Classic Mineral King

When people think of Mineral King,  a certain scene usually comes to mind. It is the view of Farewell Gap, looking upstream while standing on the bridge at the end of the road, with the Crowley family cabin and the stream in the foreground. This is the most popular scene that I paint of Mineral King.

Recently a large oil painting of this scene sold at Kaweah Arts.

At the same time, Silver City Resort asked me for a large vertical painting to hang in a highly visible space inside the store/restaurant. Last year a painting of sequoia trees filled that space; this summer it is hanging (for sale, of course) at Kaweah Arts.

Clearly, I need to paint a new large canvas of this classic Mineral King scene.

This is the first time I have painted the scene in these proportions. 

I wonder how quickly I can get it done, because the summer selling season is a short little blip on the calendar.

Summer’s Coming and so is the Bridge

Last week it got cold and rainy but I painted in the unheated workshop anyway because summer is coming and I will wish it was cold. Yes, there is a heater which Trail Guy offered to light for me several times, but I declined. It was overcast, and I knew I wouldn’t be painting all day because it was a little hard to see the colors correctly.

In deciding which of the 7 Mineral King oil paintings to work on, it may not surprise you that I chose one of the Oak Grove Bridge, my favorite subject to draw and paint.

The bridge needs to be refined and the foliage needs to be finished. Then I will probably start on the other oil painting of my favorite bridge in all of Tulare County. 

 

Summer’s Coming

Yes, yes, I know it is still March, my second favorite month (interpret that either way you would like). But summer comes every year, and with it comes the need for me to supply Silver City Resort with oil paintings to sell. There isn’t a lot to paint of Silver City itself, and as nice as it is, people go there BECAUSE IT IS NEAR MINERAL KING.

Excuse me for shouting. I feel that all the way to my toes, since I took a job at Silver City in 1985 BECAUSE IT IS NEAR MINERAL KING.

Here are the paintings that I have begun in order to have merchandise for Silver City to sell.

Second New Commission (or The Green Tunnel)

There is a section of trail in the Mineral King valley that I think of as the Yellow Tunnel in the fall. It is also the Green Tunnel in the summer, and I showed a photo of it on my blog last month. Here, have another look:

A faithful blog reader asked if I would be willing to paint that for her, and of course I said yes. We chose 11×14″, and then while I was waiting for a printed version of the photo (and a deposit on the painting because I have learned the hard way that if a customer doesn’t make a monetary commitment, it is only a conversation, not a commission), where was I, oh yeah, while I was waiting, I looked at the Green Tunnel from another perspective.

Doesn’t really say Green Tunnel from this view, eh? But fun to consider, if you are a fairly simple person with plain tastes in what constitutes fun.

The check came, and I couldn’t wait for the printed photo but began painting from my laptop. This has benefits and disadvantages, but when one is eager to begin a job, one does what is necessary.

This is not my normal way of painting, but when something feels right and is working, I just go with it. I turned off the voices of all my previous instructors and said to my self, “Self,” I said, “I’ll be me and they can be them and it will all work out just fine.”

Tucker and Pippin were also fine with that, and I had to be very careful of where I stepped when standing back to view my progress. (Jackson was out working or something.)

Call me “Butter” – I’m on a roll!

Now it needs to dry before I continue or the sky will turn green.

 

Summer Sales Ahead

That’s an optimistic title, wouldn’t you say?

Back when it was a simple mountain market called “The Silver City Store”. (photo 1985)

The store at the Silver City Resort below Mineral King has a projected opening date of June 5. (I still call the whole place the Silver City Store although it has become an almost swanky resort instead of a little mountain  store.)

My oil paintings sell very well there each summer. I have high hopes for this year in spite of the Shut Down. 

When the manager said they were ready for my paintings, I spread them all out, and then made decisions. Eventually I hope all will make it up the hill, but we only show about 10 at a time.

These went up the hill in round one.
These stayed back until some of the earlier pieces have sold.

It is always a guess – how many of which subjects and which sizes?

Every year I think I have it figured out, and often end up cranking out paintings mid summer because something popular has sold out in a certain size. This year’s paintings are heavy in wildflowers. 

This summer is full of more unknowns than usual. As always, more will be revealed in the fullness of time. 

 

Pencil Reminiscing, Part Ten

Somewhere along the path of creating notecard packages, I did a set of Mineral King scenes, a mini-set of four instead of five, without the identifying label. Instead, I inserted a photocopy of what was inside.

