A friend of mine drives for Sequoia Sightseeing Tours.* He had some passengers from Michigan and learned that one is an artist. So, he told her about me. Because people can’t get to Sequoia through Three Rivers right now (wrecked roads from winter floods), they sometimes don’t know how to spend their time. My friend suggested they visit my studio (not open to the public but open by appointment.)
He called to ask permission to give them my contact information. I said yes, then I vacuumed the studio, made sure things were put away, and hung out the flag.
I thought that it might be fun for them to see a piece in progress, so I opened up my flat file drawer labeled “In Progress” (Captain Obvious here) and pulled out a drawing that I started so long ago that I can’t remember when or why. I think it had something to do with drawing for fun.
I began working on it, realizing that I draw for money, not for fun. This is because:(1) if I drew for fun, there wouldn’t be as much time to do other fun things; (2) if I didn’t draw for money, I’d have to get a job; (3) if I drew for fun, those flat files would be so full that they wouldn’t open; (4) if I drew for fun, I wouldn’t have paintings to sell, only drawings; (5) if I drew for fun, I’d end up putting a ton of money into framing, and where would that money come from since I wouldn’t be drawing for money?
This is from a photo taken in 1997 and used to draw the little picture you see next to it. It is the light, shadow and detail that appeal to me. (This drawing was on the back cover of the dust jacket for The Cabins of Mineral King, by me and Jane Coughran, published in 1998, long since sold out.)
I looked up from the drawing and saw this out the window.
Back to the drawing board.
In spite of listening to an interesting podcast, I almost fell asleep at the drawing table. That’s because I got up really early to go walking. I’ll show you tomorrow.
P.S. The people didn’t call. Maybe they fell asleep.
*If you take a tour with Sequoia Sightseeing, ask for Steven. He is terrific!