How to Draw with Graphite and Colored Pencils, Ch. 2

Happy Birthday, Trail Guy!

Hello, my guinea pig friends! Today I continue testing out my tutorial writing skills. 

The Next Steps

Step five: Straighten out the lines. It is NOT “cheating” to use straight edges. If it took a tool to build the actual item, it most likely will take a tool to draw it accurately. There is quite a bit of erasing at this stage, and I use the erasing shield to remove the tiny lines that are wrong. I want my work to be clean and accurate, without hairy or double (or triple) sketchy lines.

ANTI-SMEAR TACTIC: When you erase, you make crumbs. If you flick them with your hand, you will smear. If you blow, you might spit. (Yes, spit happens). Use a drafting brush, a soft paint brush, an antique shaving brush, whatever you have.

Step six: start shading. Shading is the fun part, the party! It is when things come alive with textures and depth. Because I am right handed, I start on the left and the top. This keeps me from dragging my hand across the shaded parts and smearing it. 

I start with a 4B, using the side of the lead. The photo has lots of indiscernible blobs in the window, so I chose to just do some fuzzy sloping strokes, almost a painting technique. Keep the pressure very light, because you can always add more, but it is a hassle to erase if you get too strong in the beginning. The scan looks much darker than the actual drawing because I want the texture to show.

PENCIL TALK: There is no industry standard, so the same pencils look different in different brands. “B” means black; “H” stands for hard. The higher the number with the B or H, the more of that particular quality. For example, 4B is blacker (and softer) than 2B; 6H is harder (and lighter) than 4H. HB is smack dab in the middle, and is the equivalent of a #2 pencil, which is a completely different pencil rating system.

Step seven: Continue layering. Over the 4B, I put 2B using the same type of strokes, and extended it to some new areas, then followed with HB layered on top of the previous layers, and ended with 2H, on top of the previous layers and on the rest of the glass on the window. I just kept layering, working on the glass and the wood surrounding it. I build my shades with many layers rather than pressure, and mostly use the side of the lead rather than the point. Then I come back with a point to sharpen the edges.

I think we will have about 2 more days of this tutorial, and then I’ll abruptly change topics so I don’t lose my readers who are bored with watching paint dry.

 

Better When Scanned

This pencil drawing commission of a Mineral King cabin is finished. 

First, I went over the whole drawing with a giant magnifying glass and fixed everything that needed a bit of polishing.

Then, I scanned the drawing.

No matter how carefully I clean the glass on the scanner, there are always little black specks. No matter how many different ways I adjust the settings for scanning, there are always gray areas that should simply be paper white.

So, I clean it up with Photoshop Junior (Photoshop Elements).

Can you tell the difference? At this small size, it might be difficult to see the little improvements. However, I keep track of (almost) all my work, because I never know when I might need a good version for a calendar, some cards, some sort of advertising, to impress a potential customer. . . and to think I used to either make a photocopy or take a slide! 

Speaking of calendars, there are still some 2023 Mineral King HIKES calendars available here.

$20, including tax and mailing.

Drawing in My Little Studio

This is my studio when the flowering pear tree (a leaning tree) was at its peak fall color. The smaller building in the back is where I draw; the closer one with the open door is the workshop where I paint (and where the cats are fed and kept safe at night).

Where was I before all that irrelevant information?

Drawing. Drawing in the studio, using pencils. Drawing a cabin. Drawing a Mineral King cabin. Drawing a commissioned pencil drawing of a Mineral King cabin.

(There. That should satisfy that greedy search engine’s demands for short sentences and repetition.)

Remember this?

It morphed into a real drawing. Here are the steps, some of which you have already seen (but I understand that you actually have a life, and may have slept since then or perhaps even drank a bit.)

Meanwhile, the rains came down outside the studio, pingety-ponging off the metal roof. How’s that for a description of the blessed, life-giving, relief-bringing, green-making, dust-removing rain?

P.S. The drawing will be better when it is scanned, rather than photographed in low light with a substandard camera. Thanks for bearing with me on this process. 

 

Artistic License On a Pencil Drawing

Asking for a commission

Someone contacted me about visiting my studio, along with visiting Mineral King to find the cabin where her dad spent time as a child. I put her in touch with the current owner of the cabin, and then let her know that I accept commissions and can draw the cabin for her to give to her dad.

Gathering photos, making sketches

She was very happy with that idea, so she sent a few photos, the current cabin owner sent more, and I took a few too. Then I worked up different sketches for her to choose from. She chose A, and asked that I draw it 11×14″ instead of the original 9×12″ size chosen.

Beginning the drawing

I had a day without many interruptions, a day to just park in my studio and draw. That has become a real treat in November, consistently my busiest month. 

