Tiptoeing Along on Several Oil Paintings

Why tiptoeing? Because it feels slow and careful at this stage, like I am just feeling my way along, trying to be as careful as possible.

First up, Sawtooth, the commissioned oil painting.

Second, rebuild the Kaweah Post Office, also a commissioned oil painting.

Third, plant some grasses. (Oil paint grasses, not fescue or bermuda or dichondra or Kentucky bluegrass or. . .) There was more progress made, but the phone call came that it was time to rescue Piper from the vet, where he got civilized this week. $192. No such thing as a free cat. (Samson cost $132 – he was in better shape to start with.)

Sawtooth got its front ridges painted.
Then I flipped it over to paint the bottom and begin the greenery.
This one had its skyline just too rough, with things not the right heights. So, I repainted the sky, using it to shape the mountain tops.
This was begun all wrong, wrong, wrong.
Better now. Miles to go before I sleep. . .
I mixed up 3 shades of green and began building background. While doing this, I increased the sizes of the blooms and added many more.

April Distractions in Three Rivers

I tried to oil paint last Friday but the greenery and wildflowers overcame my sense of duty. So, Trail Guy and I drove up North Fork Drive to the end.

My palette was ready to go.
I worked on Sawtooth a little.
After telling Trail Guy that I’d heard the flowers were great up North Fork and staring out the window a bit, he said, “Let’s go now!”

The road was longer, rougher, narrower than I remembered and all very worth the drive.

The last 3.5 miles are unpaved.
This is Yucca Creek at the end of North Fork Drive.
That’s one narrow little footbridge over a massive old culvert pipe.
Wowsa.
The yellow flowers are called Madia.
Heading back down has a view of Ash Peak with a blooming yucca and bush lupine.
Looking over the edge down to the North Fork makes one glad to not encounter any oncoming traffic on that narrow road with no turnouts.
Poppies are yellower in the wild than in my yard.
The poppies on the hillsides are what gave California its name of “The Golden State”. (Bet you thought it was the gold rush)
I love Fairy Lanterns, AKA Satin Bells. Pink isn’t my favorite color, but it is rare enough in nature that it stands out.

After we got back home, I painted a little bit more. There is this commissioned oil painting of Sawtooth for a very patient customer, and it would be good to make progress.

Sawtooth’s shape is improving, and it is acquiring colors and texture.

Then, I got distracted again and thought that wildflowers would look great on a 6×18″ canvas. Can you see the possibilities here? (Put on your rose-colored glasses with me!)

Planning a wildflower oil painting.

Starting Over Again With Sawtooth

All those paintings of Sawtooth completed over the past several months, and someone wants a different size? 

Yep. No problem. I am an artist, and artists make art. Here are the beginning steps of the commissioned oil painting of Sawtooth:

First I assign an inventory #, title the piece and attach a hanging wire.
Second step is to prime the canvas, or “tone” it as another artist names it. That was even more boring than Step #1, so this photo is showing the paint from the tubes and the colors I mixed to begin the painting.
Painting from back to front means that the blue sky strips go on first.
Then some clouds, and the realization that it would be helpful to crop the photo to a square.
More clouds and the beginning of Sawtooth’s shape.
The angle looked too steep on Sawtooth’s right side slope, so I pulled out my angle finder tool. It was a little tricky to take this photo so I am not holding the thing correctly here (vertical needs to be vertical, not tipsy). I’ll recheck the angle in the next layer.
At the end of the painting session, everything had a first coat of paint.

Wow, it is time-consuming and interruptive to photograph the steps in this much detail. But, this customer has become a friend and likes seeing the progress. I’ve heard from others that seeing the process is interesting, so here we go. . .

Kaweah Post Office Oil Paintings

Kaweah Post Office, first painted in 2009 with three years of painting under my belt, no confidence in my ability to paint architectural subjects and not a ton of experience in photographing my work either.

Every time an oil painting of the Kaweah Post Office sells, I paint it again.

Kaweah Post Office II, painted in 2010 (Where is the flag???)
Kaweah Post Office III, painted in 2011
Kaweah Post Office IV, painted in 2010, getting really elaborate with my details as my confidence and skill grows.
Kaweah Post Office V, complete with the cigar Indian on the porch, also painted in 2010.
Kaweah Post Office VI, 2012 (must have taken awhile for the previous one to sell)
Kaweah Post Office VII, also painted in 2012

That’s a lot of oil paintings of the Kaweah Post Office. But wait! There’s more! Come back tomorrow and see the second set of seven.

Growing a Poinsettia

Someone bought some cards of a poinsettia painting that I did about 8 or 9 years ago. (It looked fine as a 4×6″ image, back when I was first learning to paint. Be polite, okay?)

She liked it so much that she asked me to paint the same picture for her as an 8×10″ oil painting. 

Oh boy, another do-over!! This time I get to do a better job because I paint better and because the canvas is larger to accommodate more detail.

There wasn’t one photo that was my guide when I first painted this. I used several, simplifying the image as much as possible. This time I am using several photos again, but not simplifying the flower so much. This looks a little bit weak in color because the paint is wet and shiny. This is at the end of day #1.

In the next painting session it looks almost finished, but there is more layering, the center detail, edges, and finally. signing. (Then drying, scanning, varnishing, drying yet again). This was painting day #2.

