Sold in Spring: 17 Paintings, 3 Pencil Drawings

Sales were slow last year, mostly due to the fact of my three selling locations either being closed or taking a big hit of one sort or another.

This spring, things broke loose, opened up, took off. Have a look! (I may have forgotten some, because I fell out of the habit of keeping track.)

It was the usual blend of citrus, poppies, redwood trees, and Mineral King, with two of the river during peak run-off season. I do have a few other subjects, but these continue to be the most popular. The largest size painting was 11×14 10×30″; most of the buyers were either getting gifts or souvenirs. And people buy paintings of what they have experienced, so I do my best to keep things seasonally appropriate.

The pencil commission of the dog was from some old friends, and I am so touched that they still think of me when they have an art need. (“Make new friends, but keep the old; one is silver and the other gold.”)

The pencil commission of a cabin was the biggest thrill, because it came from a stranger who found me through the internet, and a thrill because drawing cabins in pencil is my strongest skill, the thing I enjoy the most. Paintings sell better, so I will continue to paint. One day I might actually have confidence in my abilities in that department. Always practicing, always learning, and hopefully, always improving. . .

Tomorrow: Nine Things Learned in May

Finished Pencil Drawing of a Cabin

I sure do know how to stretch a story out. . . have you noticed how many people use the cliché “long story short”, and then proceed to make a short story even longer? I am sort of doing that here, except I break it into chapters for you, because of another cliché that applies to many blog posts: TLDR (Too long, didn’t read).

Here is scanned Minnesota cabin drawing before I scrubbed it up on Photoshop Junior.

Here it is converted to gray scale with all the chuds erased and the paper color also erased. Chuds are marks on the scanning bed—this word came from the days when I worked in a frame shop. Sometimes after you’d get a piece of art all sealed up under the mat and frame and backing, with paper secured over the back, you’d flip it over and there would be a little something under the glass. My co-workers called these little somethings “chuds”.

A few more thoughts. It was a thrill to have a stranger find me over the interwebs, because people are always contacting me to say that my Google ratings are too low and that they can help me. (No thanks, you creepy Stalking Strangers; how did you find me on Google if my ratings are too low??)

The customer was a pleasure to deal with. She mailed a check when I told her that PayPal takes a bite, she replied quickly when I asked for more information, and she even marked up the photos so I would know who was on first and what was on second.

Alas, I learned something the hard way. A few months ago, I raised my prices for pencil drawings. It had been years (decades??), and it just seemed like a wise move. BUT I DIDN’T RAISE THEM ON MY WEBSITE. Sigh.

Someone could use a business manager, an administrative assistant, a Girl Friday, a right-hand man. Hmm, I guess that’s the problem: my man is left-handed!

P.S. If you are curious about my prices, you can see them here: Pencil Drawing Prices. I only show the smallest and the largest, because sometimes it is all just too much information and too much work. (I’d rather be drawing.)

Drawing a Cabin in Pencil, 2

The Minnesota customer replied quickly and thoroughly to my inquiry about the two different versions of the cabin. I couldn’t tell if there were actually two gable ends, slightly different, or if some changes had been made. She said the cabin has been a work in progress and changes get made regularly. The three rows of shingles beneath the upper gable window is the most current. She also sent this helpful set of color coded photos.

We had a rainy day, which is perfect for drawing. I went to the studio where the distractions are limited and the heater works well, and was psyched for a day of pencil, my favorite art medium, drawing a cabin, my favorite type of subject.

See the edge of my laptop? There is NO WAY I could have done this almost impossible drawing with this degree of detail without viewing the photos on my laptop. I lightened the shadows of the very dark places, enlarged the photos enormously, and even flipped the summer view of the gable end horizontally so I didn’t have to guess how all the angles would look. You can see the potential for tying one’s brain in a knot here:

I worked from top to bottom, left to right. This is the best method for a right-hander to not smear. (Left handers can work top to bottom, right to left.) Actually, smearing happens anyway, but it is less of a problem when the paper is covered in this systematic method.

