Citrus Against the Sierra

Nope, not a sports event, but the subject that I like painting the most right now.

Citrus Sunset, 6×12″, oil on wrapped canvas, $125 plus that annoying California sales tax.

This one is 18×36″ and it is NFS. Do you know what that means? That is an old fashioned acronym, before “acronym” was a common word.

P.S. It costs a fortune to have a transplant, and while insurance covers much, there is much more that it does not cover. If you feel generous and inclined to help my friend, Rachelle, this is the best way to do so: HelpHopeLive.Org

More Citrus Paintings

This 6×12″ oil painting. . .

. . .held my interest more strongly than the 6×18″ of a Sequoia tree. I am having a thing for these pictures of citrus against the hills. 

It is now drying, so I started another one, this time 18×36″.

Yeppers, upside down. This one feels huge, there is no deadline, and I really think it will look excellent in my dining room. Dining area — it is just an area, not a separate room.

What is it about these scenes that floats my boat? They are truly a source of inspiration to me right now. But, as a nod to a popular piece of advice, I’m not going to overthink* it. I’d rather paint.

*Have you noticed the popularity of this? The word “overthink” keeps appearing in book titles and songs, and now of course, in people’s speech patterns (along with “literally” when “figuratively” is meant, and “at the end of the day”). Who starts these fads??

P.S. It costs a fortune to have a transplant, and while insurance covers much, there is much more that it does not cover. If you feel generous and inclined to help my friend, Rachelle, this is the best way to do so: HelpHopeLive.Org

Starting and Ending

I started a new citrus painting, much like a recent one (that is still too wet to photograph well.)

Really, it is different from the other one. . . see?

Almost finished. needs a couple more layers on some of the do-over parts.

Citrus sells steadily in Exeter at the Mural Gallery, so it is good to always have another one ready to go.

Finished and delivered this one: SHHHH, IT IS A SURPRISE! And yes, I know the scene is cobbled together from places that aren’t together in real life.

 

Creeping Incrementalism

“Creeping incrementalism” sounds like the frog in the frying pan. In the case of this Central California artist, it is the way I am currently approaching paintings. Maybe if I just paint in increments, telling myself along the way that I can just do a little and quit any time, then at least a bit of progress will happen.

Whattsa matta??

Sometimes I don’t want to paint. I’d rather be in the house knitting or in the studio drawing or in the yard raking leaves. If I approach work with the attitude of Just Do A Little For Now, then maybe I’ll get involved and forget that I don’t want to be there.

Why don’t I want to paint? This might be a question for a licensed therapist, or a life coach, or a sympathetic friend to figure out. Never mind for now. Let’s have a look at paintings that are improving in small creeping increments. (Creeping? Why this word??)

  • The Cabin Scene (shhhh, it is a surprise!) a commissioned oil painting

The sky has been retouched, the mountains and distant forests too. (The colors are a lot different due to the lighting on an overcast day.)

With a new photo of the cabin, even though the shutters were closed and there is snow on the ground, I was able to determine the placement of details.

  • The Citrus Row, which obviously needs a better name.

The background goes in first.

You can see that I am not locked in by the photo. And maybe you can see that maybe I should be locked in by the photo. Maybe just locked in. Or locked up?

Geraniums, because I like this

It has been so long since I began this that I forgot about the actual physical photos and instead was painting off my computer screen.

The power went out once, it was sort of too dark to see when it came back on, and I just started making things up. Prolly time to put away the brushes for the day, eh?

Today’s featured painting at Anne Lang’s Emporium (and these look much much better in person than on screen):

Sunny Sequoias #35, oil on wrapped canvas, 6×6″, $60

Told You So

Last week I told you that I don’t like the pumpkin painting in progress. Paintings in progress aren’t often inspirational, but this one didn’t seem hopeful at all. Something about the arrangement of things or the colors just wasn’t ringing my bell.

A friend brought us a bag of various citrus fruits. It was an AHA! moment for me, so I arranged them on the kitchen table in various formations. (This could be worthy of several paintings.)

Bye-bye pumpkins.

It is both a relief and a weird feeling to scribble over the top of a painting that is getting close to completion.

Scribble scribble like a bumpkin, who’s that scribbling on my pumpkin?

The color of the actual fruit is much nicer than appears on the photo and on screen.

This is going to work. . . told you so!