Judging from the quality of the background landscaping, this was still early in the sequence of notecard sets.

The old Ranger Station was from a postcard; the others were from my photos, so they were current at the time (and still look almost the same).

I think these were tied up with raffia, oh so very elegantly rustic.

Mineral King, Plein Air #4

I liked sitting by the stream to paint, so I set up the next day in the morning so it would be shady. The idea was to paint the same scene with different lighting, but I ended up leaving out the juniper this time. Why? Because I wanted to, and I am the boss of my painting.

This time I used the lid of the palette to balance, because the less stuff I have to juggle, the better.

But wait! Before I started this painting, I decided to try one from my memory and a sketch I had made the evening before. Because we are fairly social on our road, evenings, especially on holiday weekends, are for neighbors, not for working. So it wasn’t convenient or friendly to disappear to work when people had braved that road and wanted to socialize.

Ummm, no. This will need some work in the studio.
Vandever & Stream, 8×8″, sold.
There is a theme here.

There. I’m done with plein air in Mineral King posts for awhile. I just wanted you to know that I am still working, even though it seems as if I just goof off in Mineral King in the summer.

Plein Air in Mineral King, #2

A number of years ago (feels like 6, must be 10) I tried painting on location from the bridge in Mineral King. I had no instruction and no idea of how to proceed.

Painting in Mineral King in 2007 – it was TWELVE YEARS AGO! (I still have that shirt.)

Trail Guy and I walked to the bridge and inspected the views and possible areas to set up. The bridge is narrower now, so setting up on it is asking to be hit by someone’s rearview mirror, or moving every time a car comes.

This is from the bridge, a perfect scene, but one that can only happen via photos or with lots of trotting back and forth across the bridge. (There is no bridge troll, so it could work.)
This was about the only option, in spite of the uneven ground.
The stream didn’t really show despite being on a bridge. Too many willows.
The juniper blocks the top of Vandever, so I moved it.
Once again, I relied on the sketch to tell me what to include and what might fit.
First, the underpainting.
Second, the greens. Looks terrible, but has promise at this stage.
Better.
It’s kind of interesting to see the evolving canvas and the scene in one shot.
Suddenly, I was tired of dealing with uneven ground, people stopping by, and painting outside, so I packed it up and walked back to the cabin to finish.

I’ve painted this scene about 50 or 60 times, and drawn it in pencil at least a dozen more. So, I felt confident finishing it up at home.

Almost finished.
“Crowley Cabin”, 8×10″, oil on wrapped canvas, $125.

Deciding What to Paint Next

Sometimes it might be nice to have a boss or maybe a crystal ball or even a mentor or a board of directors. When deciding what to paint next, there are days when I think how good it is to just do whatever I want; other times I wish someone else would tell me what to paint.

I have two 6×18″ canvases left and five ideas for them.

When I don’t know what to paint, I go with my first idea or first impression. All of the ideas are good, all are Mineral King, of course. The juniper tree along the White Chief trail has been calling to me in spite of having painted it twice already this spring, and OF COURSE I want to paint wildflowers. The others might be good to paint later. But, I’ll have to place yet another order with the art supply company, and Prudence tells me to wait until some paintings have sold. (Prudence often tells me wise things.)

I’m starting this and treating it as an “alla prima” painting in an attempt to finish it in one session.
Nope, this will take another session and much better light. But, I think it is a great start.
I just dove into this without much forethought. Could not wait to paint wildflowers. Does this surprise anyone?

This Mineral King painting will require lots of reference photos to remember the leafing patterns and to get the flowers to be believable. (The peak is Vandever, which is on the right side of Farewell Gap.)

Small Business Decision

The business of art is full of choices and decisions, and rarely is there a map or an instruction book. I can find things on the World Wide Web, but often the advice is contradictory, or geared toward folks who live in cities or sell in galleries. This forces me to do my own thinking, an exhausting proposition at times.

For the upcoming show on June 30, “ART: INSPIRED BY MINERAL KING”, I have been painting diligently since January. Many pieces have sold, so I just keep painting more. 

Last week I made a small decision: I am not going to show photos of the newest pieces I’ve finished on the blog. Instead, I am saving them for the actual show. Afterward, I will post them here, hopefully with a SOLD sign on them.

This is a marketing decision. Might be good, might be dumb. As my dad used to say, “Time will tell”. (I prefer “More will be revealed in the fullness of time”.)

Then what shall I show you today? How about Piper and some weird white poppies:

There are white poppies in my yard. Piper is puzzled by this.