Drawing Sequoia

Sequoia Natural History Association has sold my work for many years. Great organization – they stock and man the visitor centers and ranger stations throughout Sequoia. They do a lot more, but this post isn’t about them. It is about a drawing I am working on in hopes that they will add it to their inventory in the near future.

This is how the bridge over the Marble Fork of the Kaweah River looked during my recent visit to Sequoia National Park. This bridge is in the Lodgepole Campground.

This is the pencil drawing and the photos I’m working from. The white spaces in the photo are unfinished or sunshine, not snow.

Just in case you were wondering. . .

And I think bridges are remarkable pieces of architecture. They are simple spans over space, but they can be so elegant. Stone work, rustic wood, flowing water – what’s not to like?

Turning Away Work

Really? Turn away work? Who would do that?

Me, that’s who.

Why?

Because I know my limitations.

The story: 

An acquaintance called me to take a look at an old photo of a pilot posing on the wing of his aircraft in the 1940s. It was an 8×10 black and white photo, the man was about 1-1/2″ high (he was in a squat) and his face may have been about 1/2″ high.

If I can’t see it, I can’t draw it.

I could see the man’s face with really strong magnifying lenses, but to reproduce it accurately and in color (that was the point of him calling me), it would have been extremely time consuming. A dot here, erase, move the dot slightly left, erase, move the dot slightly higher, oops now he looks like a Cyclops. . . that is how those tiny portraits go.

I speak from hard-won experience. No faces smaller than an egg.

Once in awhile I get lucky and succeed with these tiny tiny faces, but it is after a serious and honest conversation with the customer about their expectations and my abilities. Remember this?

(Well, oops, the link broke and I don’t know what it was.)

So I recommended that the potential customer find someone who is very skilled with Adobe Photoshop to take the crud out and put some color in.

However, if would like to have it drawn large, perhaps 16×20, some sort of size that would bring the man’s face up to the size of an egg, then yes, I am the artist he wants!

Nice man. I think it will be good to do work for him in the future. He appreciated my honesty, and he said that he just hadn’t allowed enough in his budget for a larger drawing.

In my experience, people rarely allow enough in their budgets for art. Oh well, got a good blog post out of it. Waste not, want not. (Stop thinking “nothing ventured, nothing gained” – I can hear you out there!)

Drawing Because I Love To Draw

After spending an entire year completely focused on completing one drawing after another after another after another until 268 drawings were completed. . .

What was I saying? All those after anothers got me lost.

I love to draw. It has been a long time since I drew simply because there was a picture I wanted to draw instead of a commission or a cabin related drawing for The Cabins of Wilsonia.

See?

Grazing in Kaweah Country, graphite (AKA “pencil”), 14×11″, $250

If you live in Three Rivers, you’ll be wondering where this is. It is on Kaweah River Drive, at the place called “The Catfish Farm”. It might be called The Chess Ranch. Whatever you call it, the place is for sale. It is a huge piece of wonderful property, which can be yours for about $5,000,000. Yeah, five million dollars. Whatever.  Just write a check or something.

Makes this pencil drawing look like the bargain of the year!

Amazing Work from my Drawing Students

This year marks the completion of 20 years of teaching people how to draw. Or, perhaps it marks the beginning of year #21. Numbers aren’t my strongest subject.

When I started, I didn’t know how to teach. I just bumbled, fumbled and mumbled. If someone wanted to draw, say, a lion, I’d procrastinate on the parts I didn’t know how to do. Then, we’d figure it out together.

My students were kids 4th grade and older. I was too nervous to teach adults, because I was sure they’d see how little I knew. Eventually I caved in, and learned that it is easier to teach adults than children. Even children who are there because they want to be get a little squirrely at times.

The fact that adults were easier didn’t mean I stopped teaching kids or that I didn’t enjoy it. I LOVE teaching people how to draw.

The only people who haven’t learned how to draw from me are the ones who quit too soon.

I could go on and on about learning to draw. Instead, I’m going to show off the work of some of my students. I’ve chosen these because each one was drawn from the artist’s own photos and because I happened to have scans of them. Besides, they’ll knock your socks off!

End of the Trail, by Kelvin Farris

Swing girl, Wendy Miller

Kaia, Maggie Meling

Mineral King in February?

Nope, I’m not there. (Where did the word “nope” come from??)  But, it is Friday, so have a look at some Mineral King art from my pencil archives:

Fret not. Summer will return.

Mineral King is one of the treasures of Tulare County, a place I love.

We break for this commercial message: This pencil drawing of Mineral King has sold. If you would like your own original pencil drawing of this (or of something else), I can do it for you. In fact, it would be a pleasure to draw for you!

9×12″ – $200

11×14″ –  $250

Happy 2014, O Gentle Blog Readers

Hi.

I finished all the drawings for The Cabins of Wilsonia.  Maybe. When I get the book designed, I might need to add, subtract or rework the 265 pencil drawings. T W O H U N D R E D S I X T Y F I V E PENCIL DRAWINGS OF CABINS!

Excuse me for shouting. It is a little overwhelming.

Tired of drawing? Never. Ready to just goof off a little? Maybe.

