A Country Girl Goes to Town

A commissioned pencil drawing for a retiring Visalia city council member in 2022.

This post is just to vent my thoughts about a day spent in Visalia. It might fall into the categories of “Why is She Bloviating Again?” or perhaps “Too Long, Didn’t Read”.

I headed down the hill to Visalia one morning and was tailgated around the lake. What does tailgating accomplish when there is no place to pass and the tailgatee obviously cannot drive any faster than the person in front of her? The tailgater ignored the first 2 passing lanes, and then roared around at the third one. Good riddance. (See you at the light at the four-way, if I’m careless and you are lucky.)

My first stop in town was one of those giant office stores to get some papers shredded. There are 2 on the same side of the same busy boulevard, and I picked the wrong one. “Wrong one”?, you may be asking. This one apparently had only one employee who was running his feet off. It also is the one where the customer has to stuff all the papers in a bin, rather than the employees just taking care of it.

I survived. That sort of situation with waiting and inconveniences is a chance to just look around and observe folks. I saw 2 other women near my age, and all three of us had our hair up in those claw-type clips. There was an obese man in a cart who felt the need to explain to the clerk (a second employee eventually emerged from a break room) that he had been a dedicated baseball player who played on winning teams until age 38. No one seemed put out by his need to explain why he requires a cart to get around; the dude was obviously very lonely.

There was a quick stop to unload a box of unnecessary items at Rescued Treasures, a thrift shop enterprise run by the Salvation Army the Rescue Mission. It was close to the wrong giant office store, so maybe that wasn’t the wrong one after all.

A kind and generous friend had given me a gift card to Sprouts, which is a fancy grocery store with bright lights, organic foods, and shockingly high prices. My hope was to buy raw milk, something I have been curious about for a long time. (My interest began when I met some people associated with an Arizona dairy called Fond Du Lac Farms.) Alas, it wasn’t meant to be because their shipment hadn’t arrived for the week. Another customer was waiting for it and he told me that he pays $17 a gallon. I would have been quite content with just a pint, but that curiosity will have to wait.

The prices almost made me need oxygen, and the lights were so bright that I wondered if sunglasses might be in order. I wandered around the store, reading labels, thinking, doing math, not wanting to waste the gift card on stupid stuff. Finally, I chose some lunch meat and a tray of sliced cheeses to share with friends on an upcoming outing, found some herbal tea that supposedly fights blood sugar levels, and a few mixed nuts that promised no peanuts (because they are just too pedestrian for Sprouts’ customers). The checkout was a self-serve with a friendly worker there to assist. The total for my four items was $29, which was $4 over the gift card. (I thought it was better to be over and pay some cash than to have to return to use up one dollar.)

Next, I headed out to find another new grocery store, about which I have heard great stuff for several years. Aldi’s is on the far south end of town, bringing to mind a threat in my childhood that “one day Visalia and Tulare will be merged into a single town.” Hasn’t happened yet but the growth is steady in that direction.

Aldi’s is known for charging 25¢ for its shopping carts, which gets returned to you when you put the cart back in the corral. (It locks into the cart behind it to spit your quarter back out.) I wandered around the store, comparing prices with those on a Winco receipt, trying to be smart about spending. I bumbled and fumbled through the self-checkout with its pushy computer voice telling me to either scan the next item or finish and pay. I kept telling “her” (it didn’t announce its preferred pronouns but the voice was female) to just hold on. Oddly enough, the total was also $29, but this time I got eleven items.

My grocery list was barely touched, so next I headed to Winco, my normal grocery store. I try to only shop every 6-7 weeks, with Trail Guy supplementing for dairy and produce at our local overpriced but convenient market (Let’s see. . . 1-1/2 hour driving and $15-20 for gas to save money? Nope.) It was a thrill to quickly find just what I needed at prices I was accustomed to paying. It had only been about 5 weeks, so the cart was manageable. Sometimes I almost need 2 carts when I wait too long between trips.

It was a massive relief to finally be on the freeway heading east into the mountains. The foothills are green, the sky was blue with puffy white clouds, and although there were a few tailgaters, I was heading home and didn’t care. Does it bother anyone else when people try to force you to pull behind a big rig so they can drive 80, not caring that you are quite happy to go 70, which is 5 miles over the speed limit, not caring that you don’t want to drop to 55 or 60 behind a big rig? What is wrong with people?

Here is my theory about what is wrong: people live in crowded conditions, with too many stores, too many choices, too high of prices, too much to do, too little quiet and privacy. It makes them anxious and cranky and impatient. Or, to quote Anne Lamott from her Twelve Truths of Life: “Everyone is screwed up, broken, clingy and scared.” 