You can see in the next photo that most of the painting looks weird and reflective, because it is wet and shiny. There are 4 petals that haven’t been re-layered. This was painting day #3.

At the end of the painting session, I hung it out in the workshop to begin drying. This one wasn’t in a huge rush to be delivered, so I didn’t want its messy wet self in the house.

Funny how it doesn’t look reflective here. That is because it has indirect light from the window rather than a lamp shining on it. That lamp helps me mix the colors right, but makes for poor photography.

And finally, this is the finished and scanned commissioned oil painting of a poinsettia. Color looks duller than in real life. I hate that. But, the real one is brilliant. Guess you’ll have to take my word for it.

December Oranges

Did you know that navel oranges are harvested in December? If you are from Tulare County where the world’s best (and most) navel oranges are grown, you probably knew that.

My grandfather and dad were both orange growers. I am an orange painter.

A friend/neighbor called to say that her sister-in-law wanted an oil painting of oranges just like the one in her dad’s house. I asked for a photo of the painting so I would know how to make another one.  Obviously, these people have impeccable taste in artwork. After receiving this photo, I looked through my 963 photos of oil paintings, arranged by subject, and although I recently finished Orange #134, this old painting didn’t show up in my inventory. 

That’s okay. I have plenty of photos to work from. And if I am going to paint an 8×10 oil of oranges, I might as well do a second painting to have ready for the next orange art emergency.

This is how the orange paintings looked on day one of painting in December. (The 8×10 will probably be mailed while it is still a bit wet.)

At the end of the painting day, I put them in boxes to carry into the house and prop up over the wood stove so they will be ready for the second layer. 

(I painted a second and third layer without photographing the process.)

EPILOGUE: Finished and in the mail, right on schedule!

Three Orange Oil Paintings, Completed!

Whoa. That was a sprint. Three new orange oil paintings in a week’s time, begun and completed.

This is the original orange painting; it is drying in the window because I had to re-sign it so that the frame wouldn’t cover my name.
Top orange completed. The color and clarity are definitely better after the 2nd coat. Good thing.
It was very helpful to have the original painting right there to match the colors.
Two down, one to go.
Compare the bottom painting in this photo to how it looks in the photo above.

It is a privilege to be thought of when local businesses have Art Emergencies; it is a thrill to be able to handle those situations. I’m very happy to be able to help, and particularly happy to help out in ag and especially in citrus.

Lovies,

Your happy orange painter

Oranging Along

It’s my blog, I’m 58 and I can make up words if I want to. Any questions?

Oh. What does “oranging” mean?

It means painting oranges, although I was just painting greens that day. Because this commission job was for 3 oil paintings in 2 weeks, I had to plan the most efficient method of delivering mostly dry paintings. 

Day one: get the first layer down, all the canvas covered, the basic shapes and colors in place and the edges with one coat.

Day two: Perfect the background greens so that on. . .

Day three: sign on the green area after perfecting the orange area. Finally, put a second layer on the edges, which may or may not show. I don’t know what the framer has in mind and won’t get to see the final product. 

This gives the paintings a week to dry. Would have been better to know about this job sooner, both for more time to work and also for summer’s heat, which makes for quicker drying. They might be a little tacky (in the tactile sense of the word, not the quality of the job.) But, a little pressure is sometimes a good catalyst for action.

Working upside down is helpful both for seeing shapes accurately and for a more comfortable hand position. The finished painting is on the bottom, and it is my guide.
The second painting.
And here is #3. Bet you are wondering if there really are 3 plus the original. . .
Yeppers. Three orange oil paintings with the original sitting alongside on Samson’s shelf.

Speaking of Samson, he is pretty tired. He’s been working the night shift lately. 

Three Oranges, To Go, Please

Two weeks to paint three oranges, but really, only one because of a planned 2 days off and because of drying time.

No problem. . . just get outta my way! They don’t have to be truly identical, because each one will end up in a different home.

That sounded weird. If they were all in the same home, they really wouldn’t have to be identical. Never mind.

They will all be presented at the same time, so they need to be close. That way, no one says, “But I like his better!”

This is how it looked over the course of Day One at the easels.
The last step of Day One was painting layer #1 on the edges. When I return to the project in two days, they will be dry enough to put on the next layer. The second day of painting will be when I perfect all the details. 

Two days isn’t some formula; it is because I teach drawing lessons on the second day and have a prescheduled appointment on the third. On day four I can continue.

They most certainly need more work. . .

 

Four Oranges, Please

A yearly customer emailed me to ask for a painting she saw on my website, but she didn’t just want that painting. She wanted four of that painting.

Well, oops. My paintings don’t get reproduced by machines; my paintings get reproduced by a paintbrush in my hand.

But wait! There’s more! She wanted them in two weeks time.

Ahem. I paint in oils. They take awhile to dry (unless it is July or August). This could be a tricky assignment.

First, I found the original painting and got in touch with the gallery showing it to set it aside for me to retrieve. This meant that I had to paint “only” three. That helps.

Second, did I even have blank canvases the right size? Yeppers, I did. 

I know, you are just dying to see what painting she wants.

Tomorrow, I’ll show you what happens next.