of these shoes, which I now have listed on eBay.

Until the time change, my friend and I walked in the dark. Sometimes it felt adventuresome, as if we were getting away with something. On the days when her schedule isn’t tight, we still go 4-5 miles, although that’s nothing compared to when we trained together for a 1/2-marathon. Still, we are happy that we can walk and can do so in places without traffic, traffic lights, or sidewalks.

One day recently, Trail Guy and I poked along our street where he pointed out a peculiar sight on our neighbor’s lot.

Not real, mighty peculiar, and completely without an explanation.

I found a small sparkly on the ground, which I ended up securing to the fence of the former day care at the Presbyterian Church.

While admiring the view from the Catholic church, I wondered what the bright red was in the distance. It most likely is a truly spectacularly bright tree. We weren’t so fortunate when we chose our own Chinese Pistache trees, nor when they created volunteers on our lot.

I’ve always admired this barn across the highway, and being November, I also admired some red trees in the distance.

Walking more slowly and going shorter distances does increase one’s awareness of the surroundings. That is a good trait for an artist to cultivate.

P.S. Yeppers, two churches in our neighborhood, neither one “ours”.

SIMPLY HOME

Walnut Orchard, 10×10″, $200

CACHE Gallery hours are Fridays 1:30-4:00, Saturdays 10:00-4:00, Sundays noon-4:00.

Tuesday, November 12, 6:30-7:30, I will give a demo/talk called How To Draw at CACHE. It is full.

Friday: Three Rivers, Not Mineral King

Normally you get to read about Mineral King on Fridays, but I have nothing to show or tell you. Maybe you only look at the pictures anyway. Maybe I am just talking to myself. . .

We went for a bikeride, curious about the firecamp at the Lions’ Roping Arena and the former Three Rivers Airport (more of a strip than a port, and closed for decades now.)

Even the most beautiful yard in Three Rivers looks a bit tired in September. August used to be my worst favorite month, but it has now become September (fires, can’t get to the cabin to get away from the heat, the deer really start chomping down my yard, everything is dusty and smoky, sick of heat, wanting to be home but so tired of heat—waa waa, someone call the wambulance.)

The number of vehicles and equipment and personnel has diminished. They are certainly keeping the gravel road watered and packed, but it is still washboardy on a bicycle.

We stood in the shade of this tree and visited with our friend, who is working security at the second gate.

I was happy to see these little guys are still in residence.

Those trucks are lined up, waiting their turn to get washed. Maybe it is a crew that is leaving.

I wonder what those sleeping trailers are like inside: probably very dark and cool. I think many of the workers choose to stay in local motels.

I don’t know what all the trucks and equipment are busy with or why, but I bet that whoever owns the former airstrip is making bank.

Enough of this fire stuff; off to the airport bridge to check out the river before the uphill ride home. (As a bonus, you now know why it is call the “airport bridge”. When we were kids and drove over it, we were instructed to, “roll up your windows—there are hippies!” I wonder if any of them was my future husband. . .)

Getting Ready for Simply Home

The amount of work to prepare for a solo show is astonishing. I’m so thankful that I was given an entire year to get ready for Simply Home at CACHE, opening October 19, 4:30-6:30 PM.

Here is the list of the most recent show prep activities:

  1. Name the show (Simply Home)
  2. Make a list of all the paintings, their sizes, titles, and prices. (52 oil paintings!)
  3. Verify that the prices were consistent by sizing. (tedious)
  4. Ask the gallery lots of questions about contracts, opening reception, second reception, events to keep people coming back, whether or not to bring pieces that were in private collections (nope, all must be for sale).
  5. Answer questions about labeling (No, I don’t want my name on every label, and why must each one state “oil” when they are all oil, and is the size really necessary for people who are standing in front of the paintings?? I made my wishes known but left the final decisions to the gallerists.)
  6. Decide if I want piano or guitar music at the opening—PIANO, ALWAYS!! (too bad—the pianist is already scheduled)
  7. Make sure the pieces are correctly titled on the backs, with correct inventory numbers. This is always crucial with my paintings when there is so much repetition in subject matter. (i.e., was that Giant Sequoia, Big Tree, Two Big, Redwood Trees, Giant Sequoia XI, Redwood Tree VI. . .?)
  8. Think about how to advertise drawing lessons at the show, and which pencil pieces to use as an enticement to sign up on the waiting list for lessons. (Might use a few of my students’ drawings on the poster)
  9. Begin designing a poster for the lessons after asking the Mineral King Preservation Society where they have such items printed. (Signtime in Visalia)

After all this thinking, I made a list of the next things to do for the show. It is quite boring. I needed something productive to do that didn’t require decisions, so I vacuumed the painting workshop (dust, feathers, cat hair, spiders, spider webs) and reupholstered my painting chair with duct tape. I work in a classy joint.

I also cleaned my studio because a guest of honor was coming for a working visit. Because the studio is feeling neglected, I started a colored pencil drawing just for fun. Weird, drawing for fun.

The color looks a bit weird here because it was smoky out. So, what’s new? It’s late summer in Three Rivers and that’s normal.

