Pencil Commission of Wilsonia Cabin

For over a year, a pencil commission of a Wilsonia cabin has been waiting for decisions to be made by the cabin owners. I too have been waiting. And waiting and waiting and waiting.

2 other sketches

We finally got together in person and discussed some details. They chose a view, chose a size, and paid a deposit.

I got a little ahead of myself in this commission. Normally the customer decides the size, pays 1/2 down, and then I take the photos and do the sketches. For several reasons, I didn’t do this one in the right order, which made me nervous. In the past, when the steps get out of sequence, I usually do a bunch of work for free. Then, the customer just flakes away, because he has no monetary commitment, or as in today’s vernacular, “no skin in the game”.

Not these folks. I persisted, we finally connected, and now this drawing is in progress!

cabin drawing

Lots of fuzzy background trees – my hope is to add interest (and distract from all the vagueness) by adding that closer branch.

Lots and lots of little details too. I was relieved they didn’t want all the signs, the 2 bridges, the bird house, the bird bath, the wind chimes, the plaque, etc. The water wheel and wishing well were fiddly enough.

As a right-hander, I work from top to bottom, left to right. This minimizes the smearing from my hand dragging across the piece as I draw.

 

 

Drawing a Cabin

My business is called “Cabinart” because when I began, I lived in a cabin and I drew people’s cabins.

I still live in a cabin part time and I still draw cabins. When someone pays me to draw a specific cabin, that is a commission.

A friend asked me to draw a cabin that he borrows as a gift for the owner. I asked for specifics, and he said, “Do the voodoo that only you do so well”, or something equally unusual. He is an unusual person – no one like him in the world, and I think he is a treasure.

Sorry. Distracted by thoughts of my funny clever friend.

I drew it.

friend's cabin 1

Not enough pizazz. Let’s add some color.

friend's cabin 2

Still not quite good enough.

friend's cabin 3

Nice. Commissioned pencil drawing of a cabin.

Weird Little Contest Entries

Small sequoias Small pinecone Small cabin

 

 

 

 

 

 

Each of these drawings are 2-1/4″ x 3-1/4″, drawn directly on the entry form called “Blank Canvas” for the magazine “Professional Artist”.

The 2 colored pictures are colored pencil. It hurts my wrist to use colored pencil over an extended period of time, but these went quickly.

And I love to draw in pencil. Pine cones are one of the hardest, most confusing subjects to draw because of all the repeating shapes, both in the dark spaces and the light places.

This was fun. If any of my pieces are chosen, they will be published in the magazine.

These subjects are definitely all part of a Central California artist’s life.

Yes, I know it is a good ploy by the magazine to acquire new subscribers. So?

It was fun!

 

Sketchy Decisions

So many pencil drawing commissions are awaiting decisions. I’ve sent sketches and more sketches. Can’t start drawing until I know what the customer/commissioner wants!

2 other sketches 1 cabin2 sketches 3 other sketches 3 sketches

Sketches, called “thumbnails” or “thumbnail sketches” were required in most of the assignments in art classes, both in high school and college (I went to 4 different colleges – a full-fledged Transfer Student) More often than not, I had one good idea, and the rest of the sketches were just a waste of time, mindlessly fulfilling the assignment. The reason for the sketches was never clearly articulated – just do it because the teacher said to do it.  (As a Questioner, I despise that sort of “teaching”.)

Now that I am a professional artist, I know that customers need to see things sketched out because photos don’t do the trick. People also like choices, but not too many.

Too bad the “teachers” didn’t teach us how to guide a customer to a decision. My cynical mind says this is because those “teachers” never had any customers. They only had teachers, giving them time-filling assignments.

COME ON, PEOPLE, DECIDE, PLEASE? Please? pleeeeeeese? I really want to start drawing!

Challenging Pencil Commission, Finished!

I made the changes suggested by Cowboy Bert’s wife. She is very aware of what a mule looks like from all angles, and very observant of details. (As a retired law enforcement Captain, she sometimes refers to herself as a “trained observer”.)

Here it is:

The customer requested color, in a hand-tinted old photo sort of manner. This is how it looks:

The customer requested more color. I’m on my way out to the studio to work on that. . . or “back to the drawing board”.

Ahem. Perhaps I underbid this job slightly.

P.S. Did you figure out that this is Mineral King?

Working Through a Challenging Pencil Commission

There I was, faced with the necessity to draw the north end of a mule headed south, and no reference material!

What’s a Central California artist to do?

Call in Cowboy Bert, of course.

That would be Cowboy Bert, Equine Photographer, who graciously set up one of his mules and positioned him for numerous photos. I was able to print out 3 for reference, but because it took a couple of hours for them to load on my computer, I didn’t save the photos to show you.