Instead of printing out photos or ordering good quality prints from Shutterfly, I chose to work from the photos on my laptop. That is now a regular method; it is a real bonus to be able to greatly enlarge a photo for the details.

After a full day at the drawing table, this is what I had.

Taking artistic license

There is a bit of artistic license being taken here, with permission from my customer, of course. In the olden days, I felt bound by reality, enslaved by the photos, and handcuffed by indecision when I ventured away from exactly what was there in person and appeared in the photographs. These days I feel a lot more freedom. Is it because of needing and learning to make things up with oil painting? Is it because I have so much more experience? (I’m kind of old-ish, being well ensconced in the S’s.)

Whatever the reason, the process is enjoyable and challenging. It makes me feel like a real artist instead of a copy machine. 

Calendars

2023, Mineral King HIKES, still available here: Calendars

To see the back of the calendar, you will need to click/tap on the link. 

 

Dithering Over Decisions

Still Here, my upcoming exhibition for the month of April has me dithering about how much is enough, how to prioritize the work ahead, and wishing for the umpteenth time that I had a functional and accurate crystal ball.

When Arts Visalia asked me if I’d move from January 2022 to April 2021, I decided that I would finish 4 of the 5 paintings in progress and not try to add anything else. The fifth could just wait for another opportunity.

This might be finished now.

Because I am painting larger than normal for me, I am not able to guess how long a painting will take to finish. The ones on the easels seemed almost impossibly far from completion. Then suddenly 3 of the 4 looked ready to sign. So, I pulled out #5, because it will be a nice addition.

Maybe there is time to finish this one.

 

Incrementally closer to completion with each painting session.

Meanwhile, I went through my framed pencil drawings and decided a bit more variety will be good. So, I delivered 3 more drawings to my framer with the usual instructions of “Make them look good and call me when they are ready.” I believe in hiring the best people for the job and then just getting out of their way.

I wonder if Arts Visalia will rethink the decision to hang my work in Gallery 2 and move me into the Main Gallery. I could fill it up. My work could fill both galleries. HEY, ARTS VISALIA, DO YOU READ MY BLOG?

Probably not. Guess I’ll head back to the easels.

Collaborative Drawing

A former drawing student lost her cabin in the Creek Fire this past summer. I asked her if I could draw it for her; she said yes and sent photos.

This former student participated in an art show a few years ago, along with 2 other advanced students and me. I asked those 2 others if they wanted to join me in drawing the cabin, and they both said yes. We all really like our friend and wanted to express our sympathy.

It took awhile to figure out what to draw, how to fit it together, who should draw which part, and even how to sign it. 

It took awhile, but we did it! Our friend was very touched, particularly by the fact that we each had a part.

 

Last Pencil Commission

This is the last drawing I did with a pre-Christmas deadline. It is a Mineral King cabin, and no, I will not publish the name as this is the World Wide Web and I respect people’s privacy.

It was a joy to draw a cabin that I am familiar with, one that I was able to take all the necessary photos instead of just working with one or two provided photos that were missing a lot of detail.

See these photos? I found them all helpful and necessary. This is my favorite kind of commission, but as you have seen on my blog over the past couple of months, I say yes to many challenging custom art jobs.

I make art that you can understand, of places and things you love, for prices that won’t scare you.

Christmas Cabin Surprise

A friend asked me to draw this cabin, another one that didn’t survive the wildfires. Her photos were fairly inadequate, but my confidence in making up things is growing. This is due to experience, both with cabins, and knowing that most people don’t observe detail to the degree that I do when drawing.

The front door of a place is the most important feature, and this one is hidden by the dual trees. I asked my friend if I could remove those trees and if she could describe the front door. She said yes to both.

When custom art jobs are tricky, meaning when there aren’t adequate photos, a sketch is often helpful.  This one has an unusual roof shape on the left gable end, and a surprisingly wide chimney, along with steps that were hidden behind the tree that I removed.

The sketch was approved, so I did the drawing. 

 

Winter Cabin

This cabin burned. I don’t know where it was or who owned it. The customer provided the photo and requested the drawing as a gift for the cabin owner. I haven’t heard the outcome. I feel fairly confident that the cabin owner won’t know about me or my blog.

P.S. If you recognize this cabin, shhhhh. It is meant to be a surprise.

Three Delivered Pencil Drawings

A thoughtful and generous man hired me to draw 5 cabins for 5 different friends who lost them in the wildfires. He asked me to not put them on the blog, because they were to be surprises. He must think that I have a larger readership than I do; on the other hand, this is Tulare County, where there aren’t 6 degrees of separation – it is more like 1-1/2.

Three of the drawings have been delivered. The customer sent me photos of the recipients, but because this is the World Wide Web, I’ll just show you the cabin drawings without the recipients (even though some are wearing masks).