Oil Painting Workshop

In the 24 years I’ve been teaching drawing lessons, I’ve never given lessons in December. But, some of my advanced students beg, plead and cajole until I cave in and give oil painting workshops during my “time off”. 

We start off with a little lesson in color, using the double primary palette. This means 2 yellows, 2 reds, 2 blues and white. The color at the far end is a mixture of the bluish red and the reddish blue, which becomes the color used for darkening. I used colored pencils to demonstrate this (I love to draw, you know!)Then it was time for everyone to squeeze out the paints. We spent about 1-1/2 hour just discussing and mixing colors. My method is to mix 3 levels of orange and green, dark, medium and light. Orange and green were needed because the subject matter was a California poppy.

First, I had them draw the general shape of the poppy on the canvas. Second, they painted the background. I didn’t take photos until the orange started going on.

A weird thing happened: I handed each participant 3 different photos, and each person chose the very same one, all without talking to each other or seeing the others’ choices! At the end of our session, this is where everyone was on their painting. 

On day #2 we will do the second layer and the detailing.

Second Beginning Drawing Workshop

Arts Visalia hired me to teach 2 beginning drawing workshops this summer. In June, there were 5 students. The time flew and we all thoroughly enjoyed it. In August, there were 5 new students, and once again, we all had a very good time of learning.

They learned about the basics of drawing, and a little about me. I learned a little about them, and that taking photos with the iPad isn’t a plan if I want to show you the photos on the blog.

After much techie wrangling, I found a way to show you the photos. Tech explained is boring; tech wrangled with is alternately frustrating and exhilarating. I’d rather be drawing, teaching drawing, or blogging.



If it appears that everyone is drawing the same thing, that is because everyone is drawing the same thing. It is much easier to demonstrate once for everyone than have 5 different things happening at the same time.

Drawing Lessons, Tracing

Is it cheating to trace?

Nope. Tracing is a tool, and if you can’t draw, tracing won’t solve the problem.

Yesterday, I said that we often trace the main shapes first, and then draw by looking at the tracing. If you look at the photo, there are many distracting details. If you get the skeleton of the picture on the page first, then you know the details will fit inside.

Rosemary took photos of this giraffe, and then we cropped it down to the essentials. She is now ready to copy the shapes on the tracing.

A tracing is no guarantee of accuracy. I can see that the head-knob (what are those things??) on our right isn’t just like the photo.

The tracing is a starting point. Many corrections happen throughout the entire process. Rosemary will look at this tracing in every direction, evaluating the shapes around the giraffe rather than just the giraffe itself. (In Artspeak, that is called “negative space”, in case you were wondering if I know the real term.)

You can be fast or you can be good. Rosemary is good. This giraffe will be wonderful, because that is how she draws!

More Drawing Lessons Fun

In drawing lessons, each student works at her own pace on the drawing of her choice. (Men are allowed too, but this class happens to be completely feminine.)Below:

Jane, on the left,  sat outside a house and did a very nice sketch of it. She decided she’d like to do it in the highly accurate and detailed manner that I teach. So, she is working out all the dimensions, learning about perspective, and getting the “bones” of the drawing in place before she gets to the shading stage.

Elainea, on the right, has a very endearing photo of her grandson reaching for a Christmas ornament. We cropped it, and then she did a tracing of the main shapes. Next, she drew the shapes on her good paper, looking only at the tracing instead of the photo with its overwhelming details. After all the shapes were in place accurately, she began shading the child’s face. 

In very difficult or demanding subjects, I usually instruct my students to begin with the main part. My theory is that if the main part doesn’t look good, then you don’t have to spend time on the rest of the picture. Also, if you do all the other stuff, then sometimes the fear of wrecking the drawing will cause paralysis.

In other words, “Life’s short – eat dessert first”.

Drawing Lessons Are Fun

Drawing lessons are one of the best parts of my art business. See? Happy people having fun!

Once a week, I spend an afternoon helping people draw at the Courthouse Gallery in Exeter. Some folks just need a regular place and time to draw, some need help with difficult projects, and some need instruction every step of the way. It is a pleasure and privilege to help every one of my students in whatever way they need.

This happens 4 people at a time, 1 hour per week. Each person works on his or her own piece, at his or her own pace. They pay by the month, a month in advance. Sixth grade is the minimum age. You don’t have to have “talent” or experience, just the desire to learn to draw.

My classes are full, but there are four alternatives.

