Inspired by Citrus

I am the daughter and granddaughter of citrus growers. I thought I might become a citrus grower myself, but I became an artist. Still self-employed, but in a much less risky and less regulated business. Still, I am inspired by citrus.

 

Usually I paint oranges as a still life, which means an orange or two on a table-top. Now I am painting 4 or 5 oranges on a table top, but it is the easel that is on the table top.

never mind. . . worry does strange things to my writing ability

If the colors look juiced up to you, it is a combination of the fancy-pants lights and the fact that the colors are indeed juiced up a bit.

“Juiced up” is the term I’m using to mean a bit over-bright or exaggerated. I’m finding it fun to do this. Just a phase or a new way of painting?

Dunno. Just looking for some fun.

Don’t worry. Be happy. Happy happy happy.

There! Don’t you feel better? A California artist has got to paint oranges!

Mineral King Again

Hey, California Artist, don’t you work?

Beats me. It seems as if I spend all my time working on the computer, writing 2 blogs, answering email, redesigning murals, designing book covers, designing pre-order postcards. Oh yes, and I spend way too much time on the phone with AT&T, Paypal, and Apple. You really would rather not hear about that.

You are right, California Artist. Why don’t you tell us something interesting?

How about if I show you some nice Mineral King photos?

Now that’s what I’m talking about!

White Chief canyon in Mineral King
White Chief canyon in Mineral King

 

Whorled Penstemmon in White Chief. “Whorled”, not “whirled” or “world”. Got it? Good!

Sawtooth from White Chief
Sawtooth from White Chief

 

Pride of the Mountains is another version of penstemmon.

Green? Purple? Gurple!

Rocky Hill Antiques Mural, Chapter 7

When I got to Rocky Hill Antiques, I was so pleased to see the truck in its new position. Keith is a guy I can count on to do what he says he will do – that is an outstanding character quality.

Rocky Hill Antiques Mural in progress

Because he is so quick to help, I wanted to be able to complete everything that uses the truck on this day and the next one. He isn’t clamoring for the truck back, but I feel a little (self-imposed) pressure to get ‘er dun. This is because of the commute (SOOO annoying – all those slowpokes until the passing lanes), the heat (not too bad on Friday at all!), the NOISE, the rough wall surface, and perhaps the general wussiness of this California artist.

Ever since I agreed to do this mural, I’ve been ever so slightly worried about the lettering. I have about zero experience and knowledge of how to letter well, and when you throw in the bumpy bricks and mortar – ay-yi-yi-yi.

Rocky Hill Antiques Mural in progress

No worries! The wall surface gives me the excuse to have the letters be less than perfect.

It was really satisfying to mix up the right blue for the outline of the letters and the “pinstripe”. I love to mix colors!

Now all that is left is the base on which the statue rests, finishing the re-bluing at the bottom, the words at the bottom, and the lower parts of the little light blue stripe. Plus, I want to hide something in the mural. That is really fun. I put an old fashioned fireman’s hat in the mural on the fire station tank and a hiking boot in the Sequoia Outdoor Sports mural.

I wonder what belongs in this one. . . I think there are 2 more afternoon’s worth of painting, so I have a little bit of time to figure out what to paint and where to paint it.

A California Artist Paints (Without Benefit of a Crystal Ball) in Tulare County

The Redbud Festival is coming soon. First weekend in May this year, and at the Memorial Building in Three Rivers, which is a new location.

As usual, I have no idea what to expect in terms of visitation or sales. A crystal ball certainly would be useful.

Oh well. Guess I’ll just paint a combination of what has sold well before and what floats my boat.

The first draft is bright but rough.

Now they are drying in the window sill. The colors look funky because they are wet and reflective.

What is that stack of stuff? I looked through my fruit photos (Phruit Photos? Fruit Fotos?), picked the ones that floated my boat, attached hardware, then wrote titles and inventory numbers on the backs of each canvas.

Now they are almost finished, drying on hooks next to the window. When they are dry enough to handle, I’ll sign them. When that part is dry, I’ll scan them. These are 6×6 wrapped canvases, in oil paint, and will sell for $50 each.

Or not.