Fighting Fires From Three Rivers

A friend with property in the line of the current fire (Coffeepot Fire) called on Tuesday to say that fixed wing aircraft were dipping water out of Lake Kaweah. Trail Guy said, “Do you mean helicopters?”

Friend said, “No, fixed wings”.

Trail Guy told me, and I said, “Do you mean helicopters?”

He said, “No, fixed wings”.

I said, “Let’s go see!”

So, we did.

We weren’t sure where to stop around the lake and tried a few turnouts, eventually picking a road down to the water. Trail Guy felt certain they’d be dipping from closer to the inlet than the dam, and since he was driving, that’s the viewpoint we chose. (He is usually right about those types of things.)

We sat on the tailgate waiting and watching.

Almost immediately, 2 planes arrived. I circled one in red so you can pick it out here.

Almost exactly ten minutes later, they returned.

We sure do know how to have a good time around here.

P.S. This is how the fire looked from LookOut Point yesterday afternoon: 3123 acres with 915 personnel. They could have stopped it at 1 acre!!!

Fire Thoughts

Almost 3 weeks ago, there was a thunder and lightning storm in Mineral King. A lightning strike started a fire, and it looked as if it would be quick to suppress the thing.

Looking out from Look Out point, 2 days after the lightning strike.

Being somewhat cynical, perhaps because we’ve lived through the “easy to suppress” lightning strikes in 2020 and 2021, I had my doubts that the various agencies would be in agreement and just squash that thing.

While driving home from Salem one week later, I received texts from friends in both Visalia and Exeter, inquiring about my safety because they could see flames from their towns. WHAT??

Trail Guy took this photo on the day I received those texts. That single column had babies.

One friend sent me a photo her Facebook feed (“feed”? “stream”? “account”?) showing 2 areas of flame at night as seen from either Exeter or Visalia. (There is something about a photo from that platform that forbids my saving and showing it to you.)

On our next trip up the hill a few days later, it looked like this:

Each day in Mineral King began with clear air, and then somewhere around 9 or 10 a.m., the smoke would drift up the canyon and obscure all our views. Where is Farewell Gap?

On the way down the hill on Monday, this is what we saw:

We also saw BLM equipment, a Forest Service car, 2 Yosemite fire people, and a helicopter dipping water out of the East Fork.

The latest report at the time of this viewing is that the fire has grown to 850-900 acres, is not contained (well, duh, because what does “containment” mean when it was “contained” before it erupted into this conflagration?) and is heading toward the South Fork drainage in Three Rivers.

Here we go again. . . sigh.

P.S. For current info on the Coffeepot Fire, go to WatchDuty.org.

19 Oil Paintings Sold in May, June and July

Kaweah Arts in Three Rivers (now located in The Dome) and the store at the Silver City Resort 4 miles below Mineral King have been selling steadily for me so far this summer.

When times are slow, it is easy to start thinking: “I’m a has-been. My prices are too high/too low. I’ve saturated the market. It’s all over. I feel fat—maybe I should start singing.”

When sales are brisk, it is easy to start thinking: “It’s about time. I wonder if I should raise my prices. Finally, I’m starting to figure this thing out.”

The truth is that there are feasts, famines, surges, and ebbs. The economy is up, then the economy is down. (Mostly in Tulare County the economy is “downer” than in the rest of the country.) Sales are seasonal. It’s all part of the business of art.

All I can do is continue to paint the best I know how, and when sales are surging, keep producing for the wonderful stores that sell my work.

P.S. The sizes aren’t shown in relativity to one another. They vary in size from 6×6″ up to 6×18″ and 12×16″.

Redbud Festival Today

This is not a redbud; it is a calla lily, blooming for the first time in 25 years in my yard.

Hey, friends. Today was Day One of the two-day Redbud Festival in Three Rivers. This year it has returned to the Lions Roping Arena, a great big outdoor space. There is good signage leading to it, but in case you are wondering, cross the Kaweah on North Fork Drive (just before Sierra Subs), go about a mile, turn right, cross the North Fork of the Kaweah, and turn left. Follow the dirt road to the arena. (It’s dusty, but you don’t need 4-wheel drive or a pick-em-up truck.)

It was a little hard to leave in the morning with the sun shining through the lobelia blooming on my front porch, but sometimes an artist has to do what she has to do.

There aren’t a lot of vendors, and attendance was low. This sounds bad on the surface, but as a introvert with decent social skills, I liked have plenty of unrushed time to converse with each visitor. I met some fine folks, and I reconnected with other people I hadn’t seen for awhile. There was a man with a guitar who played and sang a few songs each hour, very pleasant, not loud, and I found myself singing along because many were songs from my era (the ’70s). There was food for sale, but I didn’t get any because I don’t like to be caught with my mouth full while working my booth.

The pointed canvas top is the Redbud Garden Club’s booth, selling plants behind my booth.

All in all, it was a pleasant day, and I sold enough to hold my head up and return for day two.

You might enjoy stopping by tomorrow, Mother’s Day.

Official hours are 10-4, but I will have some booth neighbors minding my booth until I can get there, maybe around 11:15 or 11:30. (I have responsibilities at church first.)