Practicing Plein Air Painting in Mineral King

Remember that I went down to Georgia (no, I’m not the devil) to take a plein air painting workshop from Laurel Daniel? The goal was to be able to do plein air painting in Mineral King.

I was a little nervous, having waited 3 months to attempt the techniques again. Mineral King feels so public, probably because it is, and I was glad there weren’t many people around yet. Still, I set up my easel in an obscure place, and remained invisible in the shade despite my trusty red backpack.

See? My set up is barely visible.

The plan was to paint Empire (the rock outcropping, not the highest part of the ridge) with a few cabins below.

Too much – needs to be narrowed down.
Maybe this horizontal view?
Nah. Let’s go vertical. (“Let’s”? Got a mouse in your easel?)
I reread my notes and then just began as if I knew what I was doing.
The sketch helped me see which elements I had decided to leave in the scene.
When I started adding the color, I forgot to stop and take photos of the more intermediate steps.
No one noticed, because no one passed by. I was glad.
Starting to look like something!
This was the view from my place in the shade.

Here is the finished piece, dry and scanned after I got back home. (It was tricky business finding a place to put the painting to dry in our 400 square foot cabin, but we are always innovative with the limited space.

Empire & Cabins, 8×10″, oil on wrapped canvas, $125

The whole time I wondered what Laurel would say, and tried to remember some of the things she worked on with me. There is probably too much detail in this for her, but I am the boss of my painting now.

Deciding What to Paint Next

Sometimes it might be nice to have a boss or maybe a crystal ball or even a mentor or a board of directors. When deciding what to paint next, there are days when I think how good it is to just do whatever I want; other times I wish someone else would tell me what to paint.

I have two 6×18″ canvases left and five ideas for them.

When I don’t know what to paint, I go with my first idea or first impression. All of the ideas are good, all are Mineral King, of course. The juniper tree along the White Chief trail has been calling to me in spite of having painted it twice already this spring, and OF COURSE I want to paint wildflowers. The others might be good to paint later. But, I’ll have to place yet another order with the art supply company, and Prudence tells me to wait until some paintings have sold. (Prudence often tells me wise things.)

I’m starting this and treating it as an “alla prima” painting in an attempt to finish it in one session.
Nope, this will take another session and much better light. But, I think it is a great start.
I just dove into this without much forethought. Could not wait to paint wildflowers. Does this surprise anyone?

This Mineral King painting will require lots of reference photos to remember the leafing patterns and to get the flowers to be believable. (The peak is Vandever, which is on the right side of Farewell Gap.)

Painting Mineral King

and Crescent Meadow.

The top painting shows the Mineral King valley from up on the Monarch Lake Trail as it appeared last September.

If I am hiking to Monarch Lake, it is the Monarch Lake Trail. If I am hiking to Crystal Lake, it is the Crystal Lake Trail. If I am walking to Timber Gap (walking because that one can be done without a pack, lunch or water if you hustle your bustle), it is called the Timber Gap Trail. If I am hiking to Sawtooth. . .

Never mind. I don’t hike to Sawtooth. But, I got off track there a bit (or off trail?)

The painting might be finished. I thought maybe I could get away with a quickly done painting as long as I used juiced up colors.

But Noooooo, I had to detail it to pieces.

Same with Crescent Meadow. This is how it looks after a second pass over the canvas:

Crescent Meadow is in Sequoia National Park, near Giant Forest and Moro Rock. The painting looks a little weird because it is wet and reflective. When it is detailed to pieces, dry and scanned, it’ll not only be not weird, it will be beautiful.

I hope.

Painting Mineral King

It’s my main subject, along with Three Rivers, the big trees and citrus. (You knew that, right?) I finished working on this little painting while at the Art Co-op, put it outside in the sunshine, and then later noticed it was pouring, despite the brilliant sun cooking the side of my head through the glass doors. Because it is oil paint, the water beaded up on the surface so I just blew it off. Literally. Got a little light-headed in the process, but saved the painting. If it weren’t for Jim Peters, I couldn’t have worked on this because I forgot my magnifying glasses and he graciously lent me a pair of his! Thanks, Jim!

 

 

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