On A Clear Day

First, something has gone wonky with my blog so the blog post title either doesn’t show at all or it is a little bit messed up.

“On a clear day” what? It certainly isn’t “you can see forever”. Last Wednesday, this is how things looked.

No, really, look! You can see the hills across the canyon, and the helicopters resumed flying to the fires.

This doesn’t qualify as a clear day in the olden days before wildfires ruled our corner of the world, but it qualifies as light enough to paint, and not smoky either, so I could paint with the doors opened up.

Remember this painting? I can’t even remember what I titled it anymore, but I do remember it is my favorite type of scene to paint, and that it was lacking wind machines, oranges, and a signature. We last saw it here on September 13.

Now it is completed.

Even with the doors open and a clear(ish) day, it doesn’t photograph all that well. How about if I prop it up on the ladder so you can further appreciate the completion?

Okay, standard disclaimer: it looks much better in person.

Next!Remember this? Of course not. Why would you? You last saw it on August 19.

Here I have begun adding sky, a color blue that I had almost forgotten to associate with looking up.

It now needs another coat, and then the detailing, my favorite part of drawing with my paintbrushes.

I wonder how Alta Peak and Moro Rock–wait! Moro Rock doesn’t really show in this painting because it doesn’t really show in the photograph I’m using, so I might have to revisit this.

Where was I? 

Oh. I was wondering how this view will look after (when? if?) this horrible fire ever ceases. It will have to run out of fuel eventually. Will this affect how sunsets look in the winter? Will we have winter?

Never mind. Let’s all just sing a happy little version of “It’s a Small World After All”, because the colors on my painting bring that song to mind.

You’re welcome.

P.S. 35 years ago today my life changed forever, for which I am very thankful.

More Citrus Paintings

This 6×12″ oil painting. . .

. . .held my interest more strongly than the 6×18″ of a Sequoia tree. I am having a thing for these pictures of citrus against the hills. 

It is now drying, so I started another one, this time 18×36″.

Yeppers, upside down. This one feels huge, there is no deadline, and I really think it will look excellent in my dining room. Dining area — it is just an area, not a separate room.

What is it about these scenes that floats my boat? They are truly a source of inspiration to me right now. But, as a nod to a popular piece of advice, I’m not going to overthink* it. I’d rather paint.

*Have you noticed the popularity of this? The word “overthink” keeps appearing in book titles and songs, and now of course, in people’s speech patterns (along with “literally” when “figuratively” is meant, and “at the end of the day”). Who starts these fads??

P.S. It costs a fortune to have a transplant, and while insurance covers much, there is much more that it does not cover. If you feel generous and inclined to help my friend, Rachelle, this is the best way to do so: HelpHopeLive.Org

Two New Paintings Begun

With several paintings sold through Arts Visalia and Mineral King summer paintings finished, it is time to review my inventory. This is simply part of the business of art. Some artists paint what they love, others paint what sells, and the lucky ones get to do both. I move freely among all three categories.

Subjects that I always need to have on hand are: Kaweah Post Office, Kaweah River, Alta Peak/Moro Rock, Sequoia trees, oranges, poppies, citrus groves, and of course, the basics of Mineral King such as Farewell Gap with the Crowley Cabin, Sawtooth, the Oak Grove Bridge, and the Honeymoon Cabin.

This is not as boring and repetitious as one might think. It is a challenge to continue to paint the same subjects, finding different sizes, types of light, and angles, all while trying to paint better and better. After all, I want to be an artist, not just a painter.

Here are 2 new ones on the easels to beef up my inventory, or in ArtSpeak, “body of work”.

Upside down forces me to see the shapes more accurately.

Right side up helps me enjoy the process a bit more.

When I get to this stage, I am eager to start drawing with my paintbrush.

If that new retail establishment comes to fruition here in Three Rivers, I imagine I will be knocking out quite a few of these big trees in this format. 

P.S. My friend who has been waiting for new lungs GOT THEM ON SATURDAY!!

Irresistible Subject

Ever painted a circle? I have. It was a heavy saw blade with sharp teeth. Sawteeth? Yeppers, Sawtooth with sawteeth.

This one is much kinder to work with. It isn’t heavy, the surface is very smooth, the top is clearly marked, and it fits on an easel.

The paper photograph hadn’t arrived, but I couldn’t wait a moment longer to begin. A scene with citrus and mountains, a true source of inspiration, is just irresistible to this Central California artist!

Good thing my customers have faith in my ability, because as always, things start out looking rough.

HURRY UP, PRINTED PHOTO!!