And, I finished the drawing!

Come back tomorrow if you want to see it. Same Bat time, same Bat channel. (I never actually watched Batman because we only got 2 channels, not the third one that had Batman on.)

Cabinart = Art of a Cabin

Drawing cabins in pencil is the way I started my art business. Now I spend 90% of my artmaking time as an oil painter, so when I get asked to draw a cabin, I am really happy about it!

Someone from Minnesota found me on the internet and asked if I could draw her parents’ cabin in spite of not having clear photos of the entire structure. I told her to send them to me, and I’d see if I could make sense of the photos.

Want to see the pictures she sent?

I knew you’d be interested.

These presented a real challenge. I did three little sketches and emailed the potential customer. She was delighted, and asked me to wait for an answer (yep, dealing with a deadline here) because she needed to consult with her sister.

Which one did they choose?*

Tune in tomorrow. . .

*If you read my blog on April 11, you know the answer to this question.

Drawing Because I Can

If you receive these posts in email and the pictures in the post don’t show for you, tap here janabotkin.net. It will take you to the blog on the internet.

Sometimes I draw simply because I love to draw. I try to hold back, because my flat files are full. When I have a good reason and know the drawing will not simply be stored in my files, then get outta my way.

(“Outta” is like “prolly” and “liberry”: words I like in spite of being an editor and a proofreader.)

An acquaintance did me a big favor, so I am drawing her cabin. 

I started several months ago, then set it aside because of paid work. My work priority order is this: 1. commissions with a deadline; 2. commissions without a deadline; 3. building up inventory of subjects that will prolly sell; 4. reworking paintings that haven’t sold; 5. whatever I feel like painting or drawing.

This one is considered to be Category #2. The customer isn’t commissioning me because she doesn’t know she is a customer. I am commissioning myself.

What does commission mean? That’s another topic for another blog post.

This is the drawing before I tackled it with Photoshop Junior to prepare it for eventual printing, which most likely won’t happen.

And this is after I converted it to grayscale and erased any errant lines or spots, most likely the result of a scanner screen that WILL NOT come clean, which is most likely the result of scanning paintings that aren’t quite dry, which is most likely the result of being in a hurry, which is most like the result of any number of unfortunate incidents such as not planning ahead, pulling weeds or taking walks instead of working, or choosing to draw something without a deadline instead of painting to build up inventory.

Where were we?

Oh. The finished drawing.

Now I am outta here.

Artistic License On a Pencil Drawing

Asking for a commission

Someone contacted me about visiting my studio, along with visiting Mineral King to find the cabin where her dad spent time as a child. I put her in touch with the current owner of the cabin, and then let her know that I accept commissions and can draw the cabin for her to give to her dad.

Gathering photos, making sketches

She was very happy with that idea, so she sent a few photos, the current cabin owner sent more, and I took a few too. Then I worked up different sketches for her to choose from. She chose A, and asked that I draw it 11×14″ instead of the original 9×12″ size chosen.

Beginning the drawing

I had a day without many interruptions, a day to just park in my studio and draw. That has become a real treat in November, consistently my busiest month. 

Instead of printing out photos or ordering good quality prints from Shutterfly, I chose to work from the photos on my laptop. That is now a regular method; it is a real bonus to be able to greatly enlarge a photo for the details.

After a full day at the drawing table, this is what I had.

Taking artistic license

There is a bit of artistic license being taken here, with permission from my customer, of course. In the olden days, I felt bound by reality, enslaved by the photos, and handcuffed by indecision when I ventured away from exactly what was there in person and appeared in the photographs. These days I feel a lot more freedom. Is it because of needing and learning to make things up with oil painting? Is it because I have so much more experience? (I’m kind of old-ish, being well ensconced in the S’s.)

Whatever the reason, the process is enjoyable and challenging. It makes me feel like a real artist instead of a copy machine. 

Calendars

2023, Mineral King HIKES, still available here: Calendars

To see the back of the calendar, you will need to click/tap on the link.