Then, I commenced drawing. When I can see what I need to see and know what I am seeing, I can draw very quickly. When I am drawing the north end of a mule headed south and the photos are all just a tad bit different and various pieces of information are obscured behind a tail or in shadow. I take my time. Here are a few of the stages that the drawing went through:

Nope, not drawing anything I can’t see. Waiting for photos. . .

Okay, let’s try this thing.

Hard to see the difference from the previous one. Maybe it is time to get an expert opinion.

At this point, I emailed it to The Captain, who is the prettier partner of Cowboy Bert. She has also taken drawing lessons from me, so I knew she’d observe every detail and prevent me from exposing my ignorance of a mule’s back side.

We laid tissue paper over a printout of the drawing, and the Captain showed me what she saw while explaining it. I repeated it back to her to be sure I understood, and then wrote notes so I could fix things later. (This all happened while setting up for her father’s memorial service – shows you what a thoughtful generous person she is, and possibly what a jerk I am for asking such a thing at such a time.)

Stay tuned for the final drawing. (At the time of this post, it isn’t yet finished.)

A Challenging Pencil Commission

A regular customer wants to republish a book. The original drawing from the cover is missing, and it doesn’t look very good when scanned from a printed book. They asked me to redraw it, and to add color so it has the look of an old hand-tinted black and white photo. All I have to look at is a blurry dark photo and someone else’s drawing. Someone Else (never met her) drew it using the provided photo and other photos of unknown origin. This means there is some vital information missing. It is very difficult to draw from other people’s drawings, particularly when you don’t know the subject very well.

I saw this and thought, “Oh Missy Scarlett, I don’t know nothin’ ’bout birthin’ babies”. I have painted and drawn a few mules, but it was under strict supervision and with good reference photos!

At least it is in a place I recognize and have drawn or painted a couple of times. A couple of dozen times!

Well, oops. Where is the mule? Where is the man leading the mule? Where is the man sitting on the boulder? Where did the previous artist get those images?

Where will I get those images? I can’t accurately and confidently draw things that I cannot see.

More will be revealed in the fullness of time. . .

5 Things in the Life of a Central California Artist

Aren’t lists helpful? Back in the olden days (the 1970s), I was working some dumb boring job. At the end of some days, I got to see my best friend who was in college in the same town. I’d trudge through the day, doing my mindless boring job, and every time I thought of something to tell her, I’d write it on a little piece of paper. When I got to her house, I’d pull the list out of my pocket and share my thoughts or questions or ideas with her. She used to laugh, but it wasn’t derisive. I think she laughed because it was a bit weird, but so be it. It worked. Still does.

Turning Leaf XIV, 6×6″, oil on wrapped canvas, $50

(Email me using the Contact the Artist tab above to buy)

But I digress. Here are a few things happening this month in the life of this Central California artist. This will give you an idea of all that is involved to earn a living as an artist in this rural place.

  1. The upcoming book, The Cabins of Wilsonia is supposed to be arriving on or around November 21. The early bird price of $70 including tax and shipping is good until November 19.
  2. There is a lovely little show in the dining room at Sierra Subs in Three Rivers called “Hidden in the Leaves”. I have 2 paintings in the show, one of which is shown above.
  3. My 2015 calendar of oil paintings called Beautiful Tulare County is now available (see Monday’s post)
  4. On Saturday, November 15 from 9 – 4 at the Three Rivers Memorial Building is fun little arts/craft fair called the Senior League Holiday Bazaar. It is a low key event, with a big variety of items for sale by those who made said items. One of the hottest things there is homemade jelly and jam. (I hope another hot item is my calendar!)
  5. I’m working on a very challenging pencil commission right now. Stay tuned for details and in-progress pictures.

Cabin Commission

The upcoming book, The Cabins of Wilsonia, will have 268 pencil drawings of cabins and cabin details.

Not everyone is pleased with the way I have represented his cabin. Most people are gracious about it and know that the book is an overview, rather than a documentary or a complete album.

One friend was not sure about how to tell me that she didn’t want to buy the original drawing of her cabin. She asked a few polite questions, and I got it. I told her that I can redraw it for her any way that she wants. She said, “But I don’t want to add to your work!” I replied, “Darlin’, that’s how I earn my living!” We laughed, and she commissioned me to draw her cabin.

I took many photos and then did a sketch for her, complete with lots of notes.

After I was sure that I knew what she wanted, I started.

commissioned pencil drawing of cabin in progress

After I got this far, I got a little worried and needed reassurance that I was on the right track.

She gave me the okay, so I finished it.

Commissioned pencil drawing of cabin

 She was thrilled, so of course so am I!

Fancy Drawing of a Not Fancy Cabin

This is the final drawing of the commissioned pencil drawing of a Wilsonia cabin. The customer chose “A”, asked that the sign size be reduced and that plenty of scraggly branches be added to that large tree in front that she affectionately referred to as “the old man”.

It was fun! Drawing cabins is one of the best parts of my business, Cabinart.