P.S. Dennis Prager wrote about this topic several years ago: Imagine No Big Cities. (Thank you, DV!)

A Walk on the Lake Bottom

Trail Guy and I went to Lake Kaweah— “The Lake” —for a walk. It was a crystal clear day.

All I know is Moro Rock and Alta Peak, not the snow-covered mountains on the left.
The river was reflecting the sky, and Castle Rocks are peeking behind on the distant right side.
The last time we walked at the lake, the road was entirely buried in sand, several feet thick. It has taken awhile, but finally the road has been cleared, but not all the way.
Mustard is the earliest wildflower in the foothills.
Cockleburs are horrible. I think they are native to this area. They don’t mind getting drowned each year—it seems to be what causes them to thrive.
This is looking downstream toward the dam. The lake is very low, to make room for the winter rains and spring snowmelt, always a situation we hope takes place.
This isn’t a very pretty walk, but the blue of the river takes the edge off of all that grayish brown.
This is where we turned around. After studying it for awhile, we concluded that the lake is slowly filling up.
When heading back to the parking lot, it occurred to me that this could be a nice place to do a little plein air painting.

Stay tuned! I might do some painting here soon with my friend Krista who needs to do a few examples of plein air painting in order to qualify for a job. Like me she is a studio painter, but unlike me, she wants to expand into plein air. I have more experience at it than she does, so I can help her, we can hang out together, and maybe one day, I will actually improve my plein air skills in spite of my less than stellar attitude about it.

Tulare County’s Best

Whenever I have a show, no matter how many pieces sell, I bring home the rest and wonder why they didn’t sell. Then I think about the ones I’ve had the longest, pieces that I have improved on each time I show them again. How can I make these pieces better?

I did this scene as an 8×10 to test it out. It was the beginning of my phase of painting orange groves with hills and snow-covered mountains, which coincided with my beginning forays into plein air painting. This type of scene embodies the best parts of Tulare County—rural, citrus, foothills, snowy Sierra.

Tulare County’s Best, 8×10″

It was fun, but of the quality that caused my dearest and closest (and most honest) folks to ask if I was finished with it. So, I touched it up again, and it Is better. But it still hasn’t sold.

Tulare County’s Best, 8×10″

In spite of this little painting’s lack of success, I still love this scene. I painted it again, this time 24×24″. (Sometimes I actually do paint what I love instead of just what I think might sell.)

Tulare County’s Best II, 24×24″, NFS*

Now we’re cooking with gas! Brighter colors this time, because as I develop my skills and “voice” as a painter, I gain more freedom to exaggerate and embellish (but within reason, because I am still a leading citizen of Realville).

Three shows in good galleries (well, come on, I know this is Tulare County, so they are non-profit galleries rather than big city pushy money-hungry galleries) and it hasn’t found a home.

Think, think, think, AHA!

First, let’s try a little better living with technology, and tiptoe into the AHA. Using Photoshop Junior, I combined Tulare County’s Best II with a detail from a more recent painting of the same genre.

What do you think now? (almost said, “How do you like them apples?”)

Yeppers, Tulare County’s Best will get even better.

*NFS means Not For Sale, because it isn’t finished yet.

Navels in the Orchard

Navels in the Orchard is actually just navels on canvas, another oil painting of Tulare County citrus.

I painted the details working from the back to the front, which means first I painted the items which are the farthest away from the viewer.

Usually I wait until the painting is dry to photograph it. But look at the weather —the sun wasn’t shining, making the wet parts sparkle.

RAIN! (No lightning, please)
Navels in the Orchard, 10×10″, $200

While I Was Getting Gas

At The Four-Way, right next to the Chevron station, there is a classic red barn with an enormous Valley oak tree, quercus lobata. It’s just part of the landscape, and one day while I was getting gas, I realized that this barn could just tumble, or the excess pavement near the tree could prevent it from getting the water it requires and BOOM, gone-zo. So, I took a photo to paint from, realizing there would need to be some severe editing and a liberal application of artistic license.

I started painting it one morning when I was a bit short on time but eager to get rolling. A friend stopped by to visit and kept me company while I started. I felt pretty optimistic about the painting by the end of the session.

Then I looked at this photo and realized the barn’s proportions were completely whackadoodle. So, I erased the worst parts.

Then I drew them in correctly. (How/why did I skip this step initially?? Never mind about having a friend hanging out. . . I used to be able to talk and draw.)

Back on track. . .

I realized that the orange trees needed to be different shades of green from the oak, so I mixed new greens and fixed up that grove.

Then I started working on the tree.