  1. Private lessons at my studio in Three Rivers, scheduled when and however it suits both of us.
  2. A beginning drawing workshop at Arts Visalia, scheduled for Saturday, August 26th, 9-3.
  3. IF YOU HAVE ALREADY TAKEN THE WORKSHOP OR HAD LESSONS WITH ME, continuing lessons in a group format at Arts Visalia, the 3rd Tuesday of the month, beginning in September.
  4. Get on my waiting list for the Tuesday afternoon lessons in Exeter.

Drawing lessons are fun for everyone who participates. The only ones who don’t learn how to draw are those who quit too soon.

Claire drew the barn and we were quite pleased with the results. Her Mom requested leaves on the oak trees. It was very hard, but we figured out a way. The drawing looks faded because I photographed it under a cellophane sleeve while my camera battery was dying, Claire’s dad was waiting for her, and I was in a big hurry. My fault, not Claire’s!

One Day Drawing Workshop

Happy Birthday, Lauren!!

At Arts Visalia, a non-profit gallery in (duh) Visalia, I gave a drawing workshop on Saturday.

There were 6 participants, all attending for different reasons – used to draw, always wanted to draw, tried it before but wasn’t successful, a painter who wants better shapes, draws a little but wants a boost. . . 

We started with the basics. I explained that drawing is a skill, not a talent, and the only people who don’t learn are the ones who quit too soon (or don’t listen). We went through the tools and the steps, and then did a very simple copy-the-shapes exercise. Next was a shading exercise.

Then, we applied what we had practiced to working from 2 photos of oranges.

The workshop was 6 hours long, and this is how the drawings looked at the end:

The drawings are all unfinished, but these were eager learners, and I think each one will finish and keep practicing on her own. Very pleasant group of truly nice and interesting people. I feel blessed to have met you and am proud of you all!

One Day Drawing Workshop

Are you interested in a one day drawing workshop?

Here is your opportunity!

Place: Arts Visalia, Visual Art Center

214 East Oak Avenue
Visalia, CA 93279
Phone: (559)739-0905
 
 
Date: June 10
What: Pencil Drawing Workshop
Time: 9:00 am – 3:00 pm
Instructor: Jana Botkin
Details: This workshop teaches realistic detailed pencil drawing from photos. Advancing your skill set or new to drawing? All levels welcome, 6th grade minimum age.
SUPPLIES OR MATERIALS: The materials will be provided for the class. The student would only need to provide their own lunch, as the class extends through the lunch period.
CLASS TUITION: $85

Gray Matter, Second Chance

Did you wish you had been to the reception for Gray Matter, but you had to miss it because you have such a full life?

Here’s a second chance to see original pencil drawings by me and three of my very advanced drawing students.

There might even be some fabulous brownies. . . not promising, just saying maybe.

Opening Night at Gray Matter

The show “Gray Matter”, consisting of pencil drawings by 3 of my advanced drawing students and me, opened on Friday evening.

This is the Brandon-Mitchell Gallery from the front, 117 S. Locust Street, Visalia, California. That is the county seat of Tulare County, in Central California where I live and work as an artist. (In case you are new to the blog. . .) 

Here is what you see when stepping through the front door.

And this is what I saw when I came through the back door before the people started arriving.

Maggie and I spent 3 hours hanging the 40 or so pencil drawings, grouping them in ways that made sense visually, lining up the tops ever so carefully, evaluating the spaces until we laughed aloud at our fastidious approach. It was so important to us to make this show just shine with the brilliance of our pencil work.

Kelvin began his art life with cartooning a chicken named Henrietta. He has cards, quilt squares and original drawings featuring her and the rooster Harold.  He even had cookies one time. . . This is all in addition to his very fine pencil drawings.

This is me with Kelvin and friends (newlyweds!) Melissa and Jeff. This was at the end of the evening, which was so busy and exciting that I didn’t take any photos. . .

. . . except for a magical moment when the light on the Post Office near by was just stunning. I ran outside as if it was truly important, abandoning my post, guests, and art. The Post Office is a work of art.

I didn’t get a photo of artist Maggie, but did catch Wendy (center) and her family in this blurry snap. I saw her husband across the gallery and thought he looked familiar, like someone I should know. Well, indeed – I have assisted Wendy in drawing him several times!

A good time was had by all, and the art looks wonderful. If you weren’t able to make it, there will be a second reception on Friday, June 2, 5-8 p.m. If you live anywhere near Visalia and like pencil drawings, I suggest you plan to attend. The work is really remarkable!