I may be a California artist, but Tulare County is the 13th poorest out of 58 counties. And in spite of putting the price next to the painting, people always ask how much. We are also the 3rd least educated county in the state.

Always gotta do things the hard way, eh? Do you think my paintings of fruit would sell in Marin County? I could add another zero, maybe borrow my neighbor’s BMW, have someone dress me so I could pass, and make a run up there.

Nah. They’d see right through me.

Tulare County is where I was born, and it is where I’ll stay and paint. Sometimes I love it here, and sometimes I want to run away. That’s probably how it is with every place in the world.

Visiting Sequoia

When I was a kid and there were guests from out of the area, my folks would take them up to visit Sequoia National Park. I remember thinking, “Do we have to go to the mountains again?”

What a punk. A punk in the Park. A Park Punk?

Two very dear cousins of mine were here recently. We had family business to attend to, and then, we went to Sequoia! I wanted to go, and I really wanted to go with them. They had spent much of their childhood summers in Sequoia, and many of our memories were from times there together.

It had snowed several days before and the previous night. Our first stop was Beetle Rock, which involved some fun stories and binoculars for bird watching.

It was overcast and cold. Doesn’t matter. We were in the Park, and surrounded by Sequoia trees. I love this fence, even when there is no sun on it, even when the snow is tracked.

Cousin Joel seems tall to me, but not compared to a Sequoia tree. He has binoculars, because he sees a bird. Or maybe he hears a bird and is looking for it.

We walked up toward Tokopah Falls, stepping in the tracks of some previous hikers. Doesn’t this look cold? It was 34 degrees.

This is the Marble Fork of the Kaweah River. It flows through Lodgepole. Brrrrr.

It got so foggy we descended to enjoy the foothill part of Sequoia. This is the Middle Fork of the Kaweah River as seen from a suspension bridge out of the Potwisha campground.

Isn’t this a cool bridge? When I bounced on it, it was hard for my cousins to hold the binoculars still and identify their birds. I tried to not be a punk and mostly succeeded.

Isn’t this cool?

This is an old flume and provides water for hydroelectric power. Very clean energy, and nothing gets wasted. There were no birds in the flume, so the binoculars weren’t necessary.

For the record, this former punk really enjoys Sequoia Park. I am now a California artist who loves the special places of Tulare County, and that’s the truth! (Raspberry sound, but I can’t spell that)

 

 

Why is this Oil Painting Commission So Hard??

As a studio painter, I work from photos. There is a ton of pressure out there in ArtWorld to paint plein air, which might be French for “on location”. There is a ton of embarrassment out there in ArtWorld about painting from photos, because it usually garners a lot of derision and sneering and condescension.

One of my painting mentors (virtual – we have corresponded but never met) Jack White has said, “All realistic painters either work from photos or they lie about it.”

I try to NEVER lie. You can count on finding the truth here, although I do minimize the ugliness as much as possible. This blog is supposed to be fun, informative and entertaining, not edgy, rude or shocking.

Now, let’s move on to the point of this post, which is to discuss the difficulties of a commissioned oil painting of a place I love here in Three Rivers.

I did a commissioned oil painting for my amazing friend Barbara. It was a composite of several photos – her house, all the lavender in bloom, and hills behind. There is no place to stand to see this actual view, so I worked from several photos.

 Being the generous and thoughtful person that she is, Barbara gave away this painting. Then she asked me for another just like it.

Instead of looking at my computer screen and attempting to copy this painting, I pulled out my photos again. This is because I don’t think the computer reproduction is very accurate, and because I like to work from the original source. And, I hope I paint better now so will be able to do an improved version of this. (Ever hopeful, always wanting to improve, ever optimistic, this California artist!)

Either I’ve lost some of my photos, or I’ve lost my ability to paint from them or I’m losing my mind.

This is one of the hardest things I’ve attempted in awhile! I’ve been messing around with the proportions, studying the photos, staring at the painting, looking at the version on the computer, and not making any progress.

Why is this so hard?? What is my problem??

Finally, after wasting an inordinate amount of time just staring and thinking, I decided to go outside and look at the actual hills.

