When I arrived at the Mineral King mural on Day Seven, it was obvious what needed paint next.
Finished that part, and then it was time to beepbeep back the truck up again.
This one was tricky. The asphalt is dropping so the curb is higher with each truck backup. When I looked at the back tire balanced on the curb, I realized that the next truck move would need to be off the curb. Too risky to have the tire drop into the planting bed and the mirror crash into the wall. Not my Freightliner, gotta be careful! Not my wall, either.
Memory: The last time I painted this mural, the truck was facing the other way. In order to do the far right end, I had to drive the truck around the block to reposition it. Holy cow, I just knew I was going to do something horrible. I’d never driven a giant flatbed on the road without my dad coaching me along. That one was a ’53 International, stick-shift of course, and in order to put the clutch in, I had to stand up. I learned about double-clutching, and was instructed to “never touch the white button”, which had something to do with overdrive. Sort of wish I had that truck because it was sky blue, very cool-looking, and would have been handy for murals. Of course I would have had to charge twice as much for murals in order to pay for the maintenance, registration and insurance. Never mind.
More painting until it is time to beepbeep back the truck up again, but this time it is first pull forward, straighten out the tires, climb down to pull weeds so the curb is visible while standing up trying to see it in the mirror while inching back. Big revelation: the outer rear tire extends wider than the front tires. This explains a lot of my confusion about lining up the tires. Now I know that I only need to peer under the rear to see how I am doing.
Paint some more until it is too hot to stand on the back of the truck. Why does it seem cooler and easier on the ground? And I can see from the photo above that more blending between the old and new will be necessary.
Paint until I am too hot to think, pack up, bid farewell to Farewell Gap.
“Farewell, Farewell!” (I used to say this every time I left Mineral King with my young neighbor after her annual weeklong visit. Her response? “You always say that”.)
If I stick to my estimated schedule, I will have 2 more days to work on this panel. Betsy said I am painting too fast! It is interesting for the visitors to Exeter to see a mural in progress; they ask very specific questions, take pictures, see the physical effort necessary to have an outdoor gallery and as a result, feel more connected.
There weren’t many visitors today, but Larry came back and said, “Hi Painter Person.” No one told me that I missed a spot or asked how I keep paint from getting on my clothes, but someone asked for the umpteenth time, “Did you paint all these murals”?
Ummm, no.
It might be raining this week so that will slow me down a bit.
4 Comments
Backing up trucks, weeding to see curbs, maneuvering narrow streets, contrasting front and back tires… a lot more goes into murals than I knew. And the heat, phew.
Special to have those memories of you and your dad. 🙂
Jennifer Dougan
http://Www.jenniferdougan.com
Jennifer, as I write these blog posts, I am astonished by how much is involved in each day’s work! Thanks for checking in.
Hi, Jana. Always enjoy the updates!
However, there is a broken picture link right below this paragraph:
More painting until it is time to beepbeep back the truck up again, but this time it is first pull forward, straighten out the tires, climb down to pull weeds so the curb is visible while standing up trying to see it in the mirror while inching back. Big revelation: the outer rear tire extends wider than the front tires. This explains a lot of my confusion about lining up the tires. Now I know that I only need to peer under the rear to see how I am doing.
Thanks, Sharon. Michael also reported a broken picture, but it doesn’t show on mine. Computers are so weird. I replaced it, but am starting to think that when you’ve seen one half-painted scene with a Freightliner in the foreground, you’ve seen them all.
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