Today’s Anne Lang’s Emporium featured painting

Redwood-Dogwood, oil on wrapped canvas, 6×6″, $60

Little Boutique in Lemon Cove

Happy Birthday, Jim! (We’re still in the Fs. . .)

Ever been to Lemon Cove? If you’ve gone to Sequoia from Visalia, you’ve passed through it. I think of it as Lemon Curve. . . a few curves on the highway, and you are outta there.

There’s a little boutique at the Lemon Cove Womans Club (yep, that’s the real spelling) on Saturday, October 20, called the Harvest Boutique, from 10 a.m. – 4 p.m. The Womans Club is on Highway 198, and it looks like this (if you first vacuum all the color out of life):

For the boutique, I’ve painted some new small citrus oil paintings, 4×6″ and 6×6″ (priced at $50 and $60 plus 8% California sales tax). Although this is LEMON Cove, there is more than one type of citrus art here, and please take note of the highly creative titles.

Mandarin

Lemon

Two Oranges

Navel

Navel Two

Two Lemons

Oranges, Completed, Sold and Delivered

As I showed you in yesterday’s post.

Completed in pencil (graphite)

With the barest hint of colored pencil.

Photoshopped for best reproduction in the 2019 calendar.

That last step after the photoshop thing only shows a subtle difference, but I wanted you to know that the business of art includes thinking ahead toward how a piece can be used besides just selling the original.

And the original is sold and sent! That makes me happy for three reasons: it is going to someone important to me who will truly appreciate it; it won’t be languishing in a drawer while I dither about whether or not to get it framed; it produced an income (not all speculation drawings sell).

Just Another Workday

One day a week or so ago, I painted in the morning and drew in the afternoon. This is what it looked like:

Piper was needy. He is resting his little head on my arm, not biting me the way Samson did.

Felt compelled to paint this view again; 4 days later a friend/customer/collector emailed to ask if I had this view available; turns out he wants it to be 16×16″, not 6×6″. Good thing I have practiced this view many times.

This is a popular size and shape, so my last canvas of this size became Sawtooth #29.

Finished? Sawtooth definitely fits this shape of canvas nicely.

Then I moved into the studio. It was a sunny day, so I raised the blind and saw this:

Hi Mike, the carpenter (not to be confused with Michael, the Trail Guy)

Here is another drawing in progress for the 2019 calendar.

The plan is to put a little color into this drawing of oranges. Can’t be considered an authentic Tulare County artist unless I include oranges in my rotation of subjects.

And thus we conclude another workday in the life of this Central California artist.

Three Orange Oil Paintings, Completed!

Whoa. That was a sprint. Three new orange oil paintings in a week’s time, begun and completed.

This is the original orange painting; it is drying in the window because I had to re-sign it so that the frame wouldn’t cover my name.

Top orange completed. The color and clarity are definitely better after the 2nd coat. Good thing.

It was very helpful to have the original painting right there to match the colors.

Two down, one to go.

Compare the bottom painting in this photo to how it looks in the photo above.

It is a privilege to be thought of when local businesses have Art Emergencies; it is a thrill to be able to handle those situations. I’m very happy to be able to help, and particularly happy to help out in ag and especially in citrus.

Lovies,

Your happy orange painter

Oranging Along

It’s my blog, I’m 58 and I can make up words if I want to. Any questions?

Oh. What does “oranging” mean?

It means painting oranges, although I was just painting greens that day. Because this commission job was for 3 oil paintings in 2 weeks, I had to plan the most efficient method of delivering mostly dry paintings. 

Day one: get the first layer down, all the canvas covered, the basic shapes and colors in place and the edges with one coat.

Day two: Perfect the background greens so that on. . .

Day three: sign on the green area after perfecting the orange area. Finally, put a second layer on the edges, which may or may not show. I don’t know what the framer has in mind and won’t get to see the final product. 

This gives the paintings a week to dry. Would have been better to know about this job sooner, both for more time to work and also for summer’s heat, which makes for quicker drying. They might be a little tacky (in the tactile sense of the word, not the quality of the job.) But, a little pressure is sometimes a good catalyst for action.

Working upside down is helpful both for seeing shapes accurately and for a more comfortable hand position. The finished painting is on the bottom, and it is my guide.

The second painting.

And here is #3. Bet you are wondering if there really are 3 plus the original. . .

Yeppers. Three orange oil paintings with the original sitting alongside on Samson’s shelf.

Speaking of Samson, he is pretty tired. He’s been working the night shift lately.