I took my camera for a walk so I could fully see the end of the house that we want in this painting. I need to see the proportions of the windows to the shutters to the wall space on either end and in the middle. 

Nothing is solved, but now I have even more pictures to study.

On the Easels, On the Wall

These are some of the paintings on the easel and drying on the walls around the painting studio/workshop.  I did them for the Studio Tour. After spending an entire year just drawing the cabins of Wilsonia, it was time to paint again.

Always gotta have citrus paintings – what else would you expect from a California artist? These are each 6×6, a very popular size in kitchen art.

These pomegranates are 4×4″. Like the shoes? Ugly as sin, but oh so very comfortable. I thought about cropping them out of this photo, but got lazy. This palette served as a convenient tray for transporting these little wet paintings. The weird circle behind the painting on the upper right is an old color wheel. The palette is a gift from someone whose mother used to paint. Most of my supplies are gifts from people whose mothers and mothers-in-law used to paint.

The yarn in the photo is lavender and blue. I have been on a roll for a couple of years just loving the combination of teal and brown, so that’s what I am making the yarn in the painting. The photo is showing me the twist pattern, the size of the strands, and the way the light and shadow fall. This is called “using a photo for reference”, because out there in ArtWorld, working from photos is met with a lot of contempt.

The Kaweah River is on my list of Oil Painting Subjects To Always Have On Hand. I’ve painted this scene before. This time it is 10×10″ square, and the colors are a bit juiced up, although it is hard to tell when looking at a photo of a photo.

Ditto the Kaweah Post Office. This is the first time I’ve included the monument marker. Painting it on a square canvas got my eye confused, and the proportions were whacky at this stage. I fixed it later.

Careful! The paint is wet on these! The piece of paper is how I keep track of where I am on which painting. I could just look around the room and see, but a list makes me feel more productive and efficient. Never mind that it might be a waste of time to make the list and to keep it current. I’m 53 and I can do what I want. Wait a minute – am I 54? I can’t remember!

The top and bottom paintings sold at the Studio Tour. Time to paint another Mineral King!

Sequoia Mural Complete

Doesn’t that sound like a terse newspaper heading?

The Sequoia tree mural of a section of the Parker Group on one of my ridgey garage doors is now completed. Maybe. I signed it, but when I live with a piece of art, little corrections ask to be made. So, is it finished?

I spent 18 hours painting this in about 7 different sessions, the longest of which was 4 hours. Of course, I might keep fiddling with it, so there may be more.

If a customer wanted this exact mural on this exact surface and this exact size and I didn’t have to drive more than 1 mile to paint it (definitely rounding up because I drove no where to paint this), I’d charge $700.

I knew you were dying to ask, but there is this weirdness about art prices. . . the old “If you have to ask, you probably can’t afford it.”

No worries. The truth is what is spoken and written here and no one has any reason for embarrassment when he doesn’t know something. This California artist who paints Sequoia trees just wants to help you.

2008 Wasn’t All Bad

You know how everyone refers to 2008 as the year that the economy went south? (How insulting to our Southern friends that “going south” is a euphemism for going bad – it means going downward, oh Gentle Southern Reader.)

In Three Rivers, California, 2008 was the Year The Poppies Were Incredibly Abundant and Shockingly Beautiful.

Great Poppy Year, 16×20″, oil on wrapped canvas, $375, available here

A new show, Sierra Wonders, opens today at Arts Visalia, 214 East Oak Street in Visalia, California. It features the art and writing in the book Sierra Wonders. That means this painting and one other of mine.

Join me at the reception, Friday, March 7, 6-8 p.m. 214 East Oak Street, Visalia, California. I might even bring Trail Guy with me, maybe my Mom too! Feels really important. It is important to me and to all the artists in Sierra Wonders.

Poppies on the Easel

It is time to get some paintings finished for the upcoming Three Rivers Studio Tour. This is what is taking place in the painting workshop these days.

It’s a start to a picture that might work in my 2015 calendar, in addition to being available for the studio tour. Besides, it is just fun to paint with such brilliant colors!

I’m a California artist. What else would you expect me to paint? Oranges? Sequoia trees? You wouldn’t be disappointed. . .