There was too much sky, and it needed hills and mountains.

Those clumps of leaves seemed to take forever.

It was a good day painting, and when I finished, I sat across from it with my critical hat on (metaphorically speaking because I wasn’t actually wearing a hat), I made a list of about 10 things to correct or add.

Want to see the photo that I snapped while I was getting gas?

You can see that severe editing was required to turn it back into a real countrified scene. And you can probably see about 90 things that I can do to make it be a better painting.

Assorted Photos with Chit-Chat

If you look in the shadows between (and beyond) the 2 chairs, you might be able to discern a doe with 2 fawns, probably born that very day.

While getting gas at the Four-way (local vernacular for an important intersection), I snapped this photo. Barns this classic and oak trees this majestic, quercus lobata, are standard but disappearingTulare County items, and when seen together, they should be painted or drawn or just photographed. (If I paint this, I will edit it severely.)

This is called a vitex tree. Doesn’t that sound like some sort of diet supplement? We tend to refer to these as “lupine trees”.

I finished 2 more Mineral King paintings, both 8×8″, drying quickly in the heat.

My friend with the Hume Lake cabin sent me this photo, which might possibly be the most beautiful one I’ve ever seen. Maybe I shall paint it. . . yes, I KNOW it is in Fresno/Fres-yes County but it is a well-loved place, even among us ignorant, fat, uneducated, poor, diabetic Tulare County hon-yocks.

Two Large Iconic Tulare County Scenes in One Day

By “large”, I mean 18×36″ and 20×24″. By “iconic”, I mean these are familiar and much loved vistas of Tulare County.

I bet you can guess the subject of this 18×36″ painting.

Paintings start out so sloppy, but I am finally used to it and not worried when I start a new one.

This was too tall for me to reach the sky, so I flipped it upside down.

Sometimes I wonder why I even look at photos anymore when I paint this scene. Then I do something complicated such as trying to combine two different photos, and then realize that one was taken in morning light and one taken in the evening. This doesn’t work out well.

When beginning a new painting, shapes keep getting corrected and moved and resized. Eventually there is wet paint over the entire canvas, and anything I attempt just smears. When that happens, I move to another painting.

Lake Kaweah is VERY FULL right now. VERY FULL.

I enjoyed mixing the colors of the clouds and the distant mountains. They were fun to detail, but I know they aren’t good enough. Yet.

Although I am using a photograph, I might have to do some altering in order for the clouds to be believable. The sky needs another layer too. I wonder if the lake could use a houseboat or two or seven. Lake Kaweah with Moro Rock, Alta Peak and Castle Rocks in the distance is a very iconic scene in Tulare County. It wasn’t on my list to paint for the upcoming solo show until a friend showed me a beautiful photo she took on her way home from work in Three Rivers a week or two ago. She graciously offered to let me paint from it, and I started this painting the very next day.

Stay tuned. . .

Painting Mineral King

In anticipation of a busy selling season this summer at the Silver City Store, I am painting like fury to have inventory. If I can get enough small pieces finished ahead of time, then I can return to painting larger Tulare County scenes for the solo show in the fall at CACHE in Exeter.

The most popular scene, assembly-line style for the base coats. Fret not: they will be detailed individually, and I won’t have all of them on display at the same time.

All of these are in various stages of completion, contributing to a sense of chaos and indecision as to how to proceed. It’s just part of the process when one chooses to be a factory, churning out many paintings of the same scenes.

These 6×6″ will be ready to go, once dried, scanned, and varnished.

Clockwise from upper left: White Chief, Alpenglow on Farewell Gap, View from the Bridge, Sawtooth.

This one was easier the second time I painted the scene. I’m a little reluctant to look at it side-by-side with the first version in case I decide this one is A. better or B. needs more work.

Finally, I started a 20×24″ painting of a scene shared with me by a drawing student. It looks like a weird abstract in the first pass over the canvas, but you trust me, yes? And you probably recognize the scene in the second photo here.

This one is going to be challenging but very satisfying. I messed with the photo to make it look more like we want to remember the scene rather than just accepting what the camera says. It really is a classic Tulare County vista.

More Better Than Befores

Before
Better. Comb Rocks in the Distance, 10×10″, $200
Before
Better. Heading to Farewell Gap, 8×10″, $145
Before
Better. Redwood & Dogwood II, 6×12″, $145

And thus we conclude our tour through paintings of Tulare County, better than before. I think one must see the paintings in person to properly appreciate the subtle improvements

Now if you will please excuse me, I have a commissioned pencil drawing to begin.

Tomorrow: Pennsylvania Dog in Pencil