I was goofing off, cruising around the internet and found the most beautiful blog ever. It is called stillblog dot net. Here is the link. It is my little gift to you, O Gentle Blog Readers. Scroll through, enjoy. I share this with you because

I appreciate you!

Aw shucks.

Anyone need a last minute gift?

I’m here to help if you need a last minute gift. You can call me at the studio (out of fear of the unknown  internet trolls I’ll put my phone # in words) five six one seven six zero six. (I figure if you need the area code, then you probably aren’t going to find this post very helpful because I’m too far from you to help at the last minute – however, it is 559)

Note card packages, oil paintings, pencil drawings, drawing lessons, Mineral King tee shirts, all available from me at my studio in Three Rivers. Calendars – sold out.

You know how I feel about shopping. This means I want it to be easy on you too. Let me know if I can help you.

If you live in the area, in Tulare County or here in Three Rivers, we can probably make arrangements to have it to you almost immediately. No guarantees, just hoping for the best. (I remember those childhood Christmas Eve trips to the Ivanhoe Drug Store with my Dad. . . I thought that was normal. Guess it was at our house!)

Here, take a deep breath and then rest your eyes upon this:

My favorite bridge, colored pencil drawing from 2006, sold

Worst Critic

Has anyone ever said to you, “You are your own worst critic”?

It might be meant as an insult, although it could be interpreted as a compliment, meaning “no one else is as hard on you because there is no reason to be hard on you”.

I think being one’s own worst critic is a helpful skill in art, especially when one works alone. Who else is there to do any criticizing with the intent of helping or critiquing with the intent of improving?

A long time ago, last century, I drew this picture:

It is called “My Front Porch”. It sold recently, and before I packaged it up to ship, I put on some magnifying glasses (aka “cheaters” or “readers”) to look it over.

UNACCEPTABLE!

I spent about 1-1/2 hours improving it, because I draw better now. Yes, it looks like a different color because the method of scanning has changed. But, if you click on each picture and make them bigger on your screen, I think you will see the difference. If you can’t see the difference, that’s okay. I’m my own worst critic, not you! 😎

Growth is good (unless trying to lose weight or are a cancer cell.)

P.S. I just clicked on each picture separately, enlarged them on the screen, and realized that the new one looks all pixelated and icky. Okay, you’ll just have to trust me that the second one is better. The customer may not know of the improvements, but I certainly feel better.

Crazy Hard Pencil Commission – DONE!

Remember that crazy hard pencil commission of those two miniature fuzzy faces? (You can see it in the October 2 blog post.)

The customer/friend asked me to make an adjustment to the boy’s cheek because his face was more narrow than round in real life (couldn’t prove it by me or by that photo). Adjustment made, I began the rest of the drawing. It turned out like this:

She thought that by adjusting his cheek, his face went out of balance. Yup. His face is crooked. Why? You might need a microscope to see it. Why don’t I just show you the corrected version:

Can you see the difference? Neither can I, but it showed up under the giant magnifying light at the drawing table. After I got the customer’s approval, I scanned it, then spray fixed it, then added a bit of red to the trailer and blue to the trike.

No, you aren’t blind. I didn’t scan it again after adding the color.

A Good Challenge (Or a Crazy-Hard Pencil Commission)

A wise colored pencil artist taught me to NEVER draw a face smaller than an egg. I’ve passed that on to my drawing students. It is tricky enough to capture a likeness correctly with photos or people that you can actually see and measure. Try doing it when you can’t see the details. Worse, try doing it when you can’t see the details on the photo AND the size of the drawn face is smaller than an egg, and there are TWO of these microscopic faces in the pictures.

A friend brought me this photo and asked me to draw it for her. I’ve shot it holding it in my hand so you can see how small it is, and how small the people are, and how truly miniature the faces are:

Then she said, “I enlarged it for you in case that will help,” and she gave me this:

Blurry and pixelated is how the tiny faces appear in this enlargement. Notice that the enlarged faces are perhaps about the size of my thumbnail now. (I have chunky hands, but even my thumbnail is no where near the size of an egg.)

She said that her daughter, a long time drawing student of mine, begged her to not bring this to me or be crazy enough to ask me to draw it. She didn’t listen to her daughter, whose advice was based on years of listening to me.

I like me a good challenge. Because this lady and I are friends, I told her I’d try. What does friendship have to do with it? The ability to communicate honestly is EVERYTHING when drawing or painting commissioned art. EVERYTHING. Besides, she flattered me by saying, “I figured if anyone would be able to do this, it would be you.”

Flattery often succeeds in getting me to try things that I know are crazy-hard (unless it involves the possibility of bodily injury).

The plan was to get it laid out and then shade in the faces. If she didn’t like the faces, I could just stop without having invested hours and hours. “No harm, no foul” seems to be the appropriate cliche’ for this approach.

I told my drawing students. There were guffaws, gasps of horror, looks of incomprehension, several “but you always say to never draw a face smaller than an egg”, and maybe a couple of screams.

Here is what I did to show the customer:

Blurry and small, just like the photo. Lacking in detail, it is hoped that the angle of the heads and the suggestions of features will bring to mind the correct little humans.

What did the customer, the mother of my long-term drawing student, the friend with whom I must have honest communication say about it?

More will be revealed in the